No More Learning

To his military heroship he owed that popularity which lifted
him into the Presidential chair; and he carried the spirit of the
warrior into the business of the government. His party was to
him his army; those who opposed him, the enemy. He knew not
how to argue, but how to command; not how to deliberate, but
how to act. He had that impulsive energy which always creates
dramatic conflicts, and the power of passion he put into them
made all his conflicts look tremendous. When he had been
defeated in 1825 by the influence of Clay, he made it appear as
if he were battling against all the powers of corruption, which
were threatening the life of the republic. We shall see him
fight Nicholas Biddle, of the United States Bank, as if he had to
defend the American people against the combined money power
of the world seeking to enslave them. In rising up against nul-
lification, and in threatening France with war to make her pay
a debt, we shall see him saving the Union from deadly peril,
and humiliating to the dust the insolence of the Old World.
Thus he appeared like an invincible Hercules, constantly meeting
terrible monsters dangerous to the American people, and slaying
them all with his mighty club.
This fierce energy was his nature. It had a wonderful fas-
cination for the popular fancy, which is fond of strong and bold
acts. He became the idol of a large portion of the people to
a degree never known before or since. Their belief was that
with him defeat was impossible; that all the legions of darkness
could not prevail against him; and that whatever arbitrary pow-
ers he might assume, and whatever way he might use them, it
would always be for the good of the country,- a belief which he
sincerely shared. His ignorance of the science of statesmanship,


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CARL SCHURZ
12989
and the rough manner in which he crossed its rules, seemed to
endear him all the more to the great mass of his followers. In-
numerable anecdotes about his homely and robust sayings and
doings were going from mouth to mouth, and with delight the
common man felt that this potent ruler was "one of us. "
This popularity gave him an immense authority over the poli-
ticians of his party. He was a warm friend and a tremendous
foe. By a faithful friend he would stand to the last extremity.
But one who seriously differed from him on any matter that
was near his heart was in great danger of becoming an object of
his wrath. The ordinary patriot is apt to regard the enemies of
his country as his personal enemies. But Andrew Jackson was
always inclined, with entire sincerity, to regard his personal oppo-
nents as the enemies of his country. He honestly believed them
capable of any baseness, and it was his solemn conviction that
such nuisances must be abated by any power available for that
purpose. The statesmen of his party frequently differed from
him on matters of public importance; but they knew that they
had to choose between submission and his disfavor. His friends
would sometimes exercise much influence upon him in starting
his mind in a certain direction; but when once started, that mind
was beyond their control.
He
His personal integrity was above the reach of corruption
always meant to do right; indeed, he was always firmly con-
vinced of being right. His idea of right was not seldom ob-
scured by ignorance and prejudice, and in following it he would
sometimes do the most unjust or dangerous things. But his
friends, and the statesmen of his party, knowing that when he
had made up his mind, especially on a matter that had become
a subject of conflict between him and his "enemies," it was
absolutely useless to reason with him, accustomed themselves to
obeying orders, unless they were prepared to go to the rear or
into opposition. It was therefore not a mere invention of the
enemy, but sober truth, that when Jackson's administration was
attacked, sometimes the only answer left to its defenders, as well
as the all-sufficient one with the Democratic masses, was simply
a "Hurrah for Jackson! "
Henry Clay was, although in retirement, the recognized chief
of the National Republicans. He was then fifty-two years old,
and in the full maturity of his powers. He had never been an
arduous student; but his uncommonly vivacious and receptive


## p. 12990 (#420) ##########################################

12990
CARL SCHURZ
mind had learned much in the practical school of affairs. He
possessed that magnificent confidence in himself which extorts
confidence from others. He had a full measure of the temper
necessary for leadership, the spirit of initiative, but not always
the discretion that should accompany it. His leadership was not
of that mean order which merely contrives to organize a personal
following: it was the leadership of a statesman devoting himself
to the great interests of his country. Whenever he appeared in
a deliberative assembly, or in councils of his party, he would
as a matter of course take in his hands what important busi-
ness was pending, and determine the policy to be followed. His
friends, and some even among his opponents, were so accustomed
to yield to him that nothing seemed to them concluded without
the mark of his assent; and they involuntarily looked to him for
the decisive word as to what was to be done. Thus he grew
into a habit of dictation, which occasionally displayed itself in
a manner of peremptory command, and intolerance of adverse
opinion, apt to provoke resentment.
It was his eloquence that had first made him famous, and
that throughout his career mainly sustained his leadership. His
speeches were not masterpieces of literary art, nor exhaustive
dissertations. They do not offer to the student any profound
theories of government or expositions of economic science. They
will not be quoted as authorities on disputed points. Neither
were they strings of witty epigrams. They were the impassioned
reasoning of a statesman intensely devoted to his country and to
the cause he thought right. There was no appearance of artifice
in them. They made every listener feel that the man who uttered
them was tremendously in earnest, and that the thoughts he ex-
pressed had not only passed through his brain but also through his
heart. They were the speeches of a great debater; and as may
be said of those of Charles James Fox, cold print could never
do them justice. To be fully appreciated they had to be heard
on the theatre of action, in the hushed Senate chamber, or before
the eagerly upturned faces of assembled multitudes. To feel the
full charm of his lucid explanations, and his winning persuasive-
ness, or the thrill which was flashed through the nerves of his
hearers by the magnificent sunbursts of his enthusiasm, or the
fierce thunder-storms of his anger and scorn, one had to hear that
musical voice cajoling, flattering, inspiring, overawing, terrifying
in turn,-
a voice to the cadences of which it was a physical


## p. 12991 (#421) ##########################################

CARL SCHURZ
12991
delight to listen; one had to see that face, not handsome but
glowing with the fire of inspiration, that lofty mien, that com-
manding stature constantly growing under his words, and the
grand sweep of his gesture, majestic in its dignity, and full of
grace and strength,- the whole man a superior being while he
spoke.
Survivors of his time, who heard him at his best, tell us of
the effects produced by his great appeals in the House of Rep-
resentatives or the Senate, the galleries trembling with excite-
ment, and even the members unable to contain themselves; or
in popular assemblies, the multitudes breathlessly listening, and
then breaking out in unearthly shouts of enthusiasm and delight,
weeping and laughing, and rushing up to him with overwhelming
demonstrations of admiring and affectionate rapture.
Clay's oratory sometimes fairly paralyzed his opponents. A
story is told that Tom Marshall, himself a speaker of uncommon
power, was once selected to answer Clay at a mass meeting; but
that he was observed, while Clay was proceeding, slowly to make
his way back through the listening crowd, apparently anxious to
escape. Some of his friends tried to hold him, saying, "Why,
Mr. Marshall, where are you going? You must reply to Mr.
Clay. You can easily answer all he has said. " "Of course I can
answer every point," said Marshall; "but you must excuse me,
gentlemen,- I cannot go up there and do it just now, after his
speech. "
-
There was a manly, fearless frankness in the avowal of his
opinions, and a knightly spirit in his defense of them, as well as
in his attacks on his opponents. He was indeed, on the political
field, the preux chevalier, marshaling his hosts, sounding his bugle
blasts, and plunging first into the fight; and with proud admira-
tion his followers called him "the gallant Harry of the West. "
No less brilliant and attractive was he in his social intercourse
with men; thoroughly human in his whole being; full of high
spirits; fond of enjoying life and of seeing others happy; gener-
ous and hearty in his sympathies; always courteous, sometimes
studiously and elaborately so, perhaps beyond what the occasion
seemed to call for, but never wounding the most sensitive by any
demonstrative condescension, because there was a truly kind heart
behind his courtesy; possessing a natural charm of conversation
and manner so captivating that neither scholar nor backwoods-
man could withstand its fascination; making friends wherever he


## p. 12992 (#422) ##########################################

CARL SCHURZ
12992
appeared, and holding them-and surely to no public man did
friends ever cling with more affectionate attachment. It was not
a mere political, it was a sentimental devotion,- a devotion aban-
doning even that criticism which is the duty of friendship, and
forgetting or excusing all his weaknesses and faults, intellectual
and moral,- more than was good for him.
Behind him he had also the powerful support of the industrial
interests of the country, which saw in him their champion; while
the perfect integrity of his character forbade the suspicion that
this championship was serving his private gain.
Such were the leaders of the two parties as they then stood
before the country,- individualities so pronounced and conspicu-
ous, commanders so faithfully sustained by their followers, that
while they were facing each other, the contests of parties ap-
peared almost like a protracted political duel between two men.
It was a struggle of singular dramatic interest.
THE FIRST AMERICAN
From Abraham Lincoln: an Essay. Copyright 1891, by Carl Schurz and
Houghton, Mifflin & Co.
THE
HE hour of triumph called out the characteristic impulses of
his nature. The opposition within the Union party had
stung him to the quick. Now he had his opponents before
him, baffled and humiliated. Not a moment did he lose to
stretch out the hand of friendship to all. "Now that the election
is over," he said in response to a serenade, "may not all, having
a common interest, reunite in a common effort to save our com-
mon country? For my own part, I have striven, and will strive,
to place no obstacle in the way. So long as I have been here I
have not willingly planted a thorn in any man's bosom. While
I am deeply sensible to the high compliment of a re-election,
it adds nothing to my satisfaction that any other man may be
pained or disappointed by the result. May I ask those who were
with me to join with me in the same spirit toward those who
were against me? " This was Abraham Lincoln's character as
tested in the furnace of prosperity.
The war was virtually decided, but not yet ended. Sherman
was irresistibly carrying the Union flag through the South.
Grant had his iron hand upon the ramparts of Richmond. The


## p. 12993 (#423) ##########################################

CARL SCHURZ
12993
days of the Confederacy were evidently numbered. Only the last
blow remained to be struck. Then Lincoln's second inauguration
came, and with it his second inaugural address. Lincoln's famous.
"Gettysburg speech" has been much and justly admired. But
far greater, as well as far more characteristic, was that inaugural
in which he poured out the whole devotion and tenderness of his
great soul.
It had all the solemnity of a father's last admonition
and blessing to his children before he lay down to die. These
were its closing words:-
"Fondly do we hope, fervently do we pray, that this mighty
scourge of war may speedily pass away. Yet if God wills that it
continue until all the wealth piled up by the bondman's two hun-
dred and fifty years of unrequited toil shall be sunk, and until every
drop of blood drawn with the lash shall be paid by another drawn
with the sword, as was said three thousand years ago, so still it must
be said, 'The judgments of the Lord are true and righteous alto-
gether. ' With malice toward none, with charity for all, with firmness
in the right as God gives us to see the right, let us strive to finish
the work we are in; to bind up the nation's wounds; to care for him
who shall have borne the battle, and for his widow and his orphan;
to do all which may achieve and cherish a just and lasting peace
among ourselves and with all nations. »
This was like a sacred poem. No American President had
ever spoken words like these to the American people. America
never had a President who found such words in the depth of his
heart.
To the younger generation, Abraham Lincoln has already be-
come a half-mythical figure, which, in the haze of historic distance,
grows to more and more heroic proportions, but also loses in dis-
tinctness of outline and feature. This is indeed the common lot
of popular heroes; but the Lincoln legend will be more than
ordinarily apt to become fanciful, as his individuality, assembling
seemingly incongruous qualities and forces in a character at the
same time grand and most lovable, was so unique, and his career
so abounding in startling contrasts. As the state of society in
which Abraham Lincoln grew up passes away, the world will
read with increasing wonder of the man who, not only of the
humblest origin, but remaining the simplest and most unpretend-
ing of citizens, was raised to a position of power unprecedented in
our history; who was the gentlest and most peace-loving of mor-
tals, unable to see any creature suffer without a pang in his own
XXII-813


## p. 12994 (#424) ##########################################

12994
CARL SCHURZ
breast, and suddenly found himself called to conduct the greatest
and bloodiest of our wars; who wielded the power of government
when stern resolution and relentless force were the order of the
day, and then won and ruled the popular mind and heart by the
tender sympathies of his nature; who was a cautious conserv
ative by temperament and mental habit, and led the most sudden
and sweeping social revolution of our time; who, preserving his
homely speech and rustic manner even in the most conspicuous
position of that period, drew upon himself the scoffs of polite
society, and then thrilled the soul of mankind with utterances of
wonderful beauty and grandeur; who, in his heart the best friend
of the defeated South, was murdered because a crazy fanatic
took him for its most cruel enemy; who, while in power, was
beyond measure lampooned and maligned by sectional passion
and an excited party spirit, and around whose bier friend and
foe gathered to praise him- which they have since never ceased
to do-as one of the
greatest of Americans and the best of
men.


## p. 12994 (#425) ##########################################



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## p. 12995 (#429) ##########################################

12995
--
FTEN as it has been my fortune to write about Sir Walter
Scott, I never sit down to do so without a sense of hap-
piness and elation. It is as if one were meeting a dear
friend, or at the least were to talk with other friends about him.
This emotion is so strong, no doubt, because the name and memory
and magic of Sir Walter are entwined with one's earliest recollections
of poetry, and nature, and the rivers and hills of home. Yet the
phrase of a lady, a stranger, in an unpublished letter to Scott, "You
are such a friendly author," contains a truth not limited to Scott's
fellow-countrymen and fellow-Borderers. To read him, to read all
of him almost, to know his works familiarly, is to have a friend, and
as it were, an invisible playmate of the mind. Goethe confessed this
spell; it affected even Carlyle; all Europe knew its charm; Alex-
andre Dumas, the Scott of France, not only felt it but can himself
inspire it, the spell of a great, frank, wise, humorous, and loving
nature, accompanied by a rich and sympathetic imagination, and
equipped with opulence of knowledge. In modern England, few men
have had wider influence than two who in many respects are all un-
like Scott, Mr. Gladstone and Mr. Ruskin; yet their writings are full
of admiration for "the Magician who dwelleth in the castle on the
Border. " To-day, some very "modern" people of letters, in no way
remarkable either for knowledge, fancy, or humor, affect to speak of
Scott with disdain. The latest criticism which I chanced to read
talked of his "romances of chivalry," as if they had no connection
with actual "life. " He wrote only about three prose "romances of
chivalry. " It is life itself that throbs in a score, perhaps a hun-
dred, of his characters. Davie Deans, Jeanie Deans, Bessie Mac-
lure, Nantie Ewart, Wandering Willie, Andrew Fairservice, Louis XI. ,
James VI. , Ratcliffe, Madge Wildfire, the Dugald Creature, Callum
Beg, Diana Vernon, Dugald Dalgetty, the fishers of The Antiquary,'
Baillie Nicol Jarvie, Claverhouse, Meg Dods,— these are but a few
of Scott's immortally living characters. From kings to gillies, they
all display life as it has been, and is, and will be lived. Remoteness
and strangeness of time and place and society can never alter nature,
-
SIR WALTER SCOTT
(1771-1832)
BY ANDREW LANG


## p. 12996 (#430) ##########################################

12996
SIR WALTER SCOTT
nor hide from minds not prejudiced and dwarfed by restricted facul-
ties and slovenly sham education, the creative greatness of Scott.
His life has been told by the first biographer in British literature
save Boswell. It has been my lot to read most of the manuscript
materials used by Scott's son-in-law and biographer, Lockhart; and
the perusal only increases one's esteem for his work. Lockhart's tact
in selection was infallible. But his book is a long book; and parts of
it which interest a Scot do not strongly appeal to the interest of an
Englishman or an American not of Scottish descent. Nevertheless
Lockhart's 'Biography' is in itself a delightful, if not indispensable,
accompaniment of Sir Walter's works. No biographer had ever less
to conceal a study of the letters and other unpublished documents
makes this certain. The one blot on Sir Walter's scutcheon his
dabbling in trade -was matter of public knowledge during his own
lifetime. Occasional defects of temper, such as beset the noblest
natures, Lockhart did not hide; for which he was foolishly blamed.
Speaking from the most intimate knowledge now attainable, one may
confidently say that Lockhart's Scott is the real man, "as known to
his Maker. "
There is no room here for even a sketch of a life already familiar
in outline. Persons so unfortunate as «< not to have time" to read
Lockhart, will find all that is necessary in Mr. R. H. Hutton's sketch
(English Men of Letters' series), or in Mr. Saintsbury's 'Sir Walter
Scott (Famous Scots' series). The poet and novelist was descended
from the Border house of Harden: on the spindle side he had the
blood of Campbells, Macdonalls, Haliburtons, and Rutherfords in his
veins. All of these are families of extreme antiquity,- the Macdon-
alls having been almost regal in Galloway and Argyle. Scott's father
(born 1729) was a Writer to the Signet, the Saunders Fairford of
'Redgauntlet. '
The poet and novelist was born on August 15th, 1771, and died in
1832. The details of his infancy, his lameness, his genius in child-
hood, his studious and adventurous boyhood, his incomplete education.
(like St. Augustine he would not learn Greek), his adoption of the
profession of advocate, may be found in every 'Life. ' "The first to
begin a row and the last to end it," Scott knew intimately all ranks
of society before he had published a line. Duchesses, gipsies, thieves,
Highlanders, Lowlanders, students, judges, attorneys' clerks, actors,
gamekeepers, farmers, tramps, - he was at home with all of them,
while he had read everything in literature that most people do not
know. It was his fortune to be a poet while England yet had two
kings: George III. de facto, Charles III. and Henry IX. de jure. Hope-
less as the Jacobite cause now was, the sentiment lingered; and Scott
knew intimately the man who sent the Fiery Cross through Appin in


## p. 12997 (#431) ##########################################

SIR WALTER SCOTT
12997
1745,- Invernahyle. A portrait of Prince Charles was one of his ear-
liest purchases. He had seen Burns, who wrote the last 'Birthday
Ode' for a royal Stuart. Yet his youth was contemporary with the
French Revolution, which only made him more of a Tory. His
infancy dwelt with sad excitement on our disasters in the Ameri-
can War of Independence. Thus he lived in the Medea's-caldron of
history, with a head and heart full of the knowledge and love of the
past,-in poetry, ballad, legend, charter, custom. From all this rich
experience of men and women, of the European "Twilight of the
Gods," of clashing societies and politics, of war and literature, came
the peculiar and original ply of his genius.
This was ripened probably by a love affair which ended when he
was twenty-five (1796); ended as far as hope was concerned, other-
wise it closed only with his earthly life, if then. If aught of man's
personality persists after death, then what has so deeply colored and
become one with the self as a love like Scott's, never dies. You
find its traces in his novels, and poems, and Journal: it even peeps
out in his review of Miss Austen's novels. From living tradition –
on the authority of a lady who, having seen her once, loved her to
her own death in extreme age- we are able to say that Scott's lost
love was "an angel rather than a woman. ”
―
To please her he began to aim at success in letters, starting
with a translation of Bürger's romantic ballad, 'Lenore. ' But it was
in vain. Scott bore his loss like a man. The result was not ele-
giac poetry, but, as Mr. Saintsbury justly remarks, the conquest of
"the violence of Scott's most irritable and ungovernable mind," so
described by an early and intimate friend.
To understand Scott, all this must be kept in memory. People
complain of his want of "passion. " Of passion in its purest and
strongest phase no man had known more. But if his passion was
potent, more potent was his character. He does not deal in embraces,
and such descriptions of physical charms and raptures as fill the lines
of Burns and Carew, and Paulus Silentiarius. "I may not, must not
sing of love," says his minstrel; but whoever has read 'Rob Roy,'
and lost his heart to Diana Vernon, ought to understand. "The rest,
they may live and learn. " Scott, in Carlyle's phrase, "consumed his
own smoke"; which Carlyle never did.
Next year (1797) Scott married the lady-Miss Carpenter or Char-
pentier to whom he was the fondest and most faithful of husbands.
Hogg calls her "a perfect beauty"; small, dark, and piquante, and " a
sweet, kind, affectionate creature. " Mrs. Scott had humor and high
spirits, as one or two of her letters show; she made no kind of liter-
ary pretensions; and a certain fretfulness in her latest years may be
attributed to the effects of a lingering and fatal illness. Scott and
she were very happy together.


## p. 12998 (#432) ##########################################

12998
SIR WALTER SCOTT
The details of his professional career at the bar may be omitted.
He was an unsuccessful pleader, but got the remunerative office of
"sheriff of the forest" of Ettrick. He roamed in Galloway, Liddes-
dale, and the Highlands; he met "Monk" Lewis, and began some
ballads for a collection of his. Already, in The Eve of St. John,'
we see the qualities of Scott- and the defects. In 1802 appeared his
'Border Minstrelsy,' printed at Kelm by his school friend, James
Ballantyne. This was the beginning of a fatal connection. Scott be-
came secretly a printer and publisher. Though he owns, and justly,
to "a thread of the attorney » his nature, he had neither the leis-
ure nor the balance for a man of business. He became entangled
in the system of fictitious credit; he never shook off its meshes; and
when a commercial crash came in 1825-26, he was financially ruined.
The poet in him had been acquiring treasures of things old, books
and curios; he had built for these Abbotsford, an expensive villa on
a bad site, but near Tweed; he had purchased land, at exorbitant
rates, mainly for antiquarian and poetical reasons of association, partly
from the old Scottish territorial sentiment; he had kept open house,
and given money with royal munificence; a portion of his gains was
fairy gold, mere paper. So Sir Walter was ruined; and he killed
himself, and broke his brain, in the effort to pay his creditors. He
succeeded, but did not live to see his success. That, in the briefest
form, and omitting his politics (which were chivalrous), is the story
of a long life, strenuous almost beyond literary example, and happy
as men may look for happiness. Of his sons and daughters only one
left offspring,-Sophia, wife of John Gibson Lockhart. Of their child-
ren, again, only one, the wife of Mr. Hope, later Hope-Scott, left
issue,― Mr. Maxwell Scott, from whom descend a flourishing family.
Of Scott's poems it must be said that he is, first of all and above
all, a teller of tales in rhyme. Since Spenser, perhaps, no one had
been able to interest the world in a rhymed romaunt. Byron, fol-
lowing Scott, outdid him for the hour in popularity; our own age has
seen Tennyson's Idylls and Mr. William Morris. Thus rare is success
in the ancient art of romance in verse. The genre is scarcely com-
patible (except in Homer's hands) with deep reflection, or with highly
finished language. At Alexandria, in the third century before our
era, poets and critics were already disputing as to whether long
narrative poems were any longer possible; and on the whole they
preferred, like Lord Tennyson, brief ❝idylls" on epic themes.
Sir Walter, of course, chose not epic but romance; he follows the
mediæval romanticists in verse, adding popular ballad qualities after
the example, in method and versification, of Coleridge's Christabel. '
The result was a new form; often imitated, but never successfully.
How welcome it was to an age wearied with the convention of the
Popeian heroic couplet, in incompetent hands, need not be said. In
-


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SIR WALTER SCOTT
12999
our age Scott's narrative verse mainly appeals (as he said himself
that he appealed) to young people. Older lovers of poetry want
subtler style and deeper thought.
"Though wild as cloud, as stream, as gale,
Flow forth, flow unrestrained, my Tale,»
said the poet. He judged himself, on the negative side, with perfect
accuracy. Nobody knew his own defects better. "Our father says
that nothing is so bad for young people as reading bad poetry," says
his daughter; and he did not wish his children to read his 'Lays'
and 'Ladys. ' Yet he knew by an amiable inconsistency that his
appeal was to young people.
In responding to that appeal, the present writer is, and hopes to
remain, young. The nine-and-twenty knights of fame who stabled
their steeds in Branxholme Hall charm him as much as they did
when his years were six. The Ride of William of Deloraine remains
the best of riding ballads. The Goblin Page abideth terrible and
grotesque. And it is so with the rest. We cannot force our tastes
on others. If any man's blood is not stirred by the last stand of the
spears of Scotland at Flodden, when
«The stubborn spearmen still made good
Their dark impenetrable wood,
Each stepping where his comrade stood
The instant that he fell,»
in that man's blood there can be very little iron. It is not that one
would always be reading poetry of war. But war too has its poetry,
and here it is chanted as never before nor since. Scott's "scenery »
now wearies many readers; but in the early century it was novel;
and was usually seen at the speed of The Chase, or of the hurrying
of the Fiery Cross, in the 'Lady of the Lake. ' How often, looking
at the ruined shells of feudal castles of the west,- Ardtornish, Dun-
staffnage, and the others, - one has thought of his verse on these
fortresses,-
"Each on its own dark cape reclined,
And listening to its own wild wind. "
The task of reviving Celtic romance was left to a Lowland Scot,
with very little of Celtic blood in his veins. In 'Rokeby' my own
taste prefers the lyrics, as "Oh, Brignall banks are wild and fair,”
and "A weary lot is thine, fair maid," and "When the dawn on the
mountain was misty and gray. " The Lord of the Isles' is compara-
tively confused and feeble.


## p. 13000 (#434) ##########################################

SIR WALTER SCOTT
13000
Apart from—and I think, above - Scott's success in rhymed nar-
rative, his lyrics hold their place. I heard lately of a very "modern"
lady, who, for a collection of exquisite lyrics, could find nothing in
Scott worth gathering and binding. This it is to be cultivated be-
yond one's intellect! Mr. Palgrave, in 'The Golden Treasury,' and
Mr. Swinburne, have not been of the fair critic's opinion. I have
myself edited a collection of all Scott's lyrics. They vary much in
merit: but for the essence of all romance, and pitiful contrast of youth
and pride and death, 'Proud Maisie' is noted; for fire, speed, and
loyalty, 'A Health to King Charles,' 'Bonnie Dundee,' 'Young Loch-
invar,' Flora MacIvor's Clan Roll-Call; for restrained melancholy,
'The Sun upon the Weirdlaw Hill'; for all qualities of the old ballad,
"The Red Harlaw. ' The great objections to Scott's narrative poems
are, in a hurried age, their length and their diffuseness. In his lyr-
ics he has all his good qualities without the defects. Among defects
one would not include want of meditativeness, of the "subjective,"
of the magically selected word, because these great merits are not
included in his aim. About himself, his passions and emotions (the
material of most lyrics and elegiacs), he was not going to speak.
Of Scott's novels it is nearly as impossible to write here, in space
so brief, as of Shakespeare's plays. Let us take first their defects,
to which the author himself pleads guilty. The shortest way to an
understanding of Scott's self-criticism is the reading of his Introduc-
tions to The Abbot' and 'Nigel. ' He admits his deficiency in plot
and construction,- things of charpentage, within the reach of ordinary
talent, but often oddly disregarded by genius; witness Shakespeare
and Molière. Scott's conclusions, he owns, are "huddled up"; he
probably borrowed the word from his friend, Lady Louisa Stuart.
"Yet I have not been fool enough to neglect ordinary precautions. I
have repeatedly laid down my work to scale, dividing it into volumes.
and chapters, and endeavored to construct a story which I meant
should evolve itself gradually and strikingly, maintain suspense, and
stimulate curiosity, and which finally should terminate in a striking
catastrophe. " But he could not do it. He met Dugald Dalgetty, or
Baillie Jarvie, who led him away from his purpose. If he resisted
temptation, he "wrote painfully to himself, and under a consciousness
of flagging which made him flag still more. . . In short, sir, on
such occasions I think I am bewitched. " So he followed his genius,
which was not architectonic. He contented himself with writing
"with sense and spirit a few unlabored and loosely put together
scenes, but which had sufficient interest in them to amuse. "
As for his style, he tells Lockhart that he "never learned gram-
mar. " His manner is often not only incorrect, but trailingly diffuse;
he was apt to pack a crowd of details and explanations, about which


## p. 13001 (#435) ##########################################

SIR WALTER SCOTT
13001
he did not care, into a sentence which began anywhere and died out
anyhow. This was arrant carelessness. But it was usually accom-
panied by simplicity and spontaneity; if it does not charm us by
cadence, it never irritates us by self-consciousness and futile research.
Such are Scott's palpable defects: and he had of course the "old-
fashionedness" of his generation,—not a graceful or magnificent sort
of old fashion. For his heroes, and many of his heroines, he enter-
tained a complete contempt, - especially for Waverley. They are
only ordinary young people: brave, strong, not clever, honorable, a
good deal puzzled by the historical crises in which they find them-
selves. They are often neither Whig nor Tory, neither Covenanter
nor Cavalier, with any energy. The story moves on round them; the
characters come and go,- they are not the real interest. Rose Brad-
wardine is a good, affectionate, ignorant, confiding, pretty girl; per-
fectly true to nature, but no Rosalind nor Beatrice. Di Vernon, and
Catherine Seton, and Rebecca- especially Miss Vernon are among
the few heroines whom we can remember and adore. Then it must
be conceded that Scott does not deal in moral or social "problems. "
His characters, not unlike most of us, know what is the right thing
to do, and do it or leave it alone. Ivanhoe vastly preferred Rebecca
to Rowena. An author might give us chapters on his moral and
psychological difficulties, and they might be excellent chapters. But
Ivanhoe merely conquers his passion practically; and as to the secret
of his heart, only a word is dropped. Scott never lingers over inter-
minable tragedies of the emotions. Most of us can supply what is
lacking for ourselves in that respect.
-
It will be seen that Scott's novels have the obvious blemishes of
which many readers are most intolerant, and lack the qualities (“pas-
sion," and "subtlety," and "style") of which people literary do now
most delight to be talking. We can love Scott with Goethe, Dumas,
Thackeray, Mr. Ruskin,- or we can carp at him with Mr. George
Moore. It is a matter of taste, which is in great part a matter of
character, training, association, and education. But we who admire,
and take lifelong pleasure in, Sir Walter, "have great allies," — the
greatest of critical names; we need not fear to speak with the adver-
sary in the gate. We admit the absence of some excellent qualities:
we admit the presence of diffuseness, and of what, to exclusive
readers of recent novels, is tediousness. Moreover, if like Huckle-
berry Finn
you have
no use for dead people," and hate history,
of course you cannot be pleased with any historical novels. Gentle
King Jamie, Queen Mary, Richard of the Lion Heart, Bonnie Prince
Charlie, Cavaliers and Covenanters, knights and archers, speak a
language which you cannot understand, about matters which do not
concern you, thrall as you are to your little day of ideas and vogue.
«
-


## p. 13002 (#436) ##########################################

13002
SIR WALTER SCOTT
But Sir Walter, "for a' that," has qualities which delighted all
Europe, and which still delight people who love the past, and love
humor, adventure, the spectacle of life. These people are not few;
for they must be the purchasers of the endless new editions, cheap
or dear, of the Waverley Novels. Sir Walter can tell a story, and he
can create men and women- not to mention horses and dogs- of
endless varieties, and in every rank. Moreover he can create places:
Tully Veolan and many others are, as Mr. Saintsbury says, “our own
our own to pass freely through until the end of time. "
Scott is old now: in his time, as poet and as romancer, he was
absolutely new. The poems did not proceed obviously, and by way
of manifest gradual evolution, from anything familiar to most men.
The old French rhymed romances, Barbour's 'Bruce,' the ancient
ballads, and 'Christabel,' all went to their begetting; but in them-
selves they were new. New also was the historical novel, based on
vast knowledge, and informed with such life as Shakespeare poured
into 'Henry IV. ' or 'Julius Cæsar. ' Scott created the genre: without
him there had been no ‘Esmond,' no 'Master of Ballantrae,' no ‹Mous-
quetaires. ' Alexandre Dumas, as historical novelist, is the greatest of
Scott's works.
There is here no space for detailed criticism of the novels. A
man might do worse than read Waverley,' the earliest, and then
'Redgauntlet,' the most autobiographical, in succession. Here is the
romance of the fallen dynasty, of the kings landless, whose tomb the
dying Scott visited in Rome. Had I to choose my private favorite,
it would be 'Old Mortality'; which might be followed (as 'Waverley'
by 'Redgauntlet") by the decline of the Cameronians in 'The Heart
of Mid-Lothian. ' For chivalry 'Ivanhoe' is pre-eminent; with 'Quentin
Durward' for adventure and construction. And after these a man
cannot go wrong; though Count Robert of Paris,' 'Peveril,' 'Castle
Dangerous, and (in Scott's opinion) 'Anne of Geierstein,' are sad-
dening, and "smack of the apoplexy. " The Pirate' and 'The Mon-
astery' are certainly not novels to begin with, nor is 'St. Ronan's
Well. '
Of his historical works, 'The Tales of a Grandfather' can never
be superseded; the 'Napoleon,' though readable, is superseded, and
was ungrateful taskwork. The essays are a great treasure of enjoy-
ment; the 'Swift' is an excellent and wise biography. The 'Journal'
is the picture of the man,- so much greater, better, kinder, and
more friendly than even the author. "Be a good man, my dear,"
was his last word to Lockhart: it is the unobtrusive moral of all that
he wrote and was.
A Lany


## p. 13003 (#437) ##########################################

SIR WALTER SCOTT
13003
CHEAPENING FISH; AND THE VILLAGE POST-OFFICE
From The Antiquary›
MR
R. OLDBUCK led the way to the sands. Upon the links or
downs close to them were seen four or five huts inhabited
by fishers; whose boats, drawn high upon the beach, lent
the odoriferous vapors of pitch melting under a burning sun,
to contend with those of the offals of fish and other nuisances
usually collected round Scottish cottages. Undisturbed by these
complicated steams of abomination, a middle-aged woman, with
a face which had defied a thousand storms, sat mending a net
at the door of one of the cottages. A handkerchief close bound
about her head, and a coat which had formerly been that of a
man, gave her a masculine air, which was increased by her
strength, uncommon stature, and harsh voice.
"What are ye
for the day, your Honor? " she said, or rather screamed, to Old-
buck: "caller haddocks and whitings, a bannock-fluke and a cock-
padle. "
"How much for the bannock-fluke and cock-padle? " demanded
the Antiquary.
"Four white shillings and saxpence," answered the Naiad.
"Four devils and six of their imps! " retorted the Antiquary:
"do you think I am mad, Maggie? "
"And div ye think," rejoined the virago, setting her arms
akimbo, "that my man and my sons are to gae to the sea in
weather like yestreen and the day-sic a sea as it's yet outby-
and get naething for their fish, and be misca'd into the bargain,
Monkbarns? It's no fish ye're buying-it's men's lives. "
"Well, Maggie, I'll bid you fair: I'll bid you a shilling for
the fluke and the cock-padle, or sixpence separately; and if all
your fish are as well paid, I think your man, as you call him,
and your sons, will make a good voyage. '
>>>
"Deil gin their boat were knockit against the Bell-Rock rather!
it wad be better, and the bonnier voyage o' the twa. A shilling
for thae twa bonnie fish! Od, that's ane indeed! "
"Well, well, you old beldam, carry your fish up to Monkbarns,
and see what my sister will give you for them. ”
"Na, na, Monkbarns, deil a fit,- I'll rather deal wi' yoursell;
for though you're near enough, yet Miss Grizel has an unco close
grip. I'll gie ye them" (in a softened tone) "for three-and-
saxpence.
>>


## p. 13004 (#438) ##########################################

SIR WALTER SCOTT
13004
"Eighteenpence, or nothing! "
Eighteenpence! ! ! " (in a loud tone of astonishment, which
declined into a sort of rueful whine, when the dealer turned as
if to walk away) - "Ye'll no be for the fish then? "-then louder,
as she saw him moving off - "I'll gie ye them-and-and-and
a half a dozen o' partans to make the sauce, for three shillings
and a dram. "
((
"Half a crown then, Maggie, and a dram. "
"Aweel, your Honor maun hae't your ain gate, nae doubt; but
a dram's worth siller now-the distilleries is no working. "
“And I hope they'll never work again in my time," said Old-
buck.
"Ay, ayit's easy for your Honor and the like o' you gentle-
folks to say sae, that hae stouth and routh, and fire and fending,
and meat and claith, and sit dry and canny by the fireside; but
an ye wanted fire and meat, and dry claes, and were deeing o'
cauld, and had a sair heart,—whilk is warst ava,—wi' just tip-
pence in your pouch, wadna ye be glad to buy a dram wi't, to be
eilding and claes, and a supper and heart's-ease into the bargain,
till the morn's morning? "
"It's even too true an apology, Maggie. Is your goodman off
to sea this morning after his exertions last night? ”
"In troth is he, Monkbarns; he was awa this morning by
four o'clock, when the sea was working like barm wi' yestreen's
wind, and our bit coble dancing in 't like a cork. "
«< Well, he's an industrious fellow. Carry the fish up to Monk-
barns. "
"That I will-or I'll send little Jenny: she'll rin faster; -
but I'll ca' on Miss Grizzy for the dram mysell, and say ye sent
me. "
A nondescript animal, which might have passed for a mer-
maid as it was paddling in a pool among the rocks, was sum-
moned ashore by the shrill screams of its dam; and having been
made decent, as her mother called it, which was performed
by adding a short red cloak to a petticoat, which was at first her
sole covering, and which reached scantily below her knee, the
child was dismissed with the fish in a basket, and a request on
the part of Monkbarns that they might be prepared for din-
ner. "It would have been long," said Oldbuck, with much self-
complacency, ere my womankind could have made such a rea-
sonable bargain with that old skinflint; though they sometimes
((
――――――


## p. 13005 (#439) ##########################################

SIR WALTER SCOTT
13005
wrangle with her for an hour together under my study window,
like three sea-gulls screaming and sputtering in a gale of wind.
But come: wend we on our way to Knockwinnock. "
Leaving Mr. Oldbuck and his friend to enjoy their hard bar-
gain of fish, we beg leave to transport the reader to the back
parlor of the postmaster's house at Fairport; where his wife, he
himself being absent, was employed in assorting for delivery the
letters which had come by the Edinburgh post. This is very
often in country towns the period of the day when gossips find
it particularly agreeable to call on the man or woman of letters;
in order, from the outside of the epistles, and if they are not
belied, occasionally from the inside also,-to amuse themselves
with gleaning information or forming conjectures about the cor-
respondence and affairs of their neighbors. Two females of this
description were, at the time we mention, assisting—or imped-
ing - Mrs. Mailsetter in her official duty.
"Eh, preserve us, sirs! " said the butcher's wife, "there's ten
eleven twall letters to Tennant & Co. Thae folk do mair
business than a' the rest o' the burgh. "
"Ay; but see, lass," answered the baker's lady, there's twa
o' them faulded unco square, and sealed at the tae side,—I doubt
there will be protested bills in them. "
"Is there ony letters come yet for Jenny Caxon? " inquired
the woman of joints and giblets: "the lieutenant's been awa
three weeks. "
"Just ane on Tuesday was a week," answered the dame of
letters.
"Was 't a ship letter? " asked the Fornerina.
"In troth was 't. "
――――――
―――――――――――
"It wad be frae the lieutenant then," replied the mistress of
the rolls, somewhat disappointed: "I never thought he wad hae
lookit ower his shouther after her. "
"Od, here's another," quoth Mrs. Mailsetter. "A ship letter-
postmark, Sunderland. " All rushed to seize it. "Na, na, led-
dies," said Mrs. Mailsetter, interfering: "I hae had eneugh o'
that wark,-ken ye that Mr. Mailsetter got an unco rebuke frae
the secretary at Edinburgh, for a complaint that was made about
the letter of Aily Bisset's that ye opened, Mrs. Shortcake ? »
"Me opened! " answered the spouse of the chief baker of
Fairport: "ye ken yoursell, madam, it just cam open o' free will


## p.