No More Learning

Leto: Mother of Artemis and Apollo. Ocean: According to Greek mythol- ogy, Ocean, or Oceanus, was a
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Squabbling among the Gods Was a Major Headache for Zeus
? ? ? ? ? ? ? ? ? ? great stream of water that sur- rounded the world. In his famous description of Achilles's shield, in Book 18, Homer portrayed Oceanus as encircling the rim of the shield.
Phoebus: A common epithet for the sun-god, Apollo. Gods and god- desses are sometimes (as here) referenced by their epithets instead of their names.
Poseidon: God of the sea and earth- quakes, and the brother of Zeus.
River Xanthus: The name of the river that flows past Troy. Homer says that the name Xanthus is used by the gods but that mortals refer to it as the Scamander. Xanthus is also the name of the god of this river.
Simois: A river near Troy in whose vicinity many battles were fought. The god of this river was also called Simois.
Strife: The goddess Eris, who rolled the famed Golden Apple, inscribed with the phrase "For The Most Beautiful," in among the wedding guests at the marriage of Peleus and Thetis. This sparked the quar- rel among Aphrodite, Athena, and Hera over which of them was the rightful claimant to the apple.
Themis: Daughter of Zeus and a goddess of prophecy.
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The remainder of Book 20 features successive battles between per- haps the Trojans' two best fighters--Aeneas and Hector--and the "best of the Achaeans," the mighty warrior Achilles. The first con- frontation pitted Aeneas against Achilles. Achilles would have defeated him, had it not been for the god Poseidon, who feared for Aeneas's safety and, at a critical moment, whisked him away from the battlefield.
Hector next took on the fierce Achilles. Hector's first move was to cast a spear at his adversary, but once more, divine intervention came into play; the goddess Athena blew on the spear in its flight and caused it to boomerang back to Hector and land at his feet! Achilles then took the offensive and charged at Hector, spear in hand, but this time, Apollo was the Olympian who blunted the attack, by hiding Hector in a mist. Four times, Achilles unsuccess- fully attempted to dispatch his Trojan opponent; each time, Apollo's mist prevented a direct hit.
As Book 20 ends, Achilles contented himself by embarking on a violent onrush against the Trojans whom he could see, and killed many of them.
ASK YOURSELF
1. Homer writes that nearly all the gods and goddesses participated in the council. Which ones does he name? Which of these sided with the Greeks? Which with the Trojans?
2. In the council, the first one to speak to Zeus was Poseidon. Is there any significance to this? Many powerful gods and goddesses attended--all of them, in fact--so why did Poseidon have the distinction of speaking first?
3. Note the following epithets: Girdler of the World (for Poseidon); Bringer of Luck (Hermes); Flashing Helmet (Ares); Flowing Hair (Phoebus [Apollo]); Archeress (Artemis); Laughter-loving (Aphrodite). In what way is each epithet appropriate to the god or goddess to whom it applies?
TOPICS TO CONSIDER
e WhydoyousupposeOceanuswastheonlydeity,outofallofthegodsand goddesses, not to attend the council?
e Homer does not explain, at least in Book 20, why some gods favor the Greeks and others the Trojans. Sometimes, the reason is clear. Aphrodite, for example, is the mother of Aeneas, a Trojan warrior, so it comes as no surprise that she sides with the Trojans. But what about the others? Is there any way to discover the reasons for their loyalties?
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e What do you make of the idea that even the rivers had gods specifically assigned to them (e. g. , Xanthus and Simois)? What seems to be the primary role(s) of these river gods? It will probably be necessary to read the remain- der of Book 20 in order to formulate an answer to these questions.
e Why do you suppose Zeus is content to simply sit back and "enjoy the spectacle" of battle, without taking part?
e The god Hephaestus has kind of a checkered reputation in Greek mytho- logy. He is certainly respected for his blacksmithing and metal-working skills, and yet, he is often the butt of many a joke, a kind of buffoonish character. How does Homer delineate him in the Iliad, both in the docu- ment and elsewhere, especially in Book 18?
Further Information
Edwards, Mark W. The Iliad: A Commentary. Volume V: Books 17-20. Cambridge, 1991. (A heavy-duty commentary, but worth looking at. )
Fagles, Robert (tr. ). Homer: The Iliad. New York, 1990. (This translation offers a lengthy and informative introduction. )
Wace, A. J. B. and F. H. Stubbings. A Companion to Homer. London, 1962. Website
Summary of Iliad Book 20. http://ancienthistory. about. com/od/trojanwarinlit/a/ IliadXX. htm
Bibliography for Document
Rieu, E. V. (tr. ). Homer: The Iliad. Baltimore, 1950.
35. KING CROESUS CONSULTS--AND BRIBES? --THE DELPHIC ORACLE
INTRODUCTION
Oracles were always an important part of Greek (and Roman) religion. The word "oracle" is related to the Latin word for "mouth" or "speech," and those associations capture the essence of what an oracle was: a god's reply to a question posed by a believer. Oracular shrines, hous- ing priests or priestesses who would assist in the relaying of the divine response to mortal ears, were common throughout the Greco-Roman world and much referenced in ancient literature. The most famous of these oracular shrines was undoubtedly the one located in the remote mountain town of Delphi, in Greece. The Delphic Oracle, sacred to the god Apollo, attracted pilgrims from all over the ancient world over the course of many centuries. The first document in this chapter provides an account of one of these pilgrimages.
KEEP IN MIND AS YOU READ
1. The Greek historian Herodotus (490-425 BCE) is our source for this document.
2. Croesus, the sixth-century BCE proverbially wealthy ruler of the kingdom of Lydia, in Asia Minor, had a problem. His land was facing an onslaught led by the powerful king of the Persians, Cyrus the Great, and Croesus was not quite certain about how to combat the threat. So he sent messengers to the Oracle at Delphi and to five other Greek oracles as well: "to Abae in Phocis, to Dodona, to the oracles of Amphiaraus and Trophonius, and to Branchidae," according to Herodotus, as well
as to the Libyan oracle of Ammon, hoping for help and information.
3. The Delphic Oracle had something of an international flavor; not only Greeks, but
also other peoples, consulted its priestesses for help and advice.
Document: An Oracular Consultation
Cyrus had destroyed the empire of Astyages, and the power of Persia was steadily increasing. This gave Croesus food for thought, and he wondered if he might be able to check Persian expansion before it had gone too far. [Next comes the account of the oracles he consulted, as described above in "Keep in Mind as
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You Read. "] His object was to test the knowledge of the oracles, so that if they should prove to be in possession of the truth he might send a second time and ask if he should undertake a campaign against Persia.
The Lydians whom Croesus sent to make the test were given the following orders: on the hundredth day, reckoning from the day on which they left Sardis, they were to consult the oracles, and inquire what Croesus . . . was doing at that moment. The answer of each oracle was to be taken down in writing and brought back to Sardis. No one has recorded the answer of any of the oracles except that of Delphi; here . . . the Priestess gave them . . . the following reply:
. . . The smell has come to my sense of a hard-shelled tortoise Boiling and bubbling with lamb's flesh in a bronze pot.
The cauldron underneath is of bronze, and of bronze the lid.
The Lydians took down the Priestess' answer and returned with it to Sardis. When the other messengers came back with the answers they had received, Croesus opened all the rolls and read what they contained. None had the least effect on him except the one which contained the answer from Delphi . . . [H]e accepted it with profound reverence, declaring that the oracle at Delphi was the only genuine one in the world, because it had succeeded in finding out what he had been doing. And indeed it had; for after sending off the messengers, Croesus had thought of something which no one would be likely to guess, and with his own hands, keeping carefully to the prearranged date, had cut up a tortoise and a
lamb and boiled them together in a bronze cauldron with a bronze lid . . . Croesus now attempted to win the favor of the Delphian Apollo by a magnificent sacrifice. Of every kind of appropriate animal he slaughtered three thousand; he burnt in a huge pile a number of precious objects--couches overlaid with gold or silver, golden cups, tunics, and other richly colored garments--in the hope of binding the god more closely to his interest. And he issued a command that every Lydian was also to offer a sacrifice according to his means. After this ceremony, he melted down an enormous quantity of gold into one hundred and seventeen ingots [each weighing over 100 pounds. Additionally, he ordered an image of a solid gold lion to
be fabricated; weight: 570 pounds]. . . .
This was by no means all that Croesus sent to Delphi;
there were also two huge mixing-bowls, one of gold which was placed on the right-hand side of the entrance to the tem- ple, the other of silver, on the left . . . In addition, Croesus sent four silver casks . . . and two sprinklers for lustral water, one of gold, the other of silver . . . There were many other gifts of no great importance, including round silver basins, but I must not forget to mention a figure of a woman, in gold, four and a half feet high, said by the Delphians to re- present the woman who baked Croesus' bread. Lastly, he sent his own wife's necklaces and girdles. These, then, were the offerings which Croesus sent to Delphi . . .
The Lydians who were to bring the presents to the tem- ples were instructed by Croesus to ask the oracles if he should
? ? ? ? ? ? ? ? ? Astyages: King of the Median Empire, who ruled for 35 years before being dethroned by Cyrus in 550 BCE. He was the grandfather of Cyrus, and had tried to put Cyrus to death when the latter was an infant because of an oracular prophecy. No wonder that many years later, Cyrus wanted to oust him from his kingship!
Priestess' answer: Answers to ques- tions put to the Delphic oracle were delivered via the priestesses who tended the shrine.
Sardis: Capital city of Lydia, famous for the quality of its handcrafted products and also noted for its gold and silver coins, the first city in the ancient world to produce such coinage.
stater: A commonly used gold coin.
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undertake the campaign against Persia . . . On their arrival, therefore, they offered the gifts with the proper ceremony and put their question in the following words: "Croesus . . . has given you gifts such as your power of divination deserves, and now asks if he should march against Persia . . . " To this question, [the oracle] . . .
foretold that if Croesus attacked the Persians, he would destroy a great empire . . .
Croesus was overjoyed when he learned the answer . . . and was fully confi- dent of destroying the power of Cyrus. To express his satisfaction, he sent a fur- ther present to Delphi of two gold staters for every man . . . The Delphians in return granted in perpetuity to Croesus and the people of Lydia the right of cit- izenship for any who wished, together with exemption from dues, front seats at state functions, and priority in consulting the oracle. [Tr. Aubrey de Selincourt. Herodotus: The Histories. (1. 47-54. ). Penguin Books, 1954. Page numbers: 57, 58, 59, 60. ]
AFTERMATH
As Herodotus explains, "Croesus was overjoyed when he learned the answer which the oracles" gave, and so he make plans to attack the Persians, disregarding or forgetting the fact that Apollo's oracular responses were often ambiguous; by attacking the Persians, Croesus did destroy a great empire: his own! For Cyrus and his army ultimately besieged and occupied Sardis; Croesus was taken prisoner. According to the biographer Plutarch, Cyrus was about to have Croesus executed, when Croesus three times cried out the name "Solon," the famous Athenian legislator/philosopher/businessman. Solon had visited Croesus some time before and had tried to teach him that no one can be considered truly happy until death, because only then can an assessment be made of the quality of that person's life. Croesus had thought that that was ridiculous, and that money and possessions, temporal things, equate to happi- ness. But in the end, he had lost all of his fabulous wealth and was about to lose his life; too late, he saw the value of Solon's words. But Cyrus was so impressed with this idea, and with other things that Croesus told him, that he decided to spare the life of the Lydian king.
ASK YOURSELF
1. If the Oracle of Apollo at Delphi was the most prestigious Greek oracle, why do you suppose Croesus bothered also to send messengers to six other oracles?
King Croesus Consults--and Bribes? --the Delphic Oracle
? ? ? ? TWO NON-ORACULAR DELPHIC CLAIMS TO FAME
An uncertain number of maxims were carved into the columns and other portions of Apollo's temple at Delphi. Three of these sayings--often attributed to the Seven Sages--have achieved lasting fame: "Know yourself"; "Nothing in excess"; "Be a guarantor for debts (like a co-signer for a loan, in modern times), and ruin is at hand. "
Also, Delphi was famous for the quadrennial Pythian Games held within its precincts, an athletic competi- tion second only to the Olympics in fame and prestige. The stadium where the footraces were held is of particu- lar interest. It was carved into the side of a steep mountain in an area barely long enough to accommodate the stade race (about 220 yards). At the far end, where the finish line was located, there was very little space between that line and a solid wall of mountain rock, so sprinters must have had to put on the brakes very quickly at the end of the race to avoid slamming directly into the wall!
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2. Does Herodotus give us any indication of whether he believes in pronouncements from the Delphic Oracle, either on this occasion or any time?
3. Describe the contents of the "magnificent sacrifice" that Croesus ordered to be pre- pared in honor of Apollo. What does this tell us about the wealth of Croesus and his kingdom?
4. Why do you think Herodotus refers to "round silver basins," the golden statue of Croesus's bread baker, and the necklaces and girdles of Croesus's wife as "gifts of no importance"?
TOPICS TO CONSIDER
e Whatdoyousupposeaccountsfortheenduringlongevity,credibility,and popularity of the Oracle of Apollo at Delphi? After all, its often ambiguous responses could lead questioners astray, or even to ruin, as in the case of Croesus.
e When Croesus sent the messengers to the seven different oracles, with the test about his activities on the hundredth day, Herodotus tells us that the Oracle at Delphi was the only one to come up with the correct response. How could the priestesses, or the god, or whoever, possibly have known what Croesus had been doing on that day (boiling the turtle/lamb soup in a bronze cauldron)?
e HerodotusinformsusthatafterthemessengersreturnedfromDelphiwith the news that the oracle had correctly described Croesus's hundredth-day activities, Croesus immediately began busying himself with assembling "a magnificent sacrifice" in honor of Apollo. What do you suppose was his pur- pose in preparing such a treasure trove of expensive gifts? Could it have been a bribe for another favorable response? Or something else? Can you think of any modern examples or instances where a person might say a prayer to God or some other divine or supernatural being, along with an offer to perform some service, in exchange for the prayer being answered favorably?
Further Information
Broad, William J. The Oracle: Ancient Delphi and the Science Behind Its Lost Secrets. New York, 2006.
Burkert, Walter. Greek Religion (tr. into English by John Raffan. ) Cambridge, MA, 1985. Fontenrose, Joseph Eddy. The Delphic Oracle: Its Responses and Operations, with a Catalogue
of Responses. Berkeley, CA, 1978. Website
Delphi. www. delphi-site. com/mobile. html
Bibliography for Document
Blanco, Walter (tr. ). Herodotus: The Histories. New York, 1992.
de Selincourt, Aubrey (tr. ). Herodotus: The Histories. Baltimore, 1954.
Godley, A. D. (tr. ). Herodotus. Volume I. [LCL. ] Cambridge and London, 1920.
Matz, David. Ancient World Lists and Numbers: Numerical Phrases and Rosters in the Greco-
Roman World. Jefferson, NC, 1995.
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36. JULIUS CAESAR BECOMES A GOD
INTRODUCTION
The Roman poet Publius Ovidius Naso ("Ovid"; 43 BCE-17 CE) was the author of a wide variety of works, especially love poems. The document is excerpted from his long epic poem about Greek and Roman mythology: Metamorphoses.
KEEP IN MIND AS YOU READ
1. Ovid's Metamorphoses consists of a collection of many mythological stories, retold in poetic form. Their common theme: some kind of transformation. Most of the entries in the collection are focused on Greek mythology, but the final few selec- tions are purely Roman. The document relates Ovid's description of the deification of Julius Caesar. This is the final scene portrayed in his Metamorphoses.
2. In the opening lines of his Metamorphoses, Ovid describes the work as a poem which encompasses all of human history.
3. The ancient Romans could and did adopt adults into their families, especially as sons. Julius Caesar did this with his grand-nephew, whose original name was simply Gaius Octavius. When Caesar's will was read after his assassination, it was revealed that he had adopted young Octavius (he was about 18 years of age at the time) as his son. As a result, Octavius acquired his adoptive father's full name--Gaius Julius Caesar--along with his own family name, Octavius, appended in a slightly different form, Octavianus. So his full name became Gaius Julius Caesar Octavianus. The Roman Senate granted him the honorary title "Augustus" in 27 BCE, and it is by this name that he is probably most commonly known today.
Document: From Mortal to God
Caesar is a god in his own land. The first in wars and peace, he rose by wars, which closed in triumphs, and by civic deeds to glory quickly won, and even more his offspring's love exalted him as a new, a heavenly, sign and brightly flam- ing star. Of all the achievements of great Julius Caesar not one is more ennobling
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to his fame than being father of his glorious son. Was it more glorious for him to subdue the Britons . . . or lead his fleet victorious[ly in Egypt] . . . to have some triumphs and deserve far more, than to be the father of so great a man, with whom as ruler of the human race, O gods, you bless us past all reckoning?
And [to prevent that son from being considered a mere mortal], Julius Caesar must change and be a god. [Next, the goddess Venus appears; she fears that Caesar, a descendant of her son Aeneas, the long-ago founder of the Roman race, might fall victim to an assassination plot, and so she appeals to all the gods to prevent such a tragedy. The gods are sympathetic but helpless, because even they are not strong enough to alter the dictates of fate. The king of the gods, Jupiter, reassures her that Caesar's adopted son Augustus will avenge the inevitable assassination and usher in a Golden Age in Rome. Jupiter speaks]: "With peace established over all the lands, he then will turn his mind to civil rule and as a prudent legislator will enact wise laws. And he will regulate the manners of his people by his own example. Looking forward to the days of future time and of posterity, he will command the offspring born of his devoted wife, to assume the imperial name and the burden of his cares. Nor till his age shall equal Nestor's years will he ascend to heavenly dwellings and his kindred stars. Meanwhile transform the soul [i. e. , of Julius Caesar], which shall be reft from this doomed body, to a starry light, that always god-like Julius may look down in future from his heavenly residence upon our Forum and our Capitol. "
Jupiter had hardly pronounced these words, when kindly Venus, although seen by none, stood in the middle of the Senate-house, and caught from the dying limbs and trunk of her own Caesar his departing soul. She did not give it time so that it could dissolve in air,
but bore it quickly up, toward all the stars of heaven; and on the way, she saw it gleam and blaze and set it free. Above the moon it mounted into heaven, leaving behind a long and fiery trail, and as a star it glittered in the sky. There, wondering at the younger Caesar's [i. e. , Augustus's] deeds, Julius confessed that they were superior to all of his, and he rejoiced because his son was greater even than himself. [Tr. Brookes Otis. Ovid: Metamorphoses 15. http://www. theoi. com/Text/OvidMetamorphoses15. html]
AFTERMATH
"If the pronouncements of prophets contain any truth, I will live on in fame, throughout all the future generations. " These are the final words of Ovid's Metamorphoses, and they reflect
? ? ? ? ? ? ? ? ? glorious son: Julius Caesar had no bio- logical sons. The "glorious son" ref- erenced here is his son by adoption, Gaius Julius Caesar Octavianus, better known as Octavian and later as Augustus.
Nestor's years: Nestor was the prover- bially old chieftain who accompa- nied the Greeks to Troy during the Trojan War.
offspring born: Augustus and his wife Livia did not have any surviving sons, so Augustus was succeeded by his stepson Tiberius, Livia's son by a previous marriage. The phrase "offspring born" refers to Tiberius.
peace established: Augustus was widely credited with founding the Pax Romana, "Roman peace," a long period of relative tranquility after the bloody and destructive civil wars of the 40s and 30s BCE.
wise laws: As emperor, Augustus intro- duced many legal, political, mili- tary, and social reforms into Roman life. A full description of these enactments can be found in the Life of Deified Augustus, writ- ten by the Roman biographer Suetonius (ca. 70-140 CE), espe- cially in Chapters 29 through 56.
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the notion shared by many Greek and Roman authors that their written works would last forever. In Ovid's case, at least, that prophecy still rings true.
ASK YOURSELF
1. What does Ovid mean by the phrase "he [Julius Caesar] rose by wars"?
2. What reason or justification does Ovid give for the deification of Julius Caesar?
3. The general theme of Ovid's Metamorphoses involves the concept of change, or
transformation. How does the deification of Caesar fit into this theme? Into what was he transformed?
TOPICS TO CONSIDER
e Lucius Annaeus Seneca (sometimes called the "Younger Seneca," 4 BCE- 65 CE) is generally thought to be the author of a parody of the deification process of emperors. Its title: Apocolocyntosis, a play on the for- mal word for deification--apotheosis--and roughly translated as "Pumpkinification. " Read Seneca's Apocolocyntosis (it is very short! ). What elements of satire and parody do you notice in it? Which Roman emperor's apotheosis is Seneca mocking? Are there any similarities between Seneca's satire and Ovid's account of Caesar's apotheosis? (A translation of the Apocolocyntosis may be found at http://ancienthistory . about. com/library/bl/bl_text_seneca_apocol. htm. )
e In our culture we seldom, if ever, hear of families adopting full-grown adults as their sons or daughters. Why do you suppose the ancient Romans did this? What would be the advantages?
e Several of the first-century CE Roman emperors were deified, including Augustus, Claudius, Vespasian, and Titus.