let them scoff,
Who fail to comprehend
That a ruler incarnate of
The people must transcend
All common king-born kings;
These subterranean springs
A sudden outlet winning
Have special virtues to spend.
Who fail to comprehend
That a ruler incarnate of
The people must transcend
All common king-born kings;
These subterranean springs
A sudden outlet winning
Have special virtues to spend.
Elizabeth Browning - 4
"These corals, will you please
To match against your oaks? They grow as fast
Within my wilderness of purple seas. "--
"This diamond stared upon me as I passed
(As a live god's eye from a marble frieze)
Along a dark of diamonds. Is it classed? "--
"I wove these stuffs so subtly that the gold
Swims to the surface of the silk like cream
And curdles to fair patterns. Ye behold! "--
"These delicatest muslins rather seem
Than be, you think? Nay, touch them and be bold,
Though such veiled Chakhi's face in Hafiz' dream. "--
"These carpets--you walk slow on them like kings,
Inaudible like spirits, while your foot
Dips deep in velvet roses and such things. "--
"Even Apollonius might commend this flute:[13]
The music, winding through the stops, upsprings
To make the player very rich: compute! "
"Here's goblet-glass, to take in with your wine
The very sun its grapes were ripened under:
Drink light and juice together, and each fine. "--
"This model of a steamship moves your wonder?
You should behold it crushing down the brine
Like a blind Jove who feels his way with thunder. "--
"Here's sculpture! Ah, _we_ live too! why not throw
Our life into our marbles? Art has place
For other artists after Angelo. "--
"I tried to paint out here a natural face;
For nature includes Raffael, as we know,
Not Raffael nature. Will it help my case? "--
"Methinks you will not match this steel of ours! "--
"Nor you this porcelain! One might dream the clay
Retained in it the larvæ of the flowers,
They bud so, round the cup, the old Spring-way. "--
"Nor you these carven woods, where birds in bowers
With twisting snakes and climbing cupids, play. "
O Magi of the east and of the west,
Your incense, gold and myrrh are excellent! --
What gifts for Christ, then, bring ye with the rest?
Your hands have worked well: is your courage spent
In handwork only? Have you nothing best,
Which generous souls may perfect and present,
And He shall thank the givers for? no light
Of teaching, liberal nations, for the poor
Who sit in darkness when it is not night?
No cure for wicked children? Christ,--no cure!
No help for women sobbing out of sight
Because men made the laws? no brothel-lure
Burnt out by popular lightnings? Hast thou four
No remedy, my England, for such woes?
No outlet, Austria, for the scourged and bound,
No entrance for the exiled? no repose,
Russia, for knouted Poles worked underground,
And gentle ladies bleached among the snows?
No mercy for the slave, America?
No hope for Rome, free France, chivalric France?
Alas, great nations have great shames, I say.
No pity, O world, no tender utterance
Of benediction, and prayers stretched this way
For poor Italia, baffled by mischance?
O gracious nations, give some ear to me!
You all go to your Fair, and I am one
Who at the roadside of humanity
Beseech your alms,--God's justice to be done.
So, prosper!
In the name of Italy,
Meantime, her patriot Dead have benison.
They only have done well; and, what they did
Being perfect, it shall triumph. Let them slumber:
No king of Egypt in a pyramid
Is safer from oblivion, though he number
Full seventy cerements for a coverlid.
These Dead be seeds of life, and shall encumber
The sad heart of the land until it loose
The clammy clods and let out the Spring-growth
In beatific green through every bruise.
The tyrant should take heed to what he doth,
Since every victim-carrion turns to use,
And drives a chariot, like a god made wroth,
Against each piled injustice. Ay, the least,
Dead for Italia, not in vain has died;
Though many vainly, ere life's struggle ceased,
To mad dissimilar ends have swerved aside;
Each grave her nationality has pieced
By its own majestic breadth, and fortified
And pinned it deeper to the soil. Forlorn
Of thanks be, therefore, no one of these graves!
Not Hers,--who, at her husband's side, in scorn,
Outfaced the whistling shot and hissing waves,
Until she felt her little babe unborn
Recoil, within her, from the violent staves
And bloodhounds of the world,--at which, her life
Dropt inwards from her eyes and followed it
Beyond the hunters. Garibaldi's wife
And child died so. And now, the seaweeds fit
Her body, like a proper shroud and coif,
And murmurously the ebbing waters grit
The little pebbles while she lies interred
In the sea-sand. Perhaps, ere dying thus,
She looked up in his face (which never stirred
From its clenched anguish) as to make excuse
For leaving him for his, if so she erred.
He well remembers that she could not choose.
A memorable grave! Another is
At Genoa. There, a king may fitly lie,
Who, bursting that heroic heart of his
At lost Novara, that he could not die
(Though thrice into the cannon's eyes for this
He plunged his shuddering steed, and felt the sky
Reel back between the fire-shocks), stripped away
The ancestral ermine ere the smoke had cleared,
And, naked to the soul, that none might say
His kingship covered what was base and bleared
With treason, went out straight an exile, yea,
An exiled patriot. Let him be revered.
Yea, verily, Charles Albert has died well;
And if he lived not all so, as one spoke,
The sin pass softly with the passing-bell;
For he was shriven, I think, in cannon-smoke,
And, taking off his crown, made visible
A hero's forehead. Shaking Austria's yoke
He shattered his own hand and heart. "So best,"
His last words were upon his lonely bed,
I do not end like popes and dukes at least--
"Thank God for it. " And now that he is dead,
Admitting it is proved and manifest
That he was worthy, with a discrowned head,
To measure heights with patriots, let them stand
Beside the man in his Oporto shroud,
And each vouchsafe to take him by the hand,
And kiss him on the cheek, and say aloud,--
"Thou, too, hast suffered for our native land!
My brother, thou art one of us! be proud. "
Still, graves, when Italy is talked upon.
Still, still, the patriot's tomb, the stranger's hate.
Still Niobe! still fainting in the sun,
By whose most dazzling arrows violate
Her beauteous offspring perished! has she won
Nothing but garlands for the graves, from Fate?
Nothing but death-songs? --Yes, be it understood
Life throbs in noble Piedmont! while the feet
Of Rome's clay image, dabbled soft in blood,
Grow flat with dissolution and, as meet,
Will soon be shovelled off like other mud,
To leave the passage free in church and street.
And I, who first took hope up in this song,
Because a child was singing one . . . behold,
The hope and omen were not, haply, wrong!
Poets are soothsayers still, like those of old
Who studied flights of doves; and creatures young
And tender, mighty meanings may unfold.
The sun strikes, through the windows, up the floor;
Stand out in it, my own young Florentine,
Not two years old, and let me see thee more!
It grows along thy amber curls, to shine
Brighter than elsewhere. Now, look straight before,
And fix thy brave blue English eyes on mine,
And from my soul, which fronts the future so,
With unabashed and unabated gaze,
Teach me to hope for, what the angels know
When they smile clear as thou dost. Down God's ways
With just alighted feet, between the snow
And snowdrops, where a little lamb may graze,
Thou hast no fear, my lamb, about the road,
Albeit in our vain-glory we assume
That, less than we have, thou hast learnt of God.
Stand out, my blue-eyed prophet! --thou, to whom
The earliest world-day light that ever flowed,
Through Casa Guidi Windows chanced to come!
Now shake the glittering nimbus of thy hair,
And be God's witness that the elemental
New springs of life are gushing everywhere
To cleanse the watercourses, and prevent all
Concrete obstructions which infest the air!
That earth's alive, and gentle or ungentle
Motions within her, signify but growth! --
The ground swells greenest o'er the labouring moles.
Howe'er the uneasy world is vexed and wroth,
Young children, lifted high on parent souls,
Look round them with a smile upon the mouth,
And take for music every bell that tolls;
(WHO said we should be better if like these? )
But _we_ sit murmuring for the future though
Posterity is smiling on our knees,
Convicting us of folly. Let us go--
We will trust God. The blank interstices
Men take for ruins, He will build into
With pillared marbles rare, or knit across
With generous arches, till the fane's complete.
This world has no perdition, if some loss.
Such cheer I gather from thy smiling, Sweet!
The self-same cherub-faces which emboss
The Vail, lean inward to the Mercy-seat.
FOOTNOTES:
[12] See the opening passage of the "Agamemnon" of Æschylus.
[13] Philostratus relates of Apollonius how he objected to the musical
instrument of Linus the Rhodian that it could not enrich or
beautify. The history of music in our day would satisfy the
philosopher on one point at least.
POEMS BEFORE CONGRESS
PREFACE.
These poems were written under the pressure of the events they
indicate, after a residence in Italy of so many years that the present
triumph of great principles is heightened to the writer's feelings by
the disastrous issue of the last movement, witnessed from "Casa Guidi
Windows" in 1849. Yet, if the verses should appear to English readers
too pungently rendered to admit of a patriotic respect to the English
sense of things, I will not excuse myself on such grounds, nor on the
ground of my attachment to the Italian people and my admiration of
their heroic constancy and union. What I have written has simply been
written because I love truth and justice _quand même_,--"more than
Plato" and Plato's country, more than Dante and Dante's country, more
even than Shakespeare and Shakespeare's country.
And if patriotism means the flattery of one's nation in every case,
then the patriot, take it as you please, is merely the courtier which
I am not, though I have written "Napoleon III. in Italy. " It is time
to limit the significance of certain terms, or to enlarge the
significance of certain things. Nationality is excellent in its
place; and the instinct of self-love is the root of a man, which will
develop into sacrificial virtues. But all the virtues are means and
uses; and, if we hinder their tendency to growth and expansion, we
both destroy them as virtues, and degrade them to that rankest
species of corruption reserved for the most noble organizations. For
instance,--non-intervention in the affairs of neighbouring states is a
high political virtue; but non-intervention does not mean, passing
by on the other side when your neighbour falls among thieves,--or
Phariseeism would recover it from Christianity. Freedom itself is
virtue, as well as privilege; but freedom of the seas does not mean
piracy, nor freedom of the land, brigandage; nor freedom of the
senate, freedom to cudgel a dissident member; nor freedom of the
press, freedom to calumniate and lie. So, if patriotism be a virtue
indeed, it cannot mean an exclusive devotion to our country's
interests,--for that is only another form of devotion to personal
interests, family interests, or provincial interests, all of which,
if not driven past themselves, are vulgar and immoral objects. Let
us put away the Little Peddlingtonism unworthy of a great nation, and
too prevalent among us. If the man who does not look beyond this
natural life is of a somewhat narrow order, what must be the man who
does not look beyond his own frontier or his own sea?
I confess that I dream of the day when an English statesman shall
arise with a heart too large for England; having courage in the face
of his countrymen to assert of some suggested policy,--"This is good
for your trade; this is necessary for your domination: but it will vex
a people hard by; it will hurt a people farther off; it will profit
nothing to the general humanity: therefore, away with it! --it is not
for you or for me. " When a British minister dares speak so, and when a
British public applauds him speaking, then shall the nation be
glorious, and her praise, instead of exploding from within, from loud
civic mouths, come to her from without, as all worthy praise must,
from the alliances she has fostered and the populations she has
saved.
And poets who write of the events of that time shall not need to
justify themselves in prefaces for ever so little jarring of the
national sentiment imputable to their rhymes.
ROME: _February 1860_.
NAPOLEON III. IN ITALY.
I.
Emperor, Emperor!
From the centre to the shore,
From the Seine back to the Rhine,
Stood eight millions up and swore
By their manhood's right divine
So to elect and legislate,
This man should renew the line
Broken in a strain of fate
And leagued kings at Waterloo,
When the people's hands let go.
Emperor
Evermore.
II.
With a universal shout
They took the old regalia out
From an open grave that day;
From a grave that would not close,
Where the first Napoleon lay
Expectant, in repose,
As still as Merlin, with his conquering face
Turned up in its unquenchable appeal
To men and heroes of the advancing race,--
Prepared to set the seal
Of what has been on what shall be.
Emperor
Evermore.
III.
The thinkers stood aside
To let the nation act.
Some hated the new-constituted fact
Of empire, as pride treading on their pride.
Some quailed, lest what was poisonous in the past
Should graft itself in that Druidic bough
On this green Now.
Some cursed, because at last
The open heavens to which they had looked in vain
For many a golden fall of marvellous rain
Were closed in brass; and some
Wept on because a gone thing could not come;
And some were silent, doubting all things for
That popular conviction,--evermore
Emperor.
IV.
That day I did not hate
Nor doubt, nor quail nor curse.
I, reverencing the people, did not bate
My reverence of their deed and oracle,
Nor vainly prate
Of better and of worse
Against the great conclusion of their will.
And yet, O voice and verse,
Which God set in me to acclaim and sing
Conviction, exaltation, aspiration,
We gave no music to the patent thing,
Nor spared a holy rhythm to throb and swim
About the name of him
Translated to the sphere of domination
By democratic passion!
I was not used, at least,
Nor can be, now or then,
To stroke the ermine beast
On any kind of throne
(Though builded by a nation for its own),
And swell the surging choir for kings of men--
"Emperor
Evermore. "
V.
But now, Napoleon, now
That, leaving far behind the purple throng
Of vulgar monarchs, thou
Tread'st higher in thy deed
Than stair of throne can lead,
To help in the hour of wrong
The broken hearts of nations to be strong,--
Now, lifted as thou art
To the level of pure song,
We stand to meet thee on these Alpine snows!
And while the palpitating peaks break out
Ecstatic from somnambular repose
With answers to the presence and the shout,
We, poets of the people, who take part
With elemental justice, natural right,
Join in our echoes also, nor refrain.
We meet thee, O Napoleon, at this height
At last, and find thee great enough to praise.
Receive the poet's chrism, which smells beyond
The priest's, and pass thy ways;--
An English poet warns thee to maintain
God's word, not England's:--let His truth be true
And all men liars! with His truth respond
To all men's lie. Exalt the sword and smite
On that long anvil of the Apennine
Where Austria forged the Italian chain in view
Of seven consenting nations, sparks of fine Admonitory light,
Till men's eyes wink before convictions new.
Flash in God's justice to the world's amaze,
Sublime Deliverer! --after many days
Found worthy of the deed thou art come to do--
Emperor.
Evermore.
VI.
But Italy, my Italy,
Can it last, this gleam?
Can she live and be strong,
Or is it another dream
Like the rest we have dreamed so long?
And shall it, must it be,
That after the battle-cloud has broken
She will die off again
Like the rain,
Or like a poet's song
Sung of her, sad at the end
Because her name is Italy,--
Die and count no friend?
Is it true,--may it be spoken,--
That she who has lain so still,
With a wound in her breast,
And a flower in her hand,
And a grave-stone under her head,
While every nation at will
Beside her has dared to stand,
And flout her with pity and scorn,
Saying "She is at rest,
She is fair, she is dead,
And, leaving room in her stead
To Us who are later born,
This is certainly best! "
Saying "Alas, she is fair,
Very fair, but dead,--give place,
And so we have room for the race. "
--Can it be true, be true,
That she lives anew?
That she rises up at the shout of her sons,
At the trumpet of France,
And lives anew? --is it true
That she has not moved in a trance,
As in Forty-eight?
When her eyes were troubled with blood
Till she knew not friend from foe,
Till her hand was caught in a strait
Of her cerement and baffled so
From doing the deed she would;
And her weak foot stumbled across
The grave of a king,
And down she dropt at heavy loss,
And we gloomily covered her face and said,
"We have dreamed the thing;
She is not alive, but dead. "
VII.
Now, shall we say
Our Italy lives indeed?
And if it were not for the beat and bray
Of drum and trump of martial men,
Should we feel the underground heave and strain,
Where heroes left their dust as a seed
Sure to emerge one day?
And if it were not for the rhythmic march
Of France and Piedmont's double hosts,
Should we hear the ghosts
Thrill through ruined aisle and arch,
Throb along the frescoed wall,
Whisper an oath by that divine
They left in picture, book, and stone,
That Italy is not dead at all?
Ay, if it were not for the tears in our eyes,
These tears of a sudden passionate joy,
Should we see her arise
From the place where the wicked are overthrown,
Italy, Italy--loosed at length
From the tyrant's thrall,
Pale and calm in her strength?
Pale as the silver cross of Savoy
When the hand that bears the flag is brave,
And not a breath is stirring, save
What is blown
Over the war-trump's lip of brass,
Ere Garibaldi forces the pass!
VIII.
Ay, it is so, even so.
Ay, and it shall be so.
Each broken stone that long ago
She flung behind her as she went
In discouragement and bewilderment
Through the cairns of Time, and missed her way
Between to-day and yesterday,
Up springs a living man.
And each man stands with his face in the light
Of his own drawn sword,
Ready to do what a hero can.
Wall to sap, or river to ford,
Cannon to front, or foe to pursue,
Still ready to do, and sworn to be true,
As a man and a patriot can.
Piedmontese, Neapolitan,
Lombard, Tuscan, Romagnole,
Each man's body having a soul,--
Count how many they stand,
All of them sons of the land,
Every live man there
Allied to a dead man below,
And the deadest with blood to spare
To quicken a living hand
In case it should ever be slow.
Count how many they come
To the beat of Piedmont's drum,
With faces keener and grayer
Than swords of the Austrian slayer,
All set against the foe.
"Emperor
Evermore. "
IX.
Out of the dust where they ground them;
Out of the holes where they dogged them;
Out of the hulks where they wound them
In iron, tortured and flogged them;
Out of the streets where they chased them,
Taxed them, and then bayonetted them;
Out of the homes where they spied on them
(Using their daughters and wives);
Out of the church where they fretted them,
Rotted their souls and debased them,
Trained them to answer with knives,
Then cursed them all at their prayers! --
Out of cold lands, not theirs,
Where they exiled them, starved them, lied on them;
Back they come like a wind, in vain
Cramped up in the hills, that roars its road
The stronger into the open plain,
Or like a fire that burns the hotter
And longer for the crust of cinder,
Serving better the ends of the potter;
Or like a restrainèd word of God,
Fulfilling itself by what seems to hinder.
"Emperor
Evermore. "
X.
Shout for France and Savoy!
Shout for the helper and doer.
Shout for the good sword's ring,
Shout for the thought still truer.
Shout for the spirits at large
Who passed for the dead this spring,
Whose living glory is sure.
Shout for France and Savoy!
Shout for the council and charge!
Shout for the head of Cavour;
And shout for the heart of a King
That's great with a nation's joy!
Shout for France and Savoy!
XI.
Take up the child, Macmahon, though
Thy hand be red
From Magenta's dead,
And riding on, in front of the troop,
In the dust of the whirlwind of war
Through the gate of the city of Milan, stoop
And take up the child to thy saddle-bow,
Nor fear the touch as soft as a flower of his smile as clear as a
star!
Thou hast a right to the child, we say,
Since the women are weeping for joy as they
Who, by thy help and from this day,
Shall be happy mothers indeed.
They are raining flowers from terrace and roof:
Take up the flower in the child.
While the shout goes up of a nation freed
And heroically self-reconciled,
Till the snow on that peaked Alp aloof
Starts, as feeling God's finger anew,
And all those cold white marble fires
Of mounting saints on the Duomo-spires
Flicker against the Blue.
"Emperor
Evermore. "
XII.
Ay, it is He,
Who rides at the King's right hand!
Leave room to his horse and draw to the side,
Nor press too near in the ecstasy
Of a newly delivered impassioned land:
He is moved, you see,
He who has done it all.
They call it a cold stern face;
But this is Italy
Who rises up to her place! --
For this he fought in his youth,
Of this he dreamed in the past;
The lines of the resolute mouth
Tremble a little at last.
Cry, he has done it all!
"Emperor
Evermore. "
XIII.
It is not strange that he did it,
Though the deed may seem to strain
To the wonderful, unpermitted,
For such as lead and reign.
But he is strange, this man:
The people's instinct found him
(A wind in the dark that ran
Through a chink where was no door),
And elected him and crowned him
Emperor
Evermore.
XIV.
Autocrat?
let them scoff,
Who fail to comprehend
That a ruler incarnate of
The people must transcend
All common king-born kings;
These subterranean springs
A sudden outlet winning
Have special virtues to spend.
The people's blood runs through him,
Dilates from head to foot,
Creates him absolute,
And from this great beginning
Evokes a greater end
To justify and renew him--
Emperor
Evermore.
XV.
What! did any maintain
That God or the people (think! )
Could make a marvel in vain? --
Out of the water-jar there,
Draw wine that none could drink?
Is this a man like the rest,
This miracle, made unaware
By a rapture of popular air,
And caught to the place that was best?
You think he could barter and cheat
As vulgar diplomates use,
With the people's heart in his breast?
Prate a lie into shape
Lest truth should cumber the road;
Play at the fast and loose
Till the world is strangled with tape;
Maim the soul's complete
To fit the hole of a toad;
And filch the dogman's meat
To feed the offspring of God?
XVI.
Nay, but he, this wonder,
He cannot palter nor prate,
Though many around him and under,
With intellects trained to the curve,
Distrust him in spirit and nerve
Because his meaning is straight.
Measure him ere he depart
With those who have governed and led;
Larger so much by the heart,
Larger so much by the head.
Emperor
Evermore.
XVII.
He holds that, consenting or dissident,
Nations must move with the time;
Assumes that crime with a precedent
Doubles the guilt of the crime;
--Denies that a slaver's bond,
Or a treaty signed by knaves
(_Quorum magna pars_, and beyond
Was one of an honest name),
Gives an inexpugnable claim
To abolish men into slaves.
Emperor
Evermore.
XVIII.
He will not swagger nor boast
Of his country's meeds, in a tone
Missuiting a great man most
If such should speak of his own;
Nor will he act, on her side,
From motives baser, indeed,
Than a man of a noble pride
Can avow for himself at need;
Never, for lucre or laurels,
Or custom, though such should be rife,
Adapting the smaller morals
To measure the larger life.
He, though the merchants persuade,
And the soldiers are eager for strife,
Finds not his country in quarrels
Only to find her in trade,--
While still he accords her such honour
As never to flinch for her sake
Where men put service upon her,
Found heavy to undertake
And scarcely like to be paid:
Believing a nation may act
Unselfishly--shiver a lance
(As the least of her sons may, in fact)
And not for a cause of finance.
Emperor
Evermore.
XIX.
Great is he
Who uses his greatness for all.
His name shall stand perpetually
As a name to applaud and cherish,
Not only within the civic wall
For the loyal, but also without
For the generous and free.
Just is he,
Who is just for the popular due
As well as the private debt.
The praise of nations ready to perish
Fall on him,--crown him in view
Of tyrants caught in the net,
And statesmen dizzy with fear and doubt!
And though, because they are many,
And he is merely one,
And nations selfish and cruel
Heap up the inquisitor's fuel
To kill the body of high intents,
And burn great deeds from their place,
Till this, the greatest of any,
May seem imperfectly done;
Courage, whoever circumvents!
Courage, courage, whoever is base!
The soul of a high intent, be it known,
Can die no more than any soul
Which God keeps by Him under the throne;
And this, at whatever interim,
Shall live, and be consummated
Into the being of deeds made whole.
Courage, courage! happy is he,
Of whom (himself among the dead
And silent) this word shall be said:
--That he might have had the world with him,
But chose to side with suffering men,
And had the world against him when
He came to deliver Italy.
Emperor
Evermore.
THE DANCE.
I.
You remember down at Florence our Cascine,
Where the people on the feast-days walk and drive,
And, through the trees, long-drawn in many a green way,
O'er-roofing hum and murmur like a hive,
The river and the mountains look alive?
II.
You remember the piazzone there, the stand-place
Of carriages a-brim with Florence Beauties,
Who lean and melt to music as the band plays,
Or smile and chat with someone who a-foot is,
Or on horseback, in observance of male duties?
III.
'T is so pretty, in the afternoons of summer,
So many gracious faces brought together!
Call it rout, or call it concert, they have come here,
In the floating of the fan and of the feather,
To reciprocate with beauty the fine weather.
IV.
While the flower-girls offer nosegays (because _they_ too
Go with other sweets) at every carriage-door;
Here, by shake of a white finger, signed away to
Some next buyer, who sits buying score on score,
Piling roses upon roses evermore.
V.
And last season, when the French camp had its station
In the meadow-ground, things quickened and grew gayer
Through the mingling of the liberating nation
With this people; groups of Frenchmen everywhere,
Strolling, gazing, judging lightly--"who was fair. "
VI.
Then the noblest lady present took upon her
To speak nobly from her carriage for the rest:
"Pray these officers from France to do us honour
By dancing with us straightway. " The request
Was gravely apprehended as addressed.
VII.
And the men of France, bareheaded, bowing lowly,
Led out each a proud signora to the space
Which the startled crowd had rounded for them--slowly,
Just a touch of still emotion in his face,
Not presuming, through the symbol, on the grace.
VIII.
There was silence in the people: some lips trembled,
But none jested. Broke the music, at a glance:
And the daughters of our princes, thus assembled,
Stepped the measure with the gallant sons of France,
Hush! it might have been a Mass, and not a dance.
IX.
And they danced there till the blue that overskied us
Swooned with passion, though the footing seemed sedate;
And the mountains, heaving mighty hearts beside us,
Sighed a rapture in a shadow, to dilate,
And touch the holy stone where Dante sate.
X.
Then the sons of France, bareheaded, lowly bowing,
Led the ladies back where kinsmen of the south
Stood, received them; till, with burst of overflowing
Feeling--husbands, brothers, Florence's male youth,
Turned, and kissed the martial strangers mouth to mouth.
XI.
And a cry went up, a cry from all that people!
--You have heard a people cheering, you suppose,
For the Member, mayor . . . with chorus from the steeple?
This was different: scarce as loud, perhaps (who knows? ),
For we saw wet eyes around us ere the close.
XII.
And we felt as if a nation, too long borne in
By hard wrongers,--comprehending in such attitude
That God had spoken somewhere since the morning,
That men were somehow brothers, by no platitude,--
Cried exultant in great wonder and free gratitude.
A TALE OF VILLAFRANCA.
TOLD IN TUSCANY.
I.
My little son, my Florentine,
Sit down beside my knee,
And I will tell you why the sign
Of joy which flushed our Italy
Has faded since but yesternight;
And why your Florence of delight
Is mourning as you see.
II.
A great man (who was crowned one day)
Imagined a great Deed:
He shaped it out of cloud and clay,
He touched it finely till the seed
Possessed the flower: from heart and brain
He fed it with large thoughts humane,
To help a people's need.
III.
He brought it out into the sun--
They blessed it to his face:
"O great pure Deed, that hast undone
So many bad and base!
O generous Deed, heroic Deed,
Come forth, be perfected, succeed,
Deliver by God's grace. "
IV.
Then sovereigns, statesmen, north and south,
Rose up in wrath and fear,
And cried, protesting by one mouth,
"What monster have we here?
A great Deed at this hour of day?
A great just Deed--and not for pay?
Absurd,--or insincere. "
V.
"And if sincere, the heavier blow
In that case we shall bear,
For where's our blessed 'status quo,'
Our holy treaties, where,--
Our rights to sell a race, or buy,
Protect and pillage, occupy,
And civilize despair? "
VI.
Some muttered that the great Deed meant
A great pretext to sin;
And others, the pretext, so lent,
Was heinous (to begin).
Volcanic terms of "great" and "just"?
Admit such tongues of flame, the crust
Of time and law falls in.
VII.
A great Deed in this world of ours?
Unheard of the pretence is:
It threatens plainly the great Powers;
Is fatal in all senses.
A just Deed in the world? --call out
The rifles! be not slack about
The national defences.
VIII.
And many murmured, "From this source
What red blood must be poured! "
And some rejoined, "'T is even worse;
What red tape is ignored! "
All cursed the Doer for an evil
Called here, enlarging on the Devil,--
There, monkeying the Lord!
IX.
Some said it could not be explained,
Some, could not be excused;
And others, "Leave it unrestrained,
Gehenna's self is loosed. "
And all cried "Crush it, maim it, gag it!
Set dog-toothed lies to tear it ragged,
Truncated and traduced! "
X.
But HE stood sad before the sun
(The peoples felt their fate).
"The world is many,--I am one;
My great Deed was too great.
God's fruit of justice ripens slow:
Men's souls are narrow; let them grow.
My brothers, we must wait. "
XI.
The tale is ended, child of mine,
Turned graver at my knee.
They say your eyes, my Florentine,
Are English: it may be.
And yet I've marked as blue a pair
Following the doves across the square
At Venice by the sea.
XII.
Ah child! ah child! I cannot say
A word more. You conceive
The reason now, why just to-day
We see our Florence grieve.
Ah child, look up into the sky!
In this low world, where great Deeds die,
What matter if we live?
A COURT LADY.
I.
Her hair was tawny with gold, her eyes with purple were dark,
Her cheeks' pale opal burnt with a red and restless spark.
II.
Never was lady of Milan nobler in name and in race;
Never was lady of Italy fairer to see in the face.
III.
Never was lady on earth more true as woman and wife,
Larger in judgment and instinct, prouder in manners and life.
IV.
She stood in the early morning, and said to her maidens "Bring
That silken robe made ready to wear at the Court of the King.
V.
"Bring me the clasps of diamond, lucid, clear of the mote,
Clasp me the large at the waist, and clasp me the small at the
throat.
VI.
"Diamonds to fasten the hair, and diamonds to fasten the sleeves,
Laces to drop from their rays, like a powder of snow from the
eaves. "
VII.
Gorgeous she entered the sunlight which gathered her up in a flame,
While, straight in her open carriage, she to the hospital came.
VIII.
In she went at the door, and gazing from end to end,
"Many and low are the pallets, but each is the place of a friend. "
IX.
Up she passed through the wards, and stood at a young man's bed:
Bloody the band on his brow, and livid the droop of his head.
X.
"Art thou a Lombard, my brother? Happy art thou," she cried,
And smiled like Italy on him: he dreamed in her face and died.
XI.
Pale with his passing soul, she went on still to a second:
He was a grave hard man, whose years by dungeons were reckoned.
XII.
Wounds in his body were sore, wounds in his life were sorer.
"Art thou a Romagnole? " Her eyes drove lightnings before her.
XIII.
"Austrian and priest had joined to double and tighten the cord
Able to bind thee, O strong one,--free by the stroke of a sword.
XIV.
"Now be grave for the rest of us, using the life overcast
To ripen our wine of the present (too new) in glooms of the past. "
XV.
Down she stepped to a pallet where lay a face like a girl's,
Young, and pathetic with dying,--a deep black hole in the curls.
XVI.
"Art thou from Tuscany, brother? and seest thou, dreaming in pain,
Thy mother stand in the piazza, searching the List of the slain? "
XVII.
Kind as a mother herself, she touched his cheeks with her hands:
"Blessed is she who has borne thee, although she should weep as she
stands. "
XVIII.
On she passed to a Frenchman, his arm carried off by a ball:
Kneeling,--"O more than my brother! how shall I thank thee for all?
XIX.
"Each of the heroes around us has fought for his land and line,
But thou hast fought for a stranger, in hate of a wrong not thine.
XX.
"Happy are all free peoples, too strong to be dispossessed.
But blessed are those among nations who dare to be strong for the
rest! "
XXI.
Ever she passed on her way, and came to a couch where pined
One with a face from Venetia, white with a hope out of mind.
XXII.
Long she stood and gazed, and twice she tried at the name,
But two great crystal tears were all that faltered and came.
XXIII.
Only a tear for Venice? --she turned as in passion and loss,
And stooped to his forehead and kissed it, as if she were kissing
the cross.
XXIV.
Faint with that strain of heart she moved on then to another,
Stern and strong in his death. "And dost thou suffer, my brother? "
XXV.
Holding his hands in hers:--"Out of the Piedmont lion
Cometh the sweetness of freedom! sweetest to live or to die on. "
XXVI.
Holding his cold rough hands,--"Well, oh well have ye done
In noble, noble Piedmont, who would not be noble alone. "
XXVII.
Back he fell while she spoke. She rose to her feet with a spring,--
"That was a Piedmontese! and this is the Court of the King. "
AN AUGUST VOICE.
"Una voce augusta. "--_Monitore Toscano_.
I.
You'll take back your Grand-duke?
I made the treaty upon it.
Just venture a quiet rebuke;
Dall' Ongaro write him a sonnet;
Ricasoli gently explain
Some need of the constitution:
He'll swear to it over again,
Providing an "easy solution. "
You'll call back the Grand-duke.
II.
You'll take back your Grand-duke?
I promised the Emperor Francis
To argue the case by his book,
And ask you to meet his advances.
The Ducal cause, we know
(Whether you or he be the wronger),
Has very strong points;--although
Your bayonets, there, have stronger.
You'll call back the Grand-duke.
You'll take back your Grand-duke?
He is not pure altogether.
For instance, the oath which he took
(In the Forty-eight rough weather)
He'd "nail your flag to his mast,"
Then softly scuttled the boat you
Hoped to escape in at last,
And both by a "Proprio motu. "
You'll call back the Grand-duke.
IV.
To match against your oaks? They grow as fast
Within my wilderness of purple seas. "--
"This diamond stared upon me as I passed
(As a live god's eye from a marble frieze)
Along a dark of diamonds. Is it classed? "--
"I wove these stuffs so subtly that the gold
Swims to the surface of the silk like cream
And curdles to fair patterns. Ye behold! "--
"These delicatest muslins rather seem
Than be, you think? Nay, touch them and be bold,
Though such veiled Chakhi's face in Hafiz' dream. "--
"These carpets--you walk slow on them like kings,
Inaudible like spirits, while your foot
Dips deep in velvet roses and such things. "--
"Even Apollonius might commend this flute:[13]
The music, winding through the stops, upsprings
To make the player very rich: compute! "
"Here's goblet-glass, to take in with your wine
The very sun its grapes were ripened under:
Drink light and juice together, and each fine. "--
"This model of a steamship moves your wonder?
You should behold it crushing down the brine
Like a blind Jove who feels his way with thunder. "--
"Here's sculpture! Ah, _we_ live too! why not throw
Our life into our marbles? Art has place
For other artists after Angelo. "--
"I tried to paint out here a natural face;
For nature includes Raffael, as we know,
Not Raffael nature. Will it help my case? "--
"Methinks you will not match this steel of ours! "--
"Nor you this porcelain! One might dream the clay
Retained in it the larvæ of the flowers,
They bud so, round the cup, the old Spring-way. "--
"Nor you these carven woods, where birds in bowers
With twisting snakes and climbing cupids, play. "
O Magi of the east and of the west,
Your incense, gold and myrrh are excellent! --
What gifts for Christ, then, bring ye with the rest?
Your hands have worked well: is your courage spent
In handwork only? Have you nothing best,
Which generous souls may perfect and present,
And He shall thank the givers for? no light
Of teaching, liberal nations, for the poor
Who sit in darkness when it is not night?
No cure for wicked children? Christ,--no cure!
No help for women sobbing out of sight
Because men made the laws? no brothel-lure
Burnt out by popular lightnings? Hast thou four
No remedy, my England, for such woes?
No outlet, Austria, for the scourged and bound,
No entrance for the exiled? no repose,
Russia, for knouted Poles worked underground,
And gentle ladies bleached among the snows?
No mercy for the slave, America?
No hope for Rome, free France, chivalric France?
Alas, great nations have great shames, I say.
No pity, O world, no tender utterance
Of benediction, and prayers stretched this way
For poor Italia, baffled by mischance?
O gracious nations, give some ear to me!
You all go to your Fair, and I am one
Who at the roadside of humanity
Beseech your alms,--God's justice to be done.
So, prosper!
In the name of Italy,
Meantime, her patriot Dead have benison.
They only have done well; and, what they did
Being perfect, it shall triumph. Let them slumber:
No king of Egypt in a pyramid
Is safer from oblivion, though he number
Full seventy cerements for a coverlid.
These Dead be seeds of life, and shall encumber
The sad heart of the land until it loose
The clammy clods and let out the Spring-growth
In beatific green through every bruise.
The tyrant should take heed to what he doth,
Since every victim-carrion turns to use,
And drives a chariot, like a god made wroth,
Against each piled injustice. Ay, the least,
Dead for Italia, not in vain has died;
Though many vainly, ere life's struggle ceased,
To mad dissimilar ends have swerved aside;
Each grave her nationality has pieced
By its own majestic breadth, and fortified
And pinned it deeper to the soil. Forlorn
Of thanks be, therefore, no one of these graves!
Not Hers,--who, at her husband's side, in scorn,
Outfaced the whistling shot and hissing waves,
Until she felt her little babe unborn
Recoil, within her, from the violent staves
And bloodhounds of the world,--at which, her life
Dropt inwards from her eyes and followed it
Beyond the hunters. Garibaldi's wife
And child died so. And now, the seaweeds fit
Her body, like a proper shroud and coif,
And murmurously the ebbing waters grit
The little pebbles while she lies interred
In the sea-sand. Perhaps, ere dying thus,
She looked up in his face (which never stirred
From its clenched anguish) as to make excuse
For leaving him for his, if so she erred.
He well remembers that she could not choose.
A memorable grave! Another is
At Genoa. There, a king may fitly lie,
Who, bursting that heroic heart of his
At lost Novara, that he could not die
(Though thrice into the cannon's eyes for this
He plunged his shuddering steed, and felt the sky
Reel back between the fire-shocks), stripped away
The ancestral ermine ere the smoke had cleared,
And, naked to the soul, that none might say
His kingship covered what was base and bleared
With treason, went out straight an exile, yea,
An exiled patriot. Let him be revered.
Yea, verily, Charles Albert has died well;
And if he lived not all so, as one spoke,
The sin pass softly with the passing-bell;
For he was shriven, I think, in cannon-smoke,
And, taking off his crown, made visible
A hero's forehead. Shaking Austria's yoke
He shattered his own hand and heart. "So best,"
His last words were upon his lonely bed,
I do not end like popes and dukes at least--
"Thank God for it. " And now that he is dead,
Admitting it is proved and manifest
That he was worthy, with a discrowned head,
To measure heights with patriots, let them stand
Beside the man in his Oporto shroud,
And each vouchsafe to take him by the hand,
And kiss him on the cheek, and say aloud,--
"Thou, too, hast suffered for our native land!
My brother, thou art one of us! be proud. "
Still, graves, when Italy is talked upon.
Still, still, the patriot's tomb, the stranger's hate.
Still Niobe! still fainting in the sun,
By whose most dazzling arrows violate
Her beauteous offspring perished! has she won
Nothing but garlands for the graves, from Fate?
Nothing but death-songs? --Yes, be it understood
Life throbs in noble Piedmont! while the feet
Of Rome's clay image, dabbled soft in blood,
Grow flat with dissolution and, as meet,
Will soon be shovelled off like other mud,
To leave the passage free in church and street.
And I, who first took hope up in this song,
Because a child was singing one . . . behold,
The hope and omen were not, haply, wrong!
Poets are soothsayers still, like those of old
Who studied flights of doves; and creatures young
And tender, mighty meanings may unfold.
The sun strikes, through the windows, up the floor;
Stand out in it, my own young Florentine,
Not two years old, and let me see thee more!
It grows along thy amber curls, to shine
Brighter than elsewhere. Now, look straight before,
And fix thy brave blue English eyes on mine,
And from my soul, which fronts the future so,
With unabashed and unabated gaze,
Teach me to hope for, what the angels know
When they smile clear as thou dost. Down God's ways
With just alighted feet, between the snow
And snowdrops, where a little lamb may graze,
Thou hast no fear, my lamb, about the road,
Albeit in our vain-glory we assume
That, less than we have, thou hast learnt of God.
Stand out, my blue-eyed prophet! --thou, to whom
The earliest world-day light that ever flowed,
Through Casa Guidi Windows chanced to come!
Now shake the glittering nimbus of thy hair,
And be God's witness that the elemental
New springs of life are gushing everywhere
To cleanse the watercourses, and prevent all
Concrete obstructions which infest the air!
That earth's alive, and gentle or ungentle
Motions within her, signify but growth! --
The ground swells greenest o'er the labouring moles.
Howe'er the uneasy world is vexed and wroth,
Young children, lifted high on parent souls,
Look round them with a smile upon the mouth,
And take for music every bell that tolls;
(WHO said we should be better if like these? )
But _we_ sit murmuring for the future though
Posterity is smiling on our knees,
Convicting us of folly. Let us go--
We will trust God. The blank interstices
Men take for ruins, He will build into
With pillared marbles rare, or knit across
With generous arches, till the fane's complete.
This world has no perdition, if some loss.
Such cheer I gather from thy smiling, Sweet!
The self-same cherub-faces which emboss
The Vail, lean inward to the Mercy-seat.
FOOTNOTES:
[12] See the opening passage of the "Agamemnon" of Æschylus.
[13] Philostratus relates of Apollonius how he objected to the musical
instrument of Linus the Rhodian that it could not enrich or
beautify. The history of music in our day would satisfy the
philosopher on one point at least.
POEMS BEFORE CONGRESS
PREFACE.
These poems were written under the pressure of the events they
indicate, after a residence in Italy of so many years that the present
triumph of great principles is heightened to the writer's feelings by
the disastrous issue of the last movement, witnessed from "Casa Guidi
Windows" in 1849. Yet, if the verses should appear to English readers
too pungently rendered to admit of a patriotic respect to the English
sense of things, I will not excuse myself on such grounds, nor on the
ground of my attachment to the Italian people and my admiration of
their heroic constancy and union. What I have written has simply been
written because I love truth and justice _quand même_,--"more than
Plato" and Plato's country, more than Dante and Dante's country, more
even than Shakespeare and Shakespeare's country.
And if patriotism means the flattery of one's nation in every case,
then the patriot, take it as you please, is merely the courtier which
I am not, though I have written "Napoleon III. in Italy. " It is time
to limit the significance of certain terms, or to enlarge the
significance of certain things. Nationality is excellent in its
place; and the instinct of self-love is the root of a man, which will
develop into sacrificial virtues. But all the virtues are means and
uses; and, if we hinder their tendency to growth and expansion, we
both destroy them as virtues, and degrade them to that rankest
species of corruption reserved for the most noble organizations. For
instance,--non-intervention in the affairs of neighbouring states is a
high political virtue; but non-intervention does not mean, passing
by on the other side when your neighbour falls among thieves,--or
Phariseeism would recover it from Christianity. Freedom itself is
virtue, as well as privilege; but freedom of the seas does not mean
piracy, nor freedom of the land, brigandage; nor freedom of the
senate, freedom to cudgel a dissident member; nor freedom of the
press, freedom to calumniate and lie. So, if patriotism be a virtue
indeed, it cannot mean an exclusive devotion to our country's
interests,--for that is only another form of devotion to personal
interests, family interests, or provincial interests, all of which,
if not driven past themselves, are vulgar and immoral objects. Let
us put away the Little Peddlingtonism unworthy of a great nation, and
too prevalent among us. If the man who does not look beyond this
natural life is of a somewhat narrow order, what must be the man who
does not look beyond his own frontier or his own sea?
I confess that I dream of the day when an English statesman shall
arise with a heart too large for England; having courage in the face
of his countrymen to assert of some suggested policy,--"This is good
for your trade; this is necessary for your domination: but it will vex
a people hard by; it will hurt a people farther off; it will profit
nothing to the general humanity: therefore, away with it! --it is not
for you or for me. " When a British minister dares speak so, and when a
British public applauds him speaking, then shall the nation be
glorious, and her praise, instead of exploding from within, from loud
civic mouths, come to her from without, as all worthy praise must,
from the alliances she has fostered and the populations she has
saved.
And poets who write of the events of that time shall not need to
justify themselves in prefaces for ever so little jarring of the
national sentiment imputable to their rhymes.
ROME: _February 1860_.
NAPOLEON III. IN ITALY.
I.
Emperor, Emperor!
From the centre to the shore,
From the Seine back to the Rhine,
Stood eight millions up and swore
By their manhood's right divine
So to elect and legislate,
This man should renew the line
Broken in a strain of fate
And leagued kings at Waterloo,
When the people's hands let go.
Emperor
Evermore.
II.
With a universal shout
They took the old regalia out
From an open grave that day;
From a grave that would not close,
Where the first Napoleon lay
Expectant, in repose,
As still as Merlin, with his conquering face
Turned up in its unquenchable appeal
To men and heroes of the advancing race,--
Prepared to set the seal
Of what has been on what shall be.
Emperor
Evermore.
III.
The thinkers stood aside
To let the nation act.
Some hated the new-constituted fact
Of empire, as pride treading on their pride.
Some quailed, lest what was poisonous in the past
Should graft itself in that Druidic bough
On this green Now.
Some cursed, because at last
The open heavens to which they had looked in vain
For many a golden fall of marvellous rain
Were closed in brass; and some
Wept on because a gone thing could not come;
And some were silent, doubting all things for
That popular conviction,--evermore
Emperor.
IV.
That day I did not hate
Nor doubt, nor quail nor curse.
I, reverencing the people, did not bate
My reverence of their deed and oracle,
Nor vainly prate
Of better and of worse
Against the great conclusion of their will.
And yet, O voice and verse,
Which God set in me to acclaim and sing
Conviction, exaltation, aspiration,
We gave no music to the patent thing,
Nor spared a holy rhythm to throb and swim
About the name of him
Translated to the sphere of domination
By democratic passion!
I was not used, at least,
Nor can be, now or then,
To stroke the ermine beast
On any kind of throne
(Though builded by a nation for its own),
And swell the surging choir for kings of men--
"Emperor
Evermore. "
V.
But now, Napoleon, now
That, leaving far behind the purple throng
Of vulgar monarchs, thou
Tread'st higher in thy deed
Than stair of throne can lead,
To help in the hour of wrong
The broken hearts of nations to be strong,--
Now, lifted as thou art
To the level of pure song,
We stand to meet thee on these Alpine snows!
And while the palpitating peaks break out
Ecstatic from somnambular repose
With answers to the presence and the shout,
We, poets of the people, who take part
With elemental justice, natural right,
Join in our echoes also, nor refrain.
We meet thee, O Napoleon, at this height
At last, and find thee great enough to praise.
Receive the poet's chrism, which smells beyond
The priest's, and pass thy ways;--
An English poet warns thee to maintain
God's word, not England's:--let His truth be true
And all men liars! with His truth respond
To all men's lie. Exalt the sword and smite
On that long anvil of the Apennine
Where Austria forged the Italian chain in view
Of seven consenting nations, sparks of fine Admonitory light,
Till men's eyes wink before convictions new.
Flash in God's justice to the world's amaze,
Sublime Deliverer! --after many days
Found worthy of the deed thou art come to do--
Emperor.
Evermore.
VI.
But Italy, my Italy,
Can it last, this gleam?
Can she live and be strong,
Or is it another dream
Like the rest we have dreamed so long?
And shall it, must it be,
That after the battle-cloud has broken
She will die off again
Like the rain,
Or like a poet's song
Sung of her, sad at the end
Because her name is Italy,--
Die and count no friend?
Is it true,--may it be spoken,--
That she who has lain so still,
With a wound in her breast,
And a flower in her hand,
And a grave-stone under her head,
While every nation at will
Beside her has dared to stand,
And flout her with pity and scorn,
Saying "She is at rest,
She is fair, she is dead,
And, leaving room in her stead
To Us who are later born,
This is certainly best! "
Saying "Alas, she is fair,
Very fair, but dead,--give place,
And so we have room for the race. "
--Can it be true, be true,
That she lives anew?
That she rises up at the shout of her sons,
At the trumpet of France,
And lives anew? --is it true
That she has not moved in a trance,
As in Forty-eight?
When her eyes were troubled with blood
Till she knew not friend from foe,
Till her hand was caught in a strait
Of her cerement and baffled so
From doing the deed she would;
And her weak foot stumbled across
The grave of a king,
And down she dropt at heavy loss,
And we gloomily covered her face and said,
"We have dreamed the thing;
She is not alive, but dead. "
VII.
Now, shall we say
Our Italy lives indeed?
And if it were not for the beat and bray
Of drum and trump of martial men,
Should we feel the underground heave and strain,
Where heroes left their dust as a seed
Sure to emerge one day?
And if it were not for the rhythmic march
Of France and Piedmont's double hosts,
Should we hear the ghosts
Thrill through ruined aisle and arch,
Throb along the frescoed wall,
Whisper an oath by that divine
They left in picture, book, and stone,
That Italy is not dead at all?
Ay, if it were not for the tears in our eyes,
These tears of a sudden passionate joy,
Should we see her arise
From the place where the wicked are overthrown,
Italy, Italy--loosed at length
From the tyrant's thrall,
Pale and calm in her strength?
Pale as the silver cross of Savoy
When the hand that bears the flag is brave,
And not a breath is stirring, save
What is blown
Over the war-trump's lip of brass,
Ere Garibaldi forces the pass!
VIII.
Ay, it is so, even so.
Ay, and it shall be so.
Each broken stone that long ago
She flung behind her as she went
In discouragement and bewilderment
Through the cairns of Time, and missed her way
Between to-day and yesterday,
Up springs a living man.
And each man stands with his face in the light
Of his own drawn sword,
Ready to do what a hero can.
Wall to sap, or river to ford,
Cannon to front, or foe to pursue,
Still ready to do, and sworn to be true,
As a man and a patriot can.
Piedmontese, Neapolitan,
Lombard, Tuscan, Romagnole,
Each man's body having a soul,--
Count how many they stand,
All of them sons of the land,
Every live man there
Allied to a dead man below,
And the deadest with blood to spare
To quicken a living hand
In case it should ever be slow.
Count how many they come
To the beat of Piedmont's drum,
With faces keener and grayer
Than swords of the Austrian slayer,
All set against the foe.
"Emperor
Evermore. "
IX.
Out of the dust where they ground them;
Out of the holes where they dogged them;
Out of the hulks where they wound them
In iron, tortured and flogged them;
Out of the streets where they chased them,
Taxed them, and then bayonetted them;
Out of the homes where they spied on them
(Using their daughters and wives);
Out of the church where they fretted them,
Rotted their souls and debased them,
Trained them to answer with knives,
Then cursed them all at their prayers! --
Out of cold lands, not theirs,
Where they exiled them, starved them, lied on them;
Back they come like a wind, in vain
Cramped up in the hills, that roars its road
The stronger into the open plain,
Or like a fire that burns the hotter
And longer for the crust of cinder,
Serving better the ends of the potter;
Or like a restrainèd word of God,
Fulfilling itself by what seems to hinder.
"Emperor
Evermore. "
X.
Shout for France and Savoy!
Shout for the helper and doer.
Shout for the good sword's ring,
Shout for the thought still truer.
Shout for the spirits at large
Who passed for the dead this spring,
Whose living glory is sure.
Shout for France and Savoy!
Shout for the council and charge!
Shout for the head of Cavour;
And shout for the heart of a King
That's great with a nation's joy!
Shout for France and Savoy!
XI.
Take up the child, Macmahon, though
Thy hand be red
From Magenta's dead,
And riding on, in front of the troop,
In the dust of the whirlwind of war
Through the gate of the city of Milan, stoop
And take up the child to thy saddle-bow,
Nor fear the touch as soft as a flower of his smile as clear as a
star!
Thou hast a right to the child, we say,
Since the women are weeping for joy as they
Who, by thy help and from this day,
Shall be happy mothers indeed.
They are raining flowers from terrace and roof:
Take up the flower in the child.
While the shout goes up of a nation freed
And heroically self-reconciled,
Till the snow on that peaked Alp aloof
Starts, as feeling God's finger anew,
And all those cold white marble fires
Of mounting saints on the Duomo-spires
Flicker against the Blue.
"Emperor
Evermore. "
XII.
Ay, it is He,
Who rides at the King's right hand!
Leave room to his horse and draw to the side,
Nor press too near in the ecstasy
Of a newly delivered impassioned land:
He is moved, you see,
He who has done it all.
They call it a cold stern face;
But this is Italy
Who rises up to her place! --
For this he fought in his youth,
Of this he dreamed in the past;
The lines of the resolute mouth
Tremble a little at last.
Cry, he has done it all!
"Emperor
Evermore. "
XIII.
It is not strange that he did it,
Though the deed may seem to strain
To the wonderful, unpermitted,
For such as lead and reign.
But he is strange, this man:
The people's instinct found him
(A wind in the dark that ran
Through a chink where was no door),
And elected him and crowned him
Emperor
Evermore.
XIV.
Autocrat?
let them scoff,
Who fail to comprehend
That a ruler incarnate of
The people must transcend
All common king-born kings;
These subterranean springs
A sudden outlet winning
Have special virtues to spend.
The people's blood runs through him,
Dilates from head to foot,
Creates him absolute,
And from this great beginning
Evokes a greater end
To justify and renew him--
Emperor
Evermore.
XV.
What! did any maintain
That God or the people (think! )
Could make a marvel in vain? --
Out of the water-jar there,
Draw wine that none could drink?
Is this a man like the rest,
This miracle, made unaware
By a rapture of popular air,
And caught to the place that was best?
You think he could barter and cheat
As vulgar diplomates use,
With the people's heart in his breast?
Prate a lie into shape
Lest truth should cumber the road;
Play at the fast and loose
Till the world is strangled with tape;
Maim the soul's complete
To fit the hole of a toad;
And filch the dogman's meat
To feed the offspring of God?
XVI.
Nay, but he, this wonder,
He cannot palter nor prate,
Though many around him and under,
With intellects trained to the curve,
Distrust him in spirit and nerve
Because his meaning is straight.
Measure him ere he depart
With those who have governed and led;
Larger so much by the heart,
Larger so much by the head.
Emperor
Evermore.
XVII.
He holds that, consenting or dissident,
Nations must move with the time;
Assumes that crime with a precedent
Doubles the guilt of the crime;
--Denies that a slaver's bond,
Or a treaty signed by knaves
(_Quorum magna pars_, and beyond
Was one of an honest name),
Gives an inexpugnable claim
To abolish men into slaves.
Emperor
Evermore.
XVIII.
He will not swagger nor boast
Of his country's meeds, in a tone
Missuiting a great man most
If such should speak of his own;
Nor will he act, on her side,
From motives baser, indeed,
Than a man of a noble pride
Can avow for himself at need;
Never, for lucre or laurels,
Or custom, though such should be rife,
Adapting the smaller morals
To measure the larger life.
He, though the merchants persuade,
And the soldiers are eager for strife,
Finds not his country in quarrels
Only to find her in trade,--
While still he accords her such honour
As never to flinch for her sake
Where men put service upon her,
Found heavy to undertake
And scarcely like to be paid:
Believing a nation may act
Unselfishly--shiver a lance
(As the least of her sons may, in fact)
And not for a cause of finance.
Emperor
Evermore.
XIX.
Great is he
Who uses his greatness for all.
His name shall stand perpetually
As a name to applaud and cherish,
Not only within the civic wall
For the loyal, but also without
For the generous and free.
Just is he,
Who is just for the popular due
As well as the private debt.
The praise of nations ready to perish
Fall on him,--crown him in view
Of tyrants caught in the net,
And statesmen dizzy with fear and doubt!
And though, because they are many,
And he is merely one,
And nations selfish and cruel
Heap up the inquisitor's fuel
To kill the body of high intents,
And burn great deeds from their place,
Till this, the greatest of any,
May seem imperfectly done;
Courage, whoever circumvents!
Courage, courage, whoever is base!
The soul of a high intent, be it known,
Can die no more than any soul
Which God keeps by Him under the throne;
And this, at whatever interim,
Shall live, and be consummated
Into the being of deeds made whole.
Courage, courage! happy is he,
Of whom (himself among the dead
And silent) this word shall be said:
--That he might have had the world with him,
But chose to side with suffering men,
And had the world against him when
He came to deliver Italy.
Emperor
Evermore.
THE DANCE.
I.
You remember down at Florence our Cascine,
Where the people on the feast-days walk and drive,
And, through the trees, long-drawn in many a green way,
O'er-roofing hum and murmur like a hive,
The river and the mountains look alive?
II.
You remember the piazzone there, the stand-place
Of carriages a-brim with Florence Beauties,
Who lean and melt to music as the band plays,
Or smile and chat with someone who a-foot is,
Or on horseback, in observance of male duties?
III.
'T is so pretty, in the afternoons of summer,
So many gracious faces brought together!
Call it rout, or call it concert, they have come here,
In the floating of the fan and of the feather,
To reciprocate with beauty the fine weather.
IV.
While the flower-girls offer nosegays (because _they_ too
Go with other sweets) at every carriage-door;
Here, by shake of a white finger, signed away to
Some next buyer, who sits buying score on score,
Piling roses upon roses evermore.
V.
And last season, when the French camp had its station
In the meadow-ground, things quickened and grew gayer
Through the mingling of the liberating nation
With this people; groups of Frenchmen everywhere,
Strolling, gazing, judging lightly--"who was fair. "
VI.
Then the noblest lady present took upon her
To speak nobly from her carriage for the rest:
"Pray these officers from France to do us honour
By dancing with us straightway. " The request
Was gravely apprehended as addressed.
VII.
And the men of France, bareheaded, bowing lowly,
Led out each a proud signora to the space
Which the startled crowd had rounded for them--slowly,
Just a touch of still emotion in his face,
Not presuming, through the symbol, on the grace.
VIII.
There was silence in the people: some lips trembled,
But none jested. Broke the music, at a glance:
And the daughters of our princes, thus assembled,
Stepped the measure with the gallant sons of France,
Hush! it might have been a Mass, and not a dance.
IX.
And they danced there till the blue that overskied us
Swooned with passion, though the footing seemed sedate;
And the mountains, heaving mighty hearts beside us,
Sighed a rapture in a shadow, to dilate,
And touch the holy stone where Dante sate.
X.
Then the sons of France, bareheaded, lowly bowing,
Led the ladies back where kinsmen of the south
Stood, received them; till, with burst of overflowing
Feeling--husbands, brothers, Florence's male youth,
Turned, and kissed the martial strangers mouth to mouth.
XI.
And a cry went up, a cry from all that people!
--You have heard a people cheering, you suppose,
For the Member, mayor . . . with chorus from the steeple?
This was different: scarce as loud, perhaps (who knows? ),
For we saw wet eyes around us ere the close.
XII.
And we felt as if a nation, too long borne in
By hard wrongers,--comprehending in such attitude
That God had spoken somewhere since the morning,
That men were somehow brothers, by no platitude,--
Cried exultant in great wonder and free gratitude.
A TALE OF VILLAFRANCA.
TOLD IN TUSCANY.
I.
My little son, my Florentine,
Sit down beside my knee,
And I will tell you why the sign
Of joy which flushed our Italy
Has faded since but yesternight;
And why your Florence of delight
Is mourning as you see.
II.
A great man (who was crowned one day)
Imagined a great Deed:
He shaped it out of cloud and clay,
He touched it finely till the seed
Possessed the flower: from heart and brain
He fed it with large thoughts humane,
To help a people's need.
III.
He brought it out into the sun--
They blessed it to his face:
"O great pure Deed, that hast undone
So many bad and base!
O generous Deed, heroic Deed,
Come forth, be perfected, succeed,
Deliver by God's grace. "
IV.
Then sovereigns, statesmen, north and south,
Rose up in wrath and fear,
And cried, protesting by one mouth,
"What monster have we here?
A great Deed at this hour of day?
A great just Deed--and not for pay?
Absurd,--or insincere. "
V.
"And if sincere, the heavier blow
In that case we shall bear,
For where's our blessed 'status quo,'
Our holy treaties, where,--
Our rights to sell a race, or buy,
Protect and pillage, occupy,
And civilize despair? "
VI.
Some muttered that the great Deed meant
A great pretext to sin;
And others, the pretext, so lent,
Was heinous (to begin).
Volcanic terms of "great" and "just"?
Admit such tongues of flame, the crust
Of time and law falls in.
VII.
A great Deed in this world of ours?
Unheard of the pretence is:
It threatens plainly the great Powers;
Is fatal in all senses.
A just Deed in the world? --call out
The rifles! be not slack about
The national defences.
VIII.
And many murmured, "From this source
What red blood must be poured! "
And some rejoined, "'T is even worse;
What red tape is ignored! "
All cursed the Doer for an evil
Called here, enlarging on the Devil,--
There, monkeying the Lord!
IX.
Some said it could not be explained,
Some, could not be excused;
And others, "Leave it unrestrained,
Gehenna's self is loosed. "
And all cried "Crush it, maim it, gag it!
Set dog-toothed lies to tear it ragged,
Truncated and traduced! "
X.
But HE stood sad before the sun
(The peoples felt their fate).
"The world is many,--I am one;
My great Deed was too great.
God's fruit of justice ripens slow:
Men's souls are narrow; let them grow.
My brothers, we must wait. "
XI.
The tale is ended, child of mine,
Turned graver at my knee.
They say your eyes, my Florentine,
Are English: it may be.
And yet I've marked as blue a pair
Following the doves across the square
At Venice by the sea.
XII.
Ah child! ah child! I cannot say
A word more. You conceive
The reason now, why just to-day
We see our Florence grieve.
Ah child, look up into the sky!
In this low world, where great Deeds die,
What matter if we live?
A COURT LADY.
I.
Her hair was tawny with gold, her eyes with purple were dark,
Her cheeks' pale opal burnt with a red and restless spark.
II.
Never was lady of Milan nobler in name and in race;
Never was lady of Italy fairer to see in the face.
III.
Never was lady on earth more true as woman and wife,
Larger in judgment and instinct, prouder in manners and life.
IV.
She stood in the early morning, and said to her maidens "Bring
That silken robe made ready to wear at the Court of the King.
V.
"Bring me the clasps of diamond, lucid, clear of the mote,
Clasp me the large at the waist, and clasp me the small at the
throat.
VI.
"Diamonds to fasten the hair, and diamonds to fasten the sleeves,
Laces to drop from their rays, like a powder of snow from the
eaves. "
VII.
Gorgeous she entered the sunlight which gathered her up in a flame,
While, straight in her open carriage, she to the hospital came.
VIII.
In she went at the door, and gazing from end to end,
"Many and low are the pallets, but each is the place of a friend. "
IX.
Up she passed through the wards, and stood at a young man's bed:
Bloody the band on his brow, and livid the droop of his head.
X.
"Art thou a Lombard, my brother? Happy art thou," she cried,
And smiled like Italy on him: he dreamed in her face and died.
XI.
Pale with his passing soul, she went on still to a second:
He was a grave hard man, whose years by dungeons were reckoned.
XII.
Wounds in his body were sore, wounds in his life were sorer.
"Art thou a Romagnole? " Her eyes drove lightnings before her.
XIII.
"Austrian and priest had joined to double and tighten the cord
Able to bind thee, O strong one,--free by the stroke of a sword.
XIV.
"Now be grave for the rest of us, using the life overcast
To ripen our wine of the present (too new) in glooms of the past. "
XV.
Down she stepped to a pallet where lay a face like a girl's,
Young, and pathetic with dying,--a deep black hole in the curls.
XVI.
"Art thou from Tuscany, brother? and seest thou, dreaming in pain,
Thy mother stand in the piazza, searching the List of the slain? "
XVII.
Kind as a mother herself, she touched his cheeks with her hands:
"Blessed is she who has borne thee, although she should weep as she
stands. "
XVIII.
On she passed to a Frenchman, his arm carried off by a ball:
Kneeling,--"O more than my brother! how shall I thank thee for all?
XIX.
"Each of the heroes around us has fought for his land and line,
But thou hast fought for a stranger, in hate of a wrong not thine.
XX.
"Happy are all free peoples, too strong to be dispossessed.
But blessed are those among nations who dare to be strong for the
rest! "
XXI.
Ever she passed on her way, and came to a couch where pined
One with a face from Venetia, white with a hope out of mind.
XXII.
Long she stood and gazed, and twice she tried at the name,
But two great crystal tears were all that faltered and came.
XXIII.
Only a tear for Venice? --she turned as in passion and loss,
And stooped to his forehead and kissed it, as if she were kissing
the cross.
XXIV.
Faint with that strain of heart she moved on then to another,
Stern and strong in his death. "And dost thou suffer, my brother? "
XXV.
Holding his hands in hers:--"Out of the Piedmont lion
Cometh the sweetness of freedom! sweetest to live or to die on. "
XXVI.
Holding his cold rough hands,--"Well, oh well have ye done
In noble, noble Piedmont, who would not be noble alone. "
XXVII.
Back he fell while she spoke. She rose to her feet with a spring,--
"That was a Piedmontese! and this is the Court of the King. "
AN AUGUST VOICE.
"Una voce augusta. "--_Monitore Toscano_.
I.
You'll take back your Grand-duke?
I made the treaty upon it.
Just venture a quiet rebuke;
Dall' Ongaro write him a sonnet;
Ricasoli gently explain
Some need of the constitution:
He'll swear to it over again,
Providing an "easy solution. "
You'll call back the Grand-duke.
II.
You'll take back your Grand-duke?
I promised the Emperor Francis
To argue the case by his book,
And ask you to meet his advances.
The Ducal cause, we know
(Whether you or he be the wronger),
Has very strong points;--although
Your bayonets, there, have stronger.
You'll call back the Grand-duke.
You'll take back your Grand-duke?
He is not pure altogether.
For instance, the oath which he took
(In the Forty-eight rough weather)
He'd "nail your flag to his mast,"
Then softly scuttled the boat you
Hoped to escape in at last,
And both by a "Proprio motu. "
You'll call back the Grand-duke.
IV.
