No More Learning

Dim smitten star,
Orb not of France alone, pale symbol of my soul, its dearest hopes,
The struggle and the daring, rage divine for liberty,
Of aspirations toward the far ideal, enthusiast's dreams of brotherhood,
Of terror to the tyrant and the priest.

Star crucified--by traitors sold,
Star panting o'er a land of death, heroic land,
Strange, passionate, mocking, frivolous land.

Miserable! yet for thy errors, vanities, sins, I will not now rebuke thee,
Thy unexampled woes and pangs have quell'd them all,
And left thee sacred.

In that amid thy many faults thou ever aimedst highly,
In that thou wouldst not really sell thyself however great the price,
In that thou surely wakedst weeping from thy drugg'd sleep,
In that alone among thy sisters thou, giantess, didst rend the ones
that shamed thee,
In that thou couldst not, wouldst not, wear the usual chains,
This cross, thy livid face, thy pierced hands and feet,
The spear thrust in thy side.

O star! O ship of France, beat back and baffled long!
Bear up O smitten orb! O ship continue on!

Sure as the ship of all, the Earth itself,
Product of deathly fire and turbulent chaos,
Forth from its spasms of fury and its poisons,
Issuing at last in perfect power and beauty,
Onward beneath the sun following its course,
So thee O ship of France!

Finish'd the days, the clouds dispel'd
The travail o'er, the long-sought extrication,
When lo! reborn, high o'er the European world,
(In gladness answering thence, as face afar to face, reflecting ours
Columbia,)
Again thy star O France, fair lustrous star,
In heavenly peace, clearer, more bright than ever,
Shall beam immortal.




The Ox-Tamer

In a far-away northern county in the placid pastoral region,
Lives my farmer friend, the theme of my recitative, a famous tamer of oxen,
There they bring him the three-year-olds and the four-year-olds to
break them,
He will take the wildest steer in the world and break him and tame him,
He will go fearless without any whip where the young bullock
chafes up and down the yard,
The bullock's head tosses restless high in the air with raging eyes,
Yet see you! how soon his rage subsides--how soon this tamer tames him;
See you! on the farms hereabout a hundred oxen young and old,
and he is the man who has tamed them,
They all know him, all are affectionate to him;
See you! some are such beautiful animals, so lofty looking;
Some are buff-color'd, some mottled, one has a white line running
along his back, some are brindled,
Some have wide flaring horns (a good sign)--see you! the bright hides,
See, the two with stars on their foreheads--see, the round bodies
and broad backs,
How straight and square they stand on their legs--what fine sagacious eyes!
How straight they watch their tamer--they wish him near them--how
they turn to look after him!
What yearning expression! how uneasy they are when he moves away from them;
Now I marvel what it can be he appears to them, (books, politics,
poems, depart--all else departs,)
I confess I envy only his fascination--my silent, illiterate friend,
Whom a hundred oxen love there in his life on farms,
In the northern county far, in the placid pastoral region.




An Old Man's Thought of School
[For the Inauguration of a Public School, Camden, New Jersey, 1874]

An old man's thought of school,
An old man gathering youthful memories and blooms that youth itself cannot.

Now only do I know you,
O fair auroral skies--O morning dew upon the grass!

And these I see, these sparkling eyes,
These stores of mystic meaning, these young lives,
Building, equipping like a fleet of ships, immortal ships,
Soon to sail out over the measureless seas,
On the soul's voyage.

Only a lot of boys and girls?
Only the tiresome spelling, writing, ciphering classes?
Only a public school?

Ah more, infinitely more;
(As George Fox rais'd his warning cry, "Is it this pile of brick and
mortar, these dead floors, windows, rails, you call the church?
Why this is not the church at all--the church is living, ever living
souls. ")

And you America,
Cast you the real reckoning for your present?
The lights and shadows of your future, good or evil?
To girlhood, boyhood look, the teacher and the school.




Wandering at Morn

Wandering at morn,
Emerging from the night from gloomy thoughts, thee in my thoughts,
Yearning for thee harmonious Union! thee, singing bird divine!
Thee coil'd in evil times my country, with craft and black dismay,
with every meanness, treason thrust upon thee,
This common marvel I beheld--the parent thrush I watch'd feeding its young,
The singing thrush whose tones of joy and faith ecstatic,
Fail not to certify and cheer my soul.

There ponder'd, felt I,
If worms, snakes, loathsome grubs, may to sweet spiritual songs be turn'd,
If vermin so transposed, so used and bless'd may be,
Then may I trust in you, your fortunes, days, my country;
Who knows but these may be the lessons fit for you?
From these your future song may rise with joyous trills,
Destin'd to fill the world.




Italian Music in Dakota
["The Seventeenth--the finest Regimental Band I ever heard. "]

Through the soft evening air enwinding all,
Rocks, woods, fort, cannon, pacing sentries, endless wilds,
In dulcet streams, in flutes' and cornets' notes,
Electric, pensive, turbulent, artificial,
(Yet strangely fitting even here, meanings unknown before,
Subtler than ever, more harmony, as if born here, related here,
Not to the city's fresco'd rooms, not to the audience of the opera house,
Sounds, echoes, wandering strains, as really here at home,
Sonnambula's innocent love, trios with Norma's anguish,
And thy ecstatic chorus Poliuto;)
Ray'd in the limpid yellow slanting sundown,
Music, Italian music in Dakota.

While Nature, sovereign of this gnarl'd realm,
Lurking in hidden barbaric grim recesses,
Acknowledging rapport however far remov'd,
(As some old root or soil of earth its last-born flower or fruit,)
Listens well pleas'd.




With All Thy Gifts

With all thy gifts America,
Standing secure, rapidly tending, overlooking the world,
Power, wealth, extent, vouchsafed to thee--with these and like of
these vouchsafed to thee,
What if one gift thou lackest? (the ultimate human problem never solving,)
The gift of perfect women fit for thee--what if that gift of gifts
thou lackest?
The towering feminine of thee? the beauty, health, completion, fit for thee?
The mothers fit for thee?




My Picture-Gallery

In a little house keep I pictures suspended, it is not a fix'd house,
It is round, it is only a few inches from one side to the other;
Yet behold, it has room for all the shows of the world, all memories!
Here the tableaus of life, and here the groupings of death;
Here, do you know this? this is cicerone himself,
With finger rais'd he points to the prodigal pictures.




The Prairie States

A newer garden of creation, no primal solitude,
Dense, joyous, modern, populous millions, cities and farms,
With iron interlaced, composite, tied, many in one,
By all the world contributed--freedom's and law's and thrift's society,
The crown and teeming paradise, so far, of time's accumulations,
To justify the past.




BOOK XXV


Proud Music of the Storm

1
Proud music of the storm,
Blast that careers so free, whistling across the prairies,
Strong hum of forest tree-tops--wind of the mountains,
Personified dim shapes--you hidden orchestras,
You serenades of phantoms with instruments alert,
Blending with Nature's rhythmus all the tongues of nations;
You chords left as by vast composers--you choruses,
You formless, free, religious dances--you from the Orient,
You undertone of rivers, roar of pouring cataracts,
You sounds from distant guns with galloping cavalry,
Echoes of camps with all the different bugle-calls,
Trooping tumultuous, filling the midnight late, bending me powerless,
Entering my lonesome slumber-chamber, why have you seiz'd me?


2
Come forward O my soul, and let the rest retire,
Listen, lose not, it is toward thee they tend,
Parting the midnight, entering my slumber-chamber,
For thee they sing and dance O soul.

A festival song,
The duet of the bridegroom and the bride, a marriage-march,
With lips of love, and hearts of lovers fill'd to the brim with love,
The red-flush'd cheeks and perfumes, the cortege swarming full of
friendly faces young and old,
To flutes' clear notes and sounding harps' cantabile.

Now loud approaching drums,
Victoria! seest thou in powder-smoke the banners torn but flying?
the rout of the baffled?
Hearest those shouts of a conquering army?

(Ah soul, the sobs of women, the wounded groaning in agony,
The hiss and crackle of flames, the blacken'd ruins, the embers of cities,
The dirge and desolation of mankind. )

Now airs antique and mediaeval fill me,
I see and hear old harpers with their harps at Welsh festivals,
I hear the minnesingers singing their lays of love,
I hear the minstrels, gleemen, troubadours, of the middle ages.

Now the great organ sounds,
Tremulous, while underneath, (as the hid footholds of the earth,
On which arising rest, and leaping forth depend,
All shapes of beauty, grace and strength, all hues we know,
Green blades of grass and warbling birds, children that gambol and
play, the clouds of heaven above,)
The strong base stands, and its pulsations intermits not,
Bathing, supporting, merging all the rest, maternity of all the rest,
And with it every instrument in multitudes,
The players playing, all the world's musicians,
The solemn hymns and masses rousing adoration,
All passionate heart-chants, sorrowful appeals,
The measureless sweet vocalists of ages,
And for their solvent setting earth's own diapason,
Of winds and woods and mighty ocean waves,
A new composite orchestra, binder of years and climes, ten-fold renewer,
As of the far-back days the poets tell, the Paradiso,
The straying thence, the separation long, but now the wandering done,
The journey done, the journeyman come home,
And man and art with Nature fused again.

Tutti! for earth and heaven;
(The Almighty leader now for once has signal'd with his wand. )

The manly strophe of the husbands of the world,
And all the wives responding.

The tongues of violins,
(I think O tongues ye tell this heart, that cannot tell itself,
This brooding yearning heart, that cannot tell itself. )

3
Ah from a little child,
Thou knowest soul how to me all sounds became music,
My mother's voice in lullaby or hymn,
(The voice, O tender voices, memory's loving voices,
Last miracle of all, O dearest mother's, sister's, voices;)
The rain, the growing corn, the breeze among the long-leav'd corn,
The measur'd sea-surf beating on the sand,
The twittering bird, the hawk's sharp scream,
The wild-fowl's notes at night as flying low migrating north or south,
The psalm in the country church or mid the clustering trees, the
open air camp-meeting,
The fiddler in the tavern, the glee, the long-strung sailor-song,
The lowing cattle, bleating sheep, the crowing cock at dawn.

All songs of current lands come sounding round me,
The German airs of friendship, wine and love,
Irish ballads, merry jigs and dances, English warbles,
Chansons of France, Scotch tunes, and o'er the rest,
Italia's peerless compositions.

Across the stage with pallor on her face, yet lurid passion,
Stalks Norma brandishing the dagger in her hand.

I see poor crazed Lucia's eyes' unnatural gleam,
Her hair down her back falls loose and dishevel'd.

I see where Ernani walking the bridal garden,
Amid the scent of night-roses, radiant, holding his bride by the hand,
Hears the infernal call, the death-pledge of the horn.

To crossing swords and gray hairs bared to heaven,
The clear electric base and baritone of the world,
The trombone duo, Libertad forever!
From Spanish chestnut trees' dense shade,
By old and heavy convent walls a wailing song,
Song of lost love, the torch of youth and life quench'd in despair,
Song of the dying swan, Fernando's heart is breaking.

Awaking from her woes at last retriev'd Amina sings,
Copious as stars and glad as morning light the torrents of her joy.

(The teeming lady comes,
The lustrious orb, Venus contralto, the blooming mother,
Sister of loftiest gods, Alboni's self I hear. )

4
I hear those odes, symphonies, operas,
I hear in the William Tell the music of an arous'd and angry people,
I hear Meyerbeer's Huguenots, the Prophet, or Robert,
Gounod's Faust, or Mozart's Don Juan.

I hear the dance-music of all nations,
The waltz, some delicious measure, lapsing, bathing me in bliss,
The bolero to tinkling guitars and clattering castanets.

I see religious dances old and new,
I hear the sound of the Hebrew lyre,
I see the crusaders marching bearing the cross on high, to the
martial clang of cymbals,
I hear dervishes monotonously chanting, interspers'd with frantic
shouts, as they spin around turning always towards Mecca,
I see the rapt religious dances of the Persians and the Arabs,
Again, at Eleusis, home of Ceres, I see the modern Greeks dancing,
I hear them clapping their hands as they bend their bodies,
I hear the metrical shuffling of their feet.

I see again the wild old Corybantian dance, the performers wounding
each other,
I see the Roman youth to the shrill sound of flageolets throwing and
catching their weapons,
As they fall on their knees and rise again.

I hear from the Mussulman mosque the muezzin calling,
I see the worshippers within, nor form nor sermon, argument nor word,
But silent, strange, devout, rais'd, glowing heads, ecstatic faces.

I hear the Egyptian harp of many strings,
The primitive chants of the Nile boatmen,
The sacred imperial hymns of China,
To the delicate sounds of the king, (the stricken wood and stone,)
Or to Hindu flutes and the fretting twang of the vina,
A band of bayaderes.

5
Now Asia, Africa leave me, Europe seizing inflates me,
To organs huge and bands I hear as from vast concourses of voices,
Luther's strong hymn Eine feste Burg ist unser Gott,
Rossini's Stabat Mater dolorosa,
Or floating in some high cathedral dim with gorgeous color'd windows,
The passionate Agnus Dei or Gloria in Excelsis.

Composers! mighty maestros!
And you, sweet singers of old lands, soprani, tenori, bassi!
To you a new bard caroling in the West,
Obeisant sends his love.

(Such led to thee O soul,
All senses, shows and objects, lead to thee,
But now it seems to me sound leads o'er all the rest. )

I hear the annual singing of the children in St. Paul's cathedral,
Or, under the high roof of some colossal hall, the symphonies,
oratorios of Beethoven, Handel, or Haydn,
The Creation in billows of godhood laves me.

Give me to hold all sounds, (I madly struggling cry,)
Fill me with all the voices of the universe,
Endow me with their throbbings, Nature's also,
The tempests, waters, winds, operas and chants, marches and dances,
Utter, pour in, for I would take them all!

6
Then I woke softly,
And pausing, questioning awhile the music of my dream,
And questioning all those reminiscences, the tempest in its fury,
And all the songs of sopranos and tenors,
And those rapt oriental dances of religious fervor,
And the sweet varied instruments, and the diapason of organs,
And all the artless plaints of love and grief and death,
I said to my silent curious soul out of the bed of the slumber-chamber,
Come, for I have found the clew I sought so long,
Let us go forth refresh'd amid the day,
Cheerfully tallying life, walking the world, the real,
Nourish'd henceforth by our celestial dream.

And I said, moreover,
Haply what thou hast heard O soul was not the sound of winds,
Nor dream of raging storm, nor sea-hawk's flapping wings nor harsh scream,
Nor vocalism of sun-bright Italy,
Nor German organ majestic, nor vast concourse of voices, nor layers
of harmonies,
Nor strophes of husbands and wives, nor sound of marching soldiers,
Nor flutes, nor harps, nor the bugle-calls of camps,
But to a new rhythmus fitted for thee,
Poems bridging the way from Life to Death, vaguely wafted in night
air, uncaught, unwritten,
Which let us go forth in the bold day and write.




BOOK XXVI


Passage to India

1
Singing my days,
Singing the great achievements of the present,
Singing the strong light works of engineers,
Our modern wonders, (the antique ponderous Seven outvied,)
In the Old World the east the Suez canal,
The New by its mighty railroad spann'd,
The seas inlaid with eloquent gentle wires;
Yet first to sound, and ever sound, the cry with thee O soul,
The Past! the Past! the Past!

The Past--the dark unfathom'd retrospect!
The teeming gulf--the sleepers and the shadows!
The past--the infinite greatness of the past!
For what is the present after all but a growth out of the past?
(As a projectile form'd, impell'd, passing a certain line, still keeps on,
So the present, utterly form'd, impell'd by the past. )

2
Passage O soul to India!
Eclaircise the myths Asiatic, the primitive fables.

Not you alone proud truths of the world,
Nor you alone ye facts of modern science,
But myths and fables of eld, Asia's, Africa's fables,
The far-darting beams of the spirit, the unloos'd dreams,
The deep diving bibles and legends,
The daring plots of the poets, the elder religions;
O you temples fairer than lilies pour'd over by the rising sun!
O you fables spurning the known, eluding the hold of the known,
mounting to heaven!
You lofty and dazzling towers, pinnacled, red as roses, burnish'd
with gold!
Towers of fables immortal fashion'd from mortal dreams!
You too I welcome and fully the same as the rest!
You too with joy I sing.

Passage to India!
Lo, soul, seest thou not God's purpose from the first?
The earth to be spann'd, connected by network,
The races, neighbors, to marry and be given in marriage,
The oceans to be cross'd, the distant brought near,
The lands to be welded together.

A worship new I sing,
You captains, voyagers, explorers, yours,
You engineers, you architects, machinists, yours,
You, not for trade or transportation only,
But in God's name, and for thy sake O soul.

3
Passage to India!
Lo soul for thee of tableaus twain,
I see in one the Suez canal initiated, open'd,
I see the procession of steamships, the Empress Engenie's leading the van,
I mark from on deck the strange landscape, the pure sky, the level
sand in the distance,
I pass swiftly the picturesque groups, the workmen gather'd,
The gigantic dredging machines.

In one again, different, (yet thine, all thine, O soul, the same,)
I see over my own continent the Pacific railroad surmounting every barrier,
I see continual trains of cars winding along the Platte carrying
freight and passengers,
I hear the locomotives rushing and roaring, and the shrill steam-whistle,
I hear the echoes reverberate through the grandest scenery in the world,
I cross the Laramie plains, I note the rocks in grotesque shapes,
the buttes,
I see the plentiful larkspur and wild onions, the barren, colorless,
sage-deserts,
I see in glimpses afar or towering immediately above me the great
mountains, I see the Wind river and the Wahsatch mountains,
I see the Monument mountain and the Eagle's Nest, I pass the
Promontory, I ascend the Nevadas,
I scan the noble Elk mountain and wind around its base,
I see the Humboldt range, I thread the valley and cross the river,
I see the clear waters of lake Tahoe, I see forests of majestic pines,
Or crossing the great desert, the alkaline plains, I behold
enchanting mirages of waters and meadows,
Marking through these and after all, in duplicate slender lines,
Bridging the three or four thousand miles of land travel,
Tying the Eastern to the Western sea,
The road between Europe and Asia.

(Ah Genoese thy dream! thy dream!
Centuries after thou art laid in thy grave,
The shore thou foundest verifies thy dream. )

4
Passage to India!
Struggles of many a captain, tales of many a sailor dead,
Over my mood stealing and spreading they come,
Like clouds and cloudlets in the unreach'd sky.

Along all history, down the slopes,
As a rivulet running, sinking now, and now again to the surface rising,
A ceaseless thought, a varied train--lo, soul, to thee, thy sight,
they rise,
The plans, the voyages again, the expeditions;
Again Vasco de Gama sails forth,
Again the knowledge gain'd, the mariner's compass,
Lands found and nations born, thou born America,
For purpose vast, man's long probation fill'd,
Thou rondure of the world at last accomplish'd.

5
O vast Rondure, swimming in space,
Cover'd all over with visible power and beauty,
Alternate light and day and the teeming spiritual darkness,
Unspeakable high processions of sun and moon and countless stars above,
Below, the manifold grass and waters, animals, mountains, trees,
With inscrutable purpose, some hidden prophetic intention,
Now first it seems my thought begins to span thee.

Down from the gardens of Asia descending radiating,
Adam and Eve appear, then their myriad progeny after them,
Wandering, yearning, curious, with restless explorations,
With questionings, baffled, formless, feverish, with never-happy hearts,
With that sad incessant refrain, Wherefore unsatisfied soul? and
Whither O mocking life?

Ah who shall soothe these feverish children?
Who Justify these restless explorations?
Who speak the secret of impassive earth?
Who bind it to us? what is this separate Nature so unnatural?
What is this earth to our affections? (unloving earth, without a
throb to answer ours,
Cold earth, the place of graves. )

Yet soul be sure the first intent remains, and shall be carried out,
Perhaps even now the time has arrived.

After the seas are all cross'd, (as they seem already cross'd,)
After the great captains and engineers have accomplish'd their work,
After the noble inventors, after the scientists, the chemist, the
geologist, ethnologist,
Finally shall come the poet worthy that name,
The true son of God shall come singing his songs.

Then not your deeds only O voyagers, O scientists and inventors,
shall be justified,
All these hearts as of fretted children shall be sooth'd,
All affection shall be fully responded to, the secret shall be told,
All these separations and gaps shall be taken up and hook'd and
link'd together,
The whole earth, this cold, impassive, voiceless earth, shall be
completely Justified,
Trinitas divine shall be gloriously accomplish'd and compacted by
the true son of God, the poet,
(He shall indeed pass the straits and conquer the mountains,
He shall double the cape of Good Hope to some purpose,)
Nature and Man shall be disjoin'd and diffused no more,
The true son of God shall absolutely fuse them.

6
Year at whose wide-flung door I sing!
Year of the purpose accomplish'd!
Year of the marriage of continents, climates and oceans!
(No mere doge of Venice now wedding the Adriatic,)
I see O year in you the vast terraqueous globe given and giving all,
Europe to Asia, Africa join'd, and they to the New World,
The lands, geographies, dancing before you, holding a festival garland,
As brides and bridegrooms hand in hand.

Passage to India!
Cooling airs from Caucasus far, soothing cradle of man,
The river Euphrates flowing, the past lit up again.

Lo soul, the retrospect brought forward,
The old, most populous, wealthiest of earth's lands,
The streams of the Indus and the Ganges and their many affluents,
(I my shores of America walking to-day behold, resuming all,)
The tale of Alexander on his warlike marches suddenly dying,
On one side China and on the other side Persia and Arabia,
To the south the great seas and the bay of Bengal,
The flowing literatures, tremendous epics, religions, castes,
Old occult Brahma interminably far back, the tender and junior Buddha,
Central and southern empires and all their belongings, possessors,
The wars of Tamerlane,the reign of Aurungzebe,
The traders, rulers, explorers, Moslems, Venetians, Byzantium, the
Arabs, Portuguese,
The first travelers famous yet, Marco Polo, Batouta the Moor,
Doubts to be solv'd, the map incognita, blanks to be fill'd,
The foot of man unstay'd, the hands never at rest,
Thyself O soul that will not brook a challenge.

The mediaeval navigators rise before me,
The world of 1492, with its awaken'd enterprise,
Something swelling in humanity now like the sap of the earth in spring,
The sunset splendor of chivalry declining.

And who art thou sad shade?
Gigantic, visionary, thyself a visionary,
With majestic limbs and pious beaming eyes,
Spreading around with every look of thine a golden world,
Enhuing it with gorgeous hues.

As the chief histrion,
Down to the footlights walks in some great scena,
Dominating the rest I see the Admiral himself,
(History's type of courage, action, faith,)
Behold him sail from Palos leading his little fleet,
His voyage behold, his return, his great fame,
His misfortunes, calumniators, behold him a prisoner, chain'd,
Behold his dejection, poverty, death.

(Curious in time I stand, noting the efforts of heroes,
Is the deferment long? bitter the slander, poverty, death?
Lies the seed unreck'd for centuries in the ground? lo, to God's due
occasion,
Uprising in the night, it sprouts, blooms,
And fills the earth with use and beauty. )

7
Passage indeed O soul to primal thought,
Not lands and seas alone, thy own clear freshness,
The young maturity of brood and bloom,
To realms of budding bibles.

O soul, repressless, I with thee and thou with me,
Thy circumnavigation of the world begin,
Of man, the voyage of his mind's return,
To reason's early paradise,
Back, back to wisdom's birth, to innocent intuitions,
Again with fair creation.

8
O we can wait no longer,
We too take ship O soul,
Joyous we too launch out on trackless seas,
Fearless for unknown shores on waves of ecstasy to sail,
Amid the wafting winds, (thou pressing me to thee, I thee to me, O soul,)
Caroling free, singing our song of God,
Chanting our chant of pleasant exploration.

With laugh and many a kiss,
(Let others deprecate, let others weep for sin, remorse, humiliation,)
O soul thou pleasest me, I thee.

Ah more than any priest O soul we too believe in God,
But with the mystery of God we dare not dally.

O soul thou pleasest me, I thee,
Sailing these seas or on the hills, or waking in the night,
Thoughts, silent thoughts, of Time and Space and Death, like waters flowing,
Bear me indeed as through the regions infinite,
Whose air I breathe, whose ripples hear, lave me all over,
Bathe me O God in thee, mounting to thee,
I and my soul to range in range of thee.

O Thou transcendent,
Nameless, the fibre and the breath,
Light of the light, shedding forth universes, thou centre of them,
Thou mightier centre of the true, the good, the loving,
Thou moral, spiritual fountain--affection's source--thou reservoir,
(O pensive soul of me--O thirst unsatisfied--waitest not there?
Waitest not haply for us somewhere there the Comrade perfect? )
Thou pulse--thou motive of the stars, suns, systems,
That, circling, move in order, safe, harmonious,
Athwart the shapeless vastnesses of space,
How should I think, how breathe a single breath, how speak, if, out
of myself,
I could not launch, to those, superior universes?

Swiftly I shrivel at the thought of God,
At Nature and its wonders, Time and Space and Death,
But that I, turning, call to thee O soul, thou actual Me,
And lo, thou gently masterest the orbs,
Thou matest Time, smilest content at Death,
And fillest, swellest full the vastnesses of Space.

Greater than stars or suns,
Bounding O soul thou journeyest forth;
What love than thine and ours could wider amplify?
What aspirations, wishes, outvie thine and ours O soul?
What dreams of the ideal? what plans of purity, perfection, strength?
What cheerful willingness for others' sake to give up all?
For others' sake to suffer all?

Reckoning ahead O soul, when thou, the time achiev'd,
The seas all cross'd, weather'd the capes, the voyage done,
Surrounded, copest, frontest God, yieldest, the aim attain'd,
As fill'd with friendship, love complete, the Elder Brother found,
The Younger melts in fondness in his arms.

9
Passage to more than India!
Are thy wings plumed indeed for such far flights?
O soul, voyagest thou indeed on voyages like those?
Disportest thou on waters such as those?
Soundest below the Sanscrit and the Vedas?
Then have thy bent unleash'd.

Passage to you, your shores, ye aged fierce enigmas!
Passage to you, to mastership of you, ye strangling problems!
You, strew'd with the wrecks of skeletons, that, living, never reach'd you.

Passage to more than India!
O secret of the earth and sky!
Of you O waters of the sea! O winding creeks and rivers!
Of you O woods and fields! of you strong mountains of my land!
Of you O prairies! of you gray rocks!
O morning red! O clouds! O rain and snows!
O day and night, passage to you!


O sun and moon and all you stars! Sirius and Jupiter!
Passage to you!

Passage, immediate passage! the blood burns in my veins!
Away O soul! hoist instantly the anchor!

Cut the hawsers--haul out--shake out every sail!
Have we not stood here like trees in the ground long enough?
Have we not grovel'd here long enough, eating and drinking like mere brutes?
Have we not darken'd and dazed ourselves with books long enough?

Sail forth--steer for the deep waters only,
Reckless O soul, exploring, I with thee, and thou with me,
For we are bound where mariner has not yet dared to go,
And we will risk the ship, ourselves and all.

O my brave soul!
O farther farther sail!
O daring joy, but safe! are they not all the seas of God?
O farther, farther, farther sail!
BOOK XXVII


Prayer of Columbus

A batter'd, wreck'd old man,
Thrown on this savage shore, far, far from home,
Pent by the sea and dark rebellious brows, twelve dreary months,
Sore, stiff with many toils, sicken'd and nigh to death,
I take my way along the island's edge,
Venting a heavy heart.

I am too full of woe!
Haply I may not live another day;
I cannot rest O God, I cannot eat or drink or sleep,
Till I put forth myself, my prayer, once more to Thee,
Breathe, bathe myself once more in Thee, commune with Thee,
Report myself once more to Thee.

Thou knowest my years entire, my life,
My long and crowded life of active work, not adoration merely;
Thou knowest the prayers and vigils of my youth,
Thou knowest my manhood's solemn and visionary meditations,
Thou knowest how before I commenced I devoted all to come to Thee,
Thou knowest I have in age ratified all those vows and strictly kept them,
Thou knowest I have not once lost nor faith nor ecstasy in Thee,
In shackles, prison'd, in disgrace, repining not,
Accepting all from Thee, as duly come from Thee.

All my emprises have been fill'd with Thee,
My speculations, plans, begun and carried on in thoughts of Thee,
Sailing the deep or journeying the land for Thee;
Intentions, purports, aspirations mine, leaving results to Thee.

O I am sure they really came from Thee,
The urge, the ardor, the unconquerable will,
The potent, felt, interior command, stronger than words,
A message from the Heavens whispering to me even in sleep,
These sped me on.

By me and these the work so far accomplish'd,
By me earth's elder cloy'd and stifled lands uncloy'd, unloos'd,
By me the hemispheres rounded and tied, the unknown to the known.

The end I know not, it is all in Thee,
Or small or great I know not--haply what broad fields, what lands,
Haply the brutish measureless human undergrowth I know,
Transplanted there may rise to stature, knowledge worthy Thee,
Haply the swords I know may there indeed be turn'd to reaping-tools,
Haply the lifeless cross I know, Europe's dead cross, may bud and
blossom there.

One effort more, my altar this bleak sand;
That Thou O God my life hast lighted,
With ray of light, steady, ineffable, vouchsafed of Thee,
Light rare untellable, lighting the very light,
Beyond all signs, descriptions, languages;
For that O God, be it my latest word, here on my knees,
Old, poor, and paralyzed, I thank Thee.

My terminus near,
The clouds already closing in upon me,
The voyage balk'd, the course disputed, lost,
I yield my ships to Thee.

My hands, my limbs grow nerveless,
My brain feels rack'd, bewilder'd,
Let the old timbers part, I will not part,
I will cling fast to Thee, O God, though the waves buffet me,
Thee, Thee at least I know.

Is it the prophet's thought I speak, or am I raving?
What do I know of life? what of myself?
I know not even my own work past or present,
Dim ever-shifting guesses of it spread before me,
Of newer better worlds, their mighty parturition,
Mocking, perplexing me.

And these things I see suddenly, what mean they?
As if some miracle, some hand divine unseal'd my eyes,
Shadowy vast shapes smile through the air and sky,
And on the distant waves sail countless ships,
And anthems in new tongues I hear saluting me.




BOOK XXVIII


The Sleepers

1
I wander all night in my vision,
Stepping with light feet, swiftly and noiselessly stepping and stopping,
Bending with open eyes over the shut eyes of sleepers,
Wandering and confused, lost to myself, ill-assorted, contradictory,
Pausing, gazing, bending, and stopping.

How solemn they look there, stretch'd and still,
How quiet they breathe, the little children in their cradles.

The wretched features of ennuyes, the white features of corpses, the
livid faces of drunkards, the sick-gray faces of onanists,
The gash'd bodies on battle-fields, the insane in their
strong-door'd rooms, the sacred idiots, the new-born emerging
from gates, and the dying emerging from gates,
The night pervades them and infolds them.

The married couple sleep calmly in their bed, he with his palm on
the hip of the wife, and she with her palm on the hip of the husband,
The sisters sleep lovingly side by side in their bed,
The men sleep lovingly side by side in theirs,
And the mother sleeps with her little child carefully wrapt.

The blind sleep, and the deaf and dumb sleep,
The prisoner sleeps well in the prison, the runaway son sleeps,
The murderer that is to be hung next day, how does he sleep?
And the murder'd person, how does he sleep?

The female that loves unrequited sleeps,
And the male that loves unrequited sleeps,
The head of the money-maker that plotted all day sleeps,
And the enraged and treacherous dispositions, all, all sleep.

I stand in the dark with drooping eyes by the worst-suffering and
the most restless,
I pass my hands soothingly to and fro a few inches from them,
The restless sink in their beds, they fitfully sleep.

Now I pierce the darkness, new beings appear,
The earth recedes from me into the night,
I saw that it was beautiful, and I see that what is not the earth is
beautiful.

I go from bedside to bedside, I sleep close with the other sleepers
each in turn,
I dream in my dream all the dreams of the other dreamers,
And I become the other dreamers.

I am a dance--play up there! the fit is whirling me fast!

I am the ever-laughing--it is new moon and twilight,
I see the hiding of douceurs, I see nimble ghosts whichever way look,
Cache and cache again deep in the ground and sea, and where it is
neither ground nor sea.

Well do they do their jobs those journeymen divine,
Only from me can they hide nothing, and would not if they could,
I reckon I am their boss and they make me a pet besides,
And surround me and lead me and run ahead when I walk,
To lift their cunning covers to signify me with stretch'd arms, and
resume the way;
Onward we move, a gay gang of blackguards! with mirth-shouting
music and wild-flapping pennants of joy!

I am the actor, the actress, the voter, the politician,
The emigrant and the exile, the criminal that stood in the box,
He who has been famous and he who shall be famous after to-day,
The stammerer, the well-form'd person, the wasted or feeble person.

I am she who adorn'd herself and folded her hair expectantly,
My truant lover has come, and it is dark.

Double yourself and receive me darkness,
Receive me and my lover too, he will not let me go without him.

I roll myself upon you as upon a bed, I resign myself to the dusk.

He whom I call answers me and takes the place of my lover,
He rises with me silently from the bed.

Darkness, you are gentler than my lover, his flesh was sweaty and panting,
I feel the hot moisture yet that he left me.

My hands are spread forth, I pass them in all directions,
I would sound up the shadowy shore to which you are journeying.

Be careful darkness! already what was it touch'd me?
I thought my lover had gone, else darkness and he are one,
I hear the heart-beat, I follow, I fade away.

2
I descend my western course, my sinews are flaccid,
Perfume and youth course through me and I am their wake.

It is my face yellow and wrinkled instead of the old woman's,
I sit low in a straw-bottom chair and carefully darn my grandson's
stockings.

It is I too, the sleepless widow looking out on the winter midnight,
I see the sparkles of starshine on the icy and pallid earth.

A shroud I see and I am the shroud, I wrap a body and lie in the coffin,
It is dark here under ground, it is not evil or pain here, it is
blank here, for reasons.

(It seems to me that every thing in the light and air ought to be happy,
Whoever is not in his coffin and the dark grave let him know he has enough. )

3
I see a beautiful gigantic swimmer swimming naked through the eddies
of the sea,
His brown hair lies close and even to his head, he strikes out with
courageous arms, he urges himself with his legs,
I see his white body, I see his undaunted eyes,
I hate the swift-running eddies that would dash him head-foremost on
the rocks.

What are you doing you ruffianly red-trickled waves?
Will you kill the courageous giant? will you kill him in the prime
of his middle age?

Steady and long he struggles,
He is baffled, bang'd, bruis'd, he holds out while his strength
holds out,
The slapping eddies are spotted with his blood, they bear him away,
they roll him, swing him, turn him,
His beautiful body is borne in the circling eddies, it is
continually bruis'd on rocks,
Swiftly and ought of sight is borne the brave corpse.

4
I turn but do not extricate myself,
Confused, a past-reading, another, but with darkness yet.

The beach is cut by the razory ice-wind, the wreck-guns sound,
The tempest lulls, the moon comes floundering through the drifts.

I look where the ship helplessly heads end on, I hear the burst as
she strikes, I hear the howls of dismay, they grow fainter and fainter.

I cannot aid with my wringing fingers,
I can but rush to the surf and let it drench me and freeze upon me.

I search with the crowd, not one of the company is wash'd to us alive,
In the morning I help pick up the dead and lay them in rows in a barn.

5
Now of the older war-days, the defeat at Brooklyn,
Washington stands inside the lines, he stands on the intrench'd
hills amid a crowd of officers.
His face is cold and damp, he cannot repress the weeping drops,
He lifts the glass perpetually to his eyes, the color is blanch'd
from his cheeks,
He sees the slaughter of the southern braves confided to him by
their parents.

The same at last and at last when peace is declared,
He stands in the room of the old tavern, the well-belov'd soldiers
all pass through,
The officers speechless and slow draw near in their turns,
The chief encircles their necks with his arm and kisses them on the cheek,
He kisses lightly the wet cheeks one after another, he shakes hands
and bids good-by to the army.

6
Now what my mother told me one day as we sat at dinner together,
Of when she was a nearly grown girl living home with her parents on
the old homestead.

A red squaw came one breakfast-time to the old homestead,
On her back she carried a bundle of rushes for rush-bottoming chairs,
Her hair, straight, shiny, coarse, black, profuse, half-envelop'd
her face,
Her step was free and elastic, and her voice sounded exquisitely as
she spoke.

My mother look'd in delight and amazement at the stranger,
She look'd at the freshness of her tall-borne face and full and
pliant limbs,
The more she look'd upon her she loved her,
Never before had she seen such wonderful beauty and purity,
She made her sit on a bench by the jamb of the fireplace, she cook'd
food for her,
She had no work to give her, but she gave her remembrance and fondness.

The red squaw staid all the forenoon, and toward the middle of the
afternoon she went away,
O my mother was loth to have her go away,
All the week she thought of her, she watch'd for her many a month,
She remember'd her many a winter and many a summer,
But the red squaw never came nor was heard of there again.

7
A show of the summer softness--a contact of something unseen--an
amour of the light and air,
I am jealous and overwhelm'd with friendliness,
And will go gallivant with the light and air myself.

O love and summer, you are in the dreams and in me,
Autumn and winter are in the dreams, the farmer goes with his thrift,
The droves and crops increase, the barns are well-fill'd.

Elements merge in the night, ships make tacks in the dreams,
The sailor sails, the exile returns home,
The fugitive returns unharm'd, the immigrant is back beyond months
and years,
The poor Irishman lives in the simple house of his childhood with
the well known neighbors and faces,
They warmly welcome him, he is barefoot again, he forgets he is well off,
The Dutchman voyages home, and the Scotchman and Welshman voyage
home, and the native of the Mediterranean voyages home,
To every port of England, France, Spain, enter well-fill'd ships,
The Swiss foots it toward his hills, the Prussian goes his way, the
Hungarian his way, and the Pole his way,
The Swede returns, and the Dane and Norwegian return.

The homeward bound and the outward bound,
The beautiful lost swimmer, the ennuye, the onanist, the female that
loves unrequited, the money-maker,
The actor and actress, those through with their parts and those
waiting to commence,
The affectionate boy, the husband and wife, the voter, the nominee
that is chosen and the nominee that has fail'd,
The great already known and the great any time after to-day,
The stammerer, the sick, the perfect-form'd, the homely,
The criminal that stood in the box, the judge that sat and sentenced
him, the fluent lawyers, the jury, the audience,
The laugher and weeper, the dancer, the midnight widow, the red squaw,
The consumptive, the erysipalite, the idiot, he that is wrong'd,
The antipodes, and every one between this and them in the dark,
I swear they are averaged now--one is no better than the other,
The night and sleep have liken'd them and restored them.

I swear they are all beautiful,
Every one that sleeps is beautiful, every thing in the dim light is
beautiful,
The wildest and bloodiest is over, and all is peace.

Peace is always beautiful,
The myth of heaven indicates peace and night.

The myth of heaven indicates the soul,
The soul is always beautiful, it appears more or it appears less, it
comes or it lags behind,
It comes from its embower'd garden and looks pleasantly on itself
and encloses the world,
Perfect and clean the genitals previously jetting,and perfect and
clean the womb cohering,
The head well-grown proportion'd and plumb, and the bowels and
joints proportion'd and plumb.

The soul is always beautiful,
The universe is duly in order, every thing is in its place,
What has arrived is in its place and what waits shall be in its place,
The twisted skull waits, the watery or rotten blood waits,
The child of the glutton or venerealee waits long, and the child of
the drunkard waits long, and the drunkard himself waits long,
The sleepers that lived and died wait, the far advanced are to go on
in their turns, and the far behind are to come on in their turns,
The diverse shall be no less diverse, but they shall flow and unite--
they unite now.

8
The sleepers are very beautiful as they lie unclothed,
They flow hand in hand over the whole earth from east to west as
they lie unclothed,
The Asiatic and African are hand in hand, the European and American
are hand in hand,
Learn'd and unlearn'd are hand in hand, and male and female are hand
in hand,
The bare arm of the girl crosses the bare breast of her lover, they
press close without lust, his lips press her neck,
The father holds his grown or ungrown son in his arms with
measureless love, and the son holds the father in his arms with
measureless love,
The white hair of the mother shines on the white wrist of the daughter,
The breath of the boy goes with the breath of the man, friend is
inarm'd by friend,
The scholar kisses the teacher and the teacher kisses the scholar,
the wrong 'd made right,
The call of the slave is one with the master's call, and the master
salutes the slave,
The felon steps forth from the prison, the insane becomes sane, the
suffering of sick persons is reliev'd,
The sweatings and fevers stop, the throat that was unsound is sound,
the lungs of the consumptive are resumed, the poor distress'd
head is free,
The joints of the rheumatic move as smoothly as ever, and smoother
than ever,
Stiflings and passages open, the paralyzed become supple,
The swell'd and convuls'd and congested awake to themselves in condition,
They pass the invigoration of the night and the chemistry of the
night, and awake.

I too pass from the night,
I stay a while away O night, but I return to you again and love you.

Why should I be afraid to trust myself to you?
I am not afraid, I have been well brought forward by you,
I love the rich running day, but I do not desert her in whom I lay so long,
I know not how I came of you and I know not where I go with you, but
I know I came well and shall go well.

I will stop only a time with the night, and rise betimes,
I will duly pass the day O my mother, and duly return to you.




Transpositions

Let the reformers descend from the stands where they are forever
bawling--let an idiot or insane person appear on each of the stands;
Let judges and criminals be transposed--let the prison-keepers be
put in prison--let those that were prisoners take the keys;
Let them that distrust birth and death lead the rest.




BOOK XXIX


To Think of Time

1
To think of time--of all that retrospection,
To think of to-day, and the ages continued henceforward.

Have you guess'd you yourself would not continue?
Have you dreaded these earth-beetles?
Have you fear'd the future would be nothing to you?

Is to-day nothing? is the beginningless past nothing?
If the future is nothing they are just as surely nothing.

To think that the sun rose in the east--that men and women were
flexible, real, alive--that every thing was alive,
To think that you and I did not see, feel, think, nor bear our part,
To think that we are now here and bear our part.

2
Not a day passes, not a minute or second without an accouchement,
Not a day passes, not a minute or second without a corpse.

The dull nights go over and the dull days also,
The soreness of lying so much in bed goes over,
The physician after long putting off gives the silent and terrible
look for an answer,
The children come hurried and weeping, and the brothers and sisters
are sent for,
Medicines stand unused on the shelf, (the camphor-smell has long
pervaded the rooms,)
The faithful hand of the living does not desert the hand of the dying,
The twitching lips press lightly on the forehead of the dying,
The breath ceases and the pulse of the heart ceases,
The corpse stretches on the bed and the living look upon it,
It is palpable as the living are palpable.

The living look upon the corpse with their eyesight,
But without eyesight lingers a different living and looks curiously
on the corpse.

3
To think the thought of death merged in the thought of materials,
To think of all these wonders of city and country, and others taking
great interest in them, and we taking no interest in them.

To think how eager we are in building our houses,
To think others shall be just as eager, and we quite indifferent.

(I see one building the house that serves him a few years, or
seventy or eighty years at most,
I see one building the house that serves him longer than that. )

Slow-moving and black lines creep over the whole earth--they never
cease--they are the burial lines,
He that was President was buried, and he that is now President shall
surely be buried.


4
A reminiscence of the vulgar fate,
A frequent sample of the life and death of workmen,
Each after his kind.

Cold dash of waves at the ferry-wharf, posh and ice in the river,
half-frozen mud in the streets,
A gray discouraged sky overhead, the short last daylight of December,
A hearse and stages, the funeral of an old Broadway stage-driver,
the cortege mostly drivers.

Steady the trot to the cemetery, duly rattles the death-bell,
The gate is pass'd, the new-dug grave is halted at, the living
alight, the hearse uncloses,
The coffin is pass'd out, lower'd and settled, the whip is laid on
the coffin, the earth is swiftly shovel'd in,
The mound above is flatted with the spades--silence,
A minute--no one moves or speaks--it is done,
He is decently put away--is there any thing more?

He was a good fellow, free-mouth'd, quick-temper'd, not bad-looking,
Ready with life or death for a friend, fond of women, gambled, ate
hearty, drank hearty,
Had known what it was to be flush, grew low-spirited toward the
last, sicken'd, was help'd by a contribution,
Died, aged forty-one years--and that was his funeral.

Thumb extended, finger uplifted, apron, cape, gloves, strap,
wet-weather clothes, whip carefully chosen,
Boss, spotter, starter, hostler, somebody loafing on you, you
loafing on somebody, headway, man before and man behind,
Good day's work, bad day's work, pet stock, mean stock, first out,
last out, turning-in at night,
To think that these are so much and so nigh to other drivers, and he
there takes no interest in them.

5
The markets, the government, the working-man's wages, to think what
account they are through our nights and days,
To think that other working-men will make just as great account of
them, yet we make little or no account.

The vulgar and the refined, what you call sin and what you call
goodness, to think how wide a difference,
To think the difference will still continue to others, yet we lie
beyond the difference.

To think how much pleasure there is,
Do you enjoy yourself in the city? or engaged in business? or
planning a nomination and election? or with your wife and family?
Or with your mother and sisters? or in womanly housework? or the
beautiful maternal cares?
These also flow onward to others, you and I flow onward,
But in due time you and I shall take less interest in them.

Your farm, profits, crops--to think how engross'd you are,
To think there will still be farms, profits, crops, yet for you of
what avail?

6
What will be will be well, for what is is well,
To take interest is well, and not to take interest shall be well.

The domestic joys, the dally housework or business, the building of
houses, are not phantasms, they have weight, form, location,
Farms, profits, crops, markets, wages, government, are none of them
phantasms,
The difference between sin and goodness is no delusion,
The earth is not an echo, man and his life and all the things of his
life are well-consider'd.

You are not thrown to the winds, you gather certainly and safely
around yourself,
Yourself! yourself! . yourself, for ever and ever!

7
It is not to diffuse you that you were born of your mother and
father, it is to identify you,
It is not that you should be undecided, but that you should be decided,
Something long preparing and formless is arrived and form'd in you,
You are henceforth secure, whatever comes or goes.

The threads that were spun are gather'd, the wet crosses the warp,
the pattern is systematic.

The preparations have every one been justified,
The orchestra have sufficiently tuned their instruments, the baton
has given the signal.

The guest that was coming, he waited long, he is now housed,
He is one of those who are beautiful and happy, he is one of those
that to look upon and be with is enough.

The law of the past cannot be eluded,
The law of the present and future cannot be eluded,
The law of the living cannot be eluded, it is eternal,
The law of promotion and transformation cannot be eluded,
The law of heroes and good-doers cannot be eluded,
The law of drunkards, informers, mean persons, not one iota thereof
can be eluded.

8
Slow moving and black lines go ceaselessly over the earth,
Northerner goes carried and Southerner goes carried, and they on the
Atlantic side and they on the Pacific,
And they between, and all through the Mississippi country, and all
over the earth.

The great masters and kosmos are well as they go, the heroes and
good-doers are well,
The known leaders and inventors and the rich owners and pious and
distinguish'd may be well,
But there is more account than that, there is strict account of all.

The interminable hordes of the ignorant and wicked are not nothing,
The barbarians of Africa and Asia are not nothing,
The perpetual successions of shallow people are not nothing as they go.

Of and in all these things,
I have dream'd that we are not to be changed so much, nor the law of
us changed,
I have dream'd that heroes and good-doers shall be under the present
and past law,
And that murderers, drunkards, liars, shall be under the present and
past law,
For I have dream'd that the law they are under now is enough.

And I have dream'd that the purpose and essence of the known life,
the transient,
Is to form and decide identity for the unknown life, the permanent.

If all came but to ashes of dung,
If maggots and rats ended us, then Alarum! for we are betray'd,
Then indeed suspicion of death.

Do you suspect death? if I were to suspect death I should die now,
Do you think I could walk pleasantly and well-suited toward annihilation?

Pleasantly and well-suited I walk,
Whither I walk I cannot define, but I know it is good,
The whole universe indicates that it is good,
The past and the present indicate that it is good.

How beautiful and perfect are the animals!
How perfect the earth, and the minutest thing upon it!
What is called good is perfect, and what is called bad is just as perfect,
The vegetables and minerals are all perfect, and the imponderable
fluids perfect;
Slowly and surely they have pass'd on to this, and slowly and surely
they yet pass on.

9
I swear I think now that every thing without exception has an eternal soul!
The trees have, rooted in the ground! the weeds of the sea have! the
animals!

I swear I think there is nothing but immortality!
That the exquisite scheme is for it, and the nebulous float is for
it, and the cohering is for it!
And all preparation is for it--and identity is for it--and life and
materials are altogether for it!




BOOK XXX. WHISPERS OF HEAVENLY DEATH


Darest Thou Now O Soul

Darest thou now O soul,
Walk out with me toward the unknown region,
Where neither ground is for the feet nor any path to follow?

No map there, nor guide,
Nor voice sounding, nor touch of human hand,
Nor face with blooming flesh, nor lips, nor eyes, are in that land.

I know it not O soul,
Nor dost thou, all is a blank before us,
All waits undream'd of in that region, that inaccessible land.

Till when the ties loosen,
All but the ties eternal, Time and Space,
Nor darkness, gravitation, sense, nor any bounds bounding us.

Then we burst forth, we float,
In Time and Space O soul, prepared for them,
Equal, equipt at last, (O joy! O fruit of all! ) them to fulfil O soul.




Whispers of Heavenly Death

Whispers of heavenly death murmur'd I hear,
Labial gossip of night, sibilant chorals,
Footsteps gently ascending, mystical breezes wafted soft and low,
Ripples of unseen rivers, tides of a current flowing, forever flowing,
(Or is it the plashing of tears? the measureless waters of human tears? )

I see, just see skyward, great cloud-masses,
Mournfully slowly they roll, silently swelling and mixing,
With at times a half-dimm'd sadden'd far-off star,
Appearing and disappearing.

(Some parturition rather, some solemn immortal birth;
On the frontiers to eyes impenetrable,
Some soul is passing over. )




Chanting the Square Deific

1
Chanting the square deific, out of the One advancing, out of the sides,
Out of the old and new, out of the square entirely divine,
Solid, four-sided, (all the sides needed,) from this side Jehovah am I,
Old Brahm I, and I Saturnius am;
Not Time affects me--I am Time, old, modern as any,
Unpersuadable, relentless, executing righteous judgments,
As the Earth, the Father, the brown old Kronos, with laws,
Aged beyond computation, yet never new, ever with those mighty laws rolling,
Relentless I forgive no man--whoever sins dies--I will have that man's life;
Therefore let none expect mercy--have the seasons, gravitation, the
appointed days, mercy? no more have I,
But as the seasons and gravitation, and as all the appointed days
that forgive not,
I dispense from this side judgments inexorable without the least remorse.

2
Consolator most mild, the promis'd one advancing,
With gentle hand extended, the mightier God am I,
Foretold by prophets and poets in their most rapt prophecies and poems,
From this side, lo! the Lord Christ gazes--lo! Hermes I--lo! mine is
Hercules' face,
All sorrow, labor, suffering, I, tallying it, absorb in myself,
Many times have I been rejected, taunted, put in prison, and
crucified, and many times shall be again,
All the world have I given up for my dear brothers' and sisters'
sake, for the soul's sake,
Wanding my way through the homes of men, rich or poor, with the kiss
of affection,
For I am affection, I am the cheer-bringing God, with hope and
all-enclosing charity,
With indulgent words as to children, with fresh and sane words, mine only,
Young and strong I pass knowing well I am destin'd myself to an
early death;
But my charity has no death--my wisdom dies not, neither early nor late,
And my sweet love bequeath'd here and elsewhere never dies.

3
Aloof, dissatisfied, plotting revolt,
Comrade of criminals, brother of slaves,
Crafty, despised, a drudge, ignorant,
With sudra face and worn brow, black, but in the depths of my heart,
proud as any,
Lifted now and always against whoever scorning assumes to rule me,
Morose, full of guile, full of reminiscences, brooding, with many wiles,
(Though it was thought I was baffled, and dispel'd, and my wiles
done, but that will never be,)
Defiant, I, Satan, still live, still utter words, in new lands duly
appearing, (and old ones also,)
Permanent here from my side, warlike, equal with any, real as any,
Nor time nor change shall ever change me or my words.

4
Santa Spirita, breather, life,
Beyond the light, lighter than light,
Beyond the flames of hell, joyous, leaping easily above hell,
Beyond Paradise, perfumed solely with mine own perfume,
Including all life on earth, touching, including God, including
Saviour and Satan,
Ethereal, pervading all, (for without me what were all? what were God? )
Essence of forms, life of the real identities, permanent, positive,
(namely the unseen,)
Life of the great round world, the sun and stars, and of man, I, the
general soul,
Here the square finishing, the solid, I the most solid,
Breathe my breath also through these songs.




Of Him I Love Day and Night

Of him I love day and night I dream'd I heard he was dead,
And I dream'd I went where they had buried him I love, but he was
not in that place,
And I dream'd I wander'd searching among burial-places to find him,
And I found that every place was a burial-place;
The houses full of life were equally full of death, (this house is now,)
The streets, the shipping, the places of amusement, the Chicago,
Boston, Philadelphia, the Mannahatta, were as full of the dead as
of the living,
And fuller, O vastly fuller of the dead than of the living;
And what I dream'd I will henceforth tell to every person and age,
And I stand henceforth bound to what I dream'd,
And now I am willing to disregard burial-places and dispense with them,
And if the memorials of the dead were put up indifferently everywhere,
even in the room where I eat or sleep, I should be satisfied,
And if the corpse of any one I love, or if my own corpse, be duly
render'd to powder and pour'd in the sea, I shall be satisfied,
Or if it be distributed to the winds I shall be satisfied.




Yet, Yet, Ye Downcast Hours

Yet, yet, ye downcast hours, I know ye also,
Weights of lead, how ye clog and cling at my ankles,
Earth to a chamber of mourning turns--I hear the o'erweening, mocking
voice,
Matter is conqueror--matter, triumphant only, continues onward.

Despairing cries float ceaselessly toward me,
The call of my nearest lover, putting forth, alarm'd, uncertain,
The sea I am quickly to sail, come tell me,
Come tell me where I am speeding, tell me my destination.

I understand your anguish, but I cannot help you,
I approach, hear, behold, the sad mouth, the look out of the eyes,
your mute inquiry,
Whither I go from the bed I recline on, come tell me,--
Old age, alarm'd, uncertain--a young woman's voice, appealing to
me for comfort;
A young man's voice, Shall I not escape?




As If a Phantom Caress'd Me

As if a phantom caress'd me,
I thought I was not alone walking here by the shore;
But the one I thought was with me as now I walk by the shore, the
one I loved that caress'd me,
As I lean and look through the glimmering light, that one has
utterly disappear'd.
And those appear that are hateful to me and mock me.




Assurances

I need no assurances, I am a man who is preoccupied of his own soul;
I do not doubt that from under the feet and beside the hands and
face I am cognizant of, are now looking faces I am not cognizant
of, calm and actual faces,
I do not doubt but the majesty and beauty of the world are latent in
any iota of the world,
I do not doubt I am limitless, and that the universes are limitless,
in vain I try to think how limitless,
I do not doubt that the orbs and the systems of orbs play their
swift sports through the air on purpose, and that I shall one day
be eligible to do as much as they, and more than they,
I do not doubt that temporary affairs keep on and on millions of years,
I do not doubt interiors have their interiors, and exteriors have
their exteriors, and that the eyesight has another eyesight, and
the hearing another hearing, and the voice another voice,
I do not doubt that the passionately-wept deaths of young men are
provided for, and that the deaths of young women and the
deaths of little children are provided for,
(Did you think Life was so well provided for, and Death, the purport
of all Life, is not well provided for? )
I do not doubt that wrecks at sea, no matter what the horrors of
them, no matter whose wife, child, husband, father, lover, has
gone down, are provided for, to the minutest points,
I do not doubt that whatever can possibly happen anywhere at any
time, is provided for in the inherences of things,
I do not think Life provides for all and for Time and Space, but I
believe Heavenly Death provides for all.




Quicksand Years

Quicksand years that whirl me I know not whither,
Your schemes, politics, fail, lines give way, substances mock and elude me,
Only the theme I sing, the great and strong-possess'd soul, eludes not,
One's-self must never give way--that is the final substance--that
out of all is sure,
Out of politics, triumphs, battles, life, what at last finally remains?
When shows break up what but One's-Self is sure?




That Music Always Round Me

That music always round me, unceasing, unbeginning, yet long
untaught I did not hear,
But now the chorus I hear and am elated,
A tenor, strong, ascending with power and health, with glad notes of
daybreak I hear,
A soprano at intervals sailing buoyantly over the tops of immense waves,
A transparent base shuddering lusciously under and through the universe,
The triumphant tutti, the funeral wailings with sweet flutes and
violins, all these I fill myself with,
I hear not the volumes of sound merely, I am moved by the exquisite
meanings,
I listen to the different voices winding in and out, striving,
contending with fiery vehemence to excel each other in emotion;
I do not think the performers know themselves--but now I think
begin to know them.




What Ship Puzzled at Sea

What ship puzzled at sea, cons for the true reckoning?
Or coming in, to avoid the bars and follow the channel a perfect
pilot needs?
Here, sailor! here, ship! take aboard the most perfect pilot,
Whom, in a little boat, putting off and rowing, I hailing you offer.




A Noiseless Patient Spider

A noiseless patient spider,
I mark'd where on a little promontory it stood isolated,
Mark'd how to explore the vacant vast surrounding,
It launch'd forth filament, filament, filament out of itself,
Ever unreeling them, ever tirelessly speeding them.

And you O my soul where you stand,
Surrounded, detached, in measureless oceans of space,
Ceaselessly musing, venturing, throwing, seeking the spheres to
connect them,
Till the bridge you will need be form'd, till the ductile anchor hold,
Till the gossamer thread you fling catch somewhere, O my soul.




O Living Always, Always Dying

O living always, always dying!
O the burials of me past and present,
O me while I stride ahead, material, visible, imperious as ever;
O me, what I was for years, now dead, (I lament not, I am content;)
O to disengage myself from those corpses of me, which I turn and
look at where I cast them,
To pass on, (O living! always living! ) and leave the corpses behind.




To One Shortly to Die

From all the rest I single out you, having a message for you,
You are to die--let others tell you what they please, I cannot prevaricate,
I am exact and merciless, but I love you--there is no escape for you.

Softly I lay my right hand upon you, you 'ust feel it,
I do not argue, I bend my head close and half envelop it,
I sit quietly by, I remain faithful,
I am more than nurse, more than parent or neighbor,
I absolve you from all except yourself spiritual bodily, that is
eternal, you yourself will surely escape,
The corpse you will leave will be but excrementitious.

The sun bursts through in unlooked-for directions,
Strong thoughts fill you and confidence, you smile,
You forget you are sick, as I forget you are sick,
You do not see the medicines, you do not mind the weeping friends,
I am with you,
I exclude others from you, there is nothing to be commiserated,
I do not commiserate, I congratulate you.




Night on the Prairies

Night on the prairies,
The supper is over, the fire on the ground burns low,
The wearied emigrants sleep, wrapt in their blankets;
I walk by myself--I stand and look at the stars, which I think now
never realized before.

Now I absorb immortality and peace,
I admire death and test propositions.

How plenteous! how spiritual! how resume!
The same old man and soul--the same old aspirations, and the same content.

I was thinking the day most splendid till I saw what the not-day exhibited,
I was thinking this globe enough till there sprang out so noiseless
around me myriads of other globes.

Now while the great thoughts of space and eternity fill me I will
measure myself by them,
And now touch'd with the lives of other globes arrived as far along
as those of the earth,
Or waiting to arrive, or pass'd on farther than those of the earth,
I henceforth no more ignore them than I ignore my own life,
Or the lives of the earth arrived as far as mine, or waiting to arrive.

O I see now that life cannot exhibit all to me, as the day cannot,
I see that I am to wait for what will be exhibited by death.




Thought

As I sit with others at a great feast, suddenly while the music is playing,
To my mind, (whence it comes I know not,) spectral in mist of a
wreck at sea,
Of certain ships, how they sail from port with flying streamers and
wafted kisses, and that is the last of them,
Of the solemn and murky mystery about the fate of the President,
Of the flower of the marine science of fifty generations founder'd
off the Northeast coast and going down--of the steamship Arctic
going down,
Of the veil'd tableau-women gather'd together on deck, pale, heroic,
waiting the moment that draws so close--O the moment!

A huge sob--a few bubbles--the white foam spirting up--and then the
women gone,
Sinking there while the passionless wet flows on--and I now
pondering, Are those women indeed gone?
Are souls drown'd and destroy'd so?
Is only matter triumphant?




The Last Invocation

At the last, tenderly,
From the walls of the powerful fortress'd house,
From the clasp of the knitted locks, from the keep of the well-closed doors,
Let me be wafted.