No More Learning

John Bunsby saw the approach
of darkness and the rising of the storm with dark misgivings. He
thought awhile, and then asked his crew if it was not time to slacken
speed. After a consultation he approached Mr. Fogg, and said, "I
think, your honour, that we should do well to make for one of the ports
on the coast. "

"I think so too. "

"Ah! " said the pilot. "But which one? "

"I know of but one," returned Mr. Fogg tranquilly.

"And that is--"

"Shanghai. "

The pilot, at first, did not seem to comprehend; he could scarcely
realise so much determination and tenacity. Then he cried, "Well--yes!
Your honour is right. To Shanghai! "

So the Tankadere kept steadily on her northward track.

The night was really terrible; it would be a miracle if the craft did
not founder. Twice it could have been all over with her if the crew
had not been constantly on the watch. Aouda was exhausted, but did not
utter a complaint. More than once Mr. Fogg rushed to protect her from
the violence of the waves.

Day reappeared. The tempest still raged with undiminished fury; but
the wind now returned to the south-east. It was a favourable change,
and the Tankadere again bounded forward on this mountainous sea, though
the waves crossed each other, and imparted shocks and counter-shocks
which would have crushed a craft less solidly built. From time to time
the coast was visible through the broken mist, but no vessel was in
sight. The Tankadere was alone upon the sea.

There were some signs of a calm at noon, and these became more distinct
as the sun descended toward the horizon. The tempest had been as brief
as terrific. The passengers, thoroughly exhausted, could now eat a
little, and take some repose.

The night was comparatively quiet. Some of the sails were again
hoisted, and the speed of the boat was very good. The next morning at
dawn they espied the coast, and John Bunsby was able to assert that
they were not one hundred miles from Shanghai. A hundred miles, and
only one day to traverse them! That very evening Mr. Fogg was due at
Shanghai, if he did not wish to miss the steamer to Yokohama. Had
there been no storm, during which several hours were lost, they would
be at this moment within thirty miles of their destination.

The wind grew decidedly calmer, and happily the sea fell with it. All
sails were now hoisted, and at noon the Tankadere was within forty-five
miles of Shanghai. There remained yet six hours in which to accomplish
that distance. All on board feared that it could not be done, and
every one--Phileas Fogg, no doubt, excepted--felt his heart beat with
impatience. The boat must keep up an average of nine miles an hour,
and the wind was becoming calmer every moment! It was a capricious
breeze, coming from the coast, and after it passed the sea became
smooth. Still, the Tankadere was so light, and her fine sails caught
the fickle zephyrs so well, that, with the aid of the currents John
Bunsby found himself at six o'clock not more than ten miles from the
mouth of Shanghai River. Shanghai itself is situated at least twelve
miles up the stream. At seven they were still three miles from
Shanghai. The pilot swore an angry oath; the reward of two hundred
pounds was evidently on the point of escaping him. He looked at Mr.
Fogg. Mr. Fogg was perfectly tranquil; and yet his whole fortune was
at this moment at stake.

At this moment, also, a long black funnel, crowned with wreaths of
smoke, appeared on the edge of the waters. It was the American
steamer, leaving for Yokohama at the appointed time.

"Confound her! " cried John Bunsby, pushing back the rudder with a
desperate jerk.

"Signal her! " said Phileas Fogg quietly.

A small brass cannon stood on the forward deck of the Tankadere, for
making signals in the fogs. It was loaded to the muzzle; but just as
the pilot was about to apply a red-hot coal to the touchhole, Mr. Fogg
said, "Hoist your flag! "

The flag was run up at half-mast, and, this being the signal of
distress, it was hoped that the American steamer, perceiving it, would
change her course a little, so as to succour the pilot-boat.

"Fire! " said Mr. Fogg. And the booming of the little cannon resounded
in the air.




Chapter XXII

IN WHICH PASSEPARTOUT FINDS OUT THAT, EVEN AT THE ANTIPODES, IT IS
CONVENIENT TO HAVE SOME MONEY IN ONE'S POCKET


The Carnatic, setting sail from Hong Kong at half-past six on the 7th
of November, directed her course at full steam towards Japan. She
carried a large cargo and a well-filled cabin of passengers. Two
state-rooms in the rear were, however, unoccupied--those which had been
engaged by Phileas Fogg.

The next day a passenger with a half-stupefied eye, staggering gait,
and disordered hair, was seen to emerge from the second cabin, and to
totter to a seat on deck.

It was Passepartout; and what had happened to him was as follows:
Shortly after Fix left the opium den, two waiters had lifted the
unconscious Passepartout, and had carried him to the bed reserved for
the smokers. Three hours later, pursued even in his dreams by a fixed
idea, the poor fellow awoke, and struggled against the stupefying
influence of the narcotic. The thought of a duty unfulfilled shook off
his torpor, and he hurried from the abode of drunkenness. Staggering
and holding himself up by keeping against the walls, falling down and
creeping up again, and irresistibly impelled by a kind of instinct, he
kept crying out, "The Carnatic! the Carnatic! "

The steamer lay puffing alongside the quay, on the point of starting.
Passepartout had but few steps to go; and, rushing upon the plank, he
crossed it, and fell unconscious on the deck, just as the Carnatic was
moving off. Several sailors, who were evidently accustomed to this
sort of scene, carried the poor Frenchman down into the second cabin,
and Passepartout did not wake until they were one hundred and fifty
miles away from China. Thus he found himself the next morning on the
deck of the Carnatic, and eagerly inhaling the exhilarating sea-breeze.
The pure air sobered him. He began to collect his sense, which he
found a difficult task; but at last he recalled the events of the
evening before, Fix's revelation, and the opium-house.

"It is evident," said he to himself, "that I have been abominably
drunk! What will Mr. Fogg say? At least I have not missed the
steamer, which is the most important thing. "

Then, as Fix occurred to him: "As for that rascal, I hope we are well
rid of him, and that he has not dared, as he proposed, to follow us on
board the Carnatic. A detective on the track of Mr. Fogg, accused of
robbing the Bank of England! Pshaw! Mr. Fogg is no more a robber than
I am a murderer. "

Should he divulge Fix's real errand to his master? Would it do to tell
the part the detective was playing? Would it not be better to wait
until Mr. Fogg reached London again, and then impart to him that an
agent of the metropolitan police had been following him round the
world, and have a good laugh over it? No doubt; at least, it was worth
considering. The first thing to do was to find Mr. Fogg, and apologise
for his singular behaviour.

Passepartout got up and proceeded, as well as he could with the rolling
of the steamer, to the after-deck. He saw no one who resembled either
his master or Aouda. "Good! " muttered he; "Aouda has not got up yet,
and Mr. Fogg has probably found some partners at whist. "

He descended to the saloon. Mr. Fogg was not there. Passepartout had
only, however, to ask the purser the number of his master's state-room.
The purser replied that he did not know any passenger by the name of
Fogg.

"I beg your pardon," said Passepartout persistently. "He is a tall
gentleman, quiet, and not very talkative, and has with him a young
lady--"

"There is no young lady on board," interrupted the purser. "Here is a
list of the passengers; you may see for yourself. "

Passepartout scanned the list, but his master's name was not upon it.
All at once an idea struck him.

"Ah! am I on the Carnatic? "

"Yes. "

"On the way to Yokohama? "

"Certainly. "

Passepartout had for an instant feared that he was on the wrong boat;
but, though he was really on the Carnatic, his master was not there.

He fell thunderstruck on a seat. He saw it all now. He remembered
that the time of sailing had been changed, that he should have informed
his master of that fact, and that he had not done so. It was his
fault, then, that Mr. Fogg and Aouda had missed the steamer. Yes, but
it was still more the fault of the traitor who, in order to separate
him from his master, and detain the latter at Hong Kong, had inveigled
him into getting drunk! He now saw the detective's trick; and at this
moment Mr. Fogg was certainly ruined, his bet was lost, and he himself
perhaps arrested and imprisoned! At this thought Passepartout tore his
hair. Ah, if Fix ever came within his reach, what a settling of
accounts there would be!

After his first depression, Passepartout became calmer, and began to
study his situation. It was certainly not an enviable one. He found
himself on the way to Japan, and what should he do when he got there?
His pocket was empty; he had not a solitary shilling, not so much as a
penny. His passage had fortunately been paid for in advance; and he
had five or six days in which to decide upon his future course. He
fell to at meals with an appetite, and ate for Mr. Fogg, Aouda, and
himself. He helped himself as generously as if Japan were a desert,
where nothing to eat was to be looked for.

At dawn on the 13th the Carnatic entered the port of Yokohama. This is
an important port of call in the Pacific, where all the mail-steamers,
and those carrying travellers between North America, China, Japan, and
the Oriental islands put in. It is situated in the bay of Yeddo, and
at but a short distance from that second capital of the Japanese
Empire, and the residence of the Tycoon, the civil Emperor, before the
Mikado, the spiritual Emperor, absorbed his office in his own. The
Carnatic anchored at the quay near the custom-house, in the midst of a
crowd of ships bearing the flags of all nations.

Passepartout went timidly ashore on this so curious territory of the
Sons of the Sun. He had nothing better to do than, taking chance for
his guide, to wander aimlessly through the streets of Yokohama. He
found himself at first in a thoroughly European quarter, the houses
having low fronts, and being adorned with verandas, beneath which he
caught glimpses of neat peristyles. This quarter occupied, with its
streets, squares, docks, and warehouses, all the space between the
"promontory of the Treaty" and the river. Here, as at Hong Kong and
Calcutta, were mixed crowds of all races, Americans and English,
Chinamen and Dutchmen, mostly merchants ready to buy or sell anything.
The Frenchman felt himself as much alone among them as if he had
dropped down in the midst of Hottentots.

He had, at least, one resource,--to call on the French and English
consuls at Yokohama for assistance. But he shrank from telling the
story of his adventures, intimately connected as it was with that of
his master; and, before doing so, he determined to exhaust all other
means of aid. As chance did not favour him in the European quarter, he
penetrated that inhabited by the native Japanese, determined, if
necessary, to push on to Yeddo.

The Japanese quarter of Yokohama is called Benten, after the goddess of
the sea, who is worshipped on the islands round about. There
Passepartout beheld beautiful fir and cedar groves, sacred gates of a
singular architecture, bridges half hid in the midst of bamboos and
reeds, temples shaded by immense cedar-trees, holy retreats where were
sheltered Buddhist priests and sectaries of Confucius, and interminable
streets, where a perfect harvest of rose-tinted and red-cheeked
children, who looked as if they had been cut out of Japanese screens,
and who were playing in the midst of short-legged poodles and yellowish
cats, might have been gathered.

The streets were crowded with people. Priests were passing in
processions, beating their dreary tambourines; police and custom-house
officers with pointed hats encrusted with lac and carrying two sabres
hung to their waists; soldiers, clad in blue cotton with white stripes,
and bearing guns; the Mikado's guards, enveloped in silken doubles,
hauberks and coats of mail; and numbers of military folk of all
ranks--for the military profession is as much respected in Japan as it
is despised in China--went hither and thither in groups and pairs.
Passepartout saw, too, begging friars, long-robed pilgrims, and simple
civilians, with their warped and jet-black hair, big heads, long busts,
slender legs, short stature, and complexions varying from copper-colour
to a dead white, but never yellow, like the Chinese, from whom the
Japanese widely differ. He did not fail to observe the curious
equipages--carriages and palanquins, barrows supplied with sails, and
litters made of bamboo; nor the women--whom he thought not especially
handsome--who took little steps with their little feet, whereon they
wore canvas shoes, straw sandals, and clogs of worked wood, and who
displayed tight-looking eyes, flat chests, teeth fashionably blackened,
and gowns crossed with silken scarfs, tied in an enormous knot behind
an ornament which the modern Parisian ladies seem to have borrowed from
the dames of Japan.

Passepartout wandered for several hours in the midst of this motley
crowd, looking in at the windows of the rich and curious shops, the
jewellery establishments glittering with quaint Japanese ornaments, the
restaurants decked with streamers and banners, the tea-houses, where
the odorous beverage was being drunk with saki, a liquor concocted from
the fermentation of rice, and the comfortable smoking-houses, where
they were puffing, not opium, which is almost unknown in Japan, but a
very fine, stringy tobacco. He went on till he found himself in the
fields, in the midst of vast rice plantations. There he saw dazzling
camellias expanding themselves, with flowers which were giving forth
their last colours and perfumes, not on bushes, but on trees, and
within bamboo enclosures, cherry, plum, and apple trees, which the
Japanese cultivate rather for their blossoms than their fruit, and
which queerly-fashioned, grinning scarecrows protected from the
sparrows, pigeons, ravens, and other voracious birds. On the branches
of the cedars were perched large eagles; amid the foliage of the
weeping willows were herons, solemnly standing on one leg; and on every
hand were crows, ducks, hawks, wild birds, and a multitude of cranes,
which the Japanese consider sacred, and which to their minds symbolise
long life and prosperity.

As he was strolling along, Passepartout espied some violets among the
shrubs.

"Good! " said he; "I'll have some supper. "

But, on smelling them, he found that they were odourless.

"No chance there," thought he.

The worthy fellow had certainly taken good care to eat as hearty a
breakfast as possible before leaving the Carnatic; but, as he had been
walking about all day, the demands of hunger were becoming importunate.
He observed that the butchers stalls contained neither mutton, goat,
nor pork; and, knowing also that it is a sacrilege to kill cattle,
which are preserved solely for farming, he made up his mind that meat
was far from plentiful in Yokohama--nor was he mistaken; and, in
default of butcher's meat, he could have wished for a quarter of wild
boar or deer, a partridge, or some quails, some game or fish, which,
with rice, the Japanese eat almost exclusively. But he found it
necessary to keep up a stout heart, and to postpone the meal he craved
till the following morning. Night came, and Passepartout re-entered
the native quarter, where he wandered through the streets, lit by
vari-coloured lanterns, looking on at the dancers, who were executing
skilful steps and boundings, and the astrologers who stood in the open
air with their telescopes. Then he came to the harbour, which was lit
up by the resin torches of the fishermen, who were fishing from their
boats.

The streets at last became quiet, and the patrol, the officers of
which, in their splendid costumes, and surrounded by their suites,
Passepartout thought seemed like ambassadors, succeeded the bustling
crowd. Each time a company passed, Passepartout chuckled, and said to
himself: "Good! another Japanese embassy departing for Europe! "




Chapter XXIII

IN WHICH PASSEPARTOUT'S NOSE BECOMES OUTRAGEOUSLY LONG


The next morning poor, jaded, famished Passepartout said to himself
that he must get something to eat at all hazards, and the sooner he did
so the better. He might, indeed, sell his watch; but he would have
starved first. Now or never he must use the strong, if not melodious
voice which nature had bestowed upon him. He knew several French and
English songs, and resolved to try them upon the Japanese, who must be
lovers of music, since they were for ever pounding on their cymbals,
tam-tams, and tambourines, and could not but appreciate European talent.

It was, perhaps, rather early in the morning to get up a concert, and
the audience prematurely aroused from their slumbers, might not
possibly pay their entertainer with coin bearing the Mikado's features.
Passepartout therefore decided to wait several hours; and, as he was
sauntering along, it occurred to him that he would seem rather too well
dressed for a wandering artist. The idea struck him to change his
garments for clothes more in harmony with his project; by which he
might also get a little money to satisfy the immediate cravings of
hunger. The resolution taken, it remained to carry it out.

It was only after a long search that Passepartout discovered a native
dealer in old clothes, to whom he applied for an exchange. The man
liked the European costume, and ere long Passepartout issued from his
shop accoutred in an old Japanese coat, and a sort of one-sided turban,
faded with long use. A few small pieces of silver, moreover, jingled
in his pocket.

"Good! " thought he. "I will imagine I am at the Carnival! "

His first care, after being thus "Japanesed," was to enter a tea-house
of modest appearance, and, upon half a bird and a little rice, to
breakfast like a man for whom dinner was as yet a problem to be solved.

"Now," thought he, when he had eaten heartily, "I mustn't lose my head.
I can't sell this costume again for one still more Japanese. I must
consider how to leave this country of the Sun, of which I shall not
retain the most delightful of memories, as quickly as possible. "

It occurred to him to visit the steamers which were about to leave for
America. He would offer himself as a cook or servant, in payment of
his passage and meals. Once at San Francisco, he would find some means
of going on. The difficulty was, how to traverse the four thousand
seven hundred miles of the Pacific which lay between Japan and the New
World.

Passepartout was not the man to let an idea go begging, and directed
his steps towards the docks. But, as he approached them, his project,
which at first had seemed so simple, began to grow more and more
formidable to his mind. What need would they have of a cook or servant
on an American steamer, and what confidence would they put in him,
dressed as he was? What references could he give?

As he was reflecting in this wise, his eyes fell upon an immense
placard which a sort of clown was carrying through the streets. This
placard, which was in English, read as follows:

ACROBATIC JAPANESE TROUPE,
HONOURABLE WILLIAM BATULCAR, PROPRIETOR,
LAST REPRESENTATIONS,
PRIOR TO THEIR DEPARTURE TO THE UNITED STATES,
OF THE
LONG NOSES! LONG NOSES!
UNDER THE DIRECT PATRONAGE OF THE GOD TINGOU!
GREAT ATTRACTION!

"The United States! " said Passepartout; "that's just what I want! "

He followed the clown, and soon found himself once more in the Japanese
quarter. A quarter of an hour later he stopped before a large cabin,
adorned with several clusters of streamers, the exterior walls of which
were designed to represent, in violent colours and without perspective,
a company of jugglers.

This was the Honourable William Batulcar's establishment. That
gentleman was a sort of Barnum, the director of a troupe of
mountebanks, jugglers, clowns, acrobats, equilibrists, and gymnasts,
who, according to the placard, was giving his last performances before
leaving the Empire of the Sun for the States of the Union.

Passepartout entered and asked for Mr. Batulcar, who straightway
appeared in person.

"What do you want? " said he to Passepartout, whom he at first took for
a native.

"Would you like a servant, sir? " asked Passepartout.

"A servant! " cried Mr. Batulcar, caressing the thick grey beard which
hung from his chin. "I already have two who are obedient and faithful,
have never left me, and serve me for their nourishment and here they
are," added he, holding out his two robust arms, furrowed with veins as
large as the strings of a bass-viol.

"So I can be of no use to you? "

"None. "

"The devil! I should so like to cross the Pacific with you! "

"Ah! " said the Honourable Mr. Batulcar. "You are no more a Japanese
than I am a monkey! Who are you dressed up in that way? "

"A man dresses as he can. "

"That's true. You are a Frenchman, aren't you? "

"Yes; a Parisian of Paris. "

"Then you ought to know how to make grimaces? "

"Why," replied Passepartout, a little vexed that his nationality should
cause this question, "we Frenchmen know how to make grimaces, it is
true but not any better than the Americans do. "

"True. Well, if I can't take you as a servant, I can as a clown. You
see, my friend, in France they exhibit foreign clowns, and in foreign
parts French clowns. "

"Ah! "

"You are pretty strong, eh? "

"Especially after a good meal. "

"And you can sing? "

"Yes," returned Passepartout, who had formerly been wont to sing in the
streets.

"But can you sing standing on your head, with a top spinning on your
left foot, and a sabre balanced on your right? "

"Humph! I think so," replied Passepartout, recalling the exercises of
his younger days.

"Well, that's enough," said the Honourable William Batulcar.

The engagement was concluded there and then.

Passepartout had at last found something to do. He was engaged to act
in the celebrated Japanese troupe. It was not a very dignified
position, but within a week he would be on his way to San Francisco.

The performance, so noisily announced by the Honourable Mr. Batulcar,
was to commence at three o'clock, and soon the deafening instruments of
a Japanese orchestra resounded at the door. Passepartout, though he
had not been able to study or rehearse a part, was designated to lend
the aid of his sturdy shoulders in the great exhibition of the "human
pyramid," executed by the Long Noses of the god Tingou. This "great
attraction" was to close the performance.

Before three o'clock the large shed was invaded by the spectators,
comprising Europeans and natives, Chinese and Japanese, men, women and
children, who precipitated themselves upon the narrow benches and into
the boxes opposite the stage. The musicians took up a position inside,
and were vigorously performing on their gongs, tam-tams, flutes, bones,
tambourines, and immense drums.

The performance was much like all acrobatic displays; but it must be
confessed that the Japanese are the first equilibrists in the world.

One, with a fan and some bits of paper, performed the graceful trick of
the butterflies and the flowers; another traced in the air, with the
odorous smoke of his pipe, a series of blue words, which composed a
compliment to the audience; while a third juggled with some lighted
candles, which he extinguished successively as they passed his lips,
and relit again without interrupting for an instant his juggling.
Another reproduced the most singular combinations with a spinning-top;
in his hands the revolving tops seemed to be animated with a life of
their own in their interminable whirling; they ran over pipe-stems, the
edges of sabres, wires and even hairs stretched across the stage; they
turned around on the edges of large glasses, crossed bamboo ladders,
dispersed into all the corners, and produced strange musical effects by
the combination of their various pitches of tone. The jugglers tossed
them in the air, threw them like shuttlecocks with wooden battledores,
and yet they kept on spinning; they put them into their pockets, and
took them out still whirling as before.

It is useless to describe the astonishing performances of the acrobats
and gymnasts. The turning on ladders, poles, balls, barrels, &c. , was
executed with wonderful precision.

But the principal attraction was the exhibition of the Long Noses, a
show to which Europe is as yet a stranger.

The Long Noses form a peculiar company, under the direct patronage of
the god Tingou. Attired after the fashion of the Middle Ages, they
bore upon their shoulders a splendid pair of wings; but what especially
distinguished them was the long noses which were fastened to their
faces, and the uses which they made of them. These noses were made of
bamboo, and were five, six, and even ten feet long, some straight,
others curved, some ribboned, and some having imitation warts upon
them. It was upon these appendages, fixed tightly on their real noses,
that they performed their gymnastic exercises. A dozen of these
sectaries of Tingou lay flat upon their backs, while others, dressed to
represent lightning-rods, came and frolicked on their noses, jumping
from one to another, and performing the most skilful leapings and
somersaults.

As a last scene, a "human pyramid" had been announced, in which fifty
Long Noses were to represent the Car of Juggernaut. But, instead of
forming a pyramid by mounting each other's shoulders, the artists were
to group themselves on top of the noses. It happened that the
performer who had hitherto formed the base of the Car had quitted the
troupe, and as, to fill this part, only strength and adroitness were
necessary, Passepartout had been chosen to take his place.

The poor fellow really felt sad when--melancholy reminiscence of his
youth! --he donned his costume, adorned with vari-coloured wings, and
fastened to his natural feature a false nose six feet long. But he
cheered up when he thought that this nose was winning him something to
eat.

He went upon the stage, and took his place beside the rest who were to
compose the base of the Car of Juggernaut. They all stretched
themselves on the floor, their noses pointing to the ceiling. A second
group of artists disposed themselves on these long appendages, then a
third above these, then a fourth, until a human monument reaching to
the very cornices of the theatre soon arose on top of the noses. This
elicited loud applause, in the midst of which the orchestra was just
striking up a deafening air, when the pyramid tottered, the balance was
lost, one of the lower noses vanished from the pyramid, and the human
monument was shattered like a castle built of cards!

It was Passepartout's fault. Abandoning his position, clearing the
footlights without the aid of his wings, and, clambering up to the
right-hand gallery, he fell at the feet of one of the spectators,
crying, "Ah, my master! my master! "

"You here? "

"Myself. "

"Very well; then let us go to the steamer, young man! "

Mr. Fogg, Aouda, and Passepartout passed through the lobby of the
theatre to the outside, where they encountered the Honourable Mr.
Batulcar, furious with rage. He demanded damages for the "breakage" of
the pyramid; and Phileas Fogg appeased him by giving him a handful of
banknotes.

At half-past six, the very hour of departure, Mr. Fogg and Aouda,
followed by Passepartout, who in his hurry had retained his wings, and
nose six feet long, stepped upon the American steamer.




Chapter XXIV

DURING WHICH MR. FOGG AND PARTY CROSS THE PACIFIC OCEAN


What happened when the pilot-boat came in sight of Shanghai will be
easily guessed. The signals made by the Tankadere had been seen by the
captain of the Yokohama steamer, who, espying the flag at half-mast,
had directed his course towards the little craft. Phileas Fogg, after
paying the stipulated price of his passage to John Busby, and rewarding
that worthy with the additional sum of five hundred and fifty pounds,
ascended the steamer with Aouda and Fix; and they started at once for
Nagasaki and Yokohama.

They reached their destination on the morning of the 14th of November.
Phileas Fogg lost no time in going on board the Carnatic, where he
learned, to Aouda's great delight--and perhaps to his own, though he
betrayed no emotion--that Passepartout, a Frenchman, had really arrived
on her the day before.

The San Francisco steamer was announced to leave that very evening, and
it became necessary to find Passepartout, if possible, without delay.
Mr. Fogg applied in vain to the French and English consuls, and, after
wandering through the streets a long time, began to despair of finding
his missing servant. Chance, or perhaps a kind of presentiment, at
last led him into the Honourable Mr. Batulcar's theatre. He certainly
would not have recognised Passepartout in the eccentric mountebank's
costume; but the latter, lying on his back, perceived his master in the
gallery. He could not help starting, which so changed the position of
his nose as to bring the "pyramid" pell-mell upon the stage.

All this Passepartout learned from Aouda, who recounted to him what had
taken place on the voyage from Hong Kong to Shanghai on the Tankadere,
in company with one Mr. Fix.

Passepartout did not change countenance on hearing this name. He
thought that the time had not yet arrived to divulge to his master what
had taken place between the detective and himself; and, in the account
he gave of his absence, he simply excused himself for having been
overtaken by drunkenness, in smoking opium at a tavern in Hong Kong.

Mr. Fogg heard this narrative coldly, without a word; and then
furnished his man with funds necessary to obtain clothing more in
harmony with his position. Within an hour the Frenchman had cut off
his nose and parted with his wings, and retained nothing about him
which recalled the sectary of the god Tingou.

The steamer which was about to depart from Yokohama to San Francisco
belonged to the Pacific Mail Steamship Company, and was named the
General Grant. She was a large paddle-wheel steamer of two thousand
five hundred tons; well equipped and very fast. The massive
walking-beam rose and fell above the deck; at one end a piston-rod
worked up and down; and at the other was a connecting-rod which, in
changing the rectilinear motion to a circular one, was directly
connected with the shaft of the paddles. The General Grant was rigged
with three masts, giving a large capacity for sails, and thus
materially aiding the steam power. By making twelve miles an hour, she
would cross the ocean in twenty-one days. Phileas Fogg was therefore
justified in hoping that he would reach San Francisco by the 2nd of
December, New York by the 11th, and London on the 20th--thus gaining
several hours on the fatal date of the 21st of December.

There was a full complement of passengers on board, among them English,
many Americans, a large number of coolies on their way to California,
and several East Indian officers, who were spending their vacation in
making the tour of the world. Nothing of moment happened on the
voyage; the steamer, sustained on its large paddles, rolled but little,
and the Pacific almost justified its name. Mr. Fogg was as calm and
taciturn as ever. His young companion felt herself more and more
attached to him by other ties than gratitude; his silent but generous
nature impressed her more than she thought; and it was almost
unconsciously that she yielded to emotions which did not seem to have
the least effect upon her protector. Aouda took the keenest interest
in his plans, and became impatient at any incident which seemed likely
to retard his journey.

She often chatted with Passepartout, who did not fail to perceive the
state of the lady's heart; and, being the most faithful of domestics,
he never exhausted his eulogies of Phileas Fogg's honesty, generosity,
and devotion. He took pains to calm Aouda's doubts of a successful
termination of the journey, telling her that the most difficult part of
it had passed, that now they were beyond the fantastic countries of
Japan and China, and were fairly on their way to civilised places
again. A railway train from San Francisco to New York, and a
transatlantic steamer from New York to Liverpool, would doubtless bring
them to the end of this impossible journey round the world within the
period agreed upon.

On the ninth day after leaving Yokohama, Phileas Fogg had traversed
exactly one half of the terrestrial globe. The General Grant passed,
on the 23rd of November, the one hundred and eightieth meridian, and
was at the very antipodes of London. Mr. Fogg had, it is true,
exhausted fifty-two of the eighty days in which he was to complete the
tour, and there were only twenty-eight left. But, though he was only
half-way by the difference of meridians, he had really gone over
two-thirds of the whole journey; for he had been obliged to make long
circuits from London to Aden, from Aden to Bombay, from Calcutta to
Singapore, and from Singapore to Yokohama. Could he have followed
without deviation the fiftieth parallel, which is that of London, the
whole distance would only have been about twelve thousand miles;
whereas he would be forced, by the irregular methods of locomotion, to
traverse twenty-six thousand, of which he had, on the 23rd of November,
accomplished seventeen thousand five hundred. And now the course was a
straight one, and Fix was no longer there to put obstacles in their way!

It happened also, on the 23rd of November, that Passepartout made a
joyful discovery. It will be remembered that the obstinate fellow had
insisted on keeping his famous family watch at London time, and on
regarding that of the countries he had passed through as quite false
and unreliable. Now, on this day, though he had not changed the hands,
he found that his watch exactly agreed with the ship's chronometers.
His triumph was hilarious. He would have liked to know what Fix would
say if he were aboard!

"The rogue told me a lot of stories," repeated Passepartout, "about the
meridians, the sun, and the moon! Moon, indeed! moonshine more
likely! If one listened to that sort of people, a pretty sort of time
one would keep! I was sure that the sun would some day regulate itself
by my watch! "

Passepartout was ignorant that, if the face of his watch had been
divided into twenty-four hours, like the Italian clocks, he would have
no reason for exultation; for the hands of his watch would then,
instead of as now indicating nine o'clock in the morning, indicate nine
o'clock in the evening, that is, the twenty-first hour after midnight
precisely the difference between London time and that of the one
hundred and eightieth meridian. But if Fix had been able to explain
this purely physical effect, Passepartout would not have admitted, even
if he had comprehended it. Moreover, if the detective had been on
board at that moment, Passepartout would have joined issue with him on
a quite different subject, and in an entirely different manner.

Where was Fix at that moment?

He was actually on board the General Grant.

On reaching Yokohama, the detective, leaving Mr. Fogg, whom he expected
to meet again during the day, had repaired at once to the English
consulate, where he at last found the warrant of arrest. It had
followed him from Bombay, and had come by the Carnatic, on which
steamer he himself was supposed to be. Fix's disappointment may be
imagined when he reflected that the warrant was now useless. Mr. Fogg
had left English ground, and it was now necessary to procure his
extradition!

"Well," thought Fix, after a moment of anger, "my warrant is not good
here, but it will be in England. The rogue evidently intends to return
to his own country, thinking he has thrown the police off his track.
Good! I will follow him across the Atlantic. As for the money, heaven
grant there may be some left! But the fellow has already spent in
travelling, rewards, trials, bail, elephants, and all sorts of charges,
more than five thousand pounds. Yet, after all, the Bank is rich! "

His course decided on, he went on board the General Grant, and was
there when Mr. Fogg and Aouda arrived. To his utter amazement, he
recognised Passepartout, despite his theatrical disguise. He quickly
concealed himself in his cabin, to avoid an awkward explanation, and
hoped--thanks to the number of passengers--to remain unperceived by Mr.
Fogg's servant.

On that very day, however, he met Passepartout face to face on the
forward deck. The latter, without a word, made a rush for him, grasped
him by the throat, and, much to the amusement of a group of Americans,
who immediately began to bet on him, administered to the detective a
perfect volley of blows, which proved the great superiority of French
over English pugilistic skill.

When Passepartout had finished, he found himself relieved and
comforted. Fix got up in a somewhat rumpled condition, and, looking at
his adversary, coldly said, "Have you done? "

"For this time--yes. "

"Then let me have a word with you. "

"But I--"

"In your master's interests. "

Passepartout seemed to be vanquished by Fix's coolness, for he quietly
followed him, and they sat down aside from the rest of the passengers.

"You have given me a thrashing," said Fix. "Good, I expected it. Now,
listen to me. Up to this time I have been Mr. Fogg's adversary. I am
now in his game. "

"Aha! " cried Passepartout; "you are convinced he is an honest man? "

"No," replied Fix coldly, "I think him a rascal. Sh! don't budge, and
let me speak. As long as Mr. Fogg was on English ground, it was for my
interest to detain him there until my warrant of arrest arrived. I did
everything I could to keep him back. I sent the Bombay priests after
him, I got you intoxicated at Hong Kong, I separated you from him, and
I made him miss the Yokohama steamer. "

Passepartout listened, with closed fists.

"Now," resumed Fix, "Mr. Fogg seems to be going back to England. Well,
I will follow him there. But hereafter I will do as much to keep
obstacles out of his way as I have done up to this time to put them in
his path. I've changed my game, you see, and simply because it was for
my interest to change it. Your interest is the same as mine; for it is
only in England that you will ascertain whether you are in the service
of a criminal or an honest man. "

Passepartout listened very attentively to Fix, and was convinced that
he spoke with entire good faith.

"Are we friends? " asked the detective.

"Friends? --no," replied Passepartout; "but allies, perhaps. At the
least sign of treason, however, I'll twist your neck for you.