No More Learning

232. 23:8
? ? ? ? ? ? Satanly, lade!
? ? ? "Pape Sata`n, pape Sata`n aleppe! "
[ Pluto's words in the language of Hell ]
? ? ? ? ? ? Inferno 7:1 [Reynolds]
? ? ? ? ? ? [ Pluto's words in the language of Hell ]
? ? ? ? 233. 12:12
? They who will for exile say can for dog
Lo primo tuo refugio . . . / sara` la cortesia del gran Lombardo
? ? Paradiso 17:71 [Reynolds]
? ? Your first refuge . . . shall be the courtesy of the great Lombard
[ Can Grande ]
? ? ? ? 233. 30:1
? ? ? ? ? aleguere come alaguerre
? ? ? Aligheri
? ? ? ? ? ? ? ? ? ? ? ? Aligheri
? ? ? ? 233. 33:3
? a skarp snakk of pure undefallen engelsk,
? ? ? Conv. II. vi. 90 - 100 [Reynolds]
? I say that out of these orders of angels some certain were lost so soon as they were created, I take it to the number of a tenth part; for the restoration of which human nature was afterward created.
? ? ? ? 235. 09:1
? ? ? # Xanthos! Xanthos! Xanthos!
? . . . un dolcissimo canto / . . . "Santo, santo, santo! " ? T. S. Eliot:TheWasteLand (1922),Line433:
"Shantih, shantih, shantih".
? ? ? ? ? Paradiso 26:69 [Reynolds]
? ? ? . . . a most sweet song . . . "Holy, Holy, Holy. "
? ? ? ? 238. 03:8::5
? ? ? so as to be very dainty. . . verily dandydainty,
? [ Dante ]
? ? ? ? ? ? ? ? ? [ Dante ]
? ? ? ? 239. 32:6
? ? ? ? ? ) oaths and screams and bawley groans
? ? ? quivi le strida, il compianto, il lamento. . .
? ? ? ? ? ? ? Inferno 5:35 [Reynolds]
? ? ? ? ? ? the shrieks, the moans, the lamentations . . .
? ? ? ? 239. 33:1
? with a belchybubhub and a hellabelow bedemmed and bediabbled the arimaining lucisphere.
? . . . che fu nobil creato / piu` ch'altra creatura, giu` dal cielo / folgoreggiando scender, da l'un lato.
? ? ? Purgatorio 12:25 [Reynolds]
? . . . [he] who was created nobler than any other creature fell as lightning from heaven
? ? ? ? 239. 34:6
? ? ? . Lonedom's breach lay foulend up uncouth
? ov'e` la ghiaccia?
e questi com'e` fitto / si` sottosopra?
? ? ? ? ? Inferno 34:103 [Reynolds]
? ? ? Where is the ice? and he, there, how is it that he fixed thus upside down?
? ? ? ? 240. 02:3
? ? ? . And you wonna make one of our micknick party.
? ch'e'si` mi fecer de la loro schiera, / si` ch'io fui sesto tra cotanto senno.
? ? ? ? ? Inferno 4:101 [Reynolds]
? ? ? for they made me one of their company, so that I was sixth amid so much wisdom.
? ? ? ? 244. 02:1
? ? ? ? ? ! Daintytrees,
? ? ? ? [ Dante ]
? ? ? ? ? ? ? ? ? ? ? ? [ Dante ]
? ? ? ? 247. 10:10
? . Eat larto altruis with most
? Tu proverai si` come sa di sale / lo pane altrui,
? ? ? Paradiso 17:58 [Reynolds]
? ? You shall come to know how salt is the taste of another's bread,
? ? ? ? ? ? ? ? ? ? Bucures? ti 2012
C. George Sandulescu, Editor.
Literary Allusions in Finnegans Wake 287
? ? ? ? ? ? ? ? ? perfect stranger. #
? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? 248. 27:3
? . When you'll next have the mind to retire to be wicked this is as dainty a way as any.
[ Dante's Inferno ]
? ? ? [ Dante's Inferno ]
? ? ? ? 251. 23:12
? ? ? ? ? dantellising peaches
? ? ? [ Dante: his tropes ! ]
? ? ? ? ? ? ? ? ? ? ? ? [ Dante: his tropes ! ]
? ? ? ? 251. 24:4
? ? ? the lingerous longerous book of the dark.
? ? [ Dante's Inferno ]
? ? ? ? ? ? ? ? [ Dante's Inferno ]
? ? ? ? 251. 25:1
? . Look at this passage about Galilleotto!
Galeotto fu 'l libro e chi lo scrisse
? ? ? Inferno 5:137 [Reynolds]
? A Gallehault was the book and he who wrote it
? ? ? ? 256. 23:2
? ? ? and why is limbo
? Gran duol mi prese al cor quando lo 'ntesi / pero` che gente di molto valore / conobbi che 'n quel limbo eran sospesi.
? ? ? ? ? Infersno 4:43 [Reynolds]
? ? ? Great sadness seized my heart when I heard him, for I recognized that people of great worth were suspended in that Limbo.
? ? ?