" London: John Calder; New York:
Riverrun
Press, 1988.
Samuel Beckett
G.
Talma
Schilthuis and Robert Wheaton. The Hague: L. J. C. Bancher, 1962. Kreul, Andreas. Oskar Kokoschka: Pariser Oper. Kunsthalle Bremen 30June -
30 August 1992. Berlin: Kulturstiftung der Lander and Kunstverein
Bremen, 1992.
Labande, Leon-Honore. Les Primitifs fram;ais: Peintres et peintres-verriers de la
Provence ocddentale. Marseille: Librairie Tacussel, 1932.
Laforgue, Jules. Poems of]ules Laforgue. Tr. Patricia Terry. Berkeley: University
ofCalifornia Press, 1958.
Poesies completes. Ed. Pascal Pia. Paris: Gallimard, 1979. 2 vols.
Lake, Carlton, ed. , with the assistance ofLinda Eichhorn and Sally Leach. No Symbols Where None Intended: A Catalogue ofBooks, Manuscripts, and Other Material Relating to Samuel Beckett in the Collections of the Humanities Research Center. Austin: Humanities Research Center, The University ofTexas at Austin, 1984.
735
Bibliography ofworks cited
Laughlin, James, ed. New Directions in Prose and Poetry. [4]. Norfolk, CT: New Directions, 1939.
Laurence, Dan H. Bernard Shaw: A Bibliography. Oxford: Clarendon Press, 1983. 2 vols.
Lavachery, Henri. "Essay on Styles in the Statuary of the Congo. " Tr. Samuel Beckett. Negro, Anthology Made by Nancy Cunard, 1931-1933. Ed. Nancy Cunard. London: Published by Nancy Cunard at Wishart and Co. , 1934. 687-693.
Laveissiere, Sylvain. Le Classicismefranrais: Masterpieces ofSeventeenth Century Painting, a loan exhibitionfrom the Louvre and French regional museums at the National Gallery of Ireland, 30 April - 9 June 1985. Tr. Kim-Mai Mooney and Raymond Keaveney. Dublin: The Gallery, 1985.
Lawrence, D. H. Apocalypse. Ed. Richard Aldington. Florence: G. Orioli, 1931. Rpt. New York: Viking Press, 1931; London: Secker, 1932.
Le Roux, Benoit. Andre Therive et ses amis en 14-18. Saint-Brieuc: B. Le Roux, 1987. Lehmann, John. Autobiography. London: Longmans, Green and Co. , 1955.
3 vols.
Leistner, Gerhard, and Thorsten Rodiek. Otto Freundlich: Bin Wegbereiter der
abstrakten Kunst. Regensburg: Museum Ostdeutsche Galerie, 1994. Leventhal, A. J. "Surrealism or Literary Psycho-Therapy. " Dublin Magazine
11. 4 (October-December 1936) 66-73.
Leventhal, A. J. , ed. "Extracts from the Unpublished Memoirs ofthe Late T. B.
Rudmose-Brown. " Dublin Magazine 31. 1 Uanuary-March 1956) 30-51. Levey, Michael. "The Real Theme of Watteau's Embarkation for Cythera. "
Burlington Magazine 103. 698 (May 1961) 180-185.
Levin, Harry. "On First Looking into Finnegans Wake. " New Directions in Prose
and Poetry. [4]. Ed. James Laughlin. Norfolk, CT: New Directions, 1939.
253-287.
Lewis, Wyndham. The Apes of God. London: Arthur Press, 1930. Rpt. Santa
Barbara, CA: Black Sparrow Press, 1981.
Leyda. Jay, ed. Eisenstein 2: A Premature Celebration ofEisenstein's Centenary. Tr.
Alan Y. Upchurch, N. Lary, Zina Voynow, and Samuel Brody. Calcutta:
Seagull Books, 1985. Rpt. London: Methuen, 1988.
Lidderdale, Jane, and Mary Nicholson. Dear Miss Weaver: Harriet Shaw Weaver
1876-1961. London: Faber and Faber, 1970.
Little, Roger. "Beckett's Mentor, Rudmose-Brown: Sketch for a Portrait. " Irish
University Review 14 (Spring 1984) 34-41.
Lucke, Mechthild, Erich Heckel, and Andreas Huneke. Erich Heckel,
Lebensstufen: die Wandbilder im Angermuseum zu Etfurt. Dresden: Verlag der
Kunst, 1992.
Maccarthy, Desmond. Memories. Foreword Cyril Connolly. London:
MacGibbon and Kee, 1953. 736
Bibliography ofworks dted
McDowell, R. B. , and D. A. Webb. Trinity College Dublin, 1592-1952: An Academic History. Cambridge: Cambridge University Press, 1982.
McGreevy, Thomas. "New Dublin Poetry. " Rev. of Intercessions, by Denis Devlin. Ireland To-Day 2. 10 (October 1937) 81-82.
Richard Aldington: An Englishman. The Dolphin Books. London: Chatto and Windus, 1931.
"Shows in Short. " The Studio 115. 541 (April 1938) 223. "Spanish Masterpieces: A Selection Based on the Exhibition of
Paintings from the Prado at Geneva. " The Studio 18 (September 1939)
90-107.
Thomas Stearns filiot: A Study. The Dolphin Books. London: Chatto and
Windus, 1931.
[McGreevy, Thomas] L. St. Senan, pseud. "Nocturne of the Self-Evident
Presence. " The Irish Statesman 7. 3 (25 September 1926) 57. Rpt. in Collected Poems ofThomas MacGreevy: An Annotated Edition. Ed. Susan Schreibman. Dublin: Anna Livia Press; Washington, DC: The Catholic University of America Press, 1991. 42-43.
MacGreevy,Thomas. CollectedPoemsofThomasMacGreevy:AnAnnotatedEdition. Ed. Susan Schreibman. Dublin: Anna Livia Press; Washington, DC: The Catholic University of America Press, 1991.
Jack B. Yeats: An Appreciation and an Interpretation. Dublin: Victor Waddington Publications, 1945.
Nicolas Poussin. Dublin: The Dolmen Press, 1960.
Pictures in the Irish National Gallery. London: B. T. Batsford, 1945. Machiavelli, Niccolo. The Literary Works ofMachiavelli. J. R. Hale. London:
Oxford University Press, 1961.
Tutte le opere di Niccolo Machiavelli. Ed. Francesco Flora and Carlo
Cordie. I Classici Mondadori. Milan: A. Mondadori; 1949-1950. 2 vols. McHugh, Roland. Annotations to Finnegans Wake. Rev. edn. Baltimore: Johns
Hopkins University Press, 1991.
Maclaren, Neil. The Dutch School, 1600-1900. Rev. Christopher Brown.
London: National Gallery, 1991. 2 vols.
McMillan, Dougald, and Martha Fehsenfeld. Beckett in the Theatre: The Author
as Practical Playwright and Director, From "Waiting for Godot" to "Krapp's Last
Tape.
" London: John Calder; New York: Riverrun Press, 1988. MacThomais, Eamonn. Me Jewel and Darlin' Dublin. Dublin: O'Brien Press,
1974.
Maddox, Brenda. Nora: The Real Life of Molly Bloom. Boston: Houghton Miffiin
Co. , 1988.
Maftres et eleves, celebrites et savants: l'Ecole Normale Superieure, 1794-1994. Paris:
Archives Nationales, 1994.
737
Bibliography of works cited
Mallarme, Stephane. New and Collected Poems. Tr. Roger Fry, with commentaries by Charles Mauron. The New Classics Series. New York: New Directions Books, 1951.
Oeuvres completes. Ed. Bertrand Marchal. Bibliotheque de la Pleiade. Paris: Gallimard, 1998. 2 vols.
Malraux, Andre. Man's Fate. Tr. Haakon M. Chevalier. New York: Random House, 1961.
Romans. Bibliotheque de la Pleiade. Paris: Gallimard, 1947.
Manteuffel, Kurt Zoege von. Adriaen Brouwer: acht farbige Wiedergaben seiner
Werke. Kiinstlermappen. Leipzig: E. A. Seeman, 1936.
Marani, Pietro C. Il genio e le passioni, Leonardo da Vind e il Cenacolo: precedenti,
innovazioni, rijlessi di un capolavoro. Milan: Skira, 2001.
Martial. Epigrams. Tr. Walter C. A. Ker. Cambridge, MA: Harvard University
Press; London: Heinemann, 1968. 2 vols.
Martin, Claude. Gide. Paris: Editions du Seuil, 1963 and 1995.
Martin, Gregory. The Hemish School, drca 1600-drca 1900. London: National
Gallery, 1970.
Mason, Rainer Michael, ed. Bram van Velde, 1895-1981: Retrospective du
Centenaire. Geneva: Musee Rath (Musee d'Art et d'Histoire), 1996. Massine, Leonide. My Life in Ballet. Ed. Phyllis Hartnoll and Robert Rubens.
London: Macmillan St. Martin's Press, 1968.
Mather, Frank Jewett, Jr. The Portraits of Dante: Compared with the Measure
ments ofhis Skull and Reclassified. Princeton: Princeton University Press,
1921.
Mayes, Elizabeth, and Paula Murphy, eds. Images and Insights. Dublin: Hugh
Lane Municipal Gallery of Modern Art, 1993.
Menz, Henner. The Dresden Gallery. New York: Harry N. Abrams, 1962. Mercanton, Jacques. "Finnegans Wake. " La Nouvelle Revue Franr;aise 52. 308
(May 1939) 858-864.
"A Meteorologist's Tour from Walton to London. " Gentleman's Magazine
and Historical 63. 1 Uuly 1793) 619-621. Continued 63. 2 (August 1793)
720-721.
Mitchell, B. R. International Historical Statistics: Europe 1750-1988. 3rd edn.
New York: Stockton Press, 1992.
Mohle, Hans. "Eine bisher unbekannte Landschaftsgouache von Adam
Elsheimer. " Zeitschrift des Deutschen Vereinsfii,r Kunstwissenschaft 19. 34
(1965) 192-196.
Monnier, Adrienne. The Very Rich Hours ofAdrienne Monnier. New York:
Scribner, 1976.
Montagu, Ivor. "Romance and Reality. " Rev. ofMan ofAran, dir. Robert
Flaherty. New Statesman and Nation (28 April 1934) 638.
738
Bibliography ofworks dted
Montale, Eugenio. "Delta. " Tr. Samuel Beckett. This Quarter 2. 4 (April-May-June 1930) 630.
Moore, Maurice George. An Irish Gentleman, George Henry Moore: His Travel, His Racing, His Politics. London: T. W. Laurie, 1913.
Mrusek, Hans-Joachim. Drei siichsische Kathedralen: Merseburg, Naumburg, Meissen. Dresden: Verlag der Kunst, 1976.
Miihling, Matthias. Mit Samuel Beckett in der Hamburger Kunsthalle. Hamburg: Hamburger Kunsthalle, 2003.
Muir, Edwin. "New Novels. " Rev. of Murphy, by Samuel Beckett. The Listener 19. 479 (16 March 1938) 597.
"New Short Stories. " Rev. of More Pricks than Kicks, by Samuel Beckett. The Listener 12. 268 (4July 1934) 42.
Muirhead, Findlay. London and its Environs. The Blue Guides. 2nd edn. London: Macmillan, 1922.
ed. Short Guide to London. London: Ernest Benn, 1933.
Murray, Peter, and Linda Murray, eds. Penguin Dictionary ofArt and Artists.
London: Penguin, 1993.
Musee de Valence. AndreLhote, 1885-1962. Paris: Reunion des musees
nationaux, 2003.
Nadeau, Maurice. Griices leur soient rendues. Paris: Albin Michel, 1990. National Gallery Illustrations: Continental Schools (excluding Italian). London:
Printed for the Trustees, 1937.
National Gallery of Ireland: Catalogue of Pictures of the Italian Schools. Dublin:
The Stationery Office, [1956].
National Gallery ofIreland: Catalogue ofOil Pictures in the General Collection.
Dublin: The Stationery Office, 1932.
National Gallery ofIreland: Illustrated Summary Catalogue ofPaintings. Intro.
Homan Potterton. Dublin: Gill and Macmillan, 1981.
Nerdinger, Winfried. Gottfried von Neureuther, Architekt der Neorenaissance in
Bayern, 1811-1887. Munich: K. M. Lipp, 1978.
Nersoyan, H[agop]J. Andre Gide: The Theism of an Atheist. Syracuse: Syracuse
University Press, 1969.
Neuhaus, Robert. Bildnismalerei desLeibl-Kreises: Untersuchungen zur Geschichte
und Technik der Malerei der zweiten Hiilfte des 19. Jahrhunderts. Marburg:
Verlag des Kunstgeschichtlichen Seminars, 1953.
Unsuspected Genius: The Art andLife ofFrank Duveneck. San Francisco: Bedford,
1987.
Nixon, Mark. "Chronik der Deutschlandreise Samuel Becketts 1936/37. "
Der unbekannte Beckett: Samuel Beckett und die deutsche Kultur. Ed. Therese Fischer-Seidel and Marion Fries-Dieckmann. Frankfurt: Suhrkamp, 2005. 34-63.
739
Bibliography of works cited
"'Scraps of German': Samuel Beckett reading German Literature. " Notes Diverse Holo. Special issue, Samuel Beckett Today/Aujourd'hui 16 (2006) 259-282.
Norbum, Roger. AJamesJoyce Otronology. New York: Palgrave Macmillan, 2004. Nordau, Max Simon. Degeneration. London: William Heinemann, 1895. Nostradamus. The Complete Prophecies of Nostradamus. Ed. and tr. Henry C.
Roberts. New York: Crown, 1947.
Nowell, Elizabeth. Thomas Wolfe:A Biography. Garden City, NY: Doubleday
and Co. , 1960.
O'Brien, Eoin. The Beckett Country: Samuel Beckett's Ireland. Photography, David
H. Davison. Foreword, James Knowlson.
Schilthuis and Robert Wheaton. The Hague: L. J. C. Bancher, 1962. Kreul, Andreas. Oskar Kokoschka: Pariser Oper. Kunsthalle Bremen 30June -
30 August 1992. Berlin: Kulturstiftung der Lander and Kunstverein
Bremen, 1992.
Labande, Leon-Honore. Les Primitifs fram;ais: Peintres et peintres-verriers de la
Provence ocddentale. Marseille: Librairie Tacussel, 1932.
Laforgue, Jules. Poems of]ules Laforgue. Tr. Patricia Terry. Berkeley: University
ofCalifornia Press, 1958.
Poesies completes. Ed. Pascal Pia. Paris: Gallimard, 1979. 2 vols.
Lake, Carlton, ed. , with the assistance ofLinda Eichhorn and Sally Leach. No Symbols Where None Intended: A Catalogue ofBooks, Manuscripts, and Other Material Relating to Samuel Beckett in the Collections of the Humanities Research Center. Austin: Humanities Research Center, The University ofTexas at Austin, 1984.
735
Bibliography ofworks cited
Laughlin, James, ed. New Directions in Prose and Poetry. [4]. Norfolk, CT: New Directions, 1939.
Laurence, Dan H. Bernard Shaw: A Bibliography. Oxford: Clarendon Press, 1983. 2 vols.
Lavachery, Henri. "Essay on Styles in the Statuary of the Congo. " Tr. Samuel Beckett. Negro, Anthology Made by Nancy Cunard, 1931-1933. Ed. Nancy Cunard. London: Published by Nancy Cunard at Wishart and Co. , 1934. 687-693.
Laveissiere, Sylvain. Le Classicismefranrais: Masterpieces ofSeventeenth Century Painting, a loan exhibitionfrom the Louvre and French regional museums at the National Gallery of Ireland, 30 April - 9 June 1985. Tr. Kim-Mai Mooney and Raymond Keaveney. Dublin: The Gallery, 1985.
Lawrence, D. H. Apocalypse. Ed. Richard Aldington. Florence: G. Orioli, 1931. Rpt. New York: Viking Press, 1931; London: Secker, 1932.
Le Roux, Benoit. Andre Therive et ses amis en 14-18. Saint-Brieuc: B. Le Roux, 1987. Lehmann, John. Autobiography. London: Longmans, Green and Co. , 1955.
3 vols.
Leistner, Gerhard, and Thorsten Rodiek. Otto Freundlich: Bin Wegbereiter der
abstrakten Kunst. Regensburg: Museum Ostdeutsche Galerie, 1994. Leventhal, A. J. "Surrealism or Literary Psycho-Therapy. " Dublin Magazine
11. 4 (October-December 1936) 66-73.
Leventhal, A. J. , ed. "Extracts from the Unpublished Memoirs ofthe Late T. B.
Rudmose-Brown. " Dublin Magazine 31. 1 Uanuary-March 1956) 30-51. Levey, Michael. "The Real Theme of Watteau's Embarkation for Cythera. "
Burlington Magazine 103. 698 (May 1961) 180-185.
Levin, Harry. "On First Looking into Finnegans Wake. " New Directions in Prose
and Poetry. [4]. Ed. James Laughlin. Norfolk, CT: New Directions, 1939.
253-287.
Lewis, Wyndham. The Apes of God. London: Arthur Press, 1930. Rpt. Santa
Barbara, CA: Black Sparrow Press, 1981.
Leyda. Jay, ed. Eisenstein 2: A Premature Celebration ofEisenstein's Centenary. Tr.
Alan Y. Upchurch, N. Lary, Zina Voynow, and Samuel Brody. Calcutta:
Seagull Books, 1985. Rpt. London: Methuen, 1988.
Lidderdale, Jane, and Mary Nicholson. Dear Miss Weaver: Harriet Shaw Weaver
1876-1961. London: Faber and Faber, 1970.
Little, Roger. "Beckett's Mentor, Rudmose-Brown: Sketch for a Portrait. " Irish
University Review 14 (Spring 1984) 34-41.
Lucke, Mechthild, Erich Heckel, and Andreas Huneke. Erich Heckel,
Lebensstufen: die Wandbilder im Angermuseum zu Etfurt. Dresden: Verlag der
Kunst, 1992.
Maccarthy, Desmond. Memories. Foreword Cyril Connolly. London:
MacGibbon and Kee, 1953. 736
Bibliography ofworks dted
McDowell, R. B. , and D. A. Webb. Trinity College Dublin, 1592-1952: An Academic History. Cambridge: Cambridge University Press, 1982.
McGreevy, Thomas. "New Dublin Poetry. " Rev. of Intercessions, by Denis Devlin. Ireland To-Day 2. 10 (October 1937) 81-82.
Richard Aldington: An Englishman. The Dolphin Books. London: Chatto and Windus, 1931.
"Shows in Short. " The Studio 115. 541 (April 1938) 223. "Spanish Masterpieces: A Selection Based on the Exhibition of
Paintings from the Prado at Geneva. " The Studio 18 (September 1939)
90-107.
Thomas Stearns filiot: A Study. The Dolphin Books. London: Chatto and
Windus, 1931.
[McGreevy, Thomas] L. St. Senan, pseud. "Nocturne of the Self-Evident
Presence. " The Irish Statesman 7. 3 (25 September 1926) 57. Rpt. in Collected Poems ofThomas MacGreevy: An Annotated Edition. Ed. Susan Schreibman. Dublin: Anna Livia Press; Washington, DC: The Catholic University of America Press, 1991. 42-43.
MacGreevy,Thomas. CollectedPoemsofThomasMacGreevy:AnAnnotatedEdition. Ed. Susan Schreibman. Dublin: Anna Livia Press; Washington, DC: The Catholic University of America Press, 1991.
Jack B. Yeats: An Appreciation and an Interpretation. Dublin: Victor Waddington Publications, 1945.
Nicolas Poussin. Dublin: The Dolmen Press, 1960.
Pictures in the Irish National Gallery. London: B. T. Batsford, 1945. Machiavelli, Niccolo. The Literary Works ofMachiavelli. J. R. Hale. London:
Oxford University Press, 1961.
Tutte le opere di Niccolo Machiavelli. Ed. Francesco Flora and Carlo
Cordie. I Classici Mondadori. Milan: A. Mondadori; 1949-1950. 2 vols. McHugh, Roland. Annotations to Finnegans Wake. Rev. edn. Baltimore: Johns
Hopkins University Press, 1991.
Maclaren, Neil. The Dutch School, 1600-1900. Rev. Christopher Brown.
London: National Gallery, 1991. 2 vols.
McMillan, Dougald, and Martha Fehsenfeld. Beckett in the Theatre: The Author
as Practical Playwright and Director, From "Waiting for Godot" to "Krapp's Last
Tape.
" London: John Calder; New York: Riverrun Press, 1988. MacThomais, Eamonn. Me Jewel and Darlin' Dublin. Dublin: O'Brien Press,
1974.
Maddox, Brenda. Nora: The Real Life of Molly Bloom. Boston: Houghton Miffiin
Co. , 1988.
Maftres et eleves, celebrites et savants: l'Ecole Normale Superieure, 1794-1994. Paris:
Archives Nationales, 1994.
737
Bibliography of works cited
Mallarme, Stephane. New and Collected Poems. Tr. Roger Fry, with commentaries by Charles Mauron. The New Classics Series. New York: New Directions Books, 1951.
Oeuvres completes. Ed. Bertrand Marchal. Bibliotheque de la Pleiade. Paris: Gallimard, 1998. 2 vols.
Malraux, Andre. Man's Fate. Tr. Haakon M. Chevalier. New York: Random House, 1961.
Romans. Bibliotheque de la Pleiade. Paris: Gallimard, 1947.
Manteuffel, Kurt Zoege von. Adriaen Brouwer: acht farbige Wiedergaben seiner
Werke. Kiinstlermappen. Leipzig: E. A. Seeman, 1936.
Marani, Pietro C. Il genio e le passioni, Leonardo da Vind e il Cenacolo: precedenti,
innovazioni, rijlessi di un capolavoro. Milan: Skira, 2001.
Martial. Epigrams. Tr. Walter C. A. Ker. Cambridge, MA: Harvard University
Press; London: Heinemann, 1968. 2 vols.
Martin, Claude. Gide. Paris: Editions du Seuil, 1963 and 1995.
Martin, Gregory. The Hemish School, drca 1600-drca 1900. London: National
Gallery, 1970.
Mason, Rainer Michael, ed. Bram van Velde, 1895-1981: Retrospective du
Centenaire. Geneva: Musee Rath (Musee d'Art et d'Histoire), 1996. Massine, Leonide. My Life in Ballet. Ed. Phyllis Hartnoll and Robert Rubens.
London: Macmillan St. Martin's Press, 1968.
Mather, Frank Jewett, Jr. The Portraits of Dante: Compared with the Measure
ments ofhis Skull and Reclassified. Princeton: Princeton University Press,
1921.
Mayes, Elizabeth, and Paula Murphy, eds. Images and Insights. Dublin: Hugh
Lane Municipal Gallery of Modern Art, 1993.
Menz, Henner. The Dresden Gallery. New York: Harry N. Abrams, 1962. Mercanton, Jacques. "Finnegans Wake. " La Nouvelle Revue Franr;aise 52. 308
(May 1939) 858-864.
"A Meteorologist's Tour from Walton to London. " Gentleman's Magazine
and Historical 63. 1 Uuly 1793) 619-621. Continued 63. 2 (August 1793)
720-721.
Mitchell, B. R. International Historical Statistics: Europe 1750-1988. 3rd edn.
New York: Stockton Press, 1992.
Mohle, Hans. "Eine bisher unbekannte Landschaftsgouache von Adam
Elsheimer. " Zeitschrift des Deutschen Vereinsfii,r Kunstwissenschaft 19. 34
(1965) 192-196.
Monnier, Adrienne. The Very Rich Hours ofAdrienne Monnier. New York:
Scribner, 1976.
Montagu, Ivor. "Romance and Reality. " Rev. ofMan ofAran, dir. Robert
Flaherty. New Statesman and Nation (28 April 1934) 638.
738
Bibliography ofworks dted
Montale, Eugenio. "Delta. " Tr. Samuel Beckett. This Quarter 2. 4 (April-May-June 1930) 630.
Moore, Maurice George. An Irish Gentleman, George Henry Moore: His Travel, His Racing, His Politics. London: T. W. Laurie, 1913.
Mrusek, Hans-Joachim. Drei siichsische Kathedralen: Merseburg, Naumburg, Meissen. Dresden: Verlag der Kunst, 1976.
Miihling, Matthias. Mit Samuel Beckett in der Hamburger Kunsthalle. Hamburg: Hamburger Kunsthalle, 2003.
Muir, Edwin. "New Novels. " Rev. of Murphy, by Samuel Beckett. The Listener 19. 479 (16 March 1938) 597.
"New Short Stories. " Rev. of More Pricks than Kicks, by Samuel Beckett. The Listener 12. 268 (4July 1934) 42.
Muirhead, Findlay. London and its Environs. The Blue Guides. 2nd edn. London: Macmillan, 1922.
ed. Short Guide to London. London: Ernest Benn, 1933.
Murray, Peter, and Linda Murray, eds. Penguin Dictionary ofArt and Artists.
London: Penguin, 1993.
Musee de Valence. AndreLhote, 1885-1962. Paris: Reunion des musees
nationaux, 2003.
Nadeau, Maurice. Griices leur soient rendues. Paris: Albin Michel, 1990. National Gallery Illustrations: Continental Schools (excluding Italian). London:
Printed for the Trustees, 1937.
National Gallery of Ireland: Catalogue of Pictures of the Italian Schools. Dublin:
The Stationery Office, [1956].
National Gallery ofIreland: Catalogue ofOil Pictures in the General Collection.
Dublin: The Stationery Office, 1932.
National Gallery ofIreland: Illustrated Summary Catalogue ofPaintings. Intro.
Homan Potterton. Dublin: Gill and Macmillan, 1981.
Nerdinger, Winfried. Gottfried von Neureuther, Architekt der Neorenaissance in
Bayern, 1811-1887. Munich: K. M. Lipp, 1978.
Nersoyan, H[agop]J. Andre Gide: The Theism of an Atheist. Syracuse: Syracuse
University Press, 1969.
Neuhaus, Robert. Bildnismalerei desLeibl-Kreises: Untersuchungen zur Geschichte
und Technik der Malerei der zweiten Hiilfte des 19. Jahrhunderts. Marburg:
Verlag des Kunstgeschichtlichen Seminars, 1953.
Unsuspected Genius: The Art andLife ofFrank Duveneck. San Francisco: Bedford,
1987.
Nixon, Mark. "Chronik der Deutschlandreise Samuel Becketts 1936/37. "
Der unbekannte Beckett: Samuel Beckett und die deutsche Kultur. Ed. Therese Fischer-Seidel and Marion Fries-Dieckmann. Frankfurt: Suhrkamp, 2005. 34-63.
739
Bibliography of works cited
"'Scraps of German': Samuel Beckett reading German Literature. " Notes Diverse Holo. Special issue, Samuel Beckett Today/Aujourd'hui 16 (2006) 259-282.
Norbum, Roger. AJamesJoyce Otronology. New York: Palgrave Macmillan, 2004. Nordau, Max Simon. Degeneration. London: William Heinemann, 1895. Nostradamus. The Complete Prophecies of Nostradamus. Ed. and tr. Henry C.
Roberts. New York: Crown, 1947.
Nowell, Elizabeth. Thomas Wolfe:A Biography. Garden City, NY: Doubleday
and Co. , 1960.
O'Brien, Eoin. The Beckett Country: Samuel Beckett's Ireland. Photography, David
H. Davison. Foreword, James Knowlson.
