I am a yogin who
possesses
the lineage that is exceptionally superior because it originates from the three kayas.
Khenchen-Thrangu-Rinpoche-The-Life-Spiritual-Songs-of-Milarepa
I request the dharma from you.
Some give the teachings containing theprovisionalmeaningand some give the Hinayana teachings, but these are unable to subjugate the mind's defilements.
Others speak many words and give many teachings, but cannot provide refuge from suffering and the conditions for suffering.
You are a
nirmanakaya of the Buddha, and therefore you have realized the true nature ofphenomena. Please bestow upon us the profound teachings that come from your own mind.
In reply, Milarepa sang her a song with twenty-seven images (three for each of nine verses) in which he said:
32
? The Rock Sinmo in the Lingpa Cave
I don't usually sing on the ultimate truth, but as you have asked me to, I shall.
(1) Thunder, lightning, and clouds appear from the sky and merge back into the sky.
(2) Rainbow, mists, and fog appear from the air and merge back into the air.
(3) Honey, fruit, and crops arise from the earth and merge back into the earth.
(4) Forests, flowers, and leaves arise from the hillside and merge back into the hillside.
(5) Rivers, foam, and waves arise from the ocean and merge back into the ocean.
(6) Latencies, clinging, and atta. chment arise from the ground consciousness and merge back into the ground consciousness.
The mind has latencies25 that have been laid down throughout beginningless time. These latencies result in our perceptions. The mind also clings to the perceptions of things that we desire. Finally, there is an attachment to phenomena which mind takes as being truly real. These latencies originate and arise from the ground consciousness.
The seventh consciousness is the ajflicted consciousness, which is a continuous attachment to the self whether we consciously think ofit or not. Whether these seven consciousnesses are present or not, the continuity of the mind never ceases. There is always a non-apparen_t consciousness, that is, the ground consciousness from which all the latencies of appearances originate. Therefore, latencies, clinging, and attachment arise from the ground consciousness, and when they disappear, they then merge back into the ground consciousness. Z6 Milarepa continues:
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? TheLife& SpiritualSongsofMilarepa
(7) Self-knowledge, self-clarity and self-liberation arise from the mind and merge back into the mind.
When meditating on the true nature ofmind, the mind knows itself, it has natural clarity, and it naturally liberates itselffrom the kleshas. These three qualities of the self-awareness of mind, the natural clarity or luminosity of mind, and the natural liberation of mind are not newly created from meditation, but arise from
the nature of the mind itself and then merge back into the nature ofthe mind.
(8) Non-arising, non-cessation and indescribability arise from the true nature of phenomena (Skt. dharmata) and merge back into it.
First there is non-arising, at the end there is non-cessation, and in-between these there is indescribability. These are the characteristics of the true nature of phenomena.
(9) The appearance of demons, the belief, and the concept of demons, arise from yoga and merge back into yoga.
The appearances, belief, and concepts ofdemons may arise on the conventional Level or relative level and from the practice ofyoga they merge back into it. Obstacles and obstructing spirits are just manifestations ofthe mind. Ifone doesn't realize that they are empty,27 one will believe them to be demons. Ifone does realize that they are empty, there is a natural liberation from demons.
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? The Rock Sinmo in the Lingpa Cave
There are many delusions that occur in samsara: outer delusions, inner delusions, defilement delusions, and so on. The mind is the source of all these delusions. 28 All delusions naturally cease when there is the realization of the nature of the mind. The true nature of the mind is a natural fundamental clarity
that is empty, beyond coming or going. Though we perceive numerous external phenomena, they are all delusions manifested by the mind. They are empty by nature, but nevertheless appear. Though they appear, their nature is empty. This is the inseparability of emptiness and appearance.
Even meditation is just a thought, even non- meditation is just a thought. Whether one meditates or not, the nature of the mind does not change. Therefore, even a belief in meditation and non- meditation is a cause of delusion.
Phenomena have no reality, they are like space. Their emptiness must be understood. If you wish to have the correct view, you must see the emptiness that transcends the intellect. If you wish to have correct meditation, you must meditate without distraction. If you wish to have correct conduct, it
must be effortless and natural. Ifyou wish to gain the full result, hope and fear must be abandoned.
This is my teaching to you.
This ends the teaching of Milarepa on the absolute or ultimate view.
35
? Chogyal Namkhai Norbu demonstrating the yogic posture ofMilarepa.
? 5
Songs on Yolmo Snow-Mountain
g have chosen this chapter9 from the collected songs of Milarepa because Yolmo mountain is very near to Kathmandu, and there are persons here (in Kathmandu where the seminar is being given) who feel a strong connection
with Yolmo.
Marpa had told Milarepa what places he should practice in.
One of these was Yolmo snow-mountain, and so Milarepa came to Yolmo and stayed in a cave called Tapuk Senge Dzong (Tiger cave at Lion castle) in the forest ofSingaling (The Land ofLions). While he was there local deities caused him no obstacles; they manifested themselves in peaceful forms and took an oath to serve and honor him. Milarepa's meditation progressed well.
One day five young men and women came to see him and asked him to teach them the dharma. They said, "This is such a terrifYing place, the quality ofsomeone's practice would be bound to be very unstable. Has this happened to you? " In answer to their question, Milarepa sang them a spiritual song in which he said:
Yolmo has pastures, flowers, trees, forests, monkeys, birds, bees, in summer and winter, autumn and spring.
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? The Life & Spiritual Songs ofMilarepa
Here I meditate on emptiness. Sometimes many thoughts arise, and these aid my meditation. This is very good.
I do not accumulate bad karma, and therefore I have good health. I will have thoughts that will disturb my body and make me uncomfortable. Nevertheless, that is beneficial for my meditation experience and so this is very good. I am therefore free from the defilements and free from birth and
death, and this is good.
Though deities and spirits are malevolent and
create illusions, it only increases my realization. This is very good.
I am free from sickness, but ifsuffering occurs, it appears as bliss, which is very good.
I have the pleasure ofdifferent kinds ofmeditation experiences, but sometimes when I jump, run or dance, I am even more blissful.
The five pupils felt great faith on hearing Milarepa's song. He then gave them instructions, which they then meditated on and attained good qualities, which pleased Milarepa. He sang them a song about the kind of conduct they should have, in which he said:
There are many Dharma practitioners, but you are very fortunate to meditate upon this path. You are practicing to attain Buddhahood within one lifetime using one body. Therefore do not have attachment to this life. Many good and bad actions are done for the
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? Songs on Yolmo Snow-Mountain
sake of this life, and this prevents you from properly following the path of the dharma.
In serving the guru, you should not feel proud that you have done so well, as this prevents the accomplishment o f the goal.
In keeping your commitments, you should not associate with ordinary people, which brings the danger of your breaking your commitments.
When you are studying you should not feel proud that you have understood the meaning of the words, as this will cause the disturbing emotions to blaze up like fire and ruin your good activities.
When you meditate with your companions in the dharma, you should not have many tasks to perform, as they will cause distraction and be an obstacle to the dharma.
After those general instructions, Milarepa gave specific instructions on how his students were to conduct themselves on the path of means involving such profound practices as the Six Yogas ofNaropa by giving them the profound instructions of the oral transmission:
In doing these meditations, you should not use the powers developed from the oral transmission for the subjugation of demons or for the giving of blessings. If you do, your own being will become demonic, many obstacles will occur, and you will fall into worldly activities.
When practicing the dharma there will sometimes be meditation experiences and realizations of the true
39
? The Life & Spiritual Songs oJMilarepa
nature ofyour own mind. When these occur, do not hrag that you are doing well and do not display clairvoyant powers. Ifyou talk about signs ofprogress that you have attained, you will develop pride, envy, anger, and the signs will diminish. You need to
understand and abandon all these faults.
Then Milarepa's students asked him how they could practice self-sufficiency, and Milarepa sang some general instructions saying that they must practice well, have firm faith and devotion, and so on. They did practice well, and with great faith in Milarepa they offered him a mandala ofgold and a. Sked for an instruction on the essence ofview, meditation, and conduct. Milarepa said that their practice was better than an offering ofgold, and returned the gold
to. them. Then he sang a song in which he said:
The view, meditation, conduct and result are the foundation ofthe mantrayana.
The view of the mantrayana is how we should understand the true nature ofphenomena. Intellectual knowledge of the view, however, ,is not sufficient to reach enlightenment because we have to meditate on what we have to understand.
Just engaging in meditation is also not sufficient to gain enlightenment because we have to know if our meditation is correct or not. Finally, to reach enlightenment we have to engage in pure conduct when we are not meditating.
The essence ofthe mantrayana is engaging in the correct view, proper meditation, and pure conduct. Each of these has three objects.
40
? Songs on Yolmo Snow-Mountain
TheBuddha'sviewhastwoaspects: thesutraandmantraviews. In the surra path we engage in understanding the true nature of phenomena by primarily engaging in logical arguments. In the mantra path, however, we engage in the understanding of the nature of phenomena through direct perception of mind.
There are three aspects to this mantrayana view:
(1) All appearances and existences are subsumed within the mind. All external forms, sounds, tastes, smells, and tactile sensation arise within the mind. The mind's sensations of happiness, suffering, defilements, thoughts, and anything else are also derived
from the mind itsel?
(2) What is mind? It is clarity and knowledge. It is not a material
thing. It can think and change, it can engage with lucidity in all kinds ofthoughts.
(3) However, the mind itselfcannot be identified, as its nature is emptiness. While some teachers first introduce their pupils to emptiness and then to clarity, Milarepa introduces the clarity of the mind first and then introduces emptiness by pointing out that this clarity cannot be identified.
These are the three aspects of the mantrayana view of the true nature of the mind.
The three aspects of meditation are:
(1) Many thoughts appear in meditation. If the nature of mind is not identified, the thoughts become a problem; they become solid and an obstacle. However, when the true nature of the mind is realized, although thoughts arise, they are liberated as the dharmakaya.
(2) When thoughts are naturally realized to be the dharmakaya, the clear knowledge of the mind is a state of bliss that is free from suffering. Meditation is then accompanied by the experience of bliss.
41
? The Life & Spiritual Songs ofMilarepa
(3) This meditation is not the creation of something new. Delusion has been dispelled by the mind resting in its own natural state, without alteration or artifice. The mind must rest, be relaxed in the nature of the mind itsel?
The three aspects of conduct are:
(1) In the mantrayana one does not need to deliberately
accomplish the ten good actions. The practice ofgood actions will occur spontaneously from the realization that comes from meditation.
(2) Similarly, the ten unvirtuous actions will be spontaneously avoided without any need to deliberately control one's actions. With the realization of the nature of mind one does not need to have contrived conduct.
(3) There will also be no need to deliberately contrive remedial actions, to engender realization through effort. Ifone rests relaxed in the natural state of the mind, the realization of clarity and emptiness will naturally arise.
Finally, the three aspects of result are:
(1) According to the Buddha's exceptional view of the mantrayana, nirvana and Buddhahood are not located in some other place so we have to go someplace to get them. They are also not newly created or achieved.
(2) Samsara is not like garbage that has to be thrown away. There isn't anything that can be thrown away. The very nature of samsara is nirvana, whether we realize it or not.
(3) Nirvana is not something to be created and samsara is not something to be eliminated because our mind is Buddhahood. There is no Buddhahood that is other than us; it is the nature of our own mind.
When we have gained the elimination of all the negative qualities and gained all the positive qualities of realization, it is
42
? Songs on Yolmo Snow-Mountain
the unchanged nature ofour own mind, exactly as it is, which is Buddhahood. While we ? do not realize this, we are under the power ofthe defilements and wander in samsara. When we realize the true nature of the mind, there is the conviction that the mind is Buddhahood.
In this way view, meditation, conduct, and result have three aspects each, making twelve aspects in all, or as Milarepa says, the twelve nails hammered into them. There is an additional nail that is hammered in, a thirteenth nail, which applies equally to view, meditation, conduct, and result and that is the nature of phenomena, which is ungraspable. It is an emptiness that transcends all extremes, all conceptualization.
Who is it that hammers in these thirteen nails? It is the guru who introduces the pupil to recognition of the ungraspable nature. 30 If we analyze too much, the mind becomes confused and the nails will not go in. However, when we understand the innate nature exactly, the nails will be hammered in. These thirteen nails are the wealth that belongs to all dharma practitioners. Milarepa says, "They have arisen in my mind. Take pleasure in them and practice them. "
Then Milarepa sang them another song:
You must have diligence and faith when you practice. You must practice in solitude. Yolmo mountain is an excellent place to practice.
Having followed my own advice in my own practice of meditation, I enjoy the most perfect happiness.
43
? 6
The Story of Nyama Paldarbum
( 7 he fourteenth chapter31 of The Hundred Thousand Songs J ofMilarepa contains the teachings that Milarepa gave in response to the questions ofNyama Paldarbum. She asked Milarepa many questions and the answers Milarepa gave her are
profound and beneficial to our own practice.
One autumn Milarepa came to a place named Gepa Lesum,
where the people were bringing in the harvest. He was asking the people for food and a young girl named Nyama Paldarbum said, "Go to that house over there and I will come to you soon and give you food. "
Milarepa went to the door ofthe house and tapped on it with his staff. There was no response. He tapped again and an old woman came out who said, "You so-called yogins do a lot of begging and when there's no one at home you go in and steal, which is exactly what you were planning to do! "
Milarepa then sang her a song describing the suffering of old age and how in the midst ofthose sufferings we must practice the dharma and follow a guru. When he had finished the old woman was filled with regret and felt faith in Milarepa. With her hands together she supplicated him with tears streaming from her eyes.
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? The Life & Spiritual Songs ofMilarepa
Paldarbum arrived at this point and thought that the yogi must have hit her. "What do you think you're doing, hitting an old lady? " she asked him.
The old lady said, "He didn't hit or insult me, I insulted him. Then he gave me dharma teachings that have aroused great faith in the dharma in me. I'm crying because I feel great regret for what I said to him. I'm very old now, but you're still young, so you should serve this lama, Milarepa, and request the dharma from him. "
Paldarbum said, "You are both amazing. Ifyou are Milarepa, then I am very fortunate to J? eet you. I have heard that when pupils listen to the account of your lineage they develop great faith and their perceptions are transformed. I have heard that you have very profound instructions. What are they? "
Milarepa could see that this girl had the karma to be an excellent pupil and so he sang her a spiritual song that described the profundity of his lineage. The usual description of his lineage is the succession of gurus - Tilopa, Naropa, Marpa - however, here he describes his lineage as the dharma which begins with the Buddha. 32 Therefore the source of the Vajrayana teachings is described to be the three kayas. 33
Milarepa sang:
The dharmakaya is the all-pervading wisdom of the Buddha's mind, the all-pervading Samantabhadra, who is not an individual Buddha but represents the compassion and wisdom ofBuddhahood.
The dharmakaya gives rise to the sambhogakaya, which is beautified by the eighty major and minor signs physical signs.
46
? The Story ofNyama Paldarbum
The sambhogakaya is a manifestation of form for pupils. This is called Vajradhara, which is not to be confused with the dharmakaya Vajradhara. This Vajradhara is not an individual Buddha but represents the changeless continuity of the sambhogakaya.
The nirmanakaya that benefits beings is the Shakyamuni Buddha who has manifested to guide impure beings.
I am a yogin who possesses the lineage that is exceptionally superior because it originates from the three kayas.
Paldarbum said, "This is an excellent lineage, but one needs a root guru from ~hom one can directly receive the instructions. What kind of root guru did you have? " Milarepa could have answered quite simply that his guru was Marpa Lotsawa, but he sang her a song of the outer, inner, and ultimate gurus:
The outer guru is the one who communicates the continuity of knowledge through signs. He or she is the guru who teaches the instructions through symbols and other various methods.
The inner guru is the one who teaches the continuity ofwisdom and causes the direct recognition of the true nature of the mind.
The ultimate guru is the one who teaches the ultimate truth by increasing the clarity ofour wisdom until the final result is attained.
I am a yogin who possesses the lineage of these three gurus.
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? The Life & Spiritual Songs ofMilarepa
Paldarbum then asked, "One needs to receive an empowerment from a good guru. What kind of empowerments have you received? " Milarepa could have answered, "I have received the empowerments ofHevajra and Chakrasamvara, but instead he sang a song in which he said:
I have r. eceived the outer, mner and ultimate empowerment.
The outer empowerment is the vase being placed upon the crown ofthe head and is the symbolic use of ritual objects.
The inner empowerment is the demonstration that one's own body is the body of the deity. It is the meditation that one's body is the body ofthe deity,--so that one receives the blessing and the subtle channels (Skt. nadz) and subtle drops (Skt. bindu) ofthe body are empowered.
The ultimate empowerment is that which causes the direct recognition of the nature of the mind.
I am a yogin who has received these three empowerments.
Paldarbum said, "Those are very good empowerments. But having received these empowerments, one needs instructions so that one can follow the path. What kind of instructions did you receive? " Milarepa replied with a song:
I have received the outer, inner and ultimate instructions.
48
? The Story ofNyama Paldarbum
The outer instructions are to listen, contemplate, and meditate in order to gradually understand the meanmg.
The inner instructions are to be resolute, have intense diligence in meditation that will be the basis for the accomplishment of the final result.
The ultimate instructions are to have the continuous presence of realization and experience, which comes from diligence in meditation.
I am the yogin who has these three instructions.
Paldarbum said, "You have received good instructions. But when one has received instructions, one needs to go into the mountains to practice the dharma. What kind ofdharma practice have you done? "
In reply Milarepa sang ofthe outer, inner and ultimate Gocara practice,34 which are forms ofthe "cutting practice in which one cuts through one's attachment to the self:
The external cho is to wander in fearful places where there are deities and demons.
The internal cho is to offer one's own lSody as food to the deities and demons.
The ultimate cho is to realize the true nature of the mind and cut through the fine strand of hair of subtle ignorance.
I am the yogin who has these three kinds o f cho practice.
Paldarbum said, "That is a very good cho practice. When yogins do this practice, they recite "pai"35 in order to transform
49
? The Life & Spiritual Songs oJMilarepa
bad circumstances into the path. What is the meaning of this phat? To this Milarepa replied with a song about the outer, inner and ultimate phat:
The outer phat is the dispelling of the thoughts that prevent a stable meditation and it is also the gathering in of these thoughts.
The inner phat is clearing away the dullness or ~gitation that affects the mind's awareness in meditation.
The ultimate phat is resting in the true nature of the mind.
I am the yogin who has these three kinds of phat.
Paldarbum said, "This phat is very good. When you practice in this way what kind of mental states occur? " Milarepa sang of the mental states of the uncontrived ground, path, and result:
The uncontrived ground is resting in the all-pervading true nature, the true nature that pervades all phenomena.
The uncontrived path is not a gradual progress, but a direct arrival. 36
The uncontrived result is the true nature as Mahamudra.
I am a yogin who has those three mental states.
Paldarbum said, "This is marvelous, it's like the sun shining upon me. What kind of confidence have you gained from your practice? " Milarepa sang of the confidences of view, meditation, and result:
50
? The Story ofNyama Paldarbum
The confidence in the view is the realization of emptiness. This is the view that there are no deities nor any demons so that one cannot obtain benefit from deities or receive any harm from demons.
The confidence in meditation is the absence of an object ofmeditation. This means that there can be no distraction.
The confidence in the result is the absence ofhope to achieve it. This means there is the absence of fear of failure.
I am a yogin who has these three confidences.
Paldarbum felt great faith in Milarepa. She prostrated to him, invited him in, served and honored him, and said, "I am definitely going to practice the dharma, so please keep me in your compassion. " Then she sang a song to Milarepa describing her many faults with the basic meaning of the song being, "I will sincerely practice the dharma. Please give me a practice that is simple to understand and easy to do. " Milarepa, pleased with her,
replied with a song:
Although you truly wish to practice the dharma, it is not enough to give up worldly activities. You must follow my example and practice without distraction.
Paldarbum then described in a song what her normal life is like:
In the day there is never-ending work. In the night I am fast asleep. Morning and evening I am a slave to
51
? The Life & Spiritual Songs ofMilarepa
food and clothes. I have never had the chance to practice the dharma.
Milarepa then sang to her a song on the four aspects of renunciation necessary for true dharma practice:
The next life is far away from this life. Have you prepared for this journey with food and clothes? The way to prepare for that journey is to practice generosity.
In order to receive food, clothes, and wealth in future lives you should give them in this lifetime. There is, however, an obstacle that prevents this generosity to future lives, miserliness. Miserliness or hoarding may seem beneficial in this lifetime in that one accrues food and clothes and other possessions,
but in the long run it harms you because miserliness causes poverty in the next lifetime. Therefore you must recognize that miserliness is an enemy and cast it away behind you.
The next lifetime is darker than this lifetime. Therefore you must prepare a torch to illuminate that darkness. This is done by meditation on the fundamental clarity of the mind. Ignorance is the obstacle and the enemy ofclarity. Ignorance may seem
pleasant and beneficial superficially, but it is actually harmful and you must recognize it as an enemy and cast it away behind you.
The next lifetime is more frightening than this lifetime, so you must find a guard that will protect you. This guard is the practice ofthe dharma. Relatives
52
? The Story ofNyama Paldarbum
dissuading you from dharma practice are the enemy. They may be helping and loving towards you, but ultimately they are harming you. Therefore you must recognize these relatives to be an obstacle and cast them away behind you.
The next lifetime is a longer, more desolate road than this lifetime, so you will need a horse so that you can travel along it easily. That horse is diligence. The enemy of diligence is laziness that will deceive you into thinking it is beneficial, although ultimately it is harmful. Recognize laziness to be an enemy and cast it away behind you.
When Milarepa had sung this song, Paldarbum felt great faith in Milarepa. He told her, "You don't have to change your name or cut off your hair. 37 A person can have hair and also accomplish Buddhahood. " Then Milarepa taught her how to practice through a song of four analogies and five meanings:
0 young lady, Paldarbum, listen wealthy lady, endowed with faith. Look up into the sky, and practice meditation free from fringe and centre. Look up at the sun and moon, and practice meditation free from bright and dim. Look over at the mountains, and practice meditation free from departing and changing. Look down at the lake, and practice meditation free from waves. Look here at your mind, and practice meditation free from discursive thought.
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? The Life & Spiritual Songs ofMilarepa
Then Milarepa instructed her in the physical and mental practices and sent her to meditate. When she returned some time later she sang of her experiences and doubts:
0 Jetsun Rinpoche, 0 supreme yogin, I am able to meditate on the sky;. but when clouds arise, how should I meditate? I am able to meditate on the sun and moon; but when heavenly bodies move, how should I meditate? I am able to meditate on the mountains; but when trees and shrubbery blossom, how should I meditate? I am able to meditate on the lake; but when waves arise, how should I meditate? I am able to meditate on the mind; but when discursive thoughts occur, how should I meditate?
This means that she can look at the mind, nevertheless she is disturbed by the thoughts arising within it. Milarepa sang her a song to further her understanding and clear her doubts:
0 young lady, Palderbum, listen wealthy lady, endowed with faith. If you are able to meditate on the sky, clouds are manifestations of the sky. Once more resolve this manifestation; once more resolve your mind.
Ifyou are able to meditate on the sun and moon, the stars and planets are manifestations of the sun and moon. Once more resolve this manifestation; once more resolve your mind.
Ifyou are able to meditate on the mountains, the trees and shrubbery are manifestations of the
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? The Story oJNyama Paldarbum
mountain. Once more resolve this manifestation; once more resolve your mind.
Ifyou are able to meditate on the lake, the waves are manifestations ofthe lake. Once more resolve this manifestation; once more resolve your mind.
If you are able to meditate on your mind, discursive thoughts are manifestations ofyour mind. Once more examine the root of discursive thought; once more resolve your mind.
What this means is that ifyou see your own mind, then what you see is that the mind's essence or nature is emptiness. When you see that, you also see that the nature of whatever thought arises in the mind is also emptiness. When this is experienced directly, then these thoughts dissolve in their own place, which means right there or right here. Thoughts are not driven out or sent somewhere else; they do not go away, they simply dissolve
naturally because they are seen.
55
? 7
The Encounter with Naro Bonchung at Mount Kailash
(//0any Westerners now go to see Mount Kailash. It is a J . . 1j placewhereMilarepapracticedandperformedmiracles, leaving his handprints on the rocks and so on. 38
Therefore I shall go through the twenty-second chapter of The Hundred Thousand Songs ofMilarepa39 that describes Milarepa's experience there.
In the Abhidharma it is said that north of Bodhgaya, beyond nine dark mountain ranges and a snow mountain range there is the mountain Gandhamadana and the lakeAnavatapta. 40 Milarepa believed Mt Kailash to be Gandhamadana, and the nearby Lake Mansarovar to be Anavatapta. On the other hand, the Sakya Pandita believed that Kailash and Mansarovar were not Gandhamadana and Anavatapta. However, the eighth Karmapa, Mikyo Dorje, and many other Kagyu masters have stated this mountain and lake is Gandhamadana and Anavatapta.
Marpa had told Milarepa that if he practiced at Lachi and Kailash mountain he would gain exceptional experiences and realizations, and would develop the great qualities that will benefit his pupils. So, to fulfil his guru's instructions, Milarepa went to Mount Kailash. The local deities ofKailash and Mansarovar greeted
57
? The Life & Spiritual Songs ofMilarepa
;him on his arrival, prostrating to him and making offerings to him. They offered the mountain and the lake as places ofpractice to Milarepa and all his pupils. The deities also promised to help them when they practiced there by increasing the conditions that were conducive to their practice.
Naro Bonchung was in residence there at this time. He was an excellent practitioner of the Bon tradition41 and had thereby attained some miraculous powers and clairvoyance. He had heard that Milarepa possessed inconceivable miraculous powers and clairvoyance, so he came to welcome Milarepa and his pupils as they arrived at the shore of Mansarovar.
Though he knew who Milarepa was, he pretended he didn't and asked, "Where have you come from and where are you going? " Milarepa answered, "We are going to Mount Kailash to practice meditation. "
Naro Bonchung then asked, "And who are you? " and Milarepa answered, "I am Milarepa. " Naro Bonchung then said, "Kailash and Mansarovar are very famous, but when you actually see them they're not anything special. You're the same, very famous, but nothing special in person. But even if Kailash and Mansarovar and you are really wonderful, this area is under the control of my tradition. Ir is our land and our mountain. So those who stay here have to follow the Bon tradition.
Milarepa said, "This mountain and lake belongs to the Buddhist tradition because the Buddha foretold oftheir existence. In particular my guru Marpa told me that I must practice meditation here. I am not just following mYown wishes. That you live here is very good. It will be better ifyou continue to live here and follow the Buddhist tradition. If you're not going to practice Buddhism it will be best that you go somewhere else. "
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? The Encounter with Naro Bonchung at Mount Kailash
The reason Milarepa and Naro Bonchung argued in this way was not due to sectarianism, but because it is best that people keep to their own particular tradition; that way they will gain the final goal. Bur if they mix different traditions, their practice will not progress.
The Bonpo said, "If it's true that you have great miraculous powers, we should have a miracle contest. Whoever wins will be the master of Mt. Kailash. Now I shall perform a miracle. " Naro Bonchung then straddled the lake with his left foot on the near shore and his right foot on the opposite shore. Standing thus he sang a song in which he said:
Mount Kailash is very famous, but when: you see it, it's just a snow covered mountain-peak. There's nothing wonderful about it.
Lake Mansarovar is very famous, but it's just a depression filled by river water. There's nothing else there.
Milarepa is very famous, but he's just a naked old man lying on the ground and singing. There's nothing wonderful about him.
We Bonpos have an exceptionally superior teaching. There is the Bon Kaya, and the Bon deity who is the great King of wrathful deities, who has nine heads and eighteen arms and many emanations. His sister is Sipay Gyalmo ("Queen of Existence").
The Bon dharma is superior. As a sign of that superiority, I manifest this miracle.
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? The Life & Spiritual Songs ofMilarepa
Milarepa then did a miracle. Without his body growing larger or Lake Mansarovar becoming smaller, he covered it entirely with his body and then he sang a song in which he said:
Buddha Shakyamuni sits upon a lion throne on Gridhrakuta42 mountain. The Buddha's teachings are exceptionally superior. His body, inseparable from his wisdom, is the dharmakaya Vajradhara. The one who rests in the meditation united with that dharmakaya, is Tilopa, the nirmanakaya. His pupil is the great
pandita Naropa, and Naropa's pupil is Marpa Lotsawa. The blessing has been transmitted from Vajradhara through Tilopa, Naropa and Marpa to me.
I have gained superior realizations and experiences. I am the famous Mifarepa. In accordance with Marpa's command, I have come to meditate at Kailash. Meditating here I will accomplish complete benefit for myself and for others. Mount Kailash is very famous. The snow covered peak is a symbol of the
purity of the Buddha's teachings. Mansarovar lake is very famous, being filled with water is a symbol of the cessation ofphenomena into a state ofequanimity.
I am the famous Milarepa. An old man lying naked is a symbol ofthe abandonment ofthe concepts of perceiver and perceived. I sing because all appearances appear to me as books, as teachings. Then I give these teachings in the form of songs. That is why Milarepa is famous.
In my realizatio.
nirmanakaya of the Buddha, and therefore you have realized the true nature ofphenomena. Please bestow upon us the profound teachings that come from your own mind.
In reply, Milarepa sang her a song with twenty-seven images (three for each of nine verses) in which he said:
32
? The Rock Sinmo in the Lingpa Cave
I don't usually sing on the ultimate truth, but as you have asked me to, I shall.
(1) Thunder, lightning, and clouds appear from the sky and merge back into the sky.
(2) Rainbow, mists, and fog appear from the air and merge back into the air.
(3) Honey, fruit, and crops arise from the earth and merge back into the earth.
(4) Forests, flowers, and leaves arise from the hillside and merge back into the hillside.
(5) Rivers, foam, and waves arise from the ocean and merge back into the ocean.
(6) Latencies, clinging, and atta. chment arise from the ground consciousness and merge back into the ground consciousness.
The mind has latencies25 that have been laid down throughout beginningless time. These latencies result in our perceptions. The mind also clings to the perceptions of things that we desire. Finally, there is an attachment to phenomena which mind takes as being truly real. These latencies originate and arise from the ground consciousness.
The seventh consciousness is the ajflicted consciousness, which is a continuous attachment to the self whether we consciously think ofit or not. Whether these seven consciousnesses are present or not, the continuity of the mind never ceases. There is always a non-apparen_t consciousness, that is, the ground consciousness from which all the latencies of appearances originate. Therefore, latencies, clinging, and attachment arise from the ground consciousness, and when they disappear, they then merge back into the ground consciousness. Z6 Milarepa continues:
33
? TheLife& SpiritualSongsofMilarepa
(7) Self-knowledge, self-clarity and self-liberation arise from the mind and merge back into the mind.
When meditating on the true nature ofmind, the mind knows itself, it has natural clarity, and it naturally liberates itselffrom the kleshas. These three qualities of the self-awareness of mind, the natural clarity or luminosity of mind, and the natural liberation of mind are not newly created from meditation, but arise from
the nature of the mind itself and then merge back into the nature ofthe mind.
(8) Non-arising, non-cessation and indescribability arise from the true nature of phenomena (Skt. dharmata) and merge back into it.
First there is non-arising, at the end there is non-cessation, and in-between these there is indescribability. These are the characteristics of the true nature of phenomena.
(9) The appearance of demons, the belief, and the concept of demons, arise from yoga and merge back into yoga.
The appearances, belief, and concepts ofdemons may arise on the conventional Level or relative level and from the practice ofyoga they merge back into it. Obstacles and obstructing spirits are just manifestations ofthe mind. Ifone doesn't realize that they are empty,27 one will believe them to be demons. Ifone does realize that they are empty, there is a natural liberation from demons.
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? The Rock Sinmo in the Lingpa Cave
There are many delusions that occur in samsara: outer delusions, inner delusions, defilement delusions, and so on. The mind is the source of all these delusions. 28 All delusions naturally cease when there is the realization of the nature of the mind. The true nature of the mind is a natural fundamental clarity
that is empty, beyond coming or going. Though we perceive numerous external phenomena, they are all delusions manifested by the mind. They are empty by nature, but nevertheless appear. Though they appear, their nature is empty. This is the inseparability of emptiness and appearance.
Even meditation is just a thought, even non- meditation is just a thought. Whether one meditates or not, the nature of the mind does not change. Therefore, even a belief in meditation and non- meditation is a cause of delusion.
Phenomena have no reality, they are like space. Their emptiness must be understood. If you wish to have the correct view, you must see the emptiness that transcends the intellect. If you wish to have correct meditation, you must meditate without distraction. If you wish to have correct conduct, it
must be effortless and natural. Ifyou wish to gain the full result, hope and fear must be abandoned.
This is my teaching to you.
This ends the teaching of Milarepa on the absolute or ultimate view.
35
? Chogyal Namkhai Norbu demonstrating the yogic posture ofMilarepa.
? 5
Songs on Yolmo Snow-Mountain
g have chosen this chapter9 from the collected songs of Milarepa because Yolmo mountain is very near to Kathmandu, and there are persons here (in Kathmandu where the seminar is being given) who feel a strong connection
with Yolmo.
Marpa had told Milarepa what places he should practice in.
One of these was Yolmo snow-mountain, and so Milarepa came to Yolmo and stayed in a cave called Tapuk Senge Dzong (Tiger cave at Lion castle) in the forest ofSingaling (The Land ofLions). While he was there local deities caused him no obstacles; they manifested themselves in peaceful forms and took an oath to serve and honor him. Milarepa's meditation progressed well.
One day five young men and women came to see him and asked him to teach them the dharma. They said, "This is such a terrifYing place, the quality ofsomeone's practice would be bound to be very unstable. Has this happened to you? " In answer to their question, Milarepa sang them a spiritual song in which he said:
Yolmo has pastures, flowers, trees, forests, monkeys, birds, bees, in summer and winter, autumn and spring.
37
? The Life & Spiritual Songs ofMilarepa
Here I meditate on emptiness. Sometimes many thoughts arise, and these aid my meditation. This is very good.
I do not accumulate bad karma, and therefore I have good health. I will have thoughts that will disturb my body and make me uncomfortable. Nevertheless, that is beneficial for my meditation experience and so this is very good. I am therefore free from the defilements and free from birth and
death, and this is good.
Though deities and spirits are malevolent and
create illusions, it only increases my realization. This is very good.
I am free from sickness, but ifsuffering occurs, it appears as bliss, which is very good.
I have the pleasure ofdifferent kinds ofmeditation experiences, but sometimes when I jump, run or dance, I am even more blissful.
The five pupils felt great faith on hearing Milarepa's song. He then gave them instructions, which they then meditated on and attained good qualities, which pleased Milarepa. He sang them a song about the kind of conduct they should have, in which he said:
There are many Dharma practitioners, but you are very fortunate to meditate upon this path. You are practicing to attain Buddhahood within one lifetime using one body. Therefore do not have attachment to this life. Many good and bad actions are done for the
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? Songs on Yolmo Snow-Mountain
sake of this life, and this prevents you from properly following the path of the dharma.
In serving the guru, you should not feel proud that you have done so well, as this prevents the accomplishment o f the goal.
In keeping your commitments, you should not associate with ordinary people, which brings the danger of your breaking your commitments.
When you are studying you should not feel proud that you have understood the meaning of the words, as this will cause the disturbing emotions to blaze up like fire and ruin your good activities.
When you meditate with your companions in the dharma, you should not have many tasks to perform, as they will cause distraction and be an obstacle to the dharma.
After those general instructions, Milarepa gave specific instructions on how his students were to conduct themselves on the path of means involving such profound practices as the Six Yogas ofNaropa by giving them the profound instructions of the oral transmission:
In doing these meditations, you should not use the powers developed from the oral transmission for the subjugation of demons or for the giving of blessings. If you do, your own being will become demonic, many obstacles will occur, and you will fall into worldly activities.
When practicing the dharma there will sometimes be meditation experiences and realizations of the true
39
? The Life & Spiritual Songs oJMilarepa
nature ofyour own mind. When these occur, do not hrag that you are doing well and do not display clairvoyant powers. Ifyou talk about signs ofprogress that you have attained, you will develop pride, envy, anger, and the signs will diminish. You need to
understand and abandon all these faults.
Then Milarepa's students asked him how they could practice self-sufficiency, and Milarepa sang some general instructions saying that they must practice well, have firm faith and devotion, and so on. They did practice well, and with great faith in Milarepa they offered him a mandala ofgold and a. Sked for an instruction on the essence ofview, meditation, and conduct. Milarepa said that their practice was better than an offering ofgold, and returned the gold
to. them. Then he sang a song in which he said:
The view, meditation, conduct and result are the foundation ofthe mantrayana.
The view of the mantrayana is how we should understand the true nature ofphenomena. Intellectual knowledge of the view, however, ,is not sufficient to reach enlightenment because we have to meditate on what we have to understand.
Just engaging in meditation is also not sufficient to gain enlightenment because we have to know if our meditation is correct or not. Finally, to reach enlightenment we have to engage in pure conduct when we are not meditating.
The essence ofthe mantrayana is engaging in the correct view, proper meditation, and pure conduct. Each of these has three objects.
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? Songs on Yolmo Snow-Mountain
TheBuddha'sviewhastwoaspects: thesutraandmantraviews. In the surra path we engage in understanding the true nature of phenomena by primarily engaging in logical arguments. In the mantra path, however, we engage in the understanding of the nature of phenomena through direct perception of mind.
There are three aspects to this mantrayana view:
(1) All appearances and existences are subsumed within the mind. All external forms, sounds, tastes, smells, and tactile sensation arise within the mind. The mind's sensations of happiness, suffering, defilements, thoughts, and anything else are also derived
from the mind itsel?
(2) What is mind? It is clarity and knowledge. It is not a material
thing. It can think and change, it can engage with lucidity in all kinds ofthoughts.
(3) However, the mind itselfcannot be identified, as its nature is emptiness. While some teachers first introduce their pupils to emptiness and then to clarity, Milarepa introduces the clarity of the mind first and then introduces emptiness by pointing out that this clarity cannot be identified.
These are the three aspects of the mantrayana view of the true nature of the mind.
The three aspects of meditation are:
(1) Many thoughts appear in meditation. If the nature of mind is not identified, the thoughts become a problem; they become solid and an obstacle. However, when the true nature of the mind is realized, although thoughts arise, they are liberated as the dharmakaya.
(2) When thoughts are naturally realized to be the dharmakaya, the clear knowledge of the mind is a state of bliss that is free from suffering. Meditation is then accompanied by the experience of bliss.
41
? The Life & Spiritual Songs ofMilarepa
(3) This meditation is not the creation of something new. Delusion has been dispelled by the mind resting in its own natural state, without alteration or artifice. The mind must rest, be relaxed in the nature of the mind itsel?
The three aspects of conduct are:
(1) In the mantrayana one does not need to deliberately
accomplish the ten good actions. The practice ofgood actions will occur spontaneously from the realization that comes from meditation.
(2) Similarly, the ten unvirtuous actions will be spontaneously avoided without any need to deliberately control one's actions. With the realization of the nature of mind one does not need to have contrived conduct.
(3) There will also be no need to deliberately contrive remedial actions, to engender realization through effort. Ifone rests relaxed in the natural state of the mind, the realization of clarity and emptiness will naturally arise.
Finally, the three aspects of result are:
(1) According to the Buddha's exceptional view of the mantrayana, nirvana and Buddhahood are not located in some other place so we have to go someplace to get them. They are also not newly created or achieved.
(2) Samsara is not like garbage that has to be thrown away. There isn't anything that can be thrown away. The very nature of samsara is nirvana, whether we realize it or not.
(3) Nirvana is not something to be created and samsara is not something to be eliminated because our mind is Buddhahood. There is no Buddhahood that is other than us; it is the nature of our own mind.
When we have gained the elimination of all the negative qualities and gained all the positive qualities of realization, it is
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? Songs on Yolmo Snow-Mountain
the unchanged nature ofour own mind, exactly as it is, which is Buddhahood. While we ? do not realize this, we are under the power ofthe defilements and wander in samsara. When we realize the true nature of the mind, there is the conviction that the mind is Buddhahood.
In this way view, meditation, conduct, and result have three aspects each, making twelve aspects in all, or as Milarepa says, the twelve nails hammered into them. There is an additional nail that is hammered in, a thirteenth nail, which applies equally to view, meditation, conduct, and result and that is the nature of phenomena, which is ungraspable. It is an emptiness that transcends all extremes, all conceptualization.
Who is it that hammers in these thirteen nails? It is the guru who introduces the pupil to recognition of the ungraspable nature. 30 If we analyze too much, the mind becomes confused and the nails will not go in. However, when we understand the innate nature exactly, the nails will be hammered in. These thirteen nails are the wealth that belongs to all dharma practitioners. Milarepa says, "They have arisen in my mind. Take pleasure in them and practice them. "
Then Milarepa sang them another song:
You must have diligence and faith when you practice. You must practice in solitude. Yolmo mountain is an excellent place to practice.
Having followed my own advice in my own practice of meditation, I enjoy the most perfect happiness.
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? 6
The Story of Nyama Paldarbum
( 7 he fourteenth chapter31 of The Hundred Thousand Songs J ofMilarepa contains the teachings that Milarepa gave in response to the questions ofNyama Paldarbum. She asked Milarepa many questions and the answers Milarepa gave her are
profound and beneficial to our own practice.
One autumn Milarepa came to a place named Gepa Lesum,
where the people were bringing in the harvest. He was asking the people for food and a young girl named Nyama Paldarbum said, "Go to that house over there and I will come to you soon and give you food. "
Milarepa went to the door ofthe house and tapped on it with his staff. There was no response. He tapped again and an old woman came out who said, "You so-called yogins do a lot of begging and when there's no one at home you go in and steal, which is exactly what you were planning to do! "
Milarepa then sang her a song describing the suffering of old age and how in the midst ofthose sufferings we must practice the dharma and follow a guru. When he had finished the old woman was filled with regret and felt faith in Milarepa. With her hands together she supplicated him with tears streaming from her eyes.
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? The Life & Spiritual Songs ofMilarepa
Paldarbum arrived at this point and thought that the yogi must have hit her. "What do you think you're doing, hitting an old lady? " she asked him.
The old lady said, "He didn't hit or insult me, I insulted him. Then he gave me dharma teachings that have aroused great faith in the dharma in me. I'm crying because I feel great regret for what I said to him. I'm very old now, but you're still young, so you should serve this lama, Milarepa, and request the dharma from him. "
Paldarbum said, "You are both amazing. Ifyou are Milarepa, then I am very fortunate to J? eet you. I have heard that when pupils listen to the account of your lineage they develop great faith and their perceptions are transformed. I have heard that you have very profound instructions. What are they? "
Milarepa could see that this girl had the karma to be an excellent pupil and so he sang her a spiritual song that described the profundity of his lineage. The usual description of his lineage is the succession of gurus - Tilopa, Naropa, Marpa - however, here he describes his lineage as the dharma which begins with the Buddha. 32 Therefore the source of the Vajrayana teachings is described to be the three kayas. 33
Milarepa sang:
The dharmakaya is the all-pervading wisdom of the Buddha's mind, the all-pervading Samantabhadra, who is not an individual Buddha but represents the compassion and wisdom ofBuddhahood.
The dharmakaya gives rise to the sambhogakaya, which is beautified by the eighty major and minor signs physical signs.
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? The Story ofNyama Paldarbum
The sambhogakaya is a manifestation of form for pupils. This is called Vajradhara, which is not to be confused with the dharmakaya Vajradhara. This Vajradhara is not an individual Buddha but represents the changeless continuity of the sambhogakaya.
The nirmanakaya that benefits beings is the Shakyamuni Buddha who has manifested to guide impure beings.
I am a yogin who possesses the lineage that is exceptionally superior because it originates from the three kayas.
Paldarbum said, "This is an excellent lineage, but one needs a root guru from ~hom one can directly receive the instructions. What kind of root guru did you have? " Milarepa could have answered quite simply that his guru was Marpa Lotsawa, but he sang her a song of the outer, inner, and ultimate gurus:
The outer guru is the one who communicates the continuity of knowledge through signs. He or she is the guru who teaches the instructions through symbols and other various methods.
The inner guru is the one who teaches the continuity ofwisdom and causes the direct recognition of the true nature of the mind.
The ultimate guru is the one who teaches the ultimate truth by increasing the clarity ofour wisdom until the final result is attained.
I am a yogin who possesses the lineage of these three gurus.
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? The Life & Spiritual Songs ofMilarepa
Paldarbum then asked, "One needs to receive an empowerment from a good guru. What kind of empowerments have you received? " Milarepa could have answered, "I have received the empowerments ofHevajra and Chakrasamvara, but instead he sang a song in which he said:
I have r. eceived the outer, mner and ultimate empowerment.
The outer empowerment is the vase being placed upon the crown ofthe head and is the symbolic use of ritual objects.
The inner empowerment is the demonstration that one's own body is the body of the deity. It is the meditation that one's body is the body ofthe deity,--so that one receives the blessing and the subtle channels (Skt. nadz) and subtle drops (Skt. bindu) ofthe body are empowered.
The ultimate empowerment is that which causes the direct recognition of the nature of the mind.
I am a yogin who has received these three empowerments.
Paldarbum said, "Those are very good empowerments. But having received these empowerments, one needs instructions so that one can follow the path. What kind of instructions did you receive? " Milarepa replied with a song:
I have received the outer, inner and ultimate instructions.
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? The Story ofNyama Paldarbum
The outer instructions are to listen, contemplate, and meditate in order to gradually understand the meanmg.
The inner instructions are to be resolute, have intense diligence in meditation that will be the basis for the accomplishment of the final result.
The ultimate instructions are to have the continuous presence of realization and experience, which comes from diligence in meditation.
I am the yogin who has these three instructions.
Paldarbum said, "You have received good instructions. But when one has received instructions, one needs to go into the mountains to practice the dharma. What kind ofdharma practice have you done? "
In reply Milarepa sang ofthe outer, inner and ultimate Gocara practice,34 which are forms ofthe "cutting practice in which one cuts through one's attachment to the self:
The external cho is to wander in fearful places where there are deities and demons.
The internal cho is to offer one's own lSody as food to the deities and demons.
The ultimate cho is to realize the true nature of the mind and cut through the fine strand of hair of subtle ignorance.
I am the yogin who has these three kinds o f cho practice.
Paldarbum said, "That is a very good cho practice. When yogins do this practice, they recite "pai"35 in order to transform
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? The Life & Spiritual Songs oJMilarepa
bad circumstances into the path. What is the meaning of this phat? To this Milarepa replied with a song about the outer, inner and ultimate phat:
The outer phat is the dispelling of the thoughts that prevent a stable meditation and it is also the gathering in of these thoughts.
The inner phat is clearing away the dullness or ~gitation that affects the mind's awareness in meditation.
The ultimate phat is resting in the true nature of the mind.
I am the yogin who has these three kinds of phat.
Paldarbum said, "This phat is very good. When you practice in this way what kind of mental states occur? " Milarepa sang of the mental states of the uncontrived ground, path, and result:
The uncontrived ground is resting in the all-pervading true nature, the true nature that pervades all phenomena.
The uncontrived path is not a gradual progress, but a direct arrival. 36
The uncontrived result is the true nature as Mahamudra.
I am a yogin who has those three mental states.
Paldarbum said, "This is marvelous, it's like the sun shining upon me. What kind of confidence have you gained from your practice? " Milarepa sang of the confidences of view, meditation, and result:
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? The Story ofNyama Paldarbum
The confidence in the view is the realization of emptiness. This is the view that there are no deities nor any demons so that one cannot obtain benefit from deities or receive any harm from demons.
The confidence in meditation is the absence of an object ofmeditation. This means that there can be no distraction.
The confidence in the result is the absence ofhope to achieve it. This means there is the absence of fear of failure.
I am a yogin who has these three confidences.
Paldarbum felt great faith in Milarepa. She prostrated to him, invited him in, served and honored him, and said, "I am definitely going to practice the dharma, so please keep me in your compassion. " Then she sang a song to Milarepa describing her many faults with the basic meaning of the song being, "I will sincerely practice the dharma. Please give me a practice that is simple to understand and easy to do. " Milarepa, pleased with her,
replied with a song:
Although you truly wish to practice the dharma, it is not enough to give up worldly activities. You must follow my example and practice without distraction.
Paldarbum then described in a song what her normal life is like:
In the day there is never-ending work. In the night I am fast asleep. Morning and evening I am a slave to
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? The Life & Spiritual Songs ofMilarepa
food and clothes. I have never had the chance to practice the dharma.
Milarepa then sang to her a song on the four aspects of renunciation necessary for true dharma practice:
The next life is far away from this life. Have you prepared for this journey with food and clothes? The way to prepare for that journey is to practice generosity.
In order to receive food, clothes, and wealth in future lives you should give them in this lifetime. There is, however, an obstacle that prevents this generosity to future lives, miserliness. Miserliness or hoarding may seem beneficial in this lifetime in that one accrues food and clothes and other possessions,
but in the long run it harms you because miserliness causes poverty in the next lifetime. Therefore you must recognize that miserliness is an enemy and cast it away behind you.
The next lifetime is darker than this lifetime. Therefore you must prepare a torch to illuminate that darkness. This is done by meditation on the fundamental clarity of the mind. Ignorance is the obstacle and the enemy ofclarity. Ignorance may seem
pleasant and beneficial superficially, but it is actually harmful and you must recognize it as an enemy and cast it away behind you.
The next lifetime is more frightening than this lifetime, so you must find a guard that will protect you. This guard is the practice ofthe dharma. Relatives
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? The Story ofNyama Paldarbum
dissuading you from dharma practice are the enemy. They may be helping and loving towards you, but ultimately they are harming you. Therefore you must recognize these relatives to be an obstacle and cast them away behind you.
The next lifetime is a longer, more desolate road than this lifetime, so you will need a horse so that you can travel along it easily. That horse is diligence. The enemy of diligence is laziness that will deceive you into thinking it is beneficial, although ultimately it is harmful. Recognize laziness to be an enemy and cast it away behind you.
When Milarepa had sung this song, Paldarbum felt great faith in Milarepa. He told her, "You don't have to change your name or cut off your hair. 37 A person can have hair and also accomplish Buddhahood. " Then Milarepa taught her how to practice through a song of four analogies and five meanings:
0 young lady, Paldarbum, listen wealthy lady, endowed with faith. Look up into the sky, and practice meditation free from fringe and centre. Look up at the sun and moon, and practice meditation free from bright and dim. Look over at the mountains, and practice meditation free from departing and changing. Look down at the lake, and practice meditation free from waves. Look here at your mind, and practice meditation free from discursive thought.
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? The Life & Spiritual Songs ofMilarepa
Then Milarepa instructed her in the physical and mental practices and sent her to meditate. When she returned some time later she sang of her experiences and doubts:
0 Jetsun Rinpoche, 0 supreme yogin, I am able to meditate on the sky;. but when clouds arise, how should I meditate? I am able to meditate on the sun and moon; but when heavenly bodies move, how should I meditate? I am able to meditate on the mountains; but when trees and shrubbery blossom, how should I meditate? I am able to meditate on the lake; but when waves arise, how should I meditate? I am able to meditate on the mind; but when discursive thoughts occur, how should I meditate?
This means that she can look at the mind, nevertheless she is disturbed by the thoughts arising within it. Milarepa sang her a song to further her understanding and clear her doubts:
0 young lady, Palderbum, listen wealthy lady, endowed with faith. If you are able to meditate on the sky, clouds are manifestations of the sky. Once more resolve this manifestation; once more resolve your mind.
Ifyou are able to meditate on the sun and moon, the stars and planets are manifestations of the sun and moon. Once more resolve this manifestation; once more resolve your mind.
Ifyou are able to meditate on the mountains, the trees and shrubbery are manifestations of the
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? The Story oJNyama Paldarbum
mountain. Once more resolve this manifestation; once more resolve your mind.
Ifyou are able to meditate on the lake, the waves are manifestations ofthe lake. Once more resolve this manifestation; once more resolve your mind.
If you are able to meditate on your mind, discursive thoughts are manifestations ofyour mind. Once more examine the root of discursive thought; once more resolve your mind.
What this means is that ifyou see your own mind, then what you see is that the mind's essence or nature is emptiness. When you see that, you also see that the nature of whatever thought arises in the mind is also emptiness. When this is experienced directly, then these thoughts dissolve in their own place, which means right there or right here. Thoughts are not driven out or sent somewhere else; they do not go away, they simply dissolve
naturally because they are seen.
55
? 7
The Encounter with Naro Bonchung at Mount Kailash
(//0any Westerners now go to see Mount Kailash. It is a J . . 1j placewhereMilarepapracticedandperformedmiracles, leaving his handprints on the rocks and so on. 38
Therefore I shall go through the twenty-second chapter of The Hundred Thousand Songs ofMilarepa39 that describes Milarepa's experience there.
In the Abhidharma it is said that north of Bodhgaya, beyond nine dark mountain ranges and a snow mountain range there is the mountain Gandhamadana and the lakeAnavatapta. 40 Milarepa believed Mt Kailash to be Gandhamadana, and the nearby Lake Mansarovar to be Anavatapta. On the other hand, the Sakya Pandita believed that Kailash and Mansarovar were not Gandhamadana and Anavatapta. However, the eighth Karmapa, Mikyo Dorje, and many other Kagyu masters have stated this mountain and lake is Gandhamadana and Anavatapta.
Marpa had told Milarepa that if he practiced at Lachi and Kailash mountain he would gain exceptional experiences and realizations, and would develop the great qualities that will benefit his pupils. So, to fulfil his guru's instructions, Milarepa went to Mount Kailash. The local deities ofKailash and Mansarovar greeted
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? The Life & Spiritual Songs ofMilarepa
;him on his arrival, prostrating to him and making offerings to him. They offered the mountain and the lake as places ofpractice to Milarepa and all his pupils. The deities also promised to help them when they practiced there by increasing the conditions that were conducive to their practice.
Naro Bonchung was in residence there at this time. He was an excellent practitioner of the Bon tradition41 and had thereby attained some miraculous powers and clairvoyance. He had heard that Milarepa possessed inconceivable miraculous powers and clairvoyance, so he came to welcome Milarepa and his pupils as they arrived at the shore of Mansarovar.
Though he knew who Milarepa was, he pretended he didn't and asked, "Where have you come from and where are you going? " Milarepa answered, "We are going to Mount Kailash to practice meditation. "
Naro Bonchung then asked, "And who are you? " and Milarepa answered, "I am Milarepa. " Naro Bonchung then said, "Kailash and Mansarovar are very famous, but when you actually see them they're not anything special. You're the same, very famous, but nothing special in person. But even if Kailash and Mansarovar and you are really wonderful, this area is under the control of my tradition. Ir is our land and our mountain. So those who stay here have to follow the Bon tradition.
Milarepa said, "This mountain and lake belongs to the Buddhist tradition because the Buddha foretold oftheir existence. In particular my guru Marpa told me that I must practice meditation here. I am not just following mYown wishes. That you live here is very good. It will be better ifyou continue to live here and follow the Buddhist tradition. If you're not going to practice Buddhism it will be best that you go somewhere else. "
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? The Encounter with Naro Bonchung at Mount Kailash
The reason Milarepa and Naro Bonchung argued in this way was not due to sectarianism, but because it is best that people keep to their own particular tradition; that way they will gain the final goal. Bur if they mix different traditions, their practice will not progress.
The Bonpo said, "If it's true that you have great miraculous powers, we should have a miracle contest. Whoever wins will be the master of Mt. Kailash. Now I shall perform a miracle. " Naro Bonchung then straddled the lake with his left foot on the near shore and his right foot on the opposite shore. Standing thus he sang a song in which he said:
Mount Kailash is very famous, but when: you see it, it's just a snow covered mountain-peak. There's nothing wonderful about it.
Lake Mansarovar is very famous, but it's just a depression filled by river water. There's nothing else there.
Milarepa is very famous, but he's just a naked old man lying on the ground and singing. There's nothing wonderful about him.
We Bonpos have an exceptionally superior teaching. There is the Bon Kaya, and the Bon deity who is the great King of wrathful deities, who has nine heads and eighteen arms and many emanations. His sister is Sipay Gyalmo ("Queen of Existence").
The Bon dharma is superior. As a sign of that superiority, I manifest this miracle.
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? The Life & Spiritual Songs ofMilarepa
Milarepa then did a miracle. Without his body growing larger or Lake Mansarovar becoming smaller, he covered it entirely with his body and then he sang a song in which he said:
Buddha Shakyamuni sits upon a lion throne on Gridhrakuta42 mountain. The Buddha's teachings are exceptionally superior. His body, inseparable from his wisdom, is the dharmakaya Vajradhara. The one who rests in the meditation united with that dharmakaya, is Tilopa, the nirmanakaya. His pupil is the great
pandita Naropa, and Naropa's pupil is Marpa Lotsawa. The blessing has been transmitted from Vajradhara through Tilopa, Naropa and Marpa to me.
I have gained superior realizations and experiences. I am the famous Mifarepa. In accordance with Marpa's command, I have come to meditate at Kailash. Meditating here I will accomplish complete benefit for myself and for others. Mount Kailash is very famous. The snow covered peak is a symbol of the
purity of the Buddha's teachings. Mansarovar lake is very famous, being filled with water is a symbol of the cessation ofphenomena into a state ofequanimity.
I am the famous Milarepa. An old man lying naked is a symbol ofthe abandonment ofthe concepts of perceiver and perceived. I sing because all appearances appear to me as books, as teachings. Then I give these teachings in the form of songs. That is why Milarepa is famous.
In my realizatio.
