--learn
prudence
of a friend!
Pope - Essay on Man
TO RICHARD BOYLE, EARL OF BURLINGTON.
ARGUMENT.
Of the Use of Riches.
The Vanity of Expense in people of Wealth and Quality. The abuse of the
word Taste, v. 13. That the first Principle and foundation, in this as in
everything else, is Good Sense, v. 40. The chief Proof of it is to
follow Nature even in works of mere Luxury and Elegance. Instanced in
Architecture and Gardening, where all must be adapted to the Genius and
Use of the Place, and the Beauties not forced into it, but resulting from
it, v. 50. How men are disappointed in their most expensive undertakings,
for want of this true Foundation, without which nothing can please long,
if at all: and the best Examples and Rules will but be perverted into
something burdensome or ridiculous, v. 65, etc. , to 92. A description of
the false Taste of Magnificence; the first grand Error of which is to
imagine that Greatness consists in the size and dimension, instead of the
Proportion and Harmony of the whole, v. 97, and the second, either in
joining together Parts incoherent, or too minutely resembling, or in the
Repetition of the same too frequently, v. 105, etc. A word or two of
false Taste in Books, in Music, in Painting, even in Preaching and
Prayer, and lastly in Entertainments, v. 133, etc. Yet Providence is
justified in giving Wealth to be squandered in this manner, since it is
dispersed to the poor and laborious part of mankind, v. 169 (recurring to
what is laid down in the first book, Ep. ii. , and in the Epistle
preceding this, v. 159, etc. ). What are the proper objects of
Magnificence, and a proper field for the Expense of Great Men, v. 177,
etc. , and finally, the Great and Public Works which become a Prince,
v. 191 to the end.
'Tis strange, the miser should his cares employ
To gain those riches he can ne'er enjoy:
Is it less strange, the prodigal should waste
His wealth, to purchase what he ne'er can taste?
Not for himself he sees, or hears, or eats;
Artists must choose his pictures, music, meats:
He buys for Topham, drawings and designs,
For Pembroke, statues, dirty gods, and coins;
Rare monkish manuscripts for Hearne alone,
And books for Mead, and butterflies for Sloane.
Think we all these are for himself? no more
Than his fine wife, alas! or finer w***e.
For what has Virro painted, built, and planted?
Only to show, how many tastes he wanted.
What brought Sir Visto's ill-got wealth to waste?
Some demon whispered, "Visto! have a taste. "
Heaven visits with a taste the wealthy fool,
And needs no rod but Ripley with a rule.
See! sportive Fate, to punish awkward pride,
Bids Bubo build, and sends him such a guide.
A standing sermon, at each year's expense,
That never coxcomb reached magnificence!
You show us, Rome was glorious, not profuse,
And pompous buildings once were things of use.
Yet shall, my lord, your just, your noble rules
Fill half the land with imitating fools;
Who random drawings from your sheets shall take,
And of one beauty many blunders make;
Load some vain church with old theatric state,
Turn arcs of triumph to a garden-gate;
Reverse your ornaments, and hang them all
On some patched dog-hole eked with ends of wall;
Then clap four slices of pilaster on 't,
That, laced with bits of rustic, makes a front
Shall call the winds through long arcades to roar,
Proud to catch cold at a Venetian door;
Conscious they act a true Palladian part,
And, if they starve, they starve by rules of art.
Oft have you hinted to your brother peer
A certain truth, which many buy too dear:
Something there is more needful than expense,
And something previous even to taste--'tis sense.
Good sense, which only is the gift of Heaven,
And though no science, fairly worth the seven:
A light, which in yourself you must perceive:
Jones and Le Notre have it not to give.
To build, to plant, whatever you intend,
To rear the column, or the arch to bend,
To swell the terrace, or to sink the grot;
In all, let Nature never be forgot.
But treat the goddess like a modest fair,
Nor over-dress, nor leave her wholly bare;
Let not each beauty everywhere be spied,
Where half the skill is decently to hide.
He gains all points, who pleasingly confounds,
Surprises, varies, and conceals the bounds.
Consult the genius of the place in all;
That tells the waters or to rise or fall,
Or helps the ambitious hill the heavens to scale,
Or scoops in circling theatres the vale;
Calls in the country, catches opening glades,
Joins willing woods, and varies shades from shades;
Now breaks, or now directs, the intending lines;
Paints as you plant, and, as you work, designs.
Still follow sense, of every art the soul,
Parts answering parts shall slide into a whole,
Spontaneous beauties all around advance,
Start even from difficulty, strike from chance;
Nature shall join you; Time shall make it grow
A work to wonder at--perhaps a Stowe.
Without it, proud Versailles, thy glory falls;
And Nero's terraces desert their walls:
The vast parterres a thousand hands shall make;
Lo! Cobham comes, and floats them with a lake:
Or cut wide views through mountains to the plain,
You'll wish your hill or sheltered seat again.
Even in an ornament its place remark,
Nor in a hermitage set Dr. Clarke.
Behold Villario's ten years' toil complete:
His quincunx darkens, his espaliers meet;
The wood supports the plain, the parts unite,
And strength of shade contends with strength of light;
A waving glow the bloomy beds display,
Blushing in bright diversities of day,
With silver-quivering rills meandered o'er--
Enjoy them, you! Villario can no more;
Tired of the scene parterres and fountains yield,
He finds at last he better likes a field.
Through his young woods how pleased Sabinus strayed,
Or sat delighted in the thickening shade,
With annual joy the reddening shoots to greet,
Or see the stretching branches long to meet!
His son's fine taste an opener vista loves,
Foe to the Dryads of his father's groves;
One boundless green, or flourished carpet views,
With all the mournful family of yews;
The thriving plants, ignoble broomsticks made,
Now sweep those alleys they were born to shade.
At Timon's villa let us pass a day,
Where all cry out, "What sums are thrown away! "
So proud, so grand; of that stupendous air,
Soft and agreeable come never there.
Greatness, with Timon, dwells in such a draught
As brings all Brobdingnag before your thought.
To compass this, his building is a town,
His pond an ocean, his parterre a down:
Who but must laugh, the master when he sees,
A puny insect, shivering at a breeze!
Lo, what huge heaps of littleness around!
The whole, a laboured quarry above ground;
Two Cupids squirt before; a lake behind
Improves the keenness of the northern wind.
His gardens next your admiration call,
On every side you look, behold the wall!
No pleasing intricacies intervene,
No artful wildness to perplex the scene;
Grove nods at grove, each alley has a brother,
And half the platform just reflects the other.
The suffering eye inverted Nature sees,
Trees cut to statues, statues thick as trees
With here a fountain, never to be played;
And there a summer-house, that knows no shade;
Here Amphitrite sails through myrtle bowers;
There gladiators fight or die in flowers;
Unwatered see the drooping sea-horse mourn,
And swallows roost in Nilus' dusty urn.
My lord advances with majestic mien,
Smit with the mighty pleasure to be seen:
But soft--by regular approach--not yet--
First through the length of yon hot terrace sweat;
And when up ten steep slopes you've dragged your thighs,
Just at his study door he'll bless your eyes.
His study! with what authors is it stored?
In books, not authors, curious is my lord;
To all their dated backs he turns you round:
These Aldus printed, those Du Sueil has bound,
Lo, some are vellum, and the rest as good
For all his lordship knows, but they are wood.
For Locke or Milton 'tis in vain to look;
These shelves admit not any modern book.
And now the chapel's silver bell you hear,
That summons you to all the pride of prayer;
Light quirks of music, broken and uneven,
Make the soul dance upon a jig to heaven.
On painted ceilings you devoutly stare,
Where sprawl the saints of Verrio or Laguerre,
On gilded clouds in fair expansion lie,
And bring all Paradise before your eye.
To rest, the cushion and soft Dean invite,
Who never mentions hell to ears polite.
But hark! the chiming clocks to dinner call;
A hundred footsteps scrape the marble hall:
The rich buffet well-coloured serpents grace,
And gaping Tritons spew to wash your face.
Is this a dinner? this a genial room?
No, 'tis a temple, and a hecatomb.
A solemn sacrifice, performed in state,
You drink by measure, and to minutes eat.
So quick retires each flying course, you'd swear
Sancho's dread doctor and his wand were there.
Between each act the trembling salvers ring,
From soup to sweet-wine, and God bless the King.
In plenty starving, tantalised in state,
And complaisantly helped to all I hate,
Treated, caressed, and tired, I take my leave,
Sick of his civil pride from morn to eve;
I curse such lavish cost and little skill,
And swear no day was ever past so ill.
Yet hence the poor are clothed, the hungry fed;
Health to himself, and to his infants bread
The labourer bears; what his hard heart denies
His charitable vanity supplies.
Another age shall see the golden ear
Embrown the slope, and nod on the parterre,
Deep harvests bury all his pride has planned,
And laughing Ceres re-assume the land.
Who then shall grace, or who improve the soil?
Who plants like Bathurst, or who builds like Boyle.
'Tis use alone that sanctifies expense,
And splendour borrows all her rays from sense.
His father's acres who enjoys in peace,
Or makes his neighbours glad, if he increase:
Whose cheerful tenants bless their yearly toil,
Yet to their lord owe more than to the soil;
Whose ample lawns are not ashamed to feed
The milky heifer and deserving steed;
Whose rising forests, not for pride or show,
But future buildings, future navies, grow:
Let his plantations stretch from down to down,
First shade a country, and then raise a town.
You too proceed! make falling arts your care,
Erect new wonders, and the old repair;
Jones and Palladio to themselves restore,
And be whate'er Vitruvius was before:
'Till kings call forth the ideas of your mind
(Proud to accomplish what such hands denied)
Bid harbours open, public ways extend,
Bid temples, worthier of the god, ascend;
Bid the broad arch the dangerous flood contain,
The mole projected break the roaring main;
Back to his bounds their subject sea command,
And roll obedient rivers through the land:
These honours peace to happy Britain brings,
These are imperial works, and worthy kings.
EPISTLE V. TO MR. ADDISON.
Occasioned by his Dialogues on Medals.
See the wild waste of all-devouring years!
How Rome her own sad sepulchre appears,
With nodding arches, broken temples spread!
The very tombs now vanished like their dead!
Imperial wonders raised on nations spoiled,
Where mixed with slaves the groaning martyr toiled:
Huge theatres, that now unpeopled woods,
Now drained a distant country of her floods:
Fanes, which admiring gods with pride survey,
Statues of men, scarce less alive than they!
Some felt the silent stroke of mouldering age,
Some hostile fury, some religious rage.
Barbarian blindness, Christian zeal conspire,
And Papal piety, and Gothic fire.
Perhaps, by its own ruins saved from flame,
Some buried marble half preserves a name;
That name the learned with fierce disputes pursue,
And give to Titus old Vespasian's due.
Ambition sighed: she found it vain to trust
The faithless column and the crumbling bust:
Huge moles, whose shadow stretched from shore to shore,
Their ruins perished, and their place no more;
Convinced, she now contracts her vast design,
And all her triumphs shrink into a coin.
A narrow orb each crowded conquest keeps;
Beneath her palm here sad Judea weeps;
Now scantier limits the proud arch confine,
And scarce are seen the prostrate Nile or Rhine;
A small Euphrates through the piece is rolled,
And little eagles wave their wings in gold.
The medal, faithful to its charge of fame,
Through climes and ages bears each form and name:
In one short view subjected to our eye
Gods, emperors, heroes, sages, beauties, lie.
With sharpened sight pale antiquaries pore,
The inscription value, but the rust adore.
This the blue varnish, that the green endears,
The sacred rust of twice ten hundred years!
To gain Pescennius one employs his schemes,
One grasps a Cecrops in ecstatic dreams.
Poor Vadius, long with learned spleen devoured,
Can taste no pleasure since his shield was scoured;
And Curio, restless by the fair one's side,
Sighs for an Otho, and neglects his bride.
Theirs is the vanity, the learning thine:
Touched by thy hand, again Rome's glories shine;
Her gods and god-like heroes rise to view,
And all her faded garlands bloom anew.
Nor blush, these studies thy regard engage;
These pleased the fathers of poetic rage;
The verse and sculpture bore an equal part,
And art reflected images to art.
Oh, when shall Britain, conscious of her claim,
Stand emulous of Greek and Roman fame?
In living medals see her wars enrolled,
And vanquished realms supply recording gold?
Here, rising bold, the patriot's honest face;
There warriors frowning in historic brass?
Then future ages with delight shall see
How Plato's, Bacon's, Newton's looks agree;
Or in fair series laurelled bards be shown,
A Virgil there, and here an Addison.
Then shall thy Craggs (and let me call him mine)
On the cast ore, another Pollio shine;
With aspect open, shall erect his head,
And round the orb in lasting notes be read,
"Statesmen, yet friend to truth! of soul sincere,
In action faithful, and in honour clear;
Who broke no promise, served no private end,
Who gained no title and who lost no friend;
Ennobled by himself, by all approved,
And praised, unenvied, by the muse he loved. "
SATIRES.
EPISTLE TO DR. ARBUTHNOT.
ADVERTISEMENT
To the first publication of this Epistle.
This Paper is a sort of bill of complaint, begun many years since, and
drawn up by snatches, as the several occasions offered. I had no
thoughts of publishing it, till it pleased some persons of rank and
fortune (the authors of "Verses to the Imitator of Horace," and of an
"Epistle to a Doctor of Divinity from a Nobleman at Hampton Court") to
attack, in a very extraordinary manner, not only my writings (of which,
being public, the public is judge), but my person, morals, and family,
whereof, to those who know me not, a truer information may be requisite.
Being divided between the necessity to say something of myself, and my
own laziness to undertake so awkward a task, I thought it the shortest
way to put the last hand to this Epistle. If it have anything pleasing,
it will be that by which I am most desirous to please, the truth and the
sentiment; and if anything offensive, it will be only to those I am least
sorry to offend, the vicious or the ungenerous.
Many will know their own pictures in it, there being not a circumstance
but what is true; but I have, for the most part, spared their names, and
they may escape being laughed at if they please.
I would have some of them know, it was owing to the request of the
learned and candid friend to whom it is inscribed, that I make not as
free use of theirs as they have done of mine. However, I shall have this
advantage and honour on my side, that whereas, by their proceeding, any
abuse may be directed at any man, no injury can possibly be done by mine,
since a nameless character can never be found out but by its truth and
likeness. --P.
EPISTLE TO DR. ARBUTHNOT,
BEING THE
PROLOGUE TO THE SATIRES.
P. Shut, shut the door, good John! fatigued, I said,
Tie up the knocker, say I'm sick, I'm dead.
The dog-star rages! nay 'tis past a doubt,
All Bedlam, or Parnassus, is let out:
Fire in each eye, and papers in each hand,
They rave, recite, and madden round the land.
What walls can guard me, or what shades can hide?
They pierce my thickets, through my grot they glide;
By land, by water, they renew the charge;
They stop the chariot, and they board the barge.
No place is sacred, not the Church is free;
Even Sunday shines no Sabbath Day to me;
Then from the Mint walks forth the man of rhyme,
Happy to catch me just at dinner-time.
Is there a parson, much bemused in beer,
A maudlin poetess, a rhyming peer,
A clerk, foredoomed his father's soul to cross,
Who pens a stanza when he should engross?
Is there, who, locked from ink and paper, scrawls
With desperate charcoal round his darkened walls?
All fly to Twitenham, and in humble strain
Apply to me, to keep them mad or vain.
Arthur, whose giddy son neglects the laws,
Imputes to me and my damned works the cause:
Poor Cornus sees his frantic wife elope,
And curses wit, and poetry, and Pope.
Friend to my life! (which did not you prolong,
The world had wanted many an idle song)
What drop or nostrum can this plague remove?
Or which must end me, a fool's wrath or love?
A dire dilemma! either way I'm sped,
If foes, they write, if friends, they read me dead.
Seized and tied down to judge, how wretched I!
Who can't be silent, and who will not lie.
To laugh, were want of goodness and of grace,
And to be grave, exceeds all power of face.
I sit with sad civility, I read
With honest anguish, and an aching head;
And drop at last, but in unwilling ears,
This saving counsel, "Keep your piece nine years. "
"Nine years! " cries he, who high in Drury Lane,
Lulled by soft zephyrs through the broken pane,
Rhymes ere he wakes, and prints before term ends,
Obliged by hunger, and request of friends:
"The piece, you think, is incorrect? why, take it,
I'm all submission, what you'd have it, make it. "
Three things another's modest wishes bound,
My friendship, and a prologue, and ten pound.
Pitholeon sends to me: "You know his Grace,
I want a patron; ask him for a place. "
'Pitholeon libelled me'--"but here's a letter
Informs you, sir, 'twas when he knew no better.
Dare you refuse him? Curll invites to dine,
He'll write a journal, or he'll turn divine. "
Bless me! a packet. --"'Tis a stranger sues,
A virgin tragedy, an orphan muse. "
If I dislike it, "Furies, death and rage! "
If I approve, "Commend it to the stage. "
There (thank my stars) my whole commission ends,
The players and I are, luckily, no friends,
Fired that the house reject him, "'Sdeath I'll print it,
And shame the fools--Your interest, sir, with Lintot! "
'Lintot, dull rogue! will think your price too much:'
"Not, sir, if you revise it, and retouch. "
All my demurs but double his attacks;
At last he whispers, "Do; and we go snacks. "
Glad of a quarrel, straight I clap the door,
Sir, let me see your works and you no more.
'Tis sung, when Midas' ears began to spring
(Midas, a sacred person and a king),
His very minister who spied them first
(Some say his queen) was forced to speak, or burst.
And is not mine, my friend, a sorer case,
When every coxcomb perks them in my face?
A. Good friend, forbear! you deal in dangerous things.
I'd never name queens, ministers, or kings;
Keep close to ears, and those let asses prick;
'Tis nothing-- P. Nothing? if they bite and kick?
Out with it, Dunciad! let the secret pass,
That secret to each fool, that he's an ass:
The truth once told (and wherefore should we lie? )
The Queen of Midas slept, and so may I.
You think this cruel? take it for a rule,
No creature smarts so little as a fool.
Let peals of laughter, Codrus! round thee break,
Thou unconcerned canst hear the mighty crack:
Pit, box, and gallery in convulsions hurled,
Thou stand'st unshook amidst a bursting world.
Who shames a scribbler? break one cobweb through,
He spins the slight, self-pleasing thread anew:
Destroy his fib or sophistry, in vain,
The creature's at his dirty work again,
Throned in the centre of his thin designs,
Proud of a vast extent of flimsy lines!
Whom have I hurt? has poet yet, or peer,
Lost the arched eyebrow, or Parnassian sneer?
And has not Colley still his lord, and w***e?
His butchers Henley, his free-masons Moore?
Does not one table Bavius still admit?
Still to one bishop Philips seem a wit?
Still Sappho-- A. Hold! for God's sake--you'll offend,
No names! --be calm!
--learn prudence of a friend!
I too could write, and I am twice as tall;
But foes like these-- P. One flatterer's worse than all.
Of all mad creatures, if the learned are right,
It is the slaver kills, and not the bite.
A fool quite angry is quite innocent:
Alas! 'tis ten times worse when they repent.
One dedicates in high heroic prose,
And ridicules beyond a hundred foes:
One from all Grubstreet will my fame defend,
And more abusive, calls himself my friend.
This prints my letters, that expects a bribe,
And others roar aloud, "Subscribe, subscribe. "
There are, who to my person pay their court:
I cough like Horace, and, though lean, am short,
Ammon's great son one shoulder had too high,
Such Ovid's nose, and "Sir! you have an eye"--
Go on, obliging creatures, make me see
All that disgraced my betters, met in me.
Say for my comfort, languishing in bed,
"Just so immortal Maro held his head:"
And when I die, be sure you let me know
Great Homer died three thousand years ago.
Why did I write? what sin to me unknown
Dipped me in ink, my parents', or my own?
As yet a child, nor yet a fool to fame,
I lisped in numbers, for the numbers came.
I left no calling for this idle trade,
No duty broke, no father disobeyed.
The Muse but served to ease some friend, not wife,
To help me through this long disease, my life,
To second, Arbuthnot! thy art and care,
And teach the being you preserved, to bear.
But why then publish? Granville the polite,
And knowing Walsh, would tell me I could write;
Well-natured Garth, inflamed with early praise;
And Congreve loved, and Swift endured my lays;
The courtly Talbot, Somers, Sheffield, read;
Even mitred Rochester would nod the head,
And St. John's self (great Dryden's friends before)
With open arms received one poet more.
Happy my studies, when by these approved!
Happier their author, when by these beloved!
From these the world will judge of men and books,
Not from the Burnets, Oldmixons, and Cookes.
Soft were my numbers; who could take offence,
While pure description held the place of sense?
Like gentle Fanny's was my flowery theme,
A painted mistress, or a purling stream.
Yet then did Gildon draw his venal quill;--
I wished the man a dinner, and sat still.
Yet then did Dennis rave in furious fret;
I never answered--I was not in debt.
If want provoked, or madness made them print,
I waged no war with Bedlam or the Mint.
Did some more sober critic come abroad;
If wrong, I smiled; if right, I kissed the rod.
Pains, reading, study, are their just pretence,
And all they want is spirit, taste, and sense.
Commas and points they set exactly right,
And 'twere a sin to rob them of their mite.
Yet ne'er one sprig of laurel graced these ribalds,
From slashing Bentley down to p---g Tibalds:
Each wight, who reads not, and but scans and spells,
Each word-catcher, that lives on syllables,
Even such small critics some regard may claim,
Preserved in Milton's or in Shakespeare's name.
Pretty! in amber to observe the forms
Of hairs, or straws, or dirt, or grubs, or worms!
The things, we know, are neither rich nor rare,
But wonder how the devil they got there.
Were others angry: I excused them too;
Well might they rage, I gave them but their due.
A man's true merit 'tis not hard to find;
But each man's secret standard in his mind,
That casting-weight pride adds to emptiness,
This, who can gratify? for who can guess?
The bard whom pilfered pastorals renown,
Who turns a Persian tale for half a crown,
Just writes to make his barrenness appear,
And strains, from hard-bound brains, eight lines a year;
He, who still wanting, though he lives on theft,
Steals much, spends little, yet has nothing left:
And he, who now to sense, now nonsense leaning,
Means not, but blunders round about a meaning:
And he, whose fustian's so sublimely bad,
It is not poetry, but prose run mad:
All these, my modest satire bade translate,
And owned that nine such poets made a Tate.
How did they fume, and stamp, and roar, and chafe
And swear not Addison himself was safe.
Peace to all such! but were there one whose fires
True genius kindles, and fair fame inspires;
Blessed with each talent and each art to please,
And born to write, converse, and live with ease:
Should such a man, too fond to rule alone,
Bear, like the Turk, no brother near the throne.
View him with scornful, yet with jealous eyes,
And hate for arts that caused himself to rise;
Damn with faint praise, assent with civil leer,
And without sneering, teach the rest to sneer;
Willing to wound, and yet afraid to strike,
Just hint a fault, and hesitate dislike;
Alike reserved to blame, or to commend,
A timorous foe, and a suspicious friend;
Dreading even fools, by flatterers besieged,
And so obliging, that he ne'er obliged;
Like Cato, give his little senate laws,
And sit attentive to his own applause;
While wits and templars every sentence raise,
And wonder with a foolish face of praise:--
Who but must laugh, if such a man there be?
Who would not weep, if Atticus were he?
What though my name stood rubric on the walls,
Or plaistered posts, with claps, in capitals?
Or smoking forth, a hundred hawkers' load,
On wings of winds came flying all abroad?
I sought no homage from the race that write;
I kept, like Asian monarchs, from their sight:
Poems I heeded (now be-rhymed so long)
No more than thou, great George! a birthday song.
I ne'er with wits or witlings passed my days,
To spread about the itch of verse and praise;
Nor like a puppy, daggled through the town,
To fetch and carry sing-song up and down;
Nor at rehearsals sweat, and mouthed, and cried,
With handkerchief and orange at my side;
But sick of fops, and poetry, and prate,
To Bufo left the whole Castalian state.
Proud as Apollo on his forked hill,
Sat full-blown Bufo puffed by every quill;
Fed with soft dedication all day long,
Horace and he went hand in hand in song.
His library (where busts of poets dead
And a true Pindar stood without a head)
Received of wits an undistinguished race,
Who first his judgment asked, and then a place:
Much they extolled his pictures, much his seat,
And flattered every day, and some days eat:
Till grown more frugal in his riper days,
He paid some bards with port, and some with praise;
To some a dry rehearsal was assigned,
And others (harder still) he paid in kind.
Dryden alone (what wonder? ) came not nigh,
Dryden alone escaped this judging eye:
But still the great have kindness in reserve,
He helped to bury whom he helped to starve.
May some choice patron bless each grey goose quill!
May every Bavius have his Bufo still!
So, when a statesman wants a day's defence,
Or envy holds a whole week's war with sense,
Or simple pride for flattery makes demands,
May dunce by dunce be whistled off my hands!
Blessed be the great! for those they take away,
And those they left me; for they left me gay;
Left me to see neglected genius bloom,
Neglected die, and tell it on his tomb:
Of all thy blameless life the soul return
My verse, and Queensbury weeping o'er thy urn!
Oh let me live my own, and die so too!
(To live and die is all I have to do:)
Maintain a poet's dignity and ease,
And see what friends, and read what books I please;
Above a patron, though I condescend
Sometimes to call a minister my friend.
I was not born for courts or great affairs;
I pay my debts, believe, and say my prayers;
Can sleep without a poem in my head;
Nor know, if Dennis be alive or dead.
Why am I asked what next shall see the light?
Heavens! was I born for nothing but to write?
Has life no joys for me! or (to be grave)
Have I no friend to serve, no soul to save?
"I found him close with Swift. "--'Indeed? no doubt,'
(Cries prating Balbus) 'something will come out. '
'Tis all in vain, deny it as I will.
'No, such a genius never can lie still;'
And then for mine obligingly mistakes
The first lampoon Sir Will. or Bubo makes.
Poor guiltless I! and can I choose but smile
When every coxcomb knows me by my style?
Cursed be the verse, how well soe'er it flow
That tends to make one worthy man my foe,
Give virtue scandal, innocence a fear,
Or from the soft-eyed virgin steal a tear!
But he who hurts a harmless neighbour's peace,
Insults fallen worth, or beauty in distress,
Who loves a lie, lame slander helps about,
Who writes a libel, or who copies out:
That fop, whose pride affects a patron's name,
Yet absent, wounds an author's honest fame:
Who can your merit selfishly approve,
And show the sense of it without the love;
Who has the vanity to call you friend,
Yet wants the honour, injured, to defend;
Who tells whate'er you think, whate'er you say,
And, if he lie not, must at least betray:
Who to the Dean, and silver bell can swear,
And sees at Canons what was never there;
Who reads, but with a lust to misapply,
Make satire a lampoon, and fiction, lie.
A lash like mine no honest man shall dread,
But all such babbling blockheads in his stead.
Let Sporus tremble-- A. What? that thing of silk,
Sporus, that mere white curd of ass's milk,
Satire or sense, alas! can Sporus feel?
Who breaks a butterfly upon a wheel?
P. Yet let me flap this bug with gilded wings,
This painted child of dirt, that stinks and stings;
Whose buzz the witty and the fair annoys,
Yet wit ne'er tastes, and beauty ne'er enjoys:
So well-bred spaniels civilly delight
In mumbling of the game they dare not bite:
Eternal smiles his emptiness betray,
As shallow streams run dimpling all the way.
Whether in florid impotence he speaks
And, as the prompter breathes, the puppet squeaks;
Or at the ear of Eve, familiar toad,
Half froth, half venom, spits himself abroad,
In puns, or politics, or tales, or lies,
Or spite, or smut, or rhymes, or blasphemies.
His wit all see-saw, between that and this, }
Now high, now low, now master up, now miss, }
And he himself one vile antithesis. }
Amphibious thing! that acting either part,
The trifling head or the corrupted heart,
Fop at the toilet, flatterer at the board,
Now trips a lady, and now struts a lord.
Eve's tempter thus the rabbins have expressed,
A cherub's face, a reptile all the rest;
Beauty that shocks you, parts that none will trust;
Wit that can creep, and pride that licks the dust.
Not fortunes worshipper, nor fashion's fool,
Not lucre's madman, nor ambition's tool,
Not proud, nor servile;--be one poet's praise,
That, if he pleased, he pleased by manly ways:
That flattery, even to kings, he held a shame,
And thought a lie in verse or prose the same.
That not in fancy's maze he wandered long:
But stooped to truth, and moralised his song:
That not for fame, but virtue's better end,
He stood the furious foe, the timid friend,
The damning critic, half approving wit,
The coxcomb hit, or fearing to be hit;
Laughed at the loss of friends he never had,
The dull, the proud, the wicked, and the mad;
The distant threats of vengeance on his head,
The blow unfelt, the tear he never shed;
The tale revived, the lie so oft o'erthrown,
The imputed trash, and dulness not his own;
The morals blackened when the writings scape,
The libelled person, and the pictured shape;
Abuse, on all he loved, or loved him, spread,
A friend in exile, or a father, dead;
The whisper, that to greatness still too near,
Perhaps, yet vibrates, on his sovereign's ear:--
Welcome for thee, fair virtue! all the past;
For thee, fair virtue! welcome even the last!
A. But why insult the poor, affront the great?
P. A knave's a knave, to me in every state:
Alike my scorn, if he succeed or fail,
Sporus at Court, or Japhet in a jail,
A hireling scribbler, or a hireling peer,
Knight of the post corrupt, or of the shire;
If on a pillory, or near a throne,
He gain his prince's ear, or lose his own.
Yet soft by nature, more a dupe than wit,
Sappho can tell you how this man was bit;
This dreaded satirist Dennis will confess
Foe to his pride, but friend to his distress:
So humble, he has knocked at Tibbald's door,
Has drunk with Cibber, nay has rhymed for Moore.
Full ten years slandered, did he once reply?
Three thousand sons went down on Welsted's lie.
To please a mistress one aspersed his life;
He lashed him not, but let her be his wife.
Let Budgel charge low Grubstreet on his quill,
And write whate'er he pleased, except his will;
Let the two Curlls of town and court abuse
His father, mother, body, soul, and muse.
Yet why? that father held it for a rule,
It was a sin to call our neighbour fool:
That harmless mother thought no wife a w***e:
Hear this, and spare his family, James Moore!
Unspotted names, and memorable long!
If there be force in virtue, or in song.
Of gentle blood (part shed in honour's cause
While yet in Britain honour had applause)
Each parent sprung-- A. What fortune, pray? -- P. Their own,
And better got, than Bestia's from the throne.
Born to no pride, inheriting no strife,
Nor marrying discord in a noble wife,
Stranger to civil and religious rage,
The good man walked innoxious through his age.
Nor courts he saw, no suits would ever try,
Nor dared an oath, nor hazarded a lie.
Unlearned he knew no schoolman's subtle art,
No language, but the language of the heart.
By nature honest, by experience wise,
Healthy by temperance, and by exercise;
His life, though long, to sickness past unknown,
His death was instant, and without a groan.
O grant me thus to live, and thus to die!
Who sprung from kings shall know less joy than I.
O friend! may each domestic bliss be thine!
Be no unpleasing melancholy mine:
Me, let the tender office long engage,
To rock the cradle of reposing age,
With lenient arts extend a mother's breath,
Make languor smile, and smooth the bed of death,
Explore the thought, explain the asking eye,
And keep a while one parent from the sky!
On cares like these if length of days attend,
May Heaven, to bless those days, preserve my friend,
Preserve him social, cheerful, and serene,
And just as rich as when he served a queen.
A. Whether that blessing be denied or given,
Thus far was right, the rest belongs to Heaven.
SATIRES AND EPISTLES OF HORACE IMITATED.
ADVERTISEMENT.
The occasion of publishing these Imitations was the clamour raised on
some of my Epistles. An answer from Horace was both more full, and of
more dignity, than any I could have made in my own person; and the
example of much greater freedom in so eminent a divine as Dr. Donne,
seemed a proof with what indignation and contempt a Christian may treat
vice or folly, in ever so low, or ever so high a station. Both these
authors were acceptable to the princes and ministers under whom they
lived. The Satires of Dr. Donne I versified, at the desire of the Earl
of Oxford while he was Lord Treasurer, and of the Duke of Shrewsbury who
had been Secretary of State, neither of whom looked upon a satire on
vicious courts as any reflection on those they served in. And indeed
there is not in the world a greater error, than that which fools are so
apt to fall into, and knaves with good reason to encourage, the mistaking
a satirist for a libeller; whereas to a true satirist nothing is so
odious as a libeller, for the same reason as to a man truly virtuous
nothing is so hateful as a hypocrite.
Uni aequus Virtuti atque ejus Amicis. P.
THE FIRST SATIRE OF THE SECOND BOOK OF HORACE.
SATIRE I. TO MR. FORTESCUE.
P. There are (I scarce can think it, but am told),
There are, to whom my satire seems too bold:
Scarce to wise Peter complaisant enough,
And something said of Chartres much too rough.
The lines are weak another's pleased to say,
Lord Fanny spins a thousand such a day.
Timorous by nature, of the rich in awe,
I come to counsel learned in the law:
You'll give me, like a friend both sage and free,
Advice; and (as you use) without a fee.
F. I'd write no more. P. Not write? but then I think,
And for my soul I cannot sleep a wink.
I nod in company, I wake at night,
Fools rush into my head, and so I write.
F. You could not do a worse thing for your life.
Why, if the nights seem tedious--take a wife:
Or rather truly, if your point be rest,
Lettuce and cowslip wine: Probatum est.
But talk with Celsus, Celsus will advise
Hartshorn, or something that shall close your eyes.
Or, if you needs must write, write Caesar's praise,
You'll gain at least a knighthood, or the bays.
P. What? like Sir Richard, rumbling, rough, and fierce,
With arms, and George, and Brunswick crowd the verse,
Rend with tremendous sound your ears asunder,
With gun, drum, trumpet, blunderbuss, and thunder?
Or nobly wild, with Budgel's fire and force,
Paint angels trembling round his falling horse?
F. Then all your muse's softer art display,
Let Carolina smooth the tuneful lay,
Lull with Amelia's liquid name the nine,
And sweetly flow through all the royal line.
P. Alas! few verses touch their nicer ear;
They scarce can bear their laureate twice a year;
And justly Caesar scorns the poet's lays:
It is to history he trusts for praise.
F. Better be Cibber, I'll maintain it still,
Than ridicule all taste, blaspheme quadrille,
Abuse the city's best good men in metre,
And laugh at peers that put their trust in Peter.
Even those you touch not, hate you. P. What should ail 'em?
F. A hundred smart in Timon and in Balaam:
The fewer still you name, you wound the more;
Bond is but one, but Harpax is a score.
P. Each mortal has his pleasure: none deny
Scarsdale his bottle, Darty his ham-pie;
Ridotta sips and dances, till she see
The doubling lustres dance as fast as she;
F---- loves the senate, Hockley-hole his brother,
Like in all else, as one egg to another.
I love to pour out all myself, as plain
As downright Shippen, or as old Montaigne:
In them, as certain to be loved as seen,
The soul stood forth, nor kept a thought within;
In me what spots (for spots I have) appear,
Will prove at least the medium must be clear.
In this impartial glass, my muse intends
Fair to expose myself, my foes, my friends;
Publish the present age; but where my text
Is vice too high, reserve it for the next:
My foes shall wish my life a longer date,
And every friend the less lament my fate.
My head and heart thus flowing through my quill,
Verse-man or prose-man, term me which you will,
Papist or Protestant, or both between,
Like good Erasmus in an honest mean,
In moderation placing all my glory,
While Tories call me Whig, and Whigs a Tory.
Satire's my weapon, but I'm too discreet
To run a muck, and tilt at all I meet;
I only wear it in a land of Hectors,
Thieves, supercargoes, sharpers, and directors.
Save but our army! and let Jove encrust
Swords, pikes, and guns, with everlasting rust!
Peace is my dear delight--not Fleury's more:
But touch me, and no minister so sore.
Whoe'er offends, at some unlucky time
Slides into verse, and hitches in a rhyme,
Sacred to ridicule his whole life long,
And the sad burthen of some merry song.
Slander or poison dread from Delia's rage
Hard words or hanging, if your judge be Page.
From furious Sappho scarce a milder fate,
Plagued by her love, or libelled by her hate.
Its proper power to hurt, each creature feels;
Bulls aim their horns, and asses lift their heels;
'Tis a bear's talent not to kick, but hug;
And no man wonders he's not stung by pug.
So drink with Walters, or with Chartres eat,
They'll never poison you, they'll only cheat.
Then, learned sir! (to cut the matter short)
Whate'er my fate, or well or ill at Court,
Whether old age, with faint but cheerful ray,
Attends to gild the evening of my day,
Or death's black wing already be displayed,
To wrap me in the universal shade;
Whether the darkened room to muse invite,
Or whitened wall provoke the skewer to write:
In durance, exile, Bedlam or the Mint--
Like Lee or Budgel, I will rhyme and print.
F. Alas, young man! your days can ne'er be long,
In flower of age you perish for a song!
Plums and directors, Shylock and his wife,
Will club their testers, now, to take your life!
P. What? armed for virtue when I point the pen,
Brand the bold front of shameless guilty men;
Dash the proud gamester in his gilded car;
Bare the mean heart that lurks beneath a star;
Can there be wanting, to defend her cause,
Lights of the Church, or guardians of the laws?
Could pensioned Boileau lash in honest strain
Flatterers and bigots even in Louis' reign?
Could Laureate Dryden pimp and friar engage,
Yet neither Charles nor James be in a rage?
And I not strip the gilding off a knave,
Unplaced, unpensioned, no man's heir, or slave?
I will, or perish in the generous cause:
Hear this, and tremble! you, who 'scape the laws.
Yes, while I live, no rich or noble knave
Shall walk the world, in credit, to his grave.
To Virtue only and her friends a friend,
The world beside may murmur, or commend.
Know, all the distant din that world can keep
Rolls o'er my grotto, and but soothes my sleep.
There, my retreat the best companions grace,
Chiefs out of war, and statesmen out of place.
There St.
ARGUMENT.
Of the Use of Riches.
The Vanity of Expense in people of Wealth and Quality. The abuse of the
word Taste, v. 13. That the first Principle and foundation, in this as in
everything else, is Good Sense, v. 40. The chief Proof of it is to
follow Nature even in works of mere Luxury and Elegance. Instanced in
Architecture and Gardening, where all must be adapted to the Genius and
Use of the Place, and the Beauties not forced into it, but resulting from
it, v. 50. How men are disappointed in their most expensive undertakings,
for want of this true Foundation, without which nothing can please long,
if at all: and the best Examples and Rules will but be perverted into
something burdensome or ridiculous, v. 65, etc. , to 92. A description of
the false Taste of Magnificence; the first grand Error of which is to
imagine that Greatness consists in the size and dimension, instead of the
Proportion and Harmony of the whole, v. 97, and the second, either in
joining together Parts incoherent, or too minutely resembling, or in the
Repetition of the same too frequently, v. 105, etc. A word or two of
false Taste in Books, in Music, in Painting, even in Preaching and
Prayer, and lastly in Entertainments, v. 133, etc. Yet Providence is
justified in giving Wealth to be squandered in this manner, since it is
dispersed to the poor and laborious part of mankind, v. 169 (recurring to
what is laid down in the first book, Ep. ii. , and in the Epistle
preceding this, v. 159, etc. ). What are the proper objects of
Magnificence, and a proper field for the Expense of Great Men, v. 177,
etc. , and finally, the Great and Public Works which become a Prince,
v. 191 to the end.
'Tis strange, the miser should his cares employ
To gain those riches he can ne'er enjoy:
Is it less strange, the prodigal should waste
His wealth, to purchase what he ne'er can taste?
Not for himself he sees, or hears, or eats;
Artists must choose his pictures, music, meats:
He buys for Topham, drawings and designs,
For Pembroke, statues, dirty gods, and coins;
Rare monkish manuscripts for Hearne alone,
And books for Mead, and butterflies for Sloane.
Think we all these are for himself? no more
Than his fine wife, alas! or finer w***e.
For what has Virro painted, built, and planted?
Only to show, how many tastes he wanted.
What brought Sir Visto's ill-got wealth to waste?
Some demon whispered, "Visto! have a taste. "
Heaven visits with a taste the wealthy fool,
And needs no rod but Ripley with a rule.
See! sportive Fate, to punish awkward pride,
Bids Bubo build, and sends him such a guide.
A standing sermon, at each year's expense,
That never coxcomb reached magnificence!
You show us, Rome was glorious, not profuse,
And pompous buildings once were things of use.
Yet shall, my lord, your just, your noble rules
Fill half the land with imitating fools;
Who random drawings from your sheets shall take,
And of one beauty many blunders make;
Load some vain church with old theatric state,
Turn arcs of triumph to a garden-gate;
Reverse your ornaments, and hang them all
On some patched dog-hole eked with ends of wall;
Then clap four slices of pilaster on 't,
That, laced with bits of rustic, makes a front
Shall call the winds through long arcades to roar,
Proud to catch cold at a Venetian door;
Conscious they act a true Palladian part,
And, if they starve, they starve by rules of art.
Oft have you hinted to your brother peer
A certain truth, which many buy too dear:
Something there is more needful than expense,
And something previous even to taste--'tis sense.
Good sense, which only is the gift of Heaven,
And though no science, fairly worth the seven:
A light, which in yourself you must perceive:
Jones and Le Notre have it not to give.
To build, to plant, whatever you intend,
To rear the column, or the arch to bend,
To swell the terrace, or to sink the grot;
In all, let Nature never be forgot.
But treat the goddess like a modest fair,
Nor over-dress, nor leave her wholly bare;
Let not each beauty everywhere be spied,
Where half the skill is decently to hide.
He gains all points, who pleasingly confounds,
Surprises, varies, and conceals the bounds.
Consult the genius of the place in all;
That tells the waters or to rise or fall,
Or helps the ambitious hill the heavens to scale,
Or scoops in circling theatres the vale;
Calls in the country, catches opening glades,
Joins willing woods, and varies shades from shades;
Now breaks, or now directs, the intending lines;
Paints as you plant, and, as you work, designs.
Still follow sense, of every art the soul,
Parts answering parts shall slide into a whole,
Spontaneous beauties all around advance,
Start even from difficulty, strike from chance;
Nature shall join you; Time shall make it grow
A work to wonder at--perhaps a Stowe.
Without it, proud Versailles, thy glory falls;
And Nero's terraces desert their walls:
The vast parterres a thousand hands shall make;
Lo! Cobham comes, and floats them with a lake:
Or cut wide views through mountains to the plain,
You'll wish your hill or sheltered seat again.
Even in an ornament its place remark,
Nor in a hermitage set Dr. Clarke.
Behold Villario's ten years' toil complete:
His quincunx darkens, his espaliers meet;
The wood supports the plain, the parts unite,
And strength of shade contends with strength of light;
A waving glow the bloomy beds display,
Blushing in bright diversities of day,
With silver-quivering rills meandered o'er--
Enjoy them, you! Villario can no more;
Tired of the scene parterres and fountains yield,
He finds at last he better likes a field.
Through his young woods how pleased Sabinus strayed,
Or sat delighted in the thickening shade,
With annual joy the reddening shoots to greet,
Or see the stretching branches long to meet!
His son's fine taste an opener vista loves,
Foe to the Dryads of his father's groves;
One boundless green, or flourished carpet views,
With all the mournful family of yews;
The thriving plants, ignoble broomsticks made,
Now sweep those alleys they were born to shade.
At Timon's villa let us pass a day,
Where all cry out, "What sums are thrown away! "
So proud, so grand; of that stupendous air,
Soft and agreeable come never there.
Greatness, with Timon, dwells in such a draught
As brings all Brobdingnag before your thought.
To compass this, his building is a town,
His pond an ocean, his parterre a down:
Who but must laugh, the master when he sees,
A puny insect, shivering at a breeze!
Lo, what huge heaps of littleness around!
The whole, a laboured quarry above ground;
Two Cupids squirt before; a lake behind
Improves the keenness of the northern wind.
His gardens next your admiration call,
On every side you look, behold the wall!
No pleasing intricacies intervene,
No artful wildness to perplex the scene;
Grove nods at grove, each alley has a brother,
And half the platform just reflects the other.
The suffering eye inverted Nature sees,
Trees cut to statues, statues thick as trees
With here a fountain, never to be played;
And there a summer-house, that knows no shade;
Here Amphitrite sails through myrtle bowers;
There gladiators fight or die in flowers;
Unwatered see the drooping sea-horse mourn,
And swallows roost in Nilus' dusty urn.
My lord advances with majestic mien,
Smit with the mighty pleasure to be seen:
But soft--by regular approach--not yet--
First through the length of yon hot terrace sweat;
And when up ten steep slopes you've dragged your thighs,
Just at his study door he'll bless your eyes.
His study! with what authors is it stored?
In books, not authors, curious is my lord;
To all their dated backs he turns you round:
These Aldus printed, those Du Sueil has bound,
Lo, some are vellum, and the rest as good
For all his lordship knows, but they are wood.
For Locke or Milton 'tis in vain to look;
These shelves admit not any modern book.
And now the chapel's silver bell you hear,
That summons you to all the pride of prayer;
Light quirks of music, broken and uneven,
Make the soul dance upon a jig to heaven.
On painted ceilings you devoutly stare,
Where sprawl the saints of Verrio or Laguerre,
On gilded clouds in fair expansion lie,
And bring all Paradise before your eye.
To rest, the cushion and soft Dean invite,
Who never mentions hell to ears polite.
But hark! the chiming clocks to dinner call;
A hundred footsteps scrape the marble hall:
The rich buffet well-coloured serpents grace,
And gaping Tritons spew to wash your face.
Is this a dinner? this a genial room?
No, 'tis a temple, and a hecatomb.
A solemn sacrifice, performed in state,
You drink by measure, and to minutes eat.
So quick retires each flying course, you'd swear
Sancho's dread doctor and his wand were there.
Between each act the trembling salvers ring,
From soup to sweet-wine, and God bless the King.
In plenty starving, tantalised in state,
And complaisantly helped to all I hate,
Treated, caressed, and tired, I take my leave,
Sick of his civil pride from morn to eve;
I curse such lavish cost and little skill,
And swear no day was ever past so ill.
Yet hence the poor are clothed, the hungry fed;
Health to himself, and to his infants bread
The labourer bears; what his hard heart denies
His charitable vanity supplies.
Another age shall see the golden ear
Embrown the slope, and nod on the parterre,
Deep harvests bury all his pride has planned,
And laughing Ceres re-assume the land.
Who then shall grace, or who improve the soil?
Who plants like Bathurst, or who builds like Boyle.
'Tis use alone that sanctifies expense,
And splendour borrows all her rays from sense.
His father's acres who enjoys in peace,
Or makes his neighbours glad, if he increase:
Whose cheerful tenants bless their yearly toil,
Yet to their lord owe more than to the soil;
Whose ample lawns are not ashamed to feed
The milky heifer and deserving steed;
Whose rising forests, not for pride or show,
But future buildings, future navies, grow:
Let his plantations stretch from down to down,
First shade a country, and then raise a town.
You too proceed! make falling arts your care,
Erect new wonders, and the old repair;
Jones and Palladio to themselves restore,
And be whate'er Vitruvius was before:
'Till kings call forth the ideas of your mind
(Proud to accomplish what such hands denied)
Bid harbours open, public ways extend,
Bid temples, worthier of the god, ascend;
Bid the broad arch the dangerous flood contain,
The mole projected break the roaring main;
Back to his bounds their subject sea command,
And roll obedient rivers through the land:
These honours peace to happy Britain brings,
These are imperial works, and worthy kings.
EPISTLE V. TO MR. ADDISON.
Occasioned by his Dialogues on Medals.
See the wild waste of all-devouring years!
How Rome her own sad sepulchre appears,
With nodding arches, broken temples spread!
The very tombs now vanished like their dead!
Imperial wonders raised on nations spoiled,
Where mixed with slaves the groaning martyr toiled:
Huge theatres, that now unpeopled woods,
Now drained a distant country of her floods:
Fanes, which admiring gods with pride survey,
Statues of men, scarce less alive than they!
Some felt the silent stroke of mouldering age,
Some hostile fury, some religious rage.
Barbarian blindness, Christian zeal conspire,
And Papal piety, and Gothic fire.
Perhaps, by its own ruins saved from flame,
Some buried marble half preserves a name;
That name the learned with fierce disputes pursue,
And give to Titus old Vespasian's due.
Ambition sighed: she found it vain to trust
The faithless column and the crumbling bust:
Huge moles, whose shadow stretched from shore to shore,
Their ruins perished, and their place no more;
Convinced, she now contracts her vast design,
And all her triumphs shrink into a coin.
A narrow orb each crowded conquest keeps;
Beneath her palm here sad Judea weeps;
Now scantier limits the proud arch confine,
And scarce are seen the prostrate Nile or Rhine;
A small Euphrates through the piece is rolled,
And little eagles wave their wings in gold.
The medal, faithful to its charge of fame,
Through climes and ages bears each form and name:
In one short view subjected to our eye
Gods, emperors, heroes, sages, beauties, lie.
With sharpened sight pale antiquaries pore,
The inscription value, but the rust adore.
This the blue varnish, that the green endears,
The sacred rust of twice ten hundred years!
To gain Pescennius one employs his schemes,
One grasps a Cecrops in ecstatic dreams.
Poor Vadius, long with learned spleen devoured,
Can taste no pleasure since his shield was scoured;
And Curio, restless by the fair one's side,
Sighs for an Otho, and neglects his bride.
Theirs is the vanity, the learning thine:
Touched by thy hand, again Rome's glories shine;
Her gods and god-like heroes rise to view,
And all her faded garlands bloom anew.
Nor blush, these studies thy regard engage;
These pleased the fathers of poetic rage;
The verse and sculpture bore an equal part,
And art reflected images to art.
Oh, when shall Britain, conscious of her claim,
Stand emulous of Greek and Roman fame?
In living medals see her wars enrolled,
And vanquished realms supply recording gold?
Here, rising bold, the patriot's honest face;
There warriors frowning in historic brass?
Then future ages with delight shall see
How Plato's, Bacon's, Newton's looks agree;
Or in fair series laurelled bards be shown,
A Virgil there, and here an Addison.
Then shall thy Craggs (and let me call him mine)
On the cast ore, another Pollio shine;
With aspect open, shall erect his head,
And round the orb in lasting notes be read,
"Statesmen, yet friend to truth! of soul sincere,
In action faithful, and in honour clear;
Who broke no promise, served no private end,
Who gained no title and who lost no friend;
Ennobled by himself, by all approved,
And praised, unenvied, by the muse he loved. "
SATIRES.
EPISTLE TO DR. ARBUTHNOT.
ADVERTISEMENT
To the first publication of this Epistle.
This Paper is a sort of bill of complaint, begun many years since, and
drawn up by snatches, as the several occasions offered. I had no
thoughts of publishing it, till it pleased some persons of rank and
fortune (the authors of "Verses to the Imitator of Horace," and of an
"Epistle to a Doctor of Divinity from a Nobleman at Hampton Court") to
attack, in a very extraordinary manner, not only my writings (of which,
being public, the public is judge), but my person, morals, and family,
whereof, to those who know me not, a truer information may be requisite.
Being divided between the necessity to say something of myself, and my
own laziness to undertake so awkward a task, I thought it the shortest
way to put the last hand to this Epistle. If it have anything pleasing,
it will be that by which I am most desirous to please, the truth and the
sentiment; and if anything offensive, it will be only to those I am least
sorry to offend, the vicious or the ungenerous.
Many will know their own pictures in it, there being not a circumstance
but what is true; but I have, for the most part, spared their names, and
they may escape being laughed at if they please.
I would have some of them know, it was owing to the request of the
learned and candid friend to whom it is inscribed, that I make not as
free use of theirs as they have done of mine. However, I shall have this
advantage and honour on my side, that whereas, by their proceeding, any
abuse may be directed at any man, no injury can possibly be done by mine,
since a nameless character can never be found out but by its truth and
likeness. --P.
EPISTLE TO DR. ARBUTHNOT,
BEING THE
PROLOGUE TO THE SATIRES.
P. Shut, shut the door, good John! fatigued, I said,
Tie up the knocker, say I'm sick, I'm dead.
The dog-star rages! nay 'tis past a doubt,
All Bedlam, or Parnassus, is let out:
Fire in each eye, and papers in each hand,
They rave, recite, and madden round the land.
What walls can guard me, or what shades can hide?
They pierce my thickets, through my grot they glide;
By land, by water, they renew the charge;
They stop the chariot, and they board the barge.
No place is sacred, not the Church is free;
Even Sunday shines no Sabbath Day to me;
Then from the Mint walks forth the man of rhyme,
Happy to catch me just at dinner-time.
Is there a parson, much bemused in beer,
A maudlin poetess, a rhyming peer,
A clerk, foredoomed his father's soul to cross,
Who pens a stanza when he should engross?
Is there, who, locked from ink and paper, scrawls
With desperate charcoal round his darkened walls?
All fly to Twitenham, and in humble strain
Apply to me, to keep them mad or vain.
Arthur, whose giddy son neglects the laws,
Imputes to me and my damned works the cause:
Poor Cornus sees his frantic wife elope,
And curses wit, and poetry, and Pope.
Friend to my life! (which did not you prolong,
The world had wanted many an idle song)
What drop or nostrum can this plague remove?
Or which must end me, a fool's wrath or love?
A dire dilemma! either way I'm sped,
If foes, they write, if friends, they read me dead.
Seized and tied down to judge, how wretched I!
Who can't be silent, and who will not lie.
To laugh, were want of goodness and of grace,
And to be grave, exceeds all power of face.
I sit with sad civility, I read
With honest anguish, and an aching head;
And drop at last, but in unwilling ears,
This saving counsel, "Keep your piece nine years. "
"Nine years! " cries he, who high in Drury Lane,
Lulled by soft zephyrs through the broken pane,
Rhymes ere he wakes, and prints before term ends,
Obliged by hunger, and request of friends:
"The piece, you think, is incorrect? why, take it,
I'm all submission, what you'd have it, make it. "
Three things another's modest wishes bound,
My friendship, and a prologue, and ten pound.
Pitholeon sends to me: "You know his Grace,
I want a patron; ask him for a place. "
'Pitholeon libelled me'--"but here's a letter
Informs you, sir, 'twas when he knew no better.
Dare you refuse him? Curll invites to dine,
He'll write a journal, or he'll turn divine. "
Bless me! a packet. --"'Tis a stranger sues,
A virgin tragedy, an orphan muse. "
If I dislike it, "Furies, death and rage! "
If I approve, "Commend it to the stage. "
There (thank my stars) my whole commission ends,
The players and I are, luckily, no friends,
Fired that the house reject him, "'Sdeath I'll print it,
And shame the fools--Your interest, sir, with Lintot! "
'Lintot, dull rogue! will think your price too much:'
"Not, sir, if you revise it, and retouch. "
All my demurs but double his attacks;
At last he whispers, "Do; and we go snacks. "
Glad of a quarrel, straight I clap the door,
Sir, let me see your works and you no more.
'Tis sung, when Midas' ears began to spring
(Midas, a sacred person and a king),
His very minister who spied them first
(Some say his queen) was forced to speak, or burst.
And is not mine, my friend, a sorer case,
When every coxcomb perks them in my face?
A. Good friend, forbear! you deal in dangerous things.
I'd never name queens, ministers, or kings;
Keep close to ears, and those let asses prick;
'Tis nothing-- P. Nothing? if they bite and kick?
Out with it, Dunciad! let the secret pass,
That secret to each fool, that he's an ass:
The truth once told (and wherefore should we lie? )
The Queen of Midas slept, and so may I.
You think this cruel? take it for a rule,
No creature smarts so little as a fool.
Let peals of laughter, Codrus! round thee break,
Thou unconcerned canst hear the mighty crack:
Pit, box, and gallery in convulsions hurled,
Thou stand'st unshook amidst a bursting world.
Who shames a scribbler? break one cobweb through,
He spins the slight, self-pleasing thread anew:
Destroy his fib or sophistry, in vain,
The creature's at his dirty work again,
Throned in the centre of his thin designs,
Proud of a vast extent of flimsy lines!
Whom have I hurt? has poet yet, or peer,
Lost the arched eyebrow, or Parnassian sneer?
And has not Colley still his lord, and w***e?
His butchers Henley, his free-masons Moore?
Does not one table Bavius still admit?
Still to one bishop Philips seem a wit?
Still Sappho-- A. Hold! for God's sake--you'll offend,
No names! --be calm!
--learn prudence of a friend!
I too could write, and I am twice as tall;
But foes like these-- P. One flatterer's worse than all.
Of all mad creatures, if the learned are right,
It is the slaver kills, and not the bite.
A fool quite angry is quite innocent:
Alas! 'tis ten times worse when they repent.
One dedicates in high heroic prose,
And ridicules beyond a hundred foes:
One from all Grubstreet will my fame defend,
And more abusive, calls himself my friend.
This prints my letters, that expects a bribe,
And others roar aloud, "Subscribe, subscribe. "
There are, who to my person pay their court:
I cough like Horace, and, though lean, am short,
Ammon's great son one shoulder had too high,
Such Ovid's nose, and "Sir! you have an eye"--
Go on, obliging creatures, make me see
All that disgraced my betters, met in me.
Say for my comfort, languishing in bed,
"Just so immortal Maro held his head:"
And when I die, be sure you let me know
Great Homer died three thousand years ago.
Why did I write? what sin to me unknown
Dipped me in ink, my parents', or my own?
As yet a child, nor yet a fool to fame,
I lisped in numbers, for the numbers came.
I left no calling for this idle trade,
No duty broke, no father disobeyed.
The Muse but served to ease some friend, not wife,
To help me through this long disease, my life,
To second, Arbuthnot! thy art and care,
And teach the being you preserved, to bear.
But why then publish? Granville the polite,
And knowing Walsh, would tell me I could write;
Well-natured Garth, inflamed with early praise;
And Congreve loved, and Swift endured my lays;
The courtly Talbot, Somers, Sheffield, read;
Even mitred Rochester would nod the head,
And St. John's self (great Dryden's friends before)
With open arms received one poet more.
Happy my studies, when by these approved!
Happier their author, when by these beloved!
From these the world will judge of men and books,
Not from the Burnets, Oldmixons, and Cookes.
Soft were my numbers; who could take offence,
While pure description held the place of sense?
Like gentle Fanny's was my flowery theme,
A painted mistress, or a purling stream.
Yet then did Gildon draw his venal quill;--
I wished the man a dinner, and sat still.
Yet then did Dennis rave in furious fret;
I never answered--I was not in debt.
If want provoked, or madness made them print,
I waged no war with Bedlam or the Mint.
Did some more sober critic come abroad;
If wrong, I smiled; if right, I kissed the rod.
Pains, reading, study, are their just pretence,
And all they want is spirit, taste, and sense.
Commas and points they set exactly right,
And 'twere a sin to rob them of their mite.
Yet ne'er one sprig of laurel graced these ribalds,
From slashing Bentley down to p---g Tibalds:
Each wight, who reads not, and but scans and spells,
Each word-catcher, that lives on syllables,
Even such small critics some regard may claim,
Preserved in Milton's or in Shakespeare's name.
Pretty! in amber to observe the forms
Of hairs, or straws, or dirt, or grubs, or worms!
The things, we know, are neither rich nor rare,
But wonder how the devil they got there.
Were others angry: I excused them too;
Well might they rage, I gave them but their due.
A man's true merit 'tis not hard to find;
But each man's secret standard in his mind,
That casting-weight pride adds to emptiness,
This, who can gratify? for who can guess?
The bard whom pilfered pastorals renown,
Who turns a Persian tale for half a crown,
Just writes to make his barrenness appear,
And strains, from hard-bound brains, eight lines a year;
He, who still wanting, though he lives on theft,
Steals much, spends little, yet has nothing left:
And he, who now to sense, now nonsense leaning,
Means not, but blunders round about a meaning:
And he, whose fustian's so sublimely bad,
It is not poetry, but prose run mad:
All these, my modest satire bade translate,
And owned that nine such poets made a Tate.
How did they fume, and stamp, and roar, and chafe
And swear not Addison himself was safe.
Peace to all such! but were there one whose fires
True genius kindles, and fair fame inspires;
Blessed with each talent and each art to please,
And born to write, converse, and live with ease:
Should such a man, too fond to rule alone,
Bear, like the Turk, no brother near the throne.
View him with scornful, yet with jealous eyes,
And hate for arts that caused himself to rise;
Damn with faint praise, assent with civil leer,
And without sneering, teach the rest to sneer;
Willing to wound, and yet afraid to strike,
Just hint a fault, and hesitate dislike;
Alike reserved to blame, or to commend,
A timorous foe, and a suspicious friend;
Dreading even fools, by flatterers besieged,
And so obliging, that he ne'er obliged;
Like Cato, give his little senate laws,
And sit attentive to his own applause;
While wits and templars every sentence raise,
And wonder with a foolish face of praise:--
Who but must laugh, if such a man there be?
Who would not weep, if Atticus were he?
What though my name stood rubric on the walls,
Or plaistered posts, with claps, in capitals?
Or smoking forth, a hundred hawkers' load,
On wings of winds came flying all abroad?
I sought no homage from the race that write;
I kept, like Asian monarchs, from their sight:
Poems I heeded (now be-rhymed so long)
No more than thou, great George! a birthday song.
I ne'er with wits or witlings passed my days,
To spread about the itch of verse and praise;
Nor like a puppy, daggled through the town,
To fetch and carry sing-song up and down;
Nor at rehearsals sweat, and mouthed, and cried,
With handkerchief and orange at my side;
But sick of fops, and poetry, and prate,
To Bufo left the whole Castalian state.
Proud as Apollo on his forked hill,
Sat full-blown Bufo puffed by every quill;
Fed with soft dedication all day long,
Horace and he went hand in hand in song.
His library (where busts of poets dead
And a true Pindar stood without a head)
Received of wits an undistinguished race,
Who first his judgment asked, and then a place:
Much they extolled his pictures, much his seat,
And flattered every day, and some days eat:
Till grown more frugal in his riper days,
He paid some bards with port, and some with praise;
To some a dry rehearsal was assigned,
And others (harder still) he paid in kind.
Dryden alone (what wonder? ) came not nigh,
Dryden alone escaped this judging eye:
But still the great have kindness in reserve,
He helped to bury whom he helped to starve.
May some choice patron bless each grey goose quill!
May every Bavius have his Bufo still!
So, when a statesman wants a day's defence,
Or envy holds a whole week's war with sense,
Or simple pride for flattery makes demands,
May dunce by dunce be whistled off my hands!
Blessed be the great! for those they take away,
And those they left me; for they left me gay;
Left me to see neglected genius bloom,
Neglected die, and tell it on his tomb:
Of all thy blameless life the soul return
My verse, and Queensbury weeping o'er thy urn!
Oh let me live my own, and die so too!
(To live and die is all I have to do:)
Maintain a poet's dignity and ease,
And see what friends, and read what books I please;
Above a patron, though I condescend
Sometimes to call a minister my friend.
I was not born for courts or great affairs;
I pay my debts, believe, and say my prayers;
Can sleep without a poem in my head;
Nor know, if Dennis be alive or dead.
Why am I asked what next shall see the light?
Heavens! was I born for nothing but to write?
Has life no joys for me! or (to be grave)
Have I no friend to serve, no soul to save?
"I found him close with Swift. "--'Indeed? no doubt,'
(Cries prating Balbus) 'something will come out. '
'Tis all in vain, deny it as I will.
'No, such a genius never can lie still;'
And then for mine obligingly mistakes
The first lampoon Sir Will. or Bubo makes.
Poor guiltless I! and can I choose but smile
When every coxcomb knows me by my style?
Cursed be the verse, how well soe'er it flow
That tends to make one worthy man my foe,
Give virtue scandal, innocence a fear,
Or from the soft-eyed virgin steal a tear!
But he who hurts a harmless neighbour's peace,
Insults fallen worth, or beauty in distress,
Who loves a lie, lame slander helps about,
Who writes a libel, or who copies out:
That fop, whose pride affects a patron's name,
Yet absent, wounds an author's honest fame:
Who can your merit selfishly approve,
And show the sense of it without the love;
Who has the vanity to call you friend,
Yet wants the honour, injured, to defend;
Who tells whate'er you think, whate'er you say,
And, if he lie not, must at least betray:
Who to the Dean, and silver bell can swear,
And sees at Canons what was never there;
Who reads, but with a lust to misapply,
Make satire a lampoon, and fiction, lie.
A lash like mine no honest man shall dread,
But all such babbling blockheads in his stead.
Let Sporus tremble-- A. What? that thing of silk,
Sporus, that mere white curd of ass's milk,
Satire or sense, alas! can Sporus feel?
Who breaks a butterfly upon a wheel?
P. Yet let me flap this bug with gilded wings,
This painted child of dirt, that stinks and stings;
Whose buzz the witty and the fair annoys,
Yet wit ne'er tastes, and beauty ne'er enjoys:
So well-bred spaniels civilly delight
In mumbling of the game they dare not bite:
Eternal smiles his emptiness betray,
As shallow streams run dimpling all the way.
Whether in florid impotence he speaks
And, as the prompter breathes, the puppet squeaks;
Or at the ear of Eve, familiar toad,
Half froth, half venom, spits himself abroad,
In puns, or politics, or tales, or lies,
Or spite, or smut, or rhymes, or blasphemies.
His wit all see-saw, between that and this, }
Now high, now low, now master up, now miss, }
And he himself one vile antithesis. }
Amphibious thing! that acting either part,
The trifling head or the corrupted heart,
Fop at the toilet, flatterer at the board,
Now trips a lady, and now struts a lord.
Eve's tempter thus the rabbins have expressed,
A cherub's face, a reptile all the rest;
Beauty that shocks you, parts that none will trust;
Wit that can creep, and pride that licks the dust.
Not fortunes worshipper, nor fashion's fool,
Not lucre's madman, nor ambition's tool,
Not proud, nor servile;--be one poet's praise,
That, if he pleased, he pleased by manly ways:
That flattery, even to kings, he held a shame,
And thought a lie in verse or prose the same.
That not in fancy's maze he wandered long:
But stooped to truth, and moralised his song:
That not for fame, but virtue's better end,
He stood the furious foe, the timid friend,
The damning critic, half approving wit,
The coxcomb hit, or fearing to be hit;
Laughed at the loss of friends he never had,
The dull, the proud, the wicked, and the mad;
The distant threats of vengeance on his head,
The blow unfelt, the tear he never shed;
The tale revived, the lie so oft o'erthrown,
The imputed trash, and dulness not his own;
The morals blackened when the writings scape,
The libelled person, and the pictured shape;
Abuse, on all he loved, or loved him, spread,
A friend in exile, or a father, dead;
The whisper, that to greatness still too near,
Perhaps, yet vibrates, on his sovereign's ear:--
Welcome for thee, fair virtue! all the past;
For thee, fair virtue! welcome even the last!
A. But why insult the poor, affront the great?
P. A knave's a knave, to me in every state:
Alike my scorn, if he succeed or fail,
Sporus at Court, or Japhet in a jail,
A hireling scribbler, or a hireling peer,
Knight of the post corrupt, or of the shire;
If on a pillory, or near a throne,
He gain his prince's ear, or lose his own.
Yet soft by nature, more a dupe than wit,
Sappho can tell you how this man was bit;
This dreaded satirist Dennis will confess
Foe to his pride, but friend to his distress:
So humble, he has knocked at Tibbald's door,
Has drunk with Cibber, nay has rhymed for Moore.
Full ten years slandered, did he once reply?
Three thousand sons went down on Welsted's lie.
To please a mistress one aspersed his life;
He lashed him not, but let her be his wife.
Let Budgel charge low Grubstreet on his quill,
And write whate'er he pleased, except his will;
Let the two Curlls of town and court abuse
His father, mother, body, soul, and muse.
Yet why? that father held it for a rule,
It was a sin to call our neighbour fool:
That harmless mother thought no wife a w***e:
Hear this, and spare his family, James Moore!
Unspotted names, and memorable long!
If there be force in virtue, or in song.
Of gentle blood (part shed in honour's cause
While yet in Britain honour had applause)
Each parent sprung-- A. What fortune, pray? -- P. Their own,
And better got, than Bestia's from the throne.
Born to no pride, inheriting no strife,
Nor marrying discord in a noble wife,
Stranger to civil and religious rage,
The good man walked innoxious through his age.
Nor courts he saw, no suits would ever try,
Nor dared an oath, nor hazarded a lie.
Unlearned he knew no schoolman's subtle art,
No language, but the language of the heart.
By nature honest, by experience wise,
Healthy by temperance, and by exercise;
His life, though long, to sickness past unknown,
His death was instant, and without a groan.
O grant me thus to live, and thus to die!
Who sprung from kings shall know less joy than I.
O friend! may each domestic bliss be thine!
Be no unpleasing melancholy mine:
Me, let the tender office long engage,
To rock the cradle of reposing age,
With lenient arts extend a mother's breath,
Make languor smile, and smooth the bed of death,
Explore the thought, explain the asking eye,
And keep a while one parent from the sky!
On cares like these if length of days attend,
May Heaven, to bless those days, preserve my friend,
Preserve him social, cheerful, and serene,
And just as rich as when he served a queen.
A. Whether that blessing be denied or given,
Thus far was right, the rest belongs to Heaven.
SATIRES AND EPISTLES OF HORACE IMITATED.
ADVERTISEMENT.
The occasion of publishing these Imitations was the clamour raised on
some of my Epistles. An answer from Horace was both more full, and of
more dignity, than any I could have made in my own person; and the
example of much greater freedom in so eminent a divine as Dr. Donne,
seemed a proof with what indignation and contempt a Christian may treat
vice or folly, in ever so low, or ever so high a station. Both these
authors were acceptable to the princes and ministers under whom they
lived. The Satires of Dr. Donne I versified, at the desire of the Earl
of Oxford while he was Lord Treasurer, and of the Duke of Shrewsbury who
had been Secretary of State, neither of whom looked upon a satire on
vicious courts as any reflection on those they served in. And indeed
there is not in the world a greater error, than that which fools are so
apt to fall into, and knaves with good reason to encourage, the mistaking
a satirist for a libeller; whereas to a true satirist nothing is so
odious as a libeller, for the same reason as to a man truly virtuous
nothing is so hateful as a hypocrite.
Uni aequus Virtuti atque ejus Amicis. P.
THE FIRST SATIRE OF THE SECOND BOOK OF HORACE.
SATIRE I. TO MR. FORTESCUE.
P. There are (I scarce can think it, but am told),
There are, to whom my satire seems too bold:
Scarce to wise Peter complaisant enough,
And something said of Chartres much too rough.
The lines are weak another's pleased to say,
Lord Fanny spins a thousand such a day.
Timorous by nature, of the rich in awe,
I come to counsel learned in the law:
You'll give me, like a friend both sage and free,
Advice; and (as you use) without a fee.
F. I'd write no more. P. Not write? but then I think,
And for my soul I cannot sleep a wink.
I nod in company, I wake at night,
Fools rush into my head, and so I write.
F. You could not do a worse thing for your life.
Why, if the nights seem tedious--take a wife:
Or rather truly, if your point be rest,
Lettuce and cowslip wine: Probatum est.
But talk with Celsus, Celsus will advise
Hartshorn, or something that shall close your eyes.
Or, if you needs must write, write Caesar's praise,
You'll gain at least a knighthood, or the bays.
P. What? like Sir Richard, rumbling, rough, and fierce,
With arms, and George, and Brunswick crowd the verse,
Rend with tremendous sound your ears asunder,
With gun, drum, trumpet, blunderbuss, and thunder?
Or nobly wild, with Budgel's fire and force,
Paint angels trembling round his falling horse?
F. Then all your muse's softer art display,
Let Carolina smooth the tuneful lay,
Lull with Amelia's liquid name the nine,
And sweetly flow through all the royal line.
P. Alas! few verses touch their nicer ear;
They scarce can bear their laureate twice a year;
And justly Caesar scorns the poet's lays:
It is to history he trusts for praise.
F. Better be Cibber, I'll maintain it still,
Than ridicule all taste, blaspheme quadrille,
Abuse the city's best good men in metre,
And laugh at peers that put their trust in Peter.
Even those you touch not, hate you. P. What should ail 'em?
F. A hundred smart in Timon and in Balaam:
The fewer still you name, you wound the more;
Bond is but one, but Harpax is a score.
P. Each mortal has his pleasure: none deny
Scarsdale his bottle, Darty his ham-pie;
Ridotta sips and dances, till she see
The doubling lustres dance as fast as she;
F---- loves the senate, Hockley-hole his brother,
Like in all else, as one egg to another.
I love to pour out all myself, as plain
As downright Shippen, or as old Montaigne:
In them, as certain to be loved as seen,
The soul stood forth, nor kept a thought within;
In me what spots (for spots I have) appear,
Will prove at least the medium must be clear.
In this impartial glass, my muse intends
Fair to expose myself, my foes, my friends;
Publish the present age; but where my text
Is vice too high, reserve it for the next:
My foes shall wish my life a longer date,
And every friend the less lament my fate.
My head and heart thus flowing through my quill,
Verse-man or prose-man, term me which you will,
Papist or Protestant, or both between,
Like good Erasmus in an honest mean,
In moderation placing all my glory,
While Tories call me Whig, and Whigs a Tory.
Satire's my weapon, but I'm too discreet
To run a muck, and tilt at all I meet;
I only wear it in a land of Hectors,
Thieves, supercargoes, sharpers, and directors.
Save but our army! and let Jove encrust
Swords, pikes, and guns, with everlasting rust!
Peace is my dear delight--not Fleury's more:
But touch me, and no minister so sore.
Whoe'er offends, at some unlucky time
Slides into verse, and hitches in a rhyme,
Sacred to ridicule his whole life long,
And the sad burthen of some merry song.
Slander or poison dread from Delia's rage
Hard words or hanging, if your judge be Page.
From furious Sappho scarce a milder fate,
Plagued by her love, or libelled by her hate.
Its proper power to hurt, each creature feels;
Bulls aim their horns, and asses lift their heels;
'Tis a bear's talent not to kick, but hug;
And no man wonders he's not stung by pug.
So drink with Walters, or with Chartres eat,
They'll never poison you, they'll only cheat.
Then, learned sir! (to cut the matter short)
Whate'er my fate, or well or ill at Court,
Whether old age, with faint but cheerful ray,
Attends to gild the evening of my day,
Or death's black wing already be displayed,
To wrap me in the universal shade;
Whether the darkened room to muse invite,
Or whitened wall provoke the skewer to write:
In durance, exile, Bedlam or the Mint--
Like Lee or Budgel, I will rhyme and print.
F. Alas, young man! your days can ne'er be long,
In flower of age you perish for a song!
Plums and directors, Shylock and his wife,
Will club their testers, now, to take your life!
P. What? armed for virtue when I point the pen,
Brand the bold front of shameless guilty men;
Dash the proud gamester in his gilded car;
Bare the mean heart that lurks beneath a star;
Can there be wanting, to defend her cause,
Lights of the Church, or guardians of the laws?
Could pensioned Boileau lash in honest strain
Flatterers and bigots even in Louis' reign?
Could Laureate Dryden pimp and friar engage,
Yet neither Charles nor James be in a rage?
And I not strip the gilding off a knave,
Unplaced, unpensioned, no man's heir, or slave?
I will, or perish in the generous cause:
Hear this, and tremble! you, who 'scape the laws.
Yes, while I live, no rich or noble knave
Shall walk the world, in credit, to his grave.
To Virtue only and her friends a friend,
The world beside may murmur, or commend.
Know, all the distant din that world can keep
Rolls o'er my grotto, and but soothes my sleep.
There, my retreat the best companions grace,
Chiefs out of war, and statesmen out of place.
There St.
