im the many
accounts
ofJoyce'.
Hart-Clive-1962-Structure-and-Motif-in-Finnegans-Wake
fist .
.
.
(a curious but deaIly important motif
whcdc significance entirely "",apet me), 83. 29, (227. 09), 311. 31,326. 20,363. >7
he would bRak his buhheywiggcr', head for hinl, 70. 2! , 81. 2$ hide and ",d<, 35. 09, 66. '7, [61. 22, 312. 35, 374. . 21, 4-51. 26,
462. IO,5. jQ? 34
Hip! Hip! Hurrah! 26. 09, $3. 36, 106. 1 9, 205. ot, 236. 15,
258. 09, 329. 04, 348. 27, (S57? 06), 377,33, 495? [3, 569? 25,
59{? 16
Hi,= Civil J:1Jlm"",sU (se. 'Anna Livia Motif. ')
his bark i. wone than bis bite (applied, in onc 'e. . . . , to Eve',
tr<:e), [68. 05, ,8'. 36,339. 09, ? l7? 0I, 542. '9
hi. lttCat was locust! and wild honey (Mall. 3: 4), [14. 20, 318. 1$
Hohohoho Mr Finn. . . , 5. 09, 58. 16, ? 9-l. 1" ~50. 19, ~93"9, 3[4. 18,3[9. 011,383. 08
,,'
? An lndt. x 4'Motifs in Finntgans Wake hold,. undle to it, ~5P5, ~71. IO, 459,30
Home! (IU 'La. t Monologue Mow;,')
home is home, be it never so homely, '73,'9, ~45? S4, SI8. 05,
3911? 11
H"", AAt qui "",/J p. ;u. (Med. Fr. : 'evil be [to him] who evil
trunks ofthis'- the motto of the Order oftll<: Garter), 29. 32, 35m, "3-'7, 238. 33, (32. 'i. 08), 49. 'i? 2'
hook and I may/who am I to say' 61. 24, '97. 17, 214. 05, 239. 05,330. ,6, H'. o" (6'3'34)
hopes to lOOn hear (Ut 'Letter')
hop, Itcp and jump, 63'36, '99. 0', 232. 30
horn of a bull, hoof of a hone, smile of a Saxon (the doctrine of '. ignatuIC! ! 'j, 127. 29, '36. 32, 3'0. 30, 377. 04
the hospice for the dying, 24-04, 392. 07, 514,'5
hour ofru;ng, 449. 27, s98. '3
the house of the hundred bottle. (appan:ntly cd;,n to a talc
which I han nat been able tu identifyj, 2g. 01, 380" 5
How are you today, my dark ,ir? ,6. 0{, 35. 15, 54. 10 If. , 93. 06,
95? 0. 'i, 160? S', 186. 32, 322. ,6, 4"9,'40 466. 29, 5'1. " How Copenhagen Ended, 10. 2J, 324. 29
how K<"'" the t:I1. cmy? (~ what is the time? j, 352. 10, {69. 23 how long, 0 Lord, how long/Tipoff, K. . . ,m, TiPOf. , 54. 12, [00. 22,
244? '0, '47. 1. 'i, 363. 1I, 395. 06, 452. [0, 587. 36
hue and cry, 34. &2, 68. 20, 103. 05, 106. 0<l, 118. 19, 182. 08,
215. ' 7 , 2. 'i6. 10, 273 . 13, 344. 03, {82 . 25, 517. 19, 558. 23,
563. 01, 6og. 20, 6'0. [7, 6,2'33
Humblady fair (? ), 18. 07, 207"5, (472. 2')
Humph is in hi, dOS" (Ut 'Vikingfather SIC(:p")
the Hundred of Manhood (in England a 'hundred' is a ,ub-
divilion of a county Or shire; Manhood U in lOuth. west S~" and contains the town of Sidl"-1ham), 30. 08, 54. 25, 911. 01, 26. 1,. 20, 337. 011, 375. 09, (376. 02), 388. 27, {0II. 06,
sg6. 03
I am blad:, but comely (Cant. [:5), [58. 33,550. 20
I am paWng out (Set 'i. aJt Monologue MOI1. &')
'AM THA T I AM (Exod. 3:14), s06. }'5, 455. 23, {81. 35,
? l4? 05, 6o,P3
"7
? An Index ifMotifs in Fil1! Ugmu Wah
itk bin sofrtd! (~r. : " am Ii<) ch<<ky'), I13? ~5, 356. 17
I'd die down over hU r<:<:t (I'" 'Last Monologue Motifs') I Jail to""", '5,. 26, ~71. 07, 558,34
ifi? . and and< "",re pots and pan. there'd he no more work for the Linke", 455. 17, 46S. ~8
IfI",enhimbt,aringdownon1m? . ? (sa'Lan Monologue Motif. ')
I have met YO"1OO late . . .
im the many accounts ofJoyce'.
early m<<ting witb Yeal. 1), 37. 13, 60. 29, '55. n, 245. 22,
345. 13, 408. 16
I have trodden the winepreM alone (h. 63:S), 20. '-'9, 212. 16,
5-1,2. 11
ill-hallowed hill, 7. 33, 436. 29, 565. ~ , 587. lf
I'm going (SI< 'Anna Livia MotifS')
l""". paia (I. at. : 'the rcproachel'- C hrist'l add,. . ,. . to the
people on Good Friday), 278. oS, fS6. '-'9, . j. 8po
in JU~JU ilI;'I;~ ill. ""'port ('in those days', 'at tbat time'-
Latin formulae u",d in the M. . . . to introduce Leoon and Gospel
respectively), '9. 3', 74. 06, 82. Q, ,61,. 340 310. ,6, 385. 03, 386. 07, 390. 20
inhannoniow crcatiom ? . . ,109. 23, ,88. 26 in hi. heart of heart. , ,88. 3', 3:,6. ", 396. ' , '" ilt. . trmjxJtt (su 'i~ ditb-. illis' )
in meili4< m, ,:,6. 07, (Sg/l. 08), 423. 111
in Mmi"" PdIris. / Filii rt SpiriWs Stw;ti, 128. 33, '53. 3', ,61:"',
220. 25, 235. 04, 273? Ff, 286. 22, 33'. '4, 339. 36, 37'. 0', 4'9. '-'9,440"4, . j. 82. 0', 529. 30, 6n. go, 6'4. 3'
in other word. , 260. 26, 285. 22
in point offact, 60,'7. ,62. ,6, 350. 05, 365. 3? , 532. '-'9
in the btginning . . . (Gen. ':'; John,:,; the 11M: of the word. to bt,gin botb o:r. and a Gospel i. a prim. ""ample of a>1ICtItm. . ), '7. 22, 30. '2, 56. 20, 129"0, ,Gg. M, 2U. 03, 239. 23, 271. 23, 277. 12, 282. 05, (287? 06), 30'. 03, 378. 29, 468. 05, (. j. 8J? '5), 417. 20, 59-! ,? 02, 59po
in the mid" of life we "'" in de. . th (from tbe 'Order fOT the Burial of the Dead'). II . 32, l:! o. 34, ,67. 27, 2tk2f, 376. 28,
384-09
".
? . An Inthx of Motifr in Filllltgans Wake
ip the fWUt ofthy face . bal! tho<I eat b~ad (Gen. 3''9).
~ ,gII. os, ~ 56J? 19
2
,. 06.
in the twinkling of an er<' (I Cor. ' 5'52), 279? l"33, 4'>6. ,. ,
324. 03. 336. 28. 408-01, (426,'5).
524? ~4, &. 10,'5
i. ";/III ~ (I<< 'Fint Monologue Motifs')
I "'e 'hent Ning (m 'La. . t MonO)! ogue Motifs')
is life worth living? I~. o! , (I7~. 09), 230. 25, ~6g. FI
1 urt"f~r l'<I. . . tfom til _dnuWl4tu. .
lit ~U" """ 11s1 /#TpMIl . , . Aru. . (the concluding line. of
Ibtca'llOMe. 'Til min Veoo RevoIutionsWern! '-'To my Friend 1M Ra-olutionary Onlor'; \hey may be trantla~ as 'You take ca~ of the: water 10 COver the eanl. . I shan witlill4J! y put a torpedo under 'he Ark'. The *>fInet iM:Sins 'n. si,tr,j. , to' il. . ,. ,. ". to. . -nt'>>Itit" " meaning 'You ""'y I have grown "consavative" '. J, 364. 28, 530. 23, 535. 16
it begin. to appear (s. . 'Letter') Item, mizpah emit, 306. 07, 588. 24
it is e-. . it. for a cam"' . ? . (Mart. 10:25; the: camel is F. arwit ker, the 'ne<:dle' Cleopatra'. ), ' 'lO. 26, ' 43. 0<), 494-03
it'. an ill wind . . . (associated with ShaUll" p<>I,.
whcdc significance entirely "",apet me), 83. 29, (227. 09), 311. 31,326. 20,363. >7
he would bRak his buhheywiggcr', head for hinl, 70. 2! , 81. 2$ hide and ",d<, 35. 09, 66. '7, [61. 22, 312. 35, 374. . 21, 4-51. 26,
462. IO,5. jQ? 34
Hip! Hip! Hurrah! 26. 09, $3. 36, 106. 1 9, 205. ot, 236. 15,
258. 09, 329. 04, 348. 27, (S57? 06), 377,33, 495? [3, 569? 25,
59{? 16
Hi,= Civil J:1Jlm"",sU (se. 'Anna Livia Motif. ')
his bark i. wone than bis bite (applied, in onc 'e. . . . , to Eve',
tr<:e), [68. 05, ,8'. 36,339. 09, ? l7? 0I, 542. '9
hi. lttCat was locust! and wild honey (Mall. 3: 4), [14. 20, 318. 1$
Hohohoho Mr Finn. . . , 5. 09, 58. 16, ? 9-l. 1" ~50. 19, ~93"9, 3[4. 18,3[9. 011,383. 08
,,'
? An lndt. x 4'Motifs in Finntgans Wake hold,. undle to it, ~5P5, ~71. IO, 459,30
Home! (IU 'La. t Monologue Mow;,')
home is home, be it never so homely, '73,'9, ~45? S4, SI8. 05,
3911? 11
H"", AAt qui "",/J p. ;u. (Med. Fr. : 'evil be [to him] who evil
trunks ofthis'- the motto of the Order oftll<: Garter), 29. 32, 35m, "3-'7, 238. 33, (32. 'i. 08), 49. 'i? 2'
hook and I may/who am I to say' 61. 24, '97. 17, 214. 05, 239. 05,330. ,6, H'. o" (6'3'34)
hopes to lOOn hear (Ut 'Letter')
hop, Itcp and jump, 63'36, '99. 0', 232. 30
horn of a bull, hoof of a hone, smile of a Saxon (the doctrine of '. ignatuIC! ! 'j, 127. 29, '36. 32, 3'0. 30, 377. 04
the hospice for the dying, 24-04, 392. 07, 514,'5
hour ofru;ng, 449. 27, s98. '3
the house of the hundred bottle. (appan:ntly cd;,n to a talc
which I han nat been able tu identifyj, 2g. 01, 380" 5
How are you today, my dark ,ir? ,6. 0{, 35. 15, 54. 10 If. , 93. 06,
95? 0. 'i, 160? S', 186. 32, 322. ,6, 4"9,'40 466. 29, 5'1. " How Copenhagen Ended, 10. 2J, 324. 29
how K<"'" the t:I1. cmy? (~ what is the time? j, 352. 10, {69. 23 how long, 0 Lord, how long/Tipoff, K. . . ,m, TiPOf. , 54. 12, [00. 22,
244? '0, '47. 1. 'i, 363. 1I, 395. 06, 452. [0, 587. 36
hue and cry, 34. &2, 68. 20, 103. 05, 106. 0<l, 118. 19, 182. 08,
215. ' 7 , 2. 'i6. 10, 273 . 13, 344. 03, {82 . 25, 517. 19, 558. 23,
563. 01, 6og. 20, 6'0. [7, 6,2'33
Humblady fair (? ), 18. 07, 207"5, (472. 2')
Humph is in hi, dOS" (Ut 'Vikingfather SIC(:p")
the Hundred of Manhood (in England a 'hundred' is a ,ub-
divilion of a county Or shire; Manhood U in lOuth. west S~" and contains the town of Sidl"-1ham), 30. 08, 54. 25, 911. 01, 26. 1,. 20, 337. 011, 375. 09, (376. 02), 388. 27, {0II. 06,
sg6. 03
I am blad:, but comely (Cant. [:5), [58. 33,550. 20
I am paWng out (Set 'i. aJt Monologue MOI1. &')
'AM THA T I AM (Exod. 3:14), s06. }'5, 455. 23, {81. 35,
? l4? 05, 6o,P3
"7
? An Index ifMotifs in Fil1! Ugmu Wah
itk bin sofrtd! (~r. : " am Ii<) ch<<ky'), I13? ~5, 356. 17
I'd die down over hU r<:<:t (I'" 'Last Monologue Motifs') I Jail to""", '5,. 26, ~71. 07, 558,34
ifi? . and and< "",re pots and pan. there'd he no more work for the Linke", 455. 17, 46S. ~8
IfI",enhimbt,aringdownon1m? . ? (sa'Lan Monologue Motif. ')
I have met YO"1OO late . . .
im the many accounts ofJoyce'.
early m<<ting witb Yeal. 1), 37. 13, 60. 29, '55. n, 245. 22,
345. 13, 408. 16
I have trodden the winepreM alone (h. 63:S), 20. '-'9, 212. 16,
5-1,2. 11
ill-hallowed hill, 7. 33, 436. 29, 565. ~ , 587. lf
I'm going (SI< 'Anna Livia MotifS')
l""". paia (I. at. : 'the rcproachel'- C hrist'l add,. . ,. . to the
people on Good Friday), 278. oS, fS6. '-'9, . j. 8po
in JU~JU ilI;'I;~ ill. ""'port ('in those days', 'at tbat time'-
Latin formulae u",d in the M. . . . to introduce Leoon and Gospel
respectively), '9. 3', 74. 06, 82. Q, ,61,. 340 310. ,6, 385. 03, 386. 07, 390. 20
inhannoniow crcatiom ? . . ,109. 23, ,88. 26 in hi. heart of heart. , ,88. 3', 3:,6. ", 396. ' , '" ilt. . trmjxJtt (su 'i~ ditb-. illis' )
in meili4< m, ,:,6. 07, (Sg/l. 08), 423. 111
in Mmi"" PdIris. / Filii rt SpiriWs Stw;ti, 128. 33, '53. 3', ,61:"',
220. 25, 235. 04, 273? Ff, 286. 22, 33'. '4, 339. 36, 37'. 0', 4'9. '-'9,440"4, . j. 82. 0', 529. 30, 6n. go, 6'4. 3'
in other word. , 260. 26, 285. 22
in point offact, 60,'7. ,62. ,6, 350. 05, 365. 3? , 532. '-'9
in the btginning . . . (Gen. ':'; John,:,; the 11M: of the word. to bt,gin botb o:r. and a Gospel i. a prim. ""ample of a>1ICtItm. . ), '7. 22, 30. '2, 56. 20, 129"0, ,Gg. M, 2U. 03, 239. 23, 271. 23, 277. 12, 282. 05, (287? 06), 30'. 03, 378. 29, 468. 05, (. j. 8J? '5), 417. 20, 59-! ,? 02, 59po
in the mid" of life we "'" in de. . th (from tbe 'Order fOT the Burial of the Dead'). II . 32, l:! o. 34, ,67. 27, 2tk2f, 376. 28,
384-09
".
? . An Inthx of Motifr in Filllltgans Wake
ip the fWUt ofthy face . bal! tho<I eat b~ad (Gen. 3''9).
~ ,gII. os, ~ 56J? 19
2
,. 06.
in the twinkling of an er<' (I Cor. ' 5'52), 279? l"33, 4'>6. ,. ,
324. 03. 336. 28. 408-01, (426,'5).
524? ~4, &. 10,'5
i. ";/III ~ (I<< 'Fint Monologue Motifs')
I "'e 'hent Ning (m 'La. . t MonO)! ogue Motifs')
is life worth living? I~. o! , (I7~. 09), 230. 25, ~6g. FI
1 urt"f~r l'<I. . . tfom til _dnuWl4tu. .
lit ~U" """ 11s1 /#TpMIl . , . Aru. . (the concluding line. of
Ibtca'llOMe. 'Til min Veoo RevoIutionsWern! '-'To my Friend 1M Ra-olutionary Onlor'; \hey may be trantla~ as 'You take ca~ of the: water 10 COver the eanl. . I shan witlill4J! y put a torpedo under 'he Ark'. The *>fInet iM:Sins 'n. si,tr,j. , to' il. . ,. ,. ". to. . -nt'>>Itit" " meaning 'You ""'y I have grown "consavative" '. J, 364. 28, 530. 23, 535. 16
it begin. to appear (s. . 'Letter') Item, mizpah emit, 306. 07, 588. 24
it is e-. . it. for a cam"' . ? . (Mart. 10:25; the: camel is F. arwit ker, the 'ne<:dle' Cleopatra'. ), ' 'lO. 26, ' 43. 0<), 494-03
it'. an ill wind . . . (associated with ShaUll" p<>I,.
