zanne, by contrast,
that 'as soon as you paint you draw', by which he meant that neither in the world as we perceive it nor in the picture which is an expression of that world can we dis- tinguish absolutely between, on the one hand, the outline or shape of the object and, on the other, the point where colours end or fade, that play of colour which must necessarily encom- pass all that there is: the object's shape, its particular colour, its physiognomy and its relation to neighbouring objects.
Mεᴙleau-Ponty-World-of-Pεrcεption-2004
