No More Learning

Like resigned clinicians, they tend to send this world, this incorrigible world, home to die. Yet the rage of these helpless helpers matters little. One may ask whether philosophers, after everything that has hap- pened, can continue to think of themselves as the physicians of culture, at all. Should they come to terms with the fact that they seem more unmasked than those who also cannot help? Have not other helpers, other healers long since supplanted them with the public—and for reasons that can hardly be refuted for the time being? What can thinkers still fascinated by the magic of consum- mation accomplish in the future other than warning their clients of themselves? Is not the point now to mature into immaturity? The remembrance of Hegel and the resplendent wretchedness of his successes may be useful for understanding why, in the method- ological quarrel of the world physicians, individual philosophers— post-Hegelian as well as non-Hegelian—will continue to have their say, even if much more modestly.
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Schelling
The image of the philosopher Schelling is shaped above all by the shimmering myth of his youth. With a demonic-seeming self-assurance, the twenty year old assumed the leadership of
German philosophy around 1800, which at that time, as the spiri- tual supplement to the French Revolution, as it were, represented the avant-garde of world thought. Writing in radiant prose, the young Schelling drafted a series of systemic sketches that per- formed, before the eyes of an amazed public, a celestial journey of speculative reason. He seemed to have discovered a process of speaking from the vantage point of the Absolute as though from a secure position. No matter what objects the young man touched, everything transformed itself under his vigorous diction into a flight of fancy and speculative thunderstorm. It was as though the goal was to prove that finally a confidant of God was once again among us. Schelling drove the tone of finality to the extreme and
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elevated the oscillation between extreme viewpoints into the rank of a process. When he carried out the leap from Fichtean phi- losophy of consciousness to natural philosophy, the reputation of frivolity—indeed, inconsistency—attached itself to him, though it would escape most of his critics that there was a plausible meth- odology in this about-face. And so it was no surprise that from an early point in his career, he already encountered not only admir- ing sympathy, but also skepticism and hostile suspicion. It is not true that Schelling—as Hegel spitefully remarked—underwent his education in front of the audience; but it is true that the young author, overwhelmed by his own élan, also produced himself before a public in which there were many who stared at his bril- liant feats with the lizard gaze of unmoved mediocrity. Yet this hardly mattered, as long as Schelling was able to hold his ground as the idol of the early generation of Romantics. His evangelical fanfare about nature creatively at work within us sounded irre- sistible. His youthful work, especially from the time of Schelling’s felicitous association with the well-disposed Goethe, reflects a pleromatic world-moment—it attests to a singular omnipotence of intelligence in the fullness of its epoch. It may be that this Schellingian moment has lapsed irretrievable into the past; nev- ertheless, out of it there arose a problem in which contemporary thinking can also recognize itself. For in his abrupt turn to natural philosophy, Schelling discovered the motif of the enabling past of consciousness without which there would not exist the categories of the subconscious and of cognitive evolution, which are crucial to modern thought. It is only in their Mesmerian-magical atti- tude that Schelling’s breakthroughs to logical modernity remain bound to the Romantic horizon; substantively, Schelling pursued a natural history of freedom as the early developmental stage of reason. In fact, the young philosopher listened carefully—like an eager midwife—at the womb of nature pregnant with spirit, so as to discern deep within it the heartbeat of a self-consciousness as
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yet unborn. From his assistance in the birth of consciousness from the still unconscious, Schelling derived the insight that would make him the primus among the great theoreticians of art in the modern age.
There is a second myth about Schelling, this one concerning the darkening of the mind of the aging genius. Some believed they could detect in the later Schelling the sadness of the fallen angel, and have tried to interpret the trajectory of his life as the unavoid- able decline after a beginning at an unsurpassable height—as though we were dealing with a Rimbaud of speculative reason. Some writers went so far as to ponder what kind of image of Schelling would have been passed down if the hero of the mighty intellect had died—like Novalis—as a young man. It is indeed true that the later Schelling made it difficult for all those who were interested only in idealistic hero-worship. The second half of his life stood undeniably in the shadow of a growing complication. This did not have the character of a decline, however, but attests to a magnificent process of growing seriousness and compelling advancement in the awareness of difficulties. In hidden decades, Schelling succeeded in breaking the illustrious vise of his appar- ent perfection at an early age, and shifted the foundations of his thinking into layers of problems to which no idealistic thinker before him had penetrated. Now the terror at the heart of the world became visible to him, and he recognized melancholy as the deepest stratum of nature. In incomparably dense and dark stud- ies, he contemplated Evil as an attractive world power; he probed the eerie power of the Base to set itself up as the Lofty as the sin- ister driving force behind the course of the world; he brooded on the unfathomable abyss of God with a tenacity that seemed less suited to Munich in the early nineteenth century than to Alexan- dria in the third century ce.
If one wanted to give a label to the thrust of Schelling’s later works, one would have to speak of the conquest of brokenness.
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Schelling’s late oeuvre offers the first great monument to a post- narcissistic exertion of reason. His contemplation immerses itself in the finiteness and historicity of reason; it gives room to the inkling that philosophy’s reach for the One and the Whole of the nature of reality and the openness of becoming has always missed the mark. In many respects, but above all where Schelling brings out the precedence of the future within the fabric of time, this thinking anticipates the new beginning of philosophical ques- tioning in Heidegger. Schelling’s late oeuvre was erected in pro- tracted, virtually subterranean processes far removed from the everyday journalistic excitations of the Vormärz era, and entirely in the shadow of Hegel’s triumphalist seductions. The result was the unfair appearance that the older Schelling represented merely a classical relic who had remained bound to positions that had been overtaken by the Zeitgeist.
That impression was reinforced by the debacle of Schelling’s Berlin lectures on the philosophy of revelation, when the sixty- five-year-old philosopher failed before an initially fascinated but then bored audience with his theosophical and historiosophical elusions. Schelling contributed in no small measure to the mis- judgment of himself, above all because he was barely able to mus- ter the strength to finish a treatise and hid from completing major works he was planning in endless procrastination—as though he were belatedly frightened by his early heroic accomplishments. Added to this was that his later style became clouded and con- voluted and rarely again found its way back to the “resonant cer- tainty of victory” of his early pronouncements. In Schelling’s late style, with its wondrous complexity and melancholy chiaroscuro, there manifests itself the difficult farewell to the epoch’s dream of the omnipotence of reason. Schelling’s late prose shows the pain- ful mask of an idealism that must rally its best forces to bring itself back within the boundaries of mortal reflection. At the same time, idealism’s self-restraint was for Schelling the necessary condition
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for opening thinking up to the future. It is here that the philoso- phy of the Not-Yet takes its beginning.
In Schelling’s magnificent turning away from the unseemly grandiosities of reason, the signature of contemporary think- ing reveals itself authentically for the first time. Schelling’s most prominent student, King Maximilian of Bavaria, was ahead of the received opinion of his day when he had these words carved into the memorial to the philosopher who died in 1854: “To the first thinker of Germany. ” Neither Neo-Kantianism, nor Neo- Hegelianism, nor the phenomenological movement inaugu- rated by Husserl was able to entirely disavow the royal verdict. Through the variety of his work and the exertions of his pathways of thought, Schelling conveyed to posterity an idea of the price of maturity.
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Schopenhauer
Schopenhauer was the first eminent thinker who left the Western Church of Reason. Alongside Marx and the Young Hegelians, it was he who carried out the revolutionary break in
nineteenth-century thought in the most principled way. With him there begins the long agony of the good foundation; he bids a concise farewell to the Greek and Judeo-Christian theologies. For him, what was most absolutely real had ceased to be a godlike, reasonable, and just spiritual being. With his doctrine of the Will, the theory of the foundation of the world leaps from the kind of pious rationalism that had prevailed since the days of Plato to a recognition—characterized by horror and amazement—of the arational. Schopenhauer was the first who identified Being’s energetic and instinctive nature which is free of reason. In that, he is one of the fathers of the century of psychoanalysis; in the future he could yet turn out to be a distant patron of and kin to
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an age of chaos theory and systemics. And over the long term his most important contribution to intellectual history could be that he opened the European doors to the Asian wisdom traditions, especially Buddhism, with the utmost respect.
It may be that his doctrine of the resignation of the Will must sound even stranger to the hunger for life among the inhabitants of the First World today than it would have to Schopenhauer’s contemporaries, the progressive positivists and the world revolu- tionaries with their faith in humanity; yet today, as well, it reminds us that the unbounded hunger for life will not be able to solve the problems created by its free exercise by intensifying itself even more. Schopenhauer could have authored this statement: only despair can still save us; of course, he spoke not of despair, but of renunciation. For modern people, renunciation is the most difficult word in the world. Schopenhauer called it out against the roaring surf. After him, questions regarding the ethical are more radically open than ever before.
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KierKegaard
Historism and evolutionism—the two legacies of the nineteenth century to the twentieth and twenty-first centuries—have seared into the conviction of the later-born the
insipid tenet that every thought is the product of its time. Who- ever accepts this seems at first to have struck a good bargain, for historism frees the individual from the monstrous weight of the philosophia perennis and offers the possibility of traveling through time with lighter baggage. It suffices to place oneself at the lead- ing edge of the development as a way of dealing with the draw- back of relativism, that of one’s own obsolescence. Historical thinking seeks to replace the absolute but illusory sovereignty that metaphysics granted with the relative sovereignty of think- ing that is allowed to regard itself as advanced. Kierkegaard can teach us, however, that historism is a trick for attaining the van- tage point of postmetaphysics at half the price. For Kierkegaard,
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radical thinking is not the progeny of its time; it is the acknowl- edgment of its facticity.
The most important qualifier by which more recent thinkers have sought to mark out their place within the line of fundamen- tal epochal positions and philosophical systems is without a doubt a date: after Hegel. The latter has been associated with a dual sug- gestion. For one, the formula “after Hegel” stands for the notion that Hegel’s work completed what had been begun in ancient Greece. Henceforth, the history of philosophy can be systemati- cally presented as the epic of the concept that penetrates itself. But if the history of the mind is simultaneously the substance of world history, the consummation of the one implies also the con- summation of the other.
When following the great migration of the mind from Ionia to Jena, there begins an endless period of leisure, when the fruits of the historical battles can be contemplatively and playfully enjoyed. In this framework, dating oneself “post-Hegel” means making a place for oneself as a gratefully enlightened epigone in a world that is in principle finished.
But of course the date “after Hegel” also describes the protest against the idyll of the philosophy of history. For it corresponds to the spontaneous life experience of most people that in their case the reasonable is not yet the real and the real is not yet the reason- able. This objection leads to the position of the Young Hegelians in the broader sense. Their chief complaint against Hegel is only that he was premature. If they have a critical appreciation of the master’s work, it is not as the final but the penultimate chapter of history. They insist on the distinction that the consummation of the theory by no means implies already its practical realiza- tion; rather, from now until further notice one must continually “move” from theory to praxis. This group of post-Hegelians post- pones the moment of consummation to a later date, until at long last justice will have been done also to the claims of those entities
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skipped over by Hegel’s mind: the proletariat, women, the mar- ginalized, colonized peoples, the mentally and emotionally ill, discriminated minorities, and, finally, all of enslaved nature. All of these entities are possible subjects and drivers of ongoing his- tory to the degree that they put forth demands by virtue of their informed discontent, demands that must be met through his- torical labors and struggles before the Now of the jaded posthis- tory can dawn. That is why the root slogan of unsatisfied post- Hegelianism is: the struggle continues. The final work remains to be done. The theory that is still engaged in the struggle presents itself as the critical one: it carries the torch of truth through a world not yet real; it totalizes the perspective of the dissatisfied part onto the sanctimonious whole. Its date is the period of the transition from theoretical anticipation to practical consumma- tion: after Hegel—before the empire of reason.
If one follows merely chronology, one might expect from Kierkegaard nothing other than a variation of post-Hegelian thinking. In actuality, Kierkegaard broke with the metaphysi- cal scheme of consummation as a whole and located himself in a time that no longer had anything in common with the extended final games of the Enlightenment and the end of history. With that, he imparted a completely different meaning to the position “post-Hegel,” one that means neither the contented awareness of accomplished absolute reflection, nor the critical postponement of consummation. For a thinking in the time of existence, the issue is not to assume some position left open by Hegel. Rather, the name “Hegel” stands for the massif of metaphysics as a whole from which existential thinking seeks to break away by no longer leaning on what is objective, but by keeping open the unfathom- ableness of its subjectivity. Anyone who intends to break with Hegel in full awareness of doing so must simultaneously reject along with him the Platonic legacy and the better part of Chris- tian theology.
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Kierkegaard’s existential reflection uncovers for itself and his contemporaries the necessity of deeper dates: if subjectivity is the truth (and the untruth), the imperative is to date oneself in a destructive sense after Plato and in an absurd sense after and yet contemporaneous with Christ. Plato had established philoso- phy as metaphysics when he implanted in it the masterful claim of transcending the imperfect to the perfect, the finite to the infinite. These philosophical transcendencies had the quality of sublime regressions in which the existing intellect groped its way to preexistential intuitions. The fundamental metaphysical act— transcendence—means precisely this: withdrawing from time to regain the origin in the Absolute.
Kierkegaard radically questioned this tendency of philoso- phy; for him it was impossible to rise into the Timeless on the light thread of concepts. The human mind’s journey home to God, undertaken time and again since the days of Plato and the Church Fathers, strikes him as a treacherous career into which the individual in the metaphysical world age allowed himself to be enticed—not least under the banner of ruling Christianity. But it is the truth of subjectivity to return, after all upswings, to its dis- cord and its doubt. For Kierkegaard this manifested itself espe- cially in the act of faith, by which the human being after Christ defied the abyss of the unbelievableness of Christian doctrines. Only a Christianity that was metaphysized and inflated into sacral folklore of power could imagine that the tradition of the mar- tyrs, the saints, and the fathers of theology adds up to evidence upon which the individual believer can look back just as calmly as the philosopher can upon his inner archetypes. For Kierkeg- aard, however, the individual stands before the Christian legend utterly dumbfounded. Should he decide to take up the mantle of discipleship, then it certainly should not be because so many power mongers, hysterics, and conformists have preceded him along this path. Faith is valid only because of a decision of trust for
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which external supporting reasons cannot be adduced in the final analysis. To Kierkegaard, believing does not mean giving in to a comfortable urge of imitation in the ecclesiastical and imperial framework, but making a choice in the face of the unbelievable. In this choice “as for the first time” Kierkegaard discovers the heart- beat of existential time that is open to the future. With it, there opens up the possibility for something essentially new that would be valid not only by virtue of its similarity with eternal models. In this sense one can contend that the thinking of radical modernity floating in experiments begins with Kierkegaard. He was the first to enter the age of doubt, suspicion, and the creative decision.
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Marx
The history of Marx’s writings could tempt the contemporary commentator into the suggestive remark that all history is the history of battles among interpreters. In its origin, the mania
of interpretation is a furor theologicus, and it flourishes best in a climate of militant monotheisms. Nowhere is this more clearly evident than in the history of Christianity, which has for eigh- teen hundred years, with an unparalleled power-hungry will to serve and understand, cultivated a small bundle of texts known as the New Testament. Like none other, the example of Chris- tianity demonstrates the world history-making dominance of the interpreters over the text. In monumental strokes, Roman- ized Catholicism embodies the ideal type of a bureaucratically moderated, hermeneutical dictatorship; in it, the unity of episco- pal monarchy and the power of interpretation has been thought through and realized to the utmost degree. Auctoritas, non veritas facit
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legem: The interpreter, not the text, makes the law. The party that is truly always right resides in the First Rome, not the Third (i. e. , Moscow). That it is the interpreter who gives voice to the words of the master: this rule holds not only for old, evangelically radi- ating textual material that is suitable as the founding matter for churches; it can also be demonstrated in para-evangelical writings from more recent times.
Occasionally the names of the three major writers Marx, Nietzsche, and Freud, each of whom—in his own way—carried the twilights of the nineteenth century into the twentieth, are mentioned in the same breath, and observers have sought to detect in them a common denominator that has been called their dysangelical mission. They are regarded, especially by represen- tatives of Christian humanism, as bearers of the three obtru- sively negative messages about the basic forces of human reality with which the citizens of modernity have had to contend ever since: the dominance of the conditions of production over ideal- istic fictions; the dominance of the vital functions—also known as the will to power—over symbolic systems; the dominance of the unconscious or instinctive nature over human self-awareness. With three voices the dysangelists seemed to be proclaiming one and the same doom: you are prisoners of structures and systems. The truth will make you unfree. In this view, Marx, Nietzsche, and Freud, the dark messengers, are the bearers of truths that do not lift up and unite, but dissolve and weigh down.
Of course, if one takes a closer look it becomes apparent that the three authors exerted entirely different effects than those of eschatological heralds of human entanglement or decenter- ing. On the contrary, all three, each in his own way, found forms of succession that one would have to call apostolic, were that expression not already so clearly colonized by the Christian para- digm. Marx, like Nietzsche and Freud, became the originator of texts and tendencies upon which the law of the dominance of
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interpreters asserted itself with the utmost power. They all sought and found agile readers who in their writings detected the slo- gans for careers, indeed, the pretexts for coups, the establishment of societies, and radical revolutions in thinking and ways of liv- ing. In addition, their works attest the modern teaching role of nonprofessors—they reveal the extent to which the university has become alienated since the nineteenth century from the crucial creative minds. As for the interpreters of the modern masters, it is true of them as well that empires, churches, and their schools are the important employers—and where it becomes possible, as in empowered Marxism, to fuse these three entities into a single centralized power that creates meaning, functionaries who inter- pret the classics enjoy the unbridled privilege of an aristocracy melded with the clergy.
In a totalitarian system, the dominance of the secondary can sit- uate itself piously beneath the canopy of the master texts. Where sects are in power, loyalty and betrayal become indistinguishable. Until recently it was also normal among Western Marxists to fan- tasize that the master himself would have accepted certain devia- tions from his doctrines with applause. As one of the last father figures of the truth, Marx implanted in his sons the belief that dis- sent from the father also still came from the father. The Church of Marxism wanted to wander through history as a procedural unit of Father, Son, and Critique. I interpret, therefore I am some- body: exegesis in conformity with the times opens up access to positions in the sphere of power. Wherever sacred or classic writ- ings are encumbered by the unreasonable expectation of estab- lishing empires, churches, and schools, the interpreters secure for themselves exquisite places within the hierarchies. Has great his- tory not always been the realm of the soldiers of meaning? If one accepts figures such as Lenin and Stalin, Mao Zedong and Pol Pot as Marx interpreters in their own right, this would make Marx- ism, seen through the prism of its unscrupulous appropriators,
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without doubt the eminent interpretive power complex of mod- ern intellectual history. There was a good reason why Stalin, in his day the reigning pontifex maximus of Marxist doctrine, could feel superior to his rival in Rome when he posed the ominous ques- tion of how many divisions the pope had.
In the wake of the political and economic debacle of the dic- tatorships of Marxist interpreters in so many countries—who claimed that they constituted no less than a second world—the question arises of how many readers Marx had, and among those, how many good ones.
To be sure, early on there were already intelligent efforts, especially within Western Marxisms, to defend Marx against his armed devotees. Beginning in the 1920s, it was de rigeur to regard Marx as a misunderstood great man, whose true intentions could be discerned only through the path of a critical gnosis. Here the true Marx was contrasted to the Marx of real-life consequences: the analyst of systems to the utopian, the scientist of structures to the humanistic ideologue. In such niches of leftist irony, the author of Das Kapital was able to survive into the 1970s as the dis- sident of the misfortune that had written his name on its banners. After the disappearance of the ghostly ideological entity that was the Soviet Union, the question arose anew whether the Marxist writings should be given the chance to be disencumbered from the history of what they had wrought. Will they be exonerated because their true intentions can be shown to have been differ- ent? Can they invite another reading, as though the first waves of interpretation have subsided like mere projections and trans- gressions on the part of self-proclaimed false apostles? In fact, the texts exist, still and as if for the first time, like some gloomy yet liberated country from which the occupiers have withdrawn. Surely, none of the few travelers in the new textual lands still believe that they can shed a direct light on the conditions of the advanced financial and media society. A generation will probably
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pass before Marx in the text will be read the way the authors most closely related to him are already today read on occasion, specifi- cally Fichte, Hegel, Feuerbach, and Kierkegaard: as a fateful figure in the endgame of metaphysics, which seemed to have reached its “consummation” in a certain way in German Idealism, and which yet remained alive in some eerie manner in its supposedly post- metaphysical heirs. One will then realize that the layer of basic philosophical concepts in Marx’s oeuvre represents a developed aggregate state of Fichte’s idea of alienation. In this sense one can say that Marxism was a footnote to German Idealism, and that it embedded a metastasis of the Gnostic notion of alienation into the intellectual realm of the twentieth century.
The good reader of the future will become attentive in Marx’s texts to the concepts and metaphors under which the longest dreams of classical metaphysics donned a contemporary disguise—especially the all-pervading phantasm of the powerful self-generation of the historical subject and the crypto-theological motif of the recovery of the original fullness of self by the “pro- ducers” in a world freed from money. These basic elements of Marx’s philosophical fiction of a “proletarian reason” become vis- ible as soon as one immerses oneself in his work with the kind of mixture of curiosity and equanimity that became possible only with the waning of the religious war over exegesis. One can echo Günter Schulte—to whom we owe the most penetrating recent work on the Messianic critic of political economy—in asking, “Do you know Marx? ”; and one can second the author’s convic- tion that a real knowledge of Marx cannot exist as long as his new readers do not participate in the adventure of a “critique of pro- letarian reason. ”1 Thus, a renewed knowledge of Marx does not have the purpose of defiantly disseminating once again a compro- mised classic of social criticism in a time removed from critique. Rather, reconstructing the Marxian inspirations means entering into the ghostly history of concepts which—as a force that has
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become a state, a spirit that has become technique, and as all- intertwining money—are sucking at the life of individuals more than ever before. Without a doubt, Marx’s future theoretical fame will be linked to his achievements as the conjurer of dead labor. The core of his critique of political economy is necromancy: as the hero who descends to the realm of the dead to contend with the shadows of values, Marx remains uncannily relevant also for the present. The undead—which walks among humans as the value of money and which, as a laughing communicator, strips the living of time and souls—rules today almost without any pretexts over the advanced societies. Work, communication, art, and love belong here entirely to the endgame of money. These form the substance of contemporary media and experiential time. And because money requires time for its utilization, so-called great history is also con- tinuing in some eerie way; it is a game that is always played for extra time. Yet such history is no longer the conversation of the living with the dead about the goodness of the world, but the ever more thorough pervasion of the living by the economized specter. The money soul peers ever more undisguised out of the human subjectivity of our time: a society of bought buyers and of prosti- tuted prostitutes is making a place for itself in globalized market conditions. Classic liberal laissez-faire is becoming explicit as the postmodern sucking and letting oneself be sucked. Telecommuni- cation is increasingly difficult to distinguish from tele-vampirism. Tele-viewers and tele-suckers draw from a liquefied world which hardly still knows what a resistant or autonomous life might be. Is it not possible that a time is coming when those who do not wish to speak of vampirism should also be silent about philosophy? If that is the case, it would most definitely be the time of Marx’s second chance.
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nietzSche
An irritant to democrats and a folly to professors, the name Friedrich Nietzsche still makes the hearts of artists and revi- sionists beat faster. The reason behind the uneven history of how he has been received was planted by Nietzsche’s work itself—by taking from some more than they are willing to give up, and giving to others more than they can initially take. That is why the latter are fascinated and the former harbor reservations. If Nietzsche on the one hand undermined the traditional worldviews of moral earnestness, he on the other hand put into the world an aesthetic seriousness that is difficult to grasp even for those who like to invoke him to justify themselves.
Friends and enemies of Nietzsche agree on only one thing: namely, to define his work as a kind of artists’ metaphysics; they recognize it—for good and ill—as a turning point in intellectual history toward the aesthetic Weltanschauung. What is difficult for
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both parties is a cogent answer to the question of from where the aesthetic Weltanschauung—shrouded in praise and warnings— derives its evolutionary heft. No matter how often one invokes the formula about the aesthetic justification of existence, as long as it is not made clear to what extent the aesthetic could be considered as a basis for justifying the most serious of all things—human life as a whole—in the first place, one is merely engaged in a seemingly dangerous game of language. For Nietzsche, an aesthetic Weltanschau- ung does not mean the release of frivolousness, nor does it satisfy the demand for a discounted ethic for artists and others who never became adults. The usual deserters of the principle of reality will not get their money’s worth from Nietzsche. For under the code of the aesthetic, Nietzsche discovers another horizon of dire situations of which the traditional culture of war as the ultimate emergency— with all its classicistic stereotypes—knows nothing. For the male youth in ancient cities and modern nation-states, it is surely seri- ous enough when they are supposed to be ready to defend the exis- tence and claims of their fatherlands with their lives.
But Nietzsche looks far beyond the horizon of military and national seriousness; by studying his own becoming as an exam- ple, he discovers the gravity of the struggle for self-birth that the individual has to wage with himself and his fate. With the ulti- mate acuteness, Nietzsche lifts into the light a circumstance that had rarely ever been independently examined previously: namely, that the task of leading life out of its raw material likeness and making into a work sui generis can take on the quality of a life- and-death struggle. That is why Nietzsche is, in the final analysis, more a psychagogue than a psychologist, even if his psychological genius seems to have been posted at the entrance to the twentieth century—the true psychological century—as a monumental guardian statue; even Sigmund Freud, the herald of psychologiza- tion, had cause during his lifetime to deny that he had reached his territory through the gate of Nietzsche.
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As a psychagogue of modernity, Nietzsche is the leader in the lovely temptation to create great life-forms out of the material of talent and character. It would seem that Nietzsche, in so doing, brought forth into the world more than merely a rationalization of his own difficulties in life. With his pedagogical-psychagogic impulses, he reacted to the secular changes in the educational conditions of the modern world. From a sociopsychological per- spective one could define modernity as the impossibility of edu- cating individuals to completion: there are only diplomas; there is no longer maturity. That is why parents and teachers are now sys- tematically “incapable of coping with” their offspring and pupils— the reason being that the finished world itself, from which the pedagogical labor of conformity was to take its cues, has in turn crumbled as a result of dynamization. Education as a way of align- ing the world and young people is running on empty—and who- ever wanted to accept its factual results genuinely as final results would surely be one of those last people on whom Nietzsche’s inciting contempt was ignited. What appears in Nietzsche as an aesthetic Weltanschauung is in truth a potent psychagogic program for a world time of postclassical strategies for human elevation. It responds to the necessity that modern individuals find themselves under, namely, to transcend the horizon of their prior education. In this context, Nietzsche’s infamous words about the Übermensch mean nothing other than a challenge to create the autoplastically self-educating Self as a work of art out of the semifinished prod- uct that mothers and teachers send out into the world. The logi- cal consequence of this program is the transition from the prece- dence of self-understanding to that of self-realization.
Anyone who thinks that this view seems too lofty should con- sider that one hundred years after Nietzsche even unions are preaching the necessity of lifelong learning and training. If one strips the notion of the Übermensch of the element of genius and religiosity, one arrives automatically at the concept of the learning
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society. However, gone from that society would be the specifically Nietzschean goad, namely the incitement to godly individualiza- tion. Any such thing could be reactivated only through a return to radical concepts of elitism that could not be neutralized even by a deregulated Übermenschen market or art market. Nothing of the kind is evident today anywhere, provided one perceives the art tyrants and the autogenous gods of the contemporary global celebrity system for the fools that they are rather than the incar- nations they wish to be.
If we presupposed this, Nietzsche, the helpless master of the dangerous idea of cultivating humans into something higher, can be regarded as a domesticated writer; at least he himself laid claim to the title Hanswurst (buffoon) for himself at one of the most exposed places in his work. Under this premise—and only under this premise—can one discern in the theorem of the Übermensch an idea of world-moving usefulness and urgency. It points out that contemporary culture must invent a system of education and self- education that would be capable of producing individuals fit for a globalized world in sufficient numbers. Without such a revolu- tion of self-education and self-cultivation, humanity today has no chance of solving its impending problems. The important thing would be to bring the self-education emergency and the ecologi- cal emergency into convergence. As for Nietzsche, in a crucial passage he described this work as the revaluation of all values. The culturally revolutionary relevance of this formula is unex- hausted, even if its interpretations to date—including Nietzsche’s own—have remained unsatisfactory. The classical kynical motif of “reminting the coin” had been picked up by Nietzsche to set an anti-Christian turnaround in motion; it was, as we know, Nietzsche’s reformist dream to trigger a counterrevolution of health against the morbus metaphysicus that had cast its spell over the Western world since the days of Socrates and Paul with its inhibitions. Anyone who wants to “remint the coin” must rewrite
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the texts, the Platonic ones no less than those of the New Testa- ment. Nietzsche’s most important effect likely emanates from his talent of imbuing sacred texts, in serious parodies, with unexpect- edly contrary meanings. He turned old texts into new tunes, and wrote new texts for old tunes. His parodistic genius exploded all traditional genres of discoursing in elevated and lowly tones. As a buffo founder of religion, he preached the Sermon on the Mount anew and rewrote the Tablets of Sinai; as anti-Plato he laid out earthly ladders of power and vigor for the soul seeking to rise to something higher. One may question whether his rewriting of the texts and redirecting of forces should enjoy universal success. But what remains unfinished and more relevant than ever is the habit of Nietzsche’s attempts at reformulating the spirit of the moral laws in keeping with the contemporary age. Perhaps one can learn from Nietzsche’s parodistic art something for the task of writing anew the tablets on which will be inscribed the rules for the sur- vival of the industrious animal homo sapiens. It could turn out that revaluing the values and remaining loyal to the earth are tasks that amount to the same thing.
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huSSerl
To the tricky questions of how much certainty humans need to find their bearings in thinking, some among the found- ers of modern philosophizing—above all, Descartes, Fichte, and
Husserl—responded with the sonorous thesis that nothing less than absolute certainty is enough. With this claim, the project of philosophy as rigorous science—repeatedly picked up anew by the process of modernity—launched itself. It is in this very claim that the idea of philosophy as the ur-exercise of rigor has its final sup- port. As a science prior to and above the sciences, rigorous author- itative thought seeks to demonstrate that the totality of material phenomena is constructed out of achievements of consciousness.
If the question posited at the outset is tricky, it is so because it goes hand in hand with the insinuation that the striving for absolute assurance is encumbered with an element of neediness, indeed, of existential misery. Searching for absolute certainty
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would thus mean admitting to calamitous uncertainty. That the serenity of achieved certainty is rooted in groundless instability: ever since the modern metaphilosophical questionings of motives, the philosophical quest for the peace of the thinking soul has also had to learn to live with this suspicion. Here it becomes clear how, through the project of science, philosophy’s motif of show- ing intelligence the path of salvation, which has been powerfully effective since Greek antiquity, asserts its rights also on the terri- tory of the modern world. In the Western Titanomachy between disquiet and quiet, the partisans of absolute certainty take the side of sacred immobility, as though they wanted to profess along with the Church Fathers: our heart is restless until it finds rest in self-evidence. The minds of modernity part company over the question of whether this self-evidence is genuinely attainable, and whether, once attained, it is suited to healing the ontological psy- chosis of the restless animal.
Among the philosophizing world doctors of the twentieth century, the founder of phenomenology, Edmund Husserl, holds a special place. As the teacher of thinking self-perception, he removed himself and his students into a theoretical sanatorium where no other measures were on the agenda other than exercises of clarification in the purest air of detailed descriptions. On Hus- serl’s Magic Mountain, the students learned—first and last—the sacrifice-demanding art of being pure patients; in the face of what had seemed long since familiar and known, they indulged in the beautiful sufferings of phenomenological patience. Insight into the omniactivity of subjectivity is held out as a potential reward for patience. Anyone who has spent any time in that peculiar san- atorium of evidences knows something about the oppressiveness of exactitude, an oppressiveness of which the world’s children, living as they do with heedless anxiety in the practical lowlands, could not even dream. There is a demonicness of explicitness to which only those have access who devote themselves to the
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exercitationes spirituales of descriptions artfully carried out and written down.
He who enters into the time of the pure exercise of descriptions is removed, as it were, from the life time that simultaneously runs its course, and the objects of the phenomenological mediation assemble on the desk of the thinker into sublime still lifes. They are no longer naively encountered objects from the so-called real world, but figures in the absolute film of intentionality. For the duration of his exercise, the describer steps out of the torrential time of life lived heading toward death, and entrusts himself to the present of absolute consciousness. Drawing on the latter’s power of vision, the phenomenologist undertakes the task—as strange as it is seductive—of elevating what has been seen a thou- sand times and is long known once again into a topic, as though the goal is to catch it by surprise as it emerges out of the creative consciousness at the moment it is first beheld. Like hardly another thinker before him, Husserl brought the unity of thinking and writing into a gestural synthesis. To him, the desk, if we assume a true philosopher has sat down at it, is the window onto the world of essences; here, beholding and writing prove to be convergent activities. The written recording of the phenomenological obser- vation reveals as its calligraphic core the tireless exercise of the writing hand. Philosophy, practiced as an act of descriptive reason, is thus unmasked as fundamentally an “office-osophy” [Bürosophie]; it enacts itself as the activity of an intellect that has taken a holiday from the natural attitude. The chair of the philosopher, who has immersed himself in arid ecstasy in his descriptions, is the bearer of a seated observer; out of the pen of the thinker flows the ink of the original evidence: his writings capture the living intuitions on the paper like congealed light. His own desk is the place where the contemplator deigns to let the world be present in its entirety. As the preferred setting for thematizing everything that appears, the philosopher’s desk turns into a transcendental belvedere. Only at
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this desk could there take place the process of undoing the erro- neous judgments of precipitous reason, which tends to get lost in momentous self-deception both in daily life and in science. In this process, phenomenology rendered its verdict against the essential blindness of vulgar relativism and psychologism, as well as against the blindness to the subjectivity of scientistic objectivism. In the final analysis, the desk of the phenomenologist is an altar at which the thinker officiates as a pure functionary of the Absolute; here the philosopher performs his service as the vicar of a lucid God.
Yet the withdrawal of the phenomenologist to the desk of uni- versal self-reflection was not able to alter the course of the mod- ern world as a whole. As though moved by a higher power, the modern scientific-technological evolution strives—as its major tendency—toward ever more encompassing states of naturalism and relativism. The phenomenological guardians of Being, who exercised themselves as the eyes of God in a transcendental con- templation of the world, found themselves increasingly marginal- ized and passed over by a process of investigation that is leading modern civilization toward an integral technological naturalism. Already the contemporaneous psychologies of the unconscious undermined the project of an integral science of the actions of world-constituting consciousness; and what is more: out of the developments of cybernetic technology and the globalized condi- tions of capital there emerged a new world of facts that are sub- ject to a mode of Being that is not related to consciousness. More and more, the experiential realm of modernity seems pervaded by technological objects that offer consciousness only a surface: such surfaces of keys and symbols, beneath which highly complex appa- ratuses confront their users, can hardly still be grasped as phenom- ena in the specific meaning of the world, since it is characteristic of them that within them, Being turns its back on Manifestation. What is essential technologically no longer appears to conscious- ness as phenomena. In the face of the technological environment,
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phenomenology seems like the philosophical testament of the pretechnological world. Even for Husserl’s most independent student, Martin Heidegger, who would become unfaithful to his master in so many ways, technology remained a metaphysically suspect entity; he perceived in it a formation of phenomenologi- cal injustice and believed that he could recognize it as an onto- logical error. The thought of Heidegger and Husserl reveals that a philosophy of technology cannot succeed on the basis of a theory that proceeds—following “old Western” conventions—from the primacy of the correspondence between Thinking and Being. To be sure, even modern-day systems theory—which has become the basic theory, as it were, of the technological world—still attests indirectly to the epochal suggestive power of the phenomeno- logical perspective, a theory in which the transcendental subject, reformatted into the figure of the observed observer, stubbornly recurs. In fact, does the current penchant for systems-theoretical thinking not betray a continuation of Husserlian motifs in a way that is appropriate to technology? In its original gestalt, Hus- serl’s work—which ends, not by accident, with a lonely call for a heroism of reason that must be newly awakened—keeps alive the memory of the greatness and limitation of the European culture of rationality.
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WittgenStein
Barely half a century after the death of the philosopher, the name Ludwig Wittgenstein—like that of Martin Heidegger— is part of the intellectual mythos of the twentieth century. Even if
Vico’s distinction between civil and monastic philosophy seemed to have become obsolete ever since the French Revolution, one is inclined to reactivate this distinction for Wittgenstein’s sake. How else could one interpret the emergence of the phenomenon that was Wittgenstein in the midst of an age of political phi- losophies and warring illusions than as the renewed eruption of thinking in the mode of eremitic aloofness from the world? Part of the still luminescent enchantment of Wittgenstein’s work and the standoffish nimbus of his life is the unexpected return of the monastic element in the moral center of bourgeois culture. More so than virtually anyone else, he attests to the moral secession of an intellectual elite from the totality of mediocre conditions.
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The human being as something to be transcended: that convic- tion was present in the elect of the educated class in Vienna before the Great War not only in its Nietzschean guise and as a philoso- phy of life; it asserted itself also in the forms of a bourgeois cult of the saint, at the center of which stood the figure of the artistic and philosophic genius. It was the responsibility of that figure to offer salvation from ambiguities and mediocrity; it was his task to show an implacably demanding youth the path from the depths of shameful commonness to the lofty heights of transfigurative callings. Grandeur became a duty for genius, self-transcendence the minimum condition of existence. For the young Wittgenstein this meant: the human being is a rope that is strung between the animal and the logician.
The story of Wittgenstein’s life and thought is the passion of an intellect that sought to explain its place in the world and at its boundaries. What the contemporary world of the philosopher perceived as his rigid and demanding aura was the high tension of a man who required constant concentration on his ordering principles so as not to lose his mind. As one dwelling on the bor- derline of Being, the philosopher is never concerned with any- thing less than the block of the world as a whole, even when he is merely pondering the correct use of a word in a sentence. He feels as though the world along with all its order could get lost in the space between two sentences. And so, thinking becomes for him a navigating between islands of formal clarity that lie scat- tered in the vastness of unclarity. In fact, Wittgenstein is a thinker who left behind a work of individual sentences. It was his unprec- edented need for precision that would make him into a martyr of incoherence. He himself was painfully aware that he was suffering from a kind of Lord Chandos neurosis—a disorder of the ability to assert coherences of the world through words, and to believe in these claimed coherences. Throughout his life, Wittgenstein failed to meet the challenge of composing a real “text” in the sense
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of continuous speech. He felt, more keenly than any other thinker before him, the difficulties of conjunctions or clausal linkages, and no problem preoccupied him more profoundly all his life than the impossibility of moving from the description of facts to ethi- cal precepts. His notes are the monument of an overly brilliant hesitation to create the world in a cohesive text. In their radical modernity, his writings attest to the disintegration of the analogy between the round cosmos and fluid prose. But precisely because Wittgenstein was no longer capable of being a proposition-happy philosopher of systems and totality in the traditional style, he was virtually predestined to lift the patchwork of local life games and their rules into the light. There was a good reason why his theory of language games became one of the most potent arguments of modern and postmodern pluralism.
Looking back today over the waves of Wittgenstein’s reception, one can say at least this much about the historical importance of this peculiar Viennese character who ended up in the British world of scholars: he inoculated the Anglo-American world with the madness of ontological difference by exhorting the precritical empiricist to wonder, not at how the world is, but that it is. At the same time, he infected continental philosophy with a new idea of precise style, which brought forth flourishing outgrowths in the milieu of the analytical school. It would appear that both parties are by now in the process of getting over the phase of the initial immune responses. Ever since Alan Janik and Steven Toulmin’s classic study Wittgenstein’s Vienna, the stage seems set for a healthy engagement with the stimuli of the magical hermit. Who could still invoke Wittgenstein only to elect him the patron saint of odd mind games? Who could still denounce him as the positivistic destroyer of the Western culture of reflection? After the waning of the reactive distortions, what emerges is the profile of a thinker who will undoubtedly be counted among the godparents of the intelligence of the future. Even in its logical severities and human
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one-sidedness, Wittgenstein’s intensity holds gifts of incalculable import for posterity. It attests for all those who awaken to think- ing after him that ethical questions have become more difficult. Should it ever be possible to write a critique of martyrological or witness-bearing reason—and thus a valid ethics—a decisive chapter would have to be devoted to the man Wittgenstein. He is among those flayed alive, who know more than others what decency under stress means. Among his work, what was written and what was kept quiet, one must count the admirable exertion to have endured himself and his own “wonderful” life.
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Sartre
Alittle more than three decades after his death (on April 15, 1980), Sartre already appears like a monumental figure in the history of modern literature and philosophy. He, the man of words and books, has joined his ancestors, the classics, the immortals, the established authors. Only death, so it would seem, was able to keep him from rejuvenating himself; only the status as a classic deprived him of the possibility of continuing to contra- dict himself. Like few others, he was in love with the freedom to displease himself. His life gesture—dangerous for a philosopher, exhilarating for himself and his readers—was the constant surge, the tearing oneself away from what one has become; as a writer he always penned only the new page. He became a genius of analyti- cal biography—of others and his own—because he found in every consciousness the point at which human beings are too proud to admit to a past. He ceaselessly pondered the release from the
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gravity of history; he felt, with an acuity that elevated him into a kind of world conscience, that it dishonors a human being to be tired, imprisoned, and identical with his own self. His philoso- phy is a struggle against obscenity, against comfortable bourgeois alienation; he campaigns against the human being glued into reality, against the finished human being. The issue is not to be a thing: on a raison de se révolter; he who rebels is right. Explicable only via his freedom, the human is the being without apology.
In a synoptic retrospective, Sartre appears today for now as the last hero in a series of mighty European philosophers of free- dom. Ever since the young Fichte seized the standard of subjec- tivity and carried it with manic vigor against what he believed to be his perfectly sinful age, the chain of thinkers who interpreted the nature of human beings as freedom has not been interrupted. Like his predecessors, Sartre understood the human being in the hearth of his consciousness as that restless absurd being that, against a backdrop of rising self-clarification, plunges ever more deeply into its absurdity. To him, being human meant taking on oneself as an active nothing, as a living fathomlessness. That sub- jectivity means abyssality—this frightened Sartre less than it did most of his precursors in this discovery. Even the resolute Fichte in the end sought to overcome his demonstration of abysmal sub- jectivity by placing his own spontaneity into the expressive life of a divinity that did everything; Friedrich Schlegel, the master ironist among the Romantic subjectivists, converted to Catholi- cism, which became from the early nineteenth century on a refuge for the newly groundless; the Catholic Church certainly liked to play the womb for the grown-up unborns who sought to escape the coldness of the modern outside world. The vanguard among the anonymous absurd who made up the core of modernity tried it with art applied to life; they gave themselves stability in atti- tudes and in a life lived in accordance with fashionable styles. But a great majority of those rendered sickly by groundlessness looked
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for ways to reembed themselves into the communal life of the state, society, and class. The greatest among them was no less a thinker than the philosopher Hegel, who during his life found salvation by celebrating masses for the Prussian state as an ethical organism; he was emulated by countless admirers of the repaired totalities; no small number of them lost their mal du siècle in service to the state and in service to revolution; so many holisms, so many altars; others fled to the front lines of hot and cold wars. It goes without saying that the obsession with connections must con- jure forth a wealth of fundamentalisms. For two hundred years, modernity has been a stage on which a single problem has been manifested in the most diverse plays; they could all be called: How the free groundless found their way back into stable relationships.
As for Sartre, he remained throughout his life faithful to his way of living the groundless freedom. To him, the nothingness of subjectivity was not a downward-plunging abyss, but a spring bubbling upward, an excess of the power of negation against everything that was encompassing. In contrast to many thinkers of subjectivity, Sartre felt comfortable in his abyssality; leaning on anything was for him more a compulsory exercise than free- style. What he called engagement was the continuation of dégagement by other means; he had no doubt that disconnecting took pre- cedence over new bonds. He had mastered the art of spontane- ously desiring nearly everything he had to do; in this way he pre- empted compulsion wherever possible. Glissez, mortels, n’appuyez pas! , his grandmother’s saying, repeatedly cited by him in prominent places in his work, captured his motto for life: “Glide, mortals, do not lean! ” When Sartre tried to glide with Hegel and Marx on his back, he too, the man of unconditional elegance, began to lean. All his efforts to become a Marxist were an arduous theoretical comedy to apologize for his genius and for his awareness of being incomparable. Almost to the end, Sartre—who also wanted to be his own therapist—remained incurably productive.
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In our time there exist no more profound writer’s words than his late profession: “I’ve given up the office but not the frock: I still write. What else can I do? ” He was perhaps the most dili- gent, active philosophical author of the twentieth century. He has repaid his putative debts to less favored humanity with high interest.
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Foucault
The entire history of Western philosophy is nothing but a long series of footnotes to Plato: were it necessary to refute this well-known jest of the British late-idealist Whitehead, it
would suffice to point to exceptions and contrary currents. It would be more convincing if one could invoke an alternative way of thought, one that had evaded the Platonic or—more gener- ally speaking—the old-European project of metaphysical sciences of essences in its entire habit and deportment. In fact, since the establishment of middle-class society [bürgerliche Gesellschaft] in the later eighteenth century, such a revolution in the mode of think- ing announced itself in various waves. With the turn of the Young Hegelians to a Realphilosophie [material philosophy] from the bottom up—whether as an anthropology of labor, a materialist doctrine of instincts, or existentialism—the demand for a radi- cally altered mode of philosophizing stood on the agenda of an
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intelligentsia that was determined to provide the process of modernity with appropriate tools of thought. Over the course of the twentieth century, this thinking “from below” would become radicalized into a thinking of the outside. But only after Nietzsche’s inversion of Platonism and Heidegger’s reorientation of philosophical reflection on the basis of “a different beginning” was it possible to recognize with greater certainty what a thinking whose generative pole had effectively stepped outside of the zone of metaphysical theories of essences would be all about. It would have to be a thinking that had freed itself vigorously enough from the Eleatic temptations and would know how to hand itself over to the adventure of a fully temporalized and agitated existence, without seeking support in the classical fictions of a transcendent subject or an absolute object.
The postmetaphysical challenge provoked a number of charac- teristic responses in the twentieth century, some of which not only gave rise to incisive projects, but also achieved public resonance and effects within academia. Here one should mention above all relativistic neopragmatism, the post-Marxist theory of communi- cative action, the body-philosophy of the neophenomenological school, deconstructionist textual criticism, sociological systems theory, and the neokynical aesthetic of the everyday. Only when set against the backdrop of such broadly related intellectual prac- tices does the specific difference of Foucaultean thinking stand out in its magnificent willfulness and radicality. In this thinking it now becomes fully evident what it means for the “human being” to draw the consequences from the death of God. In Foucault, so it would seem, the art of not writing footnotes to Plato has developed for the first time into an alternative classicism, and this even though he introduced into the business of philosophi- cal examinations—through his blazing intellect—a high degree of manic potential, which, at other times, would surely have become effective as the ideal dowry for the thinking of the One. In this,
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the phenomenon of Foucault resembles that of Nietzsche, in whom quasi-Platonic passions led in an analogous way to anti- Platonic spiritual exercises. Foucaultean thinking, which had so resolutely turned its back on all illusions of the secure embedded- ness of the particular within the unity of meaning, pointed with pride to the formulations by which, during its formative phase, it had been led to the conviction that it was moving at the very pinnacle of thought: it dated itself confessionally to a time when Nietzsche, Blanchot, and Bataille had already defined an epoch. These authors, these works, these sallies are for Foucault the guarantors of a contemporary sensibility that had opened itself equally to the dizziness of the dissolution of boundaries and to the acuity of analysis. They are the thinkers who inoculate their readers with madness and put them in contact with the uncanny. But it was not only the poetic dissolution of metaphysics in sur- realism that would set the tone in the initiation of the young phi- losophers; for Foucault, the future new historian, the archaeolo- gist, the transformation of the idealistic sciences of essences into structuralism would also become decisive—a process that ensured French thought for a relatively brief but highly successful period the primacy in the contemporary history of the human sciences and their philosophy.
Only in this unrepeatable constellation, which marked a crucial phase in the postmetaphysical transformation of philosophical thinking, could there occur what would later be called the Fou- cault event. Where Nietzsche had proclaimed that Dionysus had become a philosopher, Foucault asserted the thesis: Dionysus had become an archivist. In the basement files of psychiatric insti- tutions, asylums, clinics, and later also prisons, a young scholar undertook the enormous task of sifting through the material, driven by the willingness to perceive also in the gray of the admin- istrative language of ages past the lightning of the events, which the literary ontology of late Surrealism had dealt with only with
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a view to the way in which language existed in the autonomous poem. These researches of the Dionysian archeologist gave birth to the very synthesis of flamboyance and severity, of monumental learnedness and flagrant laughter, which has not ceased to irritate the academic milieu and inspire kindred intelligences. Foucault’s subversion of philosophical knowledge is betrayed not least in his turning away from the problem games of official philosophy and in his resolute embrace of “material” works; once could almost mistake the early Foucault for a psychologist and a literary critic, and the middle and late Foucault by a hair for a social historian and a sexologist.
And yet, even though Foucault buried himself in the archives of the humanities and of disciplinary practices, he remains in the most eminent sense a philosopher, and every page of his writ- ings refutes the possibility of confusion with the discourse of the individual disciplines. Still, within his oeuvre there is hardly a text that could be read—the way the guild would—as a contribution to the so-called foundational problems of philosophy, let alone as an exegesis of the classics. Nevertheless, Foucault kept the universe of orthodox metaphysical thinking in view with profes- sional cool; more so, perhaps, than anyone else, he knew what had to be avoided, overcome, replaced, if the undertaking of a think- ing beyond the rigged games of substance, subject, and object was to succeed. “The world as sphere, I as compass, God as center— that is the threefold blockage of event-thinking. ” With this calm aside, he set the new thinking, which for him articulated itself initially and especially in the minute examination of regional and datable regimes of discourse and power, worlds apart from the metaphysical classicism along with its semimodern adjustments in the phenomenological movement and in Freudian-Marxian social philosophies.
Maliciously and temperamentally he took note that certain philosophers lamented him as the lost son of transcendental
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philosophy, while some historians looked askance at his works as wild and excessively glamorous historical fictions. Represen- tatives of both disciplines found it difficult to situate a thinker who did not seem interested in accumulating a capital of lasting truths, but who stepped onto the stage as someone who intended to write a history of lightning bolts. Had Foucault entertained ontological intentions, he could have indeed claimed that all truthful Being is of the nature of lightning. The meaning of Being is not existence and the timeless preservation of essence, but event, the opening up of the horizon, and the spawning of temporary orders. But while the German adepts of Nietzsche and Heidegger mostly allow the notion of Event (Ereignis) to become indistinct within a cultic contemplation, Foucault accomplished the breakthrough to a foundational research oriented toward Event philosophy, for which he proposed the subtly ironic title archeology. Nobody understood its principle and intent better than Gilles Deleuze, who concisely captured his own, closely related intention with the felicitous formula about the “universal history of the contingent. ”
Foucault’s philosopherdom would not have been complete, however, if there had not existed alongside the epistemologist and archeologist also the politician and ethicist Foucault, who stepped up to the challenge of rethinking the core of all phi- losophy, the theory of freedom: no longer in the style of a philo- sophical theology of liberation—also known as alienation the- ory, but as a doctrine of the Event that liberates the individual and in which he moulds and risks himself. What he remarked in a eulogy for his friend, the Christian Kantian Maurice Clavel, can also be read as a clear-sighted and candid characterization of his own undertaking: “He stood at the heart of what was probably most important in our epoch. I want to say: a very comprehensive and very profound change in the consciousness that the Occident has slowly formed about history and time.
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Everything that organized this consciousness, everything that gave it continuity, everything that promised its consummation, is tearing apart. Certain people would like to patch it up again. But he told us that one must live the time differently, even today. Especially today. ”1
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notes
Foreword to the English Translation
1. William Shakespeare, The Merry Wives of Windsor, act 2, scene 2, lines 2–5.
2. Charles Dickens, A Christmas Carol (West Valley City, UT: Editorium, 2007), 2.
3. Peter Sloterdijk, Critique of Cynical Reason, Theory and History of Lit- erature, vol. 40 (Minneapolis: University of Minnesota Press, 1988).
4. Marguerite Duras, The Ravishing of Lol Stein, translated by Richard
Seaver (New York: Pantheon, 1986), 38. Preface
1. G. S. Kirk and J. E. Raven, eds. , The Presocratic Philosophers: A Critical His- tory with a Selection of Texts (Cambridge: Cambridge University Press, 1957), p. 205, no. 235.
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Plato
1. Friedrich Nietzsche, The Gay Science, edited by Bernard Williams, translated by Josefine Nauckhoff, poems translated by Adrian Del Caro (Cambridge: Cambridge University Press, 2001), 200.
2. Author’s Note: The suspicion that Nietzsche—following upon Kant, Marx, and Feuerbach—helped to kindle, namely, that the history of European metaphysics can be read also as the success story of a pro- found untruth or semitruth, was spelled out in the twentieth century in a spectrum of penetrating accusations. Heidegger believed that he could discern in the history of European metaphysics and technol- ogy the consummation of a thoroughly malign fate of Seinsvergessenheit (oblivion of Being); Adorno saw in it the triumph of a compulsive, latently paranoid lack of identity; Hermann Schmitz diagnosed already in the emergence of philosophy its leading role in the development of a power-oriented type of reason that was based on false abstractions, misleading dualism, and a deep misunderstanding of nature and the body, feeling, and subjectivity; the feminist critique denounced the majority of philosophers as agents of an androcentric fabrication of illusion supported by power; in Otto Rank, Peter Sloterdijk, and others, one can find approaches to a critique of classical philosophy as the medium of an oblivion of birth, which manifests itself in heroic, tech- nological, and idealistic-spontaneistic compensations. All these inter- pretations have in common that they incorporate European philoso- phy into a broad critique of destructive forms of rationalism.
3. Marsilio Ficino, Commentary on Plato’s Symposium, text and translation with an introduction by Sears Reynolds Jayne (Columbia: Univer- sity of Missouri Press, 1944), 35.
4.