No More Learning

Instead of unde malum? we now ask: unde mala habitudo? The classical moral- theological answers exist as catalogues of vices, of which the seven- part list by Gregory the Great from the late sixth century enjoyed the greatest success. 154
These state that bad habitus is the consequence of an evil decision, born of leisure and encouraged by arrogance. Some mythical answers go deeper, looking beyond the individual and relating bad habits to the necessity of inhabiting a barren world. If this were a culture- historical investigation, a passage on the natural history of need and its translation into the human sphere would have to follow here. In our context, it is sufficient to note that the earliest articulations of the difficulty of being a human date from the era of Mesopotamian and Mediterranean empires. One finds anonymous authors speaking for the first time of an unease in the world that points beyond any unease in culture. Hs
Instructive statements about the genesis of negative habitualiza- tions are provided by the two great myths about the human condition that mark the beginnings of the ancient Western civilizatory complex: on the Judaeo-Christian side the biblical tale of the expulsion of the first human couple from Paradise, and on the Graeco-Roman side the doctrine of the Golden Age - which, owing to a dark causality of deterioration, had led to the present Iron Age via the intermediate stages of the Silver and Bronze Ages. Both narratives share the inten- tion of explaining the normality of the bad; what sets them clearly apart from each other is the means they use to achieve this. The former explains the stay of post-Paradise humanity in a chronically unsatisfying reality using a moral catastrophe model known as the Fall of Man; the latter attributes the difficulties of the human race to a law of destiny that defines the present as the third stage of decay in a providential worsening process. While the moralistic model explains the unfavourable status quo as a consequence of overstepping a single boundary, the myth of the Ages of Man needs three descending steps to interpret mankind's unbalanced state as a result of the adverse conditions of the Iron Age.
I will not linger on the conclusion that the fatalistic interpretation far exceeds the moralistic one in terms of contemplative breath and historico-philosophical substance, whereas the moralistic version has a stronger personal effect on addressees due to its invasive tendency. From a systemic perspective, the biblical account contains a signifi- cant element of 'moral insanity', as it twists the knife even deeper into
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the chronically burdened humans in order to read their situation as an inherited debt and well~deserved punishment. At the same time, there is a certain psychagogical prudence in the culpabilistic arrangement, for humans, as empirical findings show, become substantially more resistant to suffering when they are presented with a clear sense of 'what for' - or, failing that, at least a 'why' and a 'from where'. The Christian reception of the tale describing the expulsion from Paradise produced a civilization whose members cannot experience hardship without thinking they deserve it. We regularly display our willingness to take the blame for our suffering, as if making a contribution to a semantic health insurance - in fact, what was viewed as a commit~ ment to the Christian 'religion' was often no more than our manda~ tory contribution to this guilt system.
In the present context, however, what concerns us is the shared dedication of the Jewish and Graeco~Roman narratives to interpret- ing the situation of humans in the world as a permanent stay in a malign milieu. The point of departure for both is the evidence that human existence in its present manifestation is fundamentally a being-in-need - including the necessity of adapting to need. Together they support the complementary evidence that the current state of affairs can only be understood as a fall from an originally completely different state. The chronic misery only appears as a consequence of epochal deteriorations, whether gradual and repetition~based or singular and catastrophic. In both cases, habitualized misery is experienced differentially: in the real domain it contrasts with the modus vivendi of happy individuals, who are still better off than most others, and in the imaginary domain with the notions of times in which things were better for everyone. This difference provides the matrix for the search for the other condition. 'Where life itself is a withdrawal treatment, it provides fertile ground for addiction. '156 The connection between addiction and search is explained by etymolo~ gists and psychologists. 1s7
Realism, Scarcity, Alienation
According to the oldest behavioural theories, adaptation to a chroni~ cally inappropriate climate creates a habitus that could, in a non~ philosophical sense, be termed realism; it is best described as a reinforced perseverance under chronic pressure. In the biblical account the emphasis is placed on holding out in a bowed state - 'by the sweat of your brow' under the constraints of agriculture - while
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to lead an existence in
and corrupt neighbours. The most important results of banishment, according to the Book of Genesis, are the curse of work and the hardship of birth, and in Hesiod's version the chronically unreliable nature of social relationships and the perversion of neighbour-ethical norms. ISS
Both models contain rudimentary social philosophies and elemen- tary hermeneutics of need that can be mapped onto modern theories of alienation: according to the former, the fall from the paradisaic non-working world to the sphere of forced work through the trau- matic advent of scarcity. The necessity of living in a milieu of scarcity results from humanity's primal guilt: no one who has sinned will ever get enough. Because of an unforgivable transgression, the primal habitus of enduring in the face of constant lack is burned into the notion of the world entertained by man, the supposedly 'deficient being'. 159 It constitutes a primary disciplining elevated to a prevailing mood. From this follow primal resignation, which leads to realism as an inner regulator of hardness, and primal escapism, which postulates the establishment of imaginary wealth enclaves.
This places the stranger in the role of the one who dramatizes scar- city by threatening to consume that on which my survival and the self-assertion of my group depend. The first stranger is the master on whom I have become dependent and who keeps me alive, but takes away every surplus that would improve my lot if I could keep it; he is my exploiter and my rescuer at once. The second stranger is the enemy, who takes until there is nothing left. One is alienated, then, if one has a master and an enemy - regardless of whether, as in psy- chopolitical set pieces, one joins forces with the master against the enemy in an emergency or with the enemy against the master - as can be observed in the dissolution of loyalties in palace revolts, rebellions and revolutionary wars.
What Sartre writes in his investigations of alienated 'praxis' on the 'man of scarcity' (l'homme de la rarete)160 is, in essence, merely an exegesis of the biblical expulsion myth, read through a Hegelian conceptual grid. Scarcity imposes the impossibility of coexistence on the collective. Sartre locates this infernal existential one dimension too deep to reconcile it with the Marxist concept of exploitation; likewise, he places competition and mutual reification through the evil 'gaze' in such depths that no reconciliation or befriending could ever overcome them, either inside or outside the sphere of scarcity. Thus he not only fails to see the possible productivity of competi-
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through modern property economy. project recuperating Marxism by enriching it with existentialist motifs was thus doomed to miss the mark from the outset. The deepest source of Sartre's failure, however, is not his pandering to the internally flawed critique of political economy; it is rather his philosophical equation of the human being with the epicentre of nothingness. It is where he draws most resolutely on metaphysical jargon that he becomes most remote from the present state of human knowledge. The human being is not negativity, but rather the point of difference between repetitions.
Hesiod emphasizes the disintegration of social cohesion in his state- ments on the Iron Age. What strikes him most is that the habitus of disloyalty predominates in the current race of humans, even among relatives and apparent friends. The 'natural' parameters of good and bad, honour and dishonour etc. , all seem to have been inverted in the Iron Age. From a culture-historical perspective, this shows a pragmatic general climate in which populations with a rural char- acter are obliged to learn unaccustomed urban-strategic life forms. In this change, individuals must learn to switch from mentality to success; they are forced to exchange recognition from their relatives and neighbourhoods for recognition from public markets and power cliques. They have to abandon the intuitive sense of right and wrong they have developed and become accustomed to the primacy of insti- tutionalized court procedure. Together these adjustments amount to a change of habitus that followers of older values, like the farmer- poet Hesiod, could only view as training for a world gone wrong. I shall add in passing that the Koran, despite coming into existence twelve hundred years later, shares several aspects of Hesiod's world- view as described in Works and Days. Here the farmer's distrust of the incomprehensible new world of traffic has grown into the desert- dweller's apocalyptic hatred of large cities, which were impenetrable for the old mindset. Here, what some call prophetism is the fiery form of saying no to heightened complexity.
The Ascetic Suspension of Alienation: The Five Fronts
These considerations enable us to define the consequences of the ethical distinction more precisely: it aims for the systematic weaning of the subject from the reality effects of the Iron Age. Contrary to one's first impression, it questions the finality of the post-paradisaic condition. To separate the practising individual from the dominant
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THE EXERCISES OF THE MODERNS
reality bloc, the ascetic revolt consistently attacks its opponent's strongest point. The great weaning process, as the history of asceti- cisms shows, is directed at the five main fronts of need: material scar- city, the burden character of existence, sexual drive, alienation and the involuntary nature of death. In these fields, the early explicitly practising life proves that it is possible to compensate for even the most widespread existential deformations - albeit at a price that leads most to accept the ills instead. It is not only the fear of something after death, as Hamlet says, 'that makes calamity of so long life'; even more, it is the hesitation before breaking out of a well-rehearsed and accepted misery. Given the choice between acquired deforma- tion through reality and the feared deformations through asceticism practised lege artis, the majority has always chosen the former. They preferred to wait for a comfortable revolution that, so they were told, would come as an 'event'. People have always recoiled from the inconvenient realization that nothing happens unless one brings it about oneself.
Against Hunger
Historical evidence shows that the earliest asceticisms developed on the poverty front: the ancient Indian practice masters were probably the first to discover the principle of voluntary withdrawal that, one could say, takes the subject to the other side of suffering. As early as the earliest Brahmans, an extremism of abstinence came about, driven by the fantastic belief that the metabolism is but one of the illusions with which Maya, the sensuous veil maker, makes fools of humans. By expanding abstinence from food to a somatic-spiritual technique, they transformed hunger into a voluntary act of fasting; they turned a humiliating passivity into an ascetic action. The dis- empowerment of hunger led directly to the emancipation from the compulsion to work. Whoever chooses abstinence exits the producing life and knows only exercises. The early cultures of beggar monks in Asia and Europe prove that for their fellow humans, the spectacle of the spirit's superiority to the minimized body was worth a sacrifice: alms were the entrance fee for the theatre of spiritual triumphs. One could say that those who made donations to the monks were falling for priestly deception, but the psychological reality was very differ- ent. The ancient beggar economy belongs to the realm of the search for autonomy, even for the poorest of the poor: someone who has almost nothing, yet shares the most frugal meal with someone else,
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m
case Francis of Assisi, the appears in the relationship of courtly love to Lady Poverty - some Europeans, perhaps not the most morally insensitive, are impressed to this day by this transformation of a misery factor into a gallant allegory. Let us note that the old workers' movement in Europe still knew something
~about the first rebellion against the tyranny of need. Whether starving or eating: solidarity . . .
Against Overtaxing
The second expansion of the autonomy zone is due to the early ath- letes and their forerunners in the military nobility. They found a way to disable the law of permanent overtaxing to which the great major- ity of people in class societies submit. While the normal response to chronic strain is a mixture of hardenings and little escapes that wear individuals down sooner or later, warriors and athletes develop the opposite response: they gain degrees of freedom from the burden character of existence by consistently outdoing the difficult through the even more difficult. They show that a state of great effort is no sufficient reason not to make an even greater effort. The image of Hercules at the crossroads is the primal ethical scene of Europe: this ultimate hero of being-able-to-do-something embodies the rule that one becomes human by choosing the difficult path. For this, it is nec- essary to favour the austerity of arete over the sweetness of depravity.
Athletic irony pushes the boundaries back into the unbelievable - where there was nobody-can-do-this, there is now I-can. This expansion of the ability horizon also has a direct influence on the general sphere. Even the vulgar curiosity of the audience at athletic and circus performances contains a solidarity with the actors that has anthropologically far-reaching implications. Like the hunger artist, the athletes have a message for the psychologically poorest and the physically weakest that is worth sharing in: the best way to escape from exhaustion is to double the load. Even someone who cannot imagine following this maxim literally should still draw inspiration from it. The theory that there is always room to go higher is one that concerns everyone.
It is in this context that one must assess the future of modern sport. Like a Herculean collective, it is standing at a crossroads. Either the athlete continues to act as a witness to the human ability to take forward steps at the threshold of the impossible - with unforeseeable
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transference effects on all who involve themselves in the appealing spectacle161 - or they continue along the path of self-destruction that is already marked out, where moronic fans shower co-moronic stars with admiration from the very bottom, the former drunk and the latter doped. One might recall in this context that Euripides already considered the athletic scene in the fourth century Be, which had taken on a decadent life of its own, a plague. 'Of all the count- less evils in Greece, none is worse than the race of athletes (athleton genous). ' 162
Against Sexual Need
On the third front, the activists turn their attention towards the ten- sions of sexual drive. As the libido was usually condemned to a long wait in many older cultures, especially those with strictly patriarchal rules for marriage and family relations - decades often passed between the reaching of sexual maturity and possible legalized sexual activity - eros was experienced by countless people as an unliveable dilemma. For so many, the kindest of all the gods thus transpired as the cruell- est. If one yielded to one's urges, one could easily descend into dis- order; if one resisted them, one faced constant torture from within. Thus the despair at sexuality became a constant factor of the unease in civilization. The widespread outlet institutions of prostitution, concubinage, letting off steam with slaves, masturbation, licences for the young etc. alleviated the problem, but did not solve it. The ascetic response to the challenge of the sexual drive was to transform the constant excess of specific pressure into an aspecific elan to strive for higher goals. The procedure for this, to use a more recent term, was sublimation. Plato revealed its schema by describing the ladder on which sensual desire ascends to a spiritual motivation - from one beautiful body to another, and from the plurality of beautiful bodies to the singularity of the beautiful. This ultimately transpired as the side of the good itself that shines in sensuality. In its conventional manifestations, philosophical critique of sexuality merely accuses it of sabotaging the ascent - whether it creates a fixation on frustrating fantasies when it is unfulfilled or, when fulfilled, drains off mental energy and gets caught in the small-scale cycle of tension and relaxa- tion. Monastic critique of sexuality takes a far more direct approach from the outset by virtually demonizing physical desire - but with the same aim: to create perpetual desire and keep it at the necessary tem- perature. What this infinitized desire - which still haunted the shame-
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most cause to is the relapse into that
the return tepid prose. This finitude is dominated by trivial inner states, depression, lack of elan, as well as the banal excess drive that does not lead to any goal-achieving or boosting programmes. The uninspired psyche is unable to feel encompassed by an absolute - this spawns the gloom which the early abbots called abidia, the midday demon that paralyses the monk's soul with indifference to God and everything else. Akedia appears in the list of Seven Deadly Sins as 'sluggishness' or 'sloth', and those who know it well almost fear it more than the queen of all vices, superbia. 163 In modernity, infinite desire separated from humans and migrated to the economic system, which produces its own restlessness, while individuals increasingly discover that they can no longer follow the perverse imperative of always desiring and enjoying more.
Against Domination and Enmity
On the fourth front, the ascetic revolt puts an end to alienation by showing that humans can never be forced to have a master and an enemy. Here too, the method of liberation is a voluntary exaggera- tion of the evil: the ascetic enslaves themselves so radically that no empirical enslavement can touch them any longer. They choose their master in the highest heights to free themselves from all second-class masters. Hence Abraham breaks free of the visible gods by avowing his invisible God; hence the Cynic-Stoic wise man submits to the law of the cosmos, which emancipates him from arbitrary human regula- tions; hence Christ sarcastically recommends giving unto Caesar what is Caesar's, for loyalty belongs to the God of the faithful and the rela- tionship with Caesar can therefore be no more than external. Thus Paul reminds the Romans that they were once slaves of sin, but now, as slaves of righteousness, are free. 164 He even introduces himself in his opening salutation as a chosen slave of God - and for that very reason a free man. Modern references to the 'rule of law' still recall the language of the oldest supremacism, which held that freedom could only exist under the law. Coercion by the highest downgrades all other compulsions to second-order factors. The dominion of the general is a medium of asceticism against the dominion of the con- crete. Consequently, any universalism worth taking seriously presup- poses an ascetic mode of access to the sphere of norms. Anyone who wishes to have universalism without the work of renunciation, as if it
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same time, ascetic emancipates themselves from the compulsion to have an enemy by choosing a universal enemy within, who can only appear in the outside world in second-rate projections. Whoever knows that the devil dwells inside them no longer needs an external malicious partner. Hence the advice to turn the other cheek, and hence the Buddhist caution that the torture victim must not lose sympathy for their torturer. Moral asceticism takes away the enemy's power to make us strike back. Whoever moves beyond the level of reacting to enmity breaks the vicious circle of violence and counter- violence - albeit often at the price of remaining the suffering party.
Moral hyperbole of this kind only draws small audiences in modernity, while the majority once again demands the licence to strike back. The cause of this is primarily the change in the prevail- ing mood: the anti-thymotic psychopolitics of Christianity, which cautioned people for almost two thousand years to conduct an inner inquisition against all stirrings of pride and self-affirmation, no longer has a footing in the 'achieving society' of today. 165 Let us not forget that every advanced legal system implies a scaled-down reproduction of ascetic abstinence from direct governance, because it forces the wronged party to seek redress via the indirect path of a third party's judgement structured as court proceedings.
Against the Necessity of Dying
On the fifth front, the heroes of the ethical distinction attack death by transferring it from the sphere of abstract and fatal necessity into that of personal ability. They abolish the terrorism of nature to which mortals have been subjected since time immemorial. This does not have to go as far as a physicalization of the immortality idea as found in the writings of Paul, then once more of the Russian biocosmists,166 and currently among the American techno-gnostics, whose ambition is to absorb theology into physics. 167 The conversion of necessity into ability presupposes a strong notion of continuum that spans the boundary between life and death - this can be seen in the two great scenes of the art of dying in Old Europe, the death of Socrates and that of Jesus. 168 Through demonstrations of composure in death, the end of life exemplarily changes into a symbolic order with a strong sense of continuum, as if 'crossing over' were no more than a change in the state of matter.
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An
perishment
It equally contradicts the naked killing that pervades Homer's world, which virtually overflows with second-class dead who are left lying on the ground without honour to become food for the dogs and vul- tures, while the incomparable slayer Achilles finds a place in Hellenic memory. The symbolically nurtured death in Christianity extends the memorial function to the saved, who remain unforgotten in a divine memory and thus become immortal. One could describe the work of ascetics on the life-death continuum as an original accumulation of civilizatory energy that allows even the most external compulsion to be embedded in the interior of the symbolic order. A modern trace of this civilization is visible in the growing suicide movement in the West. It has dismantled the metaphysical exuberance of the ascetic art of dying, but works on the meanwhile secure evidence that humans are always entitled to experience their death in culturally tended forms. The sound arguments of contemporary movements advocating a dignified death aim to break up the alliance between a reactionary religion and a progressive technological medicine, which together barely allow more than a higher form of bucket-kicking. Instead, the goal is to make the achievement of ascetic cultures - embedding death in a shared ability - accessible also to non-ascetics.
The Post-Metaphysical legacy of the Metaphysical Revolt
Looking back at the ascetic revolts against the reality principle of the Iron Age permits a clearer definition of what I call the de- spiritualization of asceticisms. It shaped a significant stretch of the path to modernity, in so far as this epoch was characterized by the pragmatic levelling of metaphysical upswings. This process forces the excesses into the arts, as well as the adjustment that Gotthard Gunther terms the transition 'from the truth of thought to the prag- matics of action'. 169 In this sense, modernity constitutes a strong substitute programme for the ethical secession. Its precondition is the demonstration that on the five fronts of the old need, one can still win by other means than those used in battle by the practice heroes of earlier times. This was precisely the motto proclaimed by the pan- sophists of the Renaissance and the pioneers of explorative thought: humans can do anything of their own accord as soon as they want to. They opened the door to the post-miserablist age - which, for the same reason, is also a post-metaphysical one, as it reacts to existential
it is
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THE EXERCISES OF THE MODERNS
answers.
metaphysically means getting the burdens of old
condition with the aid of technology and without extreme ascetic pro- grammes. The only modern-day ascetics whose victories one wishes to be authentic are athletes - whereas the spiritual victors over the old human condition have been stripped of their authority through the culture of suspicion. Anyone who heard a voice from a burning thorn bush after forty days in the desert would be taken for a victim of a psychedelic episode. Anyone who claimed to transcend sexuality without ever having known it could be sure of being diagnosed neu- rotic. And modern observers of religion consider Buddha Amida, who reveals himself to Japanese monks after one hundred nights of sleep deprivation, a local psychosemantic effect.
Because of its egalitarian design, modernity feels compelled to reformulate all truths that were previously accessible only to the few into truths for the many - and neglect whatever is lost in translation. This eliminates the foundation of practical ascetic extremism, but affirms its tendencies in all aspects: it is indeed necessary to set up a strong antithesis to the misery-based definition of reality in the agro- imperial age - if this can now also be articulated by non-metaphysical and non-heroic means, then all the better. Everyone of these transla- tions ensued after the technical caesura of the Modern Age. The prin- ciple of their success is displayed by the fact that during the last three hundred years, an unprecedented civilizatory learning cycle has been active that fundamentally changed the laws of existence from the Iron Age - and continues to change them. At times, this cycle has helped the dream of a return to a Golden Age or a restoration of Paradise to political power, and even if the dream was never going to come true, the dream tendency as such already tells us something about the prevailing mood of the newer era. It was based on the intuition that the principle of reality had become a malleable plasma. Communist maximalism, which would accept nothing short of total renewal, has lost its psychological plausibility; it only lives on indirectly in the weary hatred which ex-radicals and their imitators in the third and fourth generation show towards our more moderate conditions. Nonetheless, the idea of returning to the second best still has great practical charm.
In fact, Europeans and Americans, to use Hesiod's terms, cata- pulted themselves into a renewed Silver Age in the second half of the twentieth century. Within the 'Crystal Palace', they created conditions for the majority that differed not gradually but epochally, or rather aeonically, from everything that had been the case a few centuries
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US once 1846 ~ epochal date in the history pain. 170 We also emphasize de-agrarianization of economic life, and thus the end of the 'idiocy of rural life'. 171 To the historian, it is beyond doubt that virtually all inhabitants of the Crystal Palace profit, at least in material and infrastructure terms, from unprecedented improvements in living conditions172 - a fact that is augmented and confirmed by the equally unprecedented blossoming of a culture of additional demands. The spiral of resignation from the Iron Age has been reversed and turned into an upward spiral of desire. In this situation, philosophy loses its mandate to rise beyond the static world of need that, as the theoreti- cal wing of the ethical distinction, it administered for two thousand years. It changes into a consultant to assist in explaining the advan- tage of no longer living in the Iron Age. It becomes a translation agency for transforming heroic knowledge into civil knowledge. It stands surety for the esoteric remainder with its own assets.
In Defence of the Second Silver Age
It was Richard Rorty who promoted this translation work most coherently and appealingly in the last decades - appealingly prima- rily because, despite his Dewey-inspired advocacy for the priority of democracy over philosophy, he made no secret of his sympathy for the exaggerations of heroic thought (which he also called roman- tic or inspiring thought). What places the American Rorty in the better traditions of European Baroque philosophy and the British- French-German Enlightenment is his unshakeable fidelity to the idea of world improvement, a fidelity that finds its most old-fashioned and stimulating manifestation in his book on the improvement of America. 173 Rorty was, next to Hans Jonas, the only thinker of the last half-century from whom one could learn why a philosopher with an understanding of the times must have the courage to strive for simplicity: only in a jargon-free language can one discuss with one's contemporaries why we, as members of modern civilization, may not have entered a Golden Age, but should not still view ourselves as citi- zens of the Iron Age either. When discussing this subject, philosophy and non-philosophy become one, and historico-philosophical theo- ries and everyday intuitions merge into one another. The grandilo- quent conservatives, who continue to cultivate the idiom of the Iron Age as if nothing had happened, must be challenged in a language of the middle. 174 The same tone must be used to counter the far left
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ideologies still virulent at a local level, which, out of disappointment at the failed return to the Golden Age, do everything in their power to smear the Silver Age as a farce. Only in such a conversation could the reasonable element in the claims of the 'end of history' after the collapse of the Soviet Union, which are presented somewhat exagger- atedly and rejected even more exaggeratedly, be reiterated. 175 The end of history is a metaphor for the disablement of the dominant reality principle of the Iron Age following non-heroic measures against the five needs. These include the industrial-political switch from scarcity to oversupply; the division of labour between the top achievers and the moderately working in business and sport; the general deregula- tion of sexuality; the transition to a mass culture without masters and a politics of co-operation without enemies; and attempts towards a post-heroic thanatology.
None of these measures are flawless; not one of them can move entirely beyond the level of lesser evils, and in some aspects they are even perceived as greater evils of a new type. That is why countless inhabitants of the second Silver Age, which does not understand itself, tend towards a defamation of this new state. What we call post- modernity is largely no more than the medial exploitation of unease at the second best - including all the risks that go with luxury pes- simisms. The fateful question is whether one succeeds in stabilizing the standards of the episodically materialized Silver Age, or whether a regression is imminent to an Iron Age of whose currentness both old and new realists are convinced -- not least considering the fact that over two thirds of the human race have never left it. Such a regression would not be fate, but rather a consequence of wilful reactions to the paradoxes of existence in the subpar.
The decision about the further course of events depends on whether the learning context of modernity can get through all technical, political, economic, cultural, epistemological and sanitary crises and be expanded into a sufficiently stable continuum of improvement knowledge and optimization ability. How little this continuum can
be taken for granted is evident in the fact that the history of ideas in the nineteenth and twentieth centuries produced an endless series of rebellions initiated by hostility to civilization and anti-technical ressentiment, regardless of whether these came about in the name of faith, the soul, life, art, national character, cultural identity or diver- sity of species. These outbursts constituted terminations of training that did grave damage to modernity fitness - and the danger of new terminations has not passed, as the omnipresence of far left, far right, conservative and ecological fundamentalisms proves. The 'discourse
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not one - a con- stant its agenda and against wrong cur- ricula. Every generation must choose between escapisms and forms capable of becoming traditions. To ensure even the possibility of an effective learning continuum, an intensive filtering of contemporary idea production is indispensable - a task once entrusted to 'critique', which has been entirely gutted in the meantime. Critique is replaced by an affirmative theory of civilization, supported by a General
Immunology. 176
Canon-Work in Modernity
More than any form of civilization before it, modernity relies on sorting out what deserves to be passed on and foreshortening mala- daptive developments - even if the necessary warnings are perceived by the protagonists of a current generation that basks in expressive malformations as oppressive infringements. Being allowed to bask in short-lived maladaptations, incidentally, is a significant factor in the appeal of modern life forms. It defines their aroma of freedom and lack of consequences; it liberates the present from the burden of creat- ing role models - it is no coincidence that modernity is the Eldorado of youth movements. Its greatest temptation is to abolish the future on the pretext of being the future. Whoever restricts themselves to 'single-age' ways of life does not have to worry about conveying role models in multi-age processes. 177 As self-evidently maladaptive forms also tend towards reproduction under liberal conditions, and go on to haunt subsequent generations, it is important for the civilizatory process to musealize such variants as soon as possible - at the latest, one generation after the resignation of the protagonists. 178
In truth, one of the most important functions of the modern cul- tural archive is to render superfluous the index of forbidden books and works of art, which has meanwhile become counterproductive. The archive reverently preserves all important and interesting errors, all projects with no future and all unrepeatable departures forever.
179 Its collections are recruited from strictly outside of the canon in which the real generational process continues to work. Otherwise, preser- vation in museums runs the risk of being confused with setting an example for successors - which is, incidentally, the favourite mistake of contemporary artists: following the end of the museoclastic move- ments, they view the public museum as a collection of normative works and fail to recognize its new function as the final destination
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is to say as a depository up nor repeated. They
the function of private collections, which is ultimately merely to withdraw pseudo-transcendent works from circulation. In addition, the paralysis afflicting the humanities today stems from the fact that its protagonists have, for the most part, settled into the archive as free-floating observers - Rorty slightly contemptuously calls them 'detached cosmopolitan spectators' - and left all programmatic work on the crafting of a civilizatory code with a future to chance and fanaticism.
Malign Repetitions I: The Culture of Camps
Following on from these observations, I shall point out a few mala- daptation phenomena that shaped the civilizatory process of the twentieth century. From today's perspective, they should be read as symptoms of the triumph of malign repetition in recent sequences of traditions, and therefore constitute emergencies for an intervening science of 'culture'. I shall begin - continuing from the reflections of the previous section - with the culture of political murder in the pseudo-metanoetic politics of the twentieth century; then deal with the weakening of the imitative factor in contemporary pedagogy; and finally address the illusory rejection of imitation in modern aesthetics.
As far as the externalization of metanoia in the revolutionary politics of the twentieth century goes, there is little to add to the earlier deliberations on the biopolitics of Bolshevism. The attempt to force, by political-technical measures for large collectives, what could previously barely be achieved even through extreme ascetic exercises by highly motivated individuals inevitably led to a politics of absolute means. Because the elimination of sluggish fellow humans seemed a logical choice as the means of all means for projects with this level of ambition, the first half of the twentieth century saw the birth of the most historically unheard-of form of a maladaptive culture: the culture of camps. 180 It served repression on the pretext of re-education, extermination on the pretext of work, and finally eradi- cation without any pretext. One initially hesitates to apply the term
'culture' to such phenomena. If one considers the scale of the camp worlds, however, their ideological premises, the logistical efforts they demanded, their personnel requirements, their moral implications, their habitus-forming effects and their mental side effects among those running the camps,181 the word 'culture' cannot be avoided,
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EXERCISES AND MISEXERCISES
even
ties. Although one tends, initially, to assume
prospects of transmission for camp norms must have been poor, it is undisputed that during most of the twentieth century, there was an entrepreneurial culture of internment, selection and elimination that survived for longer than one would ever have believed possible, either on moral or on culture-theoretical premises. Crime organized by the revolutionary party state reached the Weberian stage in the Soviet Union and China - in the sense of a transition from a state of emergency to bureaucratization. A maladaptive reversal with such long-term effects can also be observed in the life forms of the Parisian miracle courts in the seventeenth and eighteenth centuries, those counter-worlds of thieves, beggars and gypsies immortalized in novels of the nineteenth century - above all Victor Hugo's The Hunchback ofNotre-Dame. In these too, something resembling a stable-perverse counter-culture had come into being with unduly high chances of continuance. It constituted a parallel culture of the metropolitan poor that had been born out of need. The long-term camp culture of the twentieth century, on the other hand, was exclusively the work of pseudo-metanoetic states that invoked the French Revolution and took over the Jacobin sanctification of terror.
The birth date of modern exterminism as an entrepreneurial form and an institution can be precisely determined: 5 September 1918, when Lenin's decrees on Red Terror stated expressly that one must incarcerate the enemies of the Soviet system in concentration camps and eliminate them step by step. This approach, intended as provi- sional in the first years, was maintained on a massive scale well into the 1950s, and in smaller forms until the 1980s - finally in collabora- tion with Soviet psychiatry, which was based on the axiom that dis- satisfaction with the life forms of actual socialism was a symptom of severe mental illness.
The facts speak a clear language: the world of Nazi camps lasted for just under twelve years, those of the Soviet Union almost seventy years, and those of Maoism at least forty years - with a protracted aftermath in the prison system under the authoritarian capitalism of present-day China. This means that Soviet exterminism could spread its copies as far as a third generation, and in the case of Maoism a second, whose effects are still felt today: the system of laogai - literally 'reform through labour' - affected over fifty million people and wiped out over a third of these. We owe a debt of gratitude to anti-fascism of all stripes for the insistence with which it denounced the hyper-maladaptive atrocities of the Nazi state - the Holocaust,
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THE EXERCISES OF THE MODERNS
that German synthesis of amok and routine. What remains notable is the asymmetry of 'coming to terms with' the past: 'anti-fascists' of Soviet and Maoist dispositions have always evaded the question of why they showed so much more discretion when it came to the excesses in their own history, which were quantitatively even greater. To this day, knowledge of its true proportions is anything but widespread - despite Solzhenitsyn, despite Jung Chang, and despite The Black Book of Communism. While the denial of Nazi crimes is rightly treated as a punishable crime in some countries, the atrocities of the Marxist archipelago are still considered peccadilloes of history in some circles.
We learn from this that lies do not always have short legs. If mal- adaptation forms on such a scale are able to develop a second and third generation, their legs are rather longer than those of ordinary lies; it is worth pondering what enabled them to become so long. This concerns not only the autonomous creation of laws in dictato- rial state formations, which tend to become retreats into abnormal- ity, but also the foundations of modernism: with its advent, the gulf between demoralizing success and legitimate exemplariness known from older cultural stages opened up with unprecedented virulence. If a thinker of Sartre's calibre resolved to keep silent about the facts of the Soviet camp world well into the 1950s despite knowing of its origins, its dimensions and its consequences, and even went so far as denouncing Western critics of the camps - including Albert Camus- as mendacious lackeys of the bourgeoisie, it is evident that the great- est maladaptive anomaly in the political history of humanity cast its shadow on the power of judgement of eminent intellectuals. The most culture-theoretically relevant information lies in the dates: Sartre's vow of silence accompanied the transition of Soviet camp culture to the third generation. He supported the perverse change of a 'measure' into an institution. If one acknowledges this irrefutable meaning or secondary meaning in Sartre's reference to his 'companionship' with socialism, it is undeniable that in his person, which seemed to embody the moral oracle of his generation, the archetype of the false teacher had entered the stage - though cultivators of the critical memory prefer to discuss it with reference to the person of Heidegger. Heidegger may have been a false teacher against modernity in some respects; the later Sartre was in all respects the false teacher in favour of modernity. 182 Only in the context of a strict musealization can one refer to authors of this calibre to distinguish between greatness and exemplarity.
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Malign Repetitions School
As far as the decline practice culture and awareness of pUnes in the pedagogy of the second half of the twentieth century are concerned, this forms the most recent chapter in the long history of antagonistic co-operation between the modern state and the modern school. I have shown how the liaison and the contradiction between state semantics and school semantics in Europe from the seventeenth century on, if not earlier, inevitably led to chronic tensions between the internally differentiated 'subsystems'. If the state's traditional request to the school to produce usable citizens is translated by the latter into an order to develop autonomous personalities, constant friction is preordained - as creative dysfunction on the one hand, and as a source of chronic disappointment on the other. Generally speak- ing, one can say that bourgeois advanced civilization emerged from the surpluses of school humanism via the state education mission. 183 One can virtually speak of a felix culpa on the part of the older bourgeois education system: it gave its more talented pupils infinitely more cultural motifs than they would ever be able to use in their civil functions. In this context, it may be productive to note that some of the greatest phenomena of spiritual surplus in recent intellectual history - Johann Gottlieb Fichte as the reinventor of the theory of alienation and Friedrich Nietzsche as the modernizer of the Christian superhuman idea - passed through the same school, the Thuringian Pforta near Naumburg, which was known in its time as one of the strictest secondary schools in Germany: Fichte from 1774 to 1780184 and Nietzsche from 1856 to 1864. It is hardly necessary to explain how the Tubingen seminary over-fulfilled its training mission with the pupils H6lderlin, Hegel and Schelling. The question of what the pupil Karl Marx, who graduated in 1835, owed to his formative years at the gymnasium in Trier, the former Jesuit Trinity College, has been answered with rather modest information by revolutionary historiography. 185
In the most recent phase of school history, the creative malad- aptation of the classical school has been perverted into a malign maladaptation that can be called modern in so far as it resulted from an epoch-typical disturbance of role model functions and the accom- panying decline in practice consciousness. In the wake of this, school approaches a point of twofold implosion at which it produces neither citizens nor personalities. It heads towards a state beyond conformi- zation and production of surpluses that bypasses all aspects of direct usefulness and indirect creation of consequences. Year after year,
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THE EXERCiSES OF THE MODERNS
to got out is increasingly evident, without any blame whatsoever being attached to individual teachers or students. The two are joined in an ecumene of disorienta- tion scarcely paralleled in history - unless one wishes to point to the long night of education between the collapse of the Roman school system in the fifth century and the rebirth of a Christian-humanist school culture in the wake of the Alcuinic-Carolingian reforms during
the eighth century.
To diagnose the malaise, one would have to show in detail how
the current school takes part in the process that Niklas Luhmann calls the differentiation of subsystems. Differentiation means the establishment of strictly self-referentially organized structures within a subsystem or 'praxis field' - in evolution-theoretical terms, the institutionalization of selfishness. Luhmann's ingenious impulse was to show how growth in the performance capacity of subystems in modern 'society' - whether in politics, business, law, science, art, the church, sport, pedagogy or the health system - depends on a constant increase in its self-referentiality, to the point of its transition into a state of complete self-referential closure. In moral-theoretical terms, this implies the remoulding of selfishness at the subsystemic level into a regional virtue. For 'social' critique, this means that helpless protest against the cynicism of power is replaced by system enlightenment - that is to say, a clarification of enlightenment.
The systemically conditioned revaluation of values presupposes the de-demonization of self-preference that one can observe in the texts of the European moralists between the seventeenth and nine- teenth centuries. 186 It is hardly surprising, then, that one encounters a neutralized perversion at the centre of every subsystem. It is not only the offensive deviation of the 'blasphemer' from the moral norm that appears perverse, but far more the openness of the admis- sion that the subordinated system is ultimately only concerned with itself, not its possible mandates in a larger framework. 187 Thus there is a close connection between cynicism and perversion - cynicism, after all, as enlightened false consciousness, speaks the truth about the false, provided that it helps immorality to become blatant. This
breakthrough to blatancy - the aletheia of systems - first occurred in the field of politics, when Machiavelli disclosed the autonomous laws of political action and recommended its emancipation - long considered scandalous - from general morality. This was followed by economic theory after the advent of mechanical production in the late eighteenth century. Early liberals like Mandeville and Adam
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EXERCISES MISEXERCISES
comes
"'H'~"'Y' openly recognized that was to
profits for its managers so that they could service their loans, make new investments and cover salary costs. In short: within the system, 'social' factors can only be taken into account via calculations of side effects. The argument that business is of most use to the social envi- ronment when it concentrates on what it does best, namely generat- ing profits, is correct across the board - and yet it does not manage to acquire more than a vague plausibility, for the evident success of the one side is accompanied by growing evidence to the contrary: the selfishness of the economic system ignores too many other interests, whether one describes these as the interests of the whole or not.
The remaining subsystems are naturally forced far more strongly to hide their selfishness and justify themselves with the aid of vague holistic rhetoric. I8s This does not alter their factual development into 'selfish systems'. Each of them produces so-called experts who explain to the rest why things have to go the known way They have to make it clear to the sceptical audience why the all-tao-visible self- interest of the subsystem is outweighed by its usefulness for all. But one can still not imagine a health system openly stating that it pri- marily serves its own self-reproduction. Nor has one heard any utter- ances from churches to the effect that their only goal is to preserve the churches, even though open speech is considered a virtue among the clergy. There is even less reason to expect the school system's one day becoming sufficiently perverse to declare that its only task is to keep itself running somehow, in order to ensure that its profiteers - teachers and administrative employees - have secure positions and solid privileges.
Where one cannot expect confessions, one must rely on diagnoses. Diagnoses remould perversions into structural problems. It is obvious that the problem of today's school system is not only that it is no longer able to fulfil the state mission to breed citizens because the definition of the goal has become too blurred amid the demands of the current professional world; it is even clearer in the abandonment of its humanistic and artistic surplus in favour of devoting itself to a more or less de-spirited industry of pseudo-scientifically founded didactic routines. Because, in recent decades, it has no longer sum- moned the courage for dysfunctionality it had persistently shown since the seventeenth century, it changed into an empty selfish system. It produces teachers that only remind one of teachers, school subjects that only remind one of school subjects, and pupils that only remind one of pupils. In this process, school becomes 'anti-authoritarian' in
431
THE EXERCISES OF THE MODERNS
to
imitation cannot be disabled, the
risks becoming exemplary for the next generation in its own reluc- tance to represent exemplarity. This means that the second and third generations will be populated almost entirely by teachers who no longer do any more than celebrate the self-referentiality of the tuition. The tuition taking place is self-referential because it is in the nature of the system for it to take place. The internal differentiation of the school system brings about a situation in which there is only a single main subject left in school: that of 'school'. Accordingly, there is only one external goal to tuition: graduation with the corresponding quali- fication. Whoever completes a career at such a school has spent up to thirteen years learning not to take the teachers as examples. Through adaptation to the system, they have learned a form of learning that dispenses with the internalization of the material; they have virtually irreversibly rehearsed working through it without any acquisitive practice. They have learned the habitus of a pretend learning that defensively makes various objects its own in the system-immanently correct belief that the ability to adapt to the given forms of tuition is, for the time being, the aim of all pedagogy.
In the light of these phenomena, radical school thinkers have called for a dissolution of the entire system - whether, as with Ivan Illich, in the postulation of a 'de-schooling of society' or, as among current reform educators, through the suggestion of abolishing the whole established system of subjects and turning school during the forma- tive years into an open training camp for the polyvalent intelligence of young people. Such demands are in keeping with the great shift from book culture to network culture that has taken place over the last two decades. Its practical application would lead to something resembling a reintroduction of intelligence into the wild that could be described as a controlled jungle pedagogy. In this context, there are notable findings indicating that young people who spend a great deal of time with computer games and junk communication show consid- erable training effects in dealing intelligently with data clutter. Steven Johnson has summarized these developments under a title that should catch the attention of parents and systems theorists: Everything Bad Is Good for YOU. 189 It presents the thesis that almost any form of strong inculturation is better than going along with a maladaptive selfish system that can only offer parodies of the previous education. The problem of the false teacher, which I illustrated in the philosophi- cal context using the example of Sartre, returns at the systemic level as the problem of the false school.
432
AND
Malign Repetitions Ill: The Self~Referential Art System Modernity
Observations of this type and this tendency are pushed yet further as soon as one turns to the art system of modernity. It is clear to anyone who examines the history of art from 1910 to the present day that the catastrophe of the visual arts took place during this time - both in the process-theoretical and in the colloquial sense of the word. The three decisive generations of artists in the visual arts - from 1910 to 1945, 1945 to 1980, and 1980 to 2015 - expanded the field of their profession in a dizzyingly rapid advance towards new procedures. In the process, however, they forgot how to follow on from the highest artistic standards of the previous generation. The vast majority of them gave up the continuation of the golden chain of thematic, tech- nical and formal imitations at the level of modernly unrestricted art experiments.
The catastrophe of art transpires as the catastrophe of imitative behaviour and the training consciousness associated with it, which had spanned the previous three thousand years of 'art history' as a proliferation, however fragmented, of masteries and trade secrets. After a sequence of some eighty to a hundred generations of imitatio- based copying processes in premodern art, the imitation of content and technique was almost entirely stripped of its function as a sub- stantial cultural replicator within a mere two changes of generation. As imitation constitutes the decisive tradition-forming mechanism, however, even in a culture that disavows imitation in favour of a sug- gestive and dubious ideology of creativity, the imitation carried out by the moderns concerns the only aspect of art still suited to imitation without the imitators having to notice, let alone cultivate, the ten- dency of the imitation themselves. This aspect consists in the fact that works of art are not only produced, but also exhibited. 190 The shift from art as a power of production (along with the 'baggage' of the old masters) to art as a power of exhibition (along with its freedom of effects) gives pre-eminence to a form of imitation that turns its back on the workshop and puts the place of presentation at the centre of events. In this way, an uncontrollably exaggerated element of selfish- ness enters not only the art world, but also the works themselves. From each decade to the next, one can see more clearly that they are ever less interested in their production character and ever more inter- ested in their exhibition character.
In his essay Countdown: 3 Kunstgenerationen, Heiner Miihlmann uses evolution-theoretical arguments to reconstruct the free fall of
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THE EXERCISES Of THE . MODERNS
a state
evolution from 1910 to , it U '-'\'. V H . ''"
the systematic misjudgement of imitation and the train- ing element leads to paradoxical imitations and perverse forms of training. Paradoxical imitations and perverse training forms are ones in which malign qualities - which one would have termed 'vices' in earlier times - reproduce most successfully. In the imitation-blind subculture of modern visual art, on the thresholds between genera- tions, works and artists established themselves in which one could observe the next highest level of self-referentiality; yet contemporary observers proved unable to conclude from this that a self-referential work is simultaneously one that denies its own existence. Rather, the consummate malignity of the modern art scene is evident precisely in the fact that even the most shrilly self-referential cynicism can be taken as proof of the transcendent nature of art.
The art system has meanwhile taken over the best place in the sun of selfishness unchallenged. Although Martin Heidegger had taught that the work of art establishes a world - at the very time when art began its descent into pure self-referentiality. In reality, the work of art in the selfish system of postmodernized art has no intention of estab- lishing a world. Rather, it presents itself as a sign that it is showing something which does not refer to any world: its own exhibited state. The work of art in the third generation of blind selfishness-imitation has anything but an explicit world-relation. What it establishes is its manifest remoteness from everything outside its own sphere. The only thing it knows about the world is that it contains people who are full of longing for experiences of meaningfulness and transcend- ence. It relies on the fact that many of them are prepared to gratify their yearning in the empty hermeticism of self-referential works, in the tautology of self-referential exhibitions, and in the triumphalism
of self-referential museum buildings. Like all pseudo-religions, it aims for transcendence without for a second taking its eyes off its mundane interests.
When it comes to exhibiting its lack of concern for external ref- erences, the art system has even surpassed the financial one. It has already achieved what the economic system can only dream of: it has sacralized its selfishness, and now displays it like a seal of election. Hence the irresistible temptation emanating from the art system for the financial system and all other domains of self-referential activ- ity. The curators, who organize self-referential exhibitions, and the artists, who act as self-curators and self-collectors,191 are the only ones from whom the protagonists of speculative business can learn
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AND MISEXERCISES
one can never
as is to react to art as if it were a
ration of transcendence - and how else should it react in a time when any added meaning is dressed up as a religious experience?
Everything suggests that the same audience will also react to extreme wealth as if it were transcendence. The future of the art system is thus easy to predict: it lies in its fusion with the system of the largest fortunes. It promises an illustrious exhibitionistic future for the latter and a transition to the princely dimension for itself. After the emer- gence of the artistic power of production in the Renaissance, which made the artist great as the master of the landscape, the portrait and the apocalypse, and after the emergence of the power of exhibition in early modernity, which began with the exhibition of a urinal and cul- minated in the self-exhibiting museum, we are currently experiencing the emergence of art market power, which places all the power in the hands of the collectors. The path of art follows the law of externaliza- don, which proves the power of imitation precisely where imitation is most vehemently denied: it leads from the artists, who imitate artists, via the exhibitors, who imitate exhibitors, to the buyers, who imitate buyers. Before our eyes, the motto [>art pour l'art has turned into 'the art system for the art system'. From this position, the art system develops into the paradigm for all successful maladaptations - indeed the source of malign copying processes of all kinds. The problem of the false school returns as the problem of seduction through the rewards provided by the art system for examples of pseudo-culture. 192 The conclusion is an obvious one: in future, there will hardly be any perversion that does not take the current art system as an example. Derivative trading was long established there before the financial world began doing the same. Like the doping-corrupted sport system, the art system is at a crossroads: either it goes all the way on the path of corruption through imitation of the extra-artistic effect in the world of exhibitions and collections, exposing art once and for all as the playground of the last human, or it remembers the necessity of bringing creative imitation back to the workshops and re-addressing the question of how one should distinguish between what is worthy and what is unworthy of repetition.
435
RETROSPECTIVE
From the Re-Embedding of the Subject to the Relapse into Total Care
If one looks back from these current, all too current perceptions to the long way travelled by modern forms of subject-forming practice from their beginnings in urban mysticism, the workshops of artistes and craftsmen, the studios of scholars and the offices of the early Renaissance to the educational institutions, art galleries, fitness centres and genetic laboratories of the present, we arrive - beyond the unsummarizable wealth of divergent lines of development - at a problematic overall finding. Certainly the Modern Age fulfilled one of its promises: for the escapist ethicists populating the millennia between Heraclitus and Blaise Pascal, between Gautama Buddha and Tota Puri, it opened up the possibility of a new existence as world- lings. In keeping this promise, however, it simultaneously took away from humans what many had considered most valuable: the possible of distinguishing oneself radically from the world.
One cannot deny that modernity ended the alienation between the enclaves of the secessionists193 and the wasteland of externalities, and provided a new description of the discrepancy between humans and being in partly pathological, partly political and partly aesthetic terms. It offered therapies on the first track, social reforms on the second, and emergences into creativity on the third. Do we still need to point out that these main directions of world improvement and self-improvement are simultaneously the modes that helped us to resolve most of the misunderstandings concentrated in the concept of 'religion'? When it comes to correcting the disproportion between humans and the world, the most powerful mediators are medicine, the arts and democracy (better described as the politics of friendship). And when the concern is to redirect the forces of escapism towards a
436
RETROSPECTIVE
on beyond.
But regardless of whether modernity sought to adapt humans to the demands of the conditions or vice versa, its aim was always to bring back those who had voluntarily become estranged from the world in their secession from the 'country home of the self' to 'reality'. Its ambition was to imprint on them a single citizenship that gives and takes everything: being-in-the-world. It binds us to a communal life that knows no more emigration. Since living there we all have the same passport, issued by the United States of Ordinariness. We are guaranteed all human rights - except for the right to exit from factic- ity. Hence the meditative enclaves gradually become invisible, and the residential communities of unworldliness disband. The beneficial deserts are abandoned, the monasteries empty out, holidaymakers replace monks and holidays replace escapism. The demi-mondes of relaxation give both heaven and Nirvana an empirical meaning.
The re-secularization of the ascetically withdrawn subject (which is erroneously elevated to a substance) is undoubtedly one of the ten- dencies in modernity that merits close philosophical attention. In fact, it initiated a change that can be followed with sympathy, as it held out the prospect of nothing less than a reconciliation of humans and the world after an era of radical alienation. The 'age of balance' made the negation of ancient oppositions its mission - the spirit and life wanted to come together again, while ethics and the everyday wanted to form a new alliance. Millennia had passed in which the individuals resolved to embark on secession split the totality of the world into inner and outer, own and non-own parts; now they would be re- embedded in the milieu of a multi-dimensional whole, each one in its place and grasping itself as the 'worldling in the middle', to draw once again on Goethe's cheerful self-description. When the Enlightenment drove forward the disenchantment of metaphysics, it did so not least with the aim of freeing those indoctrinated with notions of the beyond from their extravagant immersion in worldless fictions. What made the critics of the religious illusion so sure of their cause was the conviction that the alienated human race could only achieve eman- cipation and true happiness by renouncing all imaginary happiness.
Taken together, these efforts form the complex of forms of the practising life I have outlined here under the classification 'exercises of the moderns'. Their key figures were the technical, artistic and discur- sive virtuosos who, in extensive practice cycles, managed to produce
437
THE EXERCISES OF THE l\10DERNS
ro(:os:m:>. as -pe,rS()fl<UltleS aocUlnentt~d individuals sure of experiencing the wide world inside their own person. All of them still profited from a metaphysical reinsurance that made the turn to worldliness appear as a gain on the account of the heightened and spared ego. For them, experience was synonymous with development. They could still enjoy the glowing isolation that guaranteed the sepa- rated subject a seemingly inalienable right of domicile in the realms of the soul and the mind; from there, they organized their journeys into the open - conquistadors and beautiful souls in one. It was at them that Goethe directed his pronouncement: 'No time there is, no power,
can decompose I The minted form that lives and living growS. '194
The rest is quickly told, for it is untellable: the radicalized enlighten- ment of the twentieth century broke open the enclosures of 'person- alities' immunized as figures or with reference to the beyond. Along with the soul that it posited for itself, it simultaneously drove out its daimon, the eerie companion from which Goethe borrowed the confidence that every individual life follows its inner primal form, in accordance with 'the law presiding at your birth'. 195 This expul- sion too initially occurred for the sake of inner-worldly bliss, which was entitled to demand the sacrifice of various illusions. A particular concern was to end the priority of the soul, which had become a prison for the body. 196
The true price of the epochal operation is revealed by the aberrances of the last century. If one were to compress this era into a film script, its title would have to be 'The Secularization of the Inner World', or 'The Revenge of the World on Those Who Thought that They Could Remain Untouched by It'. It would demonstrate that humans are destined for mass consumption as soon as one views them as a mere factor in the game of world improvement. The plot would be centred on the symmetrically interrelated primary ideologies of the nineteenth and twentieth centuries, which advanced the re-translation of humans from world-flight into world-belonging: naturalism and socialism - one could, because of their close kinship, also say social natural- ism and natural socialism. Both systems strove to reclaim humans, along with their physical foundations, entirely for the 'ensemble of social relations' and to prevent their flight into supposed inner worlds or counter-worlds - to say nothing of religious backworlds. Both approaches are inseparable from an elemental pragmatism which states that a thing is only real if it can be treated in social actions
438
RETR0 SPECTIVE
It is
indeed an towards moral-demonic excess: if humans can
no longer succeed in distancing themselves spiritually from worldly conditions, then countless people at least do everything they deem necessary so that, under the given conditions, they can count them- selves among the good, the morally superior.
The decisive blow to the mere possibility of an existence capable of world-flight did not come from the pragmatic side, however, but from the renewed 'revolution in the way of thinking' in the early twentieth century associated with the young Heidegger. He turned the clock of philosophical reflection back more than two and a half millennia when he decided, in his principal work Being and Time (1927), to let philosophical thought begin anew in the situation of Dasein as being- in-the-world. He thus reversed the step into the aloof realm of theory, and with it the securing of the self in a distant observing position, the step that - reusing Heraclitean images - I described as stepping out of the river of life and conquering the shore. 197 On the shore, we saw the appearance of the observer whose gaze transformed the world into a spectacle - an undignified one, of course, from which the ethically motivated intelligence must turn away.
Through this new approach in the midst of the comprehensive situation that is being-in-the-world, the greenhouses of the inner- world illusion were shattered and the lodges of pure observation sank in the flood. The separated subject found itself demoted to Dasein and stripped of its theoretical privilege, namely its similar- ity to the observer gods. It was immersed anew in the sea of moods that open up and colour pre-logically the whole in which we reside. This brought to light once more how far the human being, as an 'organ' of existence, is disposed towards being-outside-oneself. Its mode of being is self-forfeiting, as it always already occurs as being- among-things and being-with others. In its spontaneous quality, the human being is a marionette of the collective and a hostage of situations. Only at the 'second reading', after the event and excep- tionally, does Dasein return to itself and its possible mandate of self-being, and all attempts to elevate this later discovery to a first substance, a primal form, a world axis rising from the ego, show traces of subtle forgeries. Just as Proudhon declared, 'Whoever says "God" seeks to deceive', we can conclude from Heidegger: 'Whoever says "I" seeks to deceive themselves. ' Through their symptomatic prematurity, these over-elevations of the self betray an interest in rescue from the torrential flow of time. Is it necessary to emphasize
439
THE EXERCISES niE MODERNS rescue not in prove
The consequences of the shift are as unforeseeable as the conditions of the coming age, which, whatever else it might be, can only be referred to as the age 'after' this one. One observation, at least, does suggest itself: the re-secularization of the withdrawn subject did not fulfil the expectation that abstaining from imagined bliss directly contributes to physical or actual happiness. The reason for this can be found in Heidegger's description of the Dasein re-embedded in the worldly situation. The price for the new beginning of a thinking orientation from the position of being-in-the-world is inevitably a loss of distance, whose main symptom is the handing over of humans to concern and their immersion in the lived situation. Whoever turns the 'subject' back into 'Dasein' replaces the withdrawn with the included, the collected with the scattered, the immortalized with the de-immortalized,198 the redeemed with the un-saved. What Heidegger calls concern {Sorge] is the concession of humans to the world that they cannot seal themselves off against its infiltration. The shore on which the observer wanted to establish themselves is not a genuine rescue. Factical existing is 'always also absorbed in the world of its concern'. 199 However it might attempt to protect and isolate itself - as atman, as the noetic psyche, as Homo interior, as an inhabitant of the inner citadel, as a soul spark, as an underlying subject, as a present ego, as a personality, as an intersection of archetypes, as a floating point of irony, as a critic of the context of delusion and as an observer of observers - its constitutive being-outside-itself in fact means that it is always already in the grip of concern; only the gods, and fools with them, are without concern in themselves. Dasein is colonized by
worldlinesses from the start. Because it is always already absorbed in concern, it must draw up lists of priorities and work through them as if this were its innermost aim. Attempts to gain distance can never be more than secondary modifications of a self-delivering that anticipates everything else. The externalities Marcus Aurelius claimed stand outside our doors have, in reality, occupied the house. Its sup- posed master is possessed by the guests, and he can count himself lucky if they allow him a corner to which he can retreat.
Thus everything suggests that after three millennia of spiritual eva- sions, human existence has been taken back to the point where the secessions began, and is little the wiser for it - or at least, barely faces less difficulty. This impression is simultaneously correct and incor- rect: correct in so far as the exuberance of surreal ascents, hungry for
rescue?
440
RETROSPECTIVE
a world beyond, has neither stood the test of time nor stood up to analysis; and incorrect because the treasuries of practice knowledge are overflowing, despite being rarely frequented in recent times.