No More Learning

Come thou not near those men who are like bread
O'er-leaven'd, or like cheese o'er-renneted.


8. WHEN HE WOULD HAVE HIS VERSES READ.

In sober mornings, do not thou rehearse
The holy incantation of a verse;
But when that men have both well drunk and fed,
Let my enchantments then be sung or read.
When laurel spirts i'th' fire, and when the hearth
Smiles to itself, and gilds the roof with mirth;
When up the thyrse[C] is rais'd, and when the sound
Of sacred orgies[D] flies, a round, a round.
When the rose reigns, and locks with ointments shine,
Let rigid Cato read these lines of mine.

_Round_, a rustic dance.
_Cato_, see Martial, x. 17, quoted in Note.

[C] "A javelin twined with ivy" (Note in the original edition).

[D] "Songs to Bacchus" (Note in the original edition. )


9. UPON JULIA'S RECOVERY.

Droop, droop no more, or hang the head,
Ye roses almost withered;
Now strength and newer purple get,
Each here declining violet.
O primroses! let this day be
A resurrection unto ye;
And to all flowers ally'd in blood,
Or sworn to that sweet sisterhood:
For health on Julia's cheek hath shed
Claret and cream commingled;
And those her lips do now appear
As beams of coral, but more clear.

_Beams_, perhaps here = branches: but cp. 440.


10. TO SILVIA TO WED.

Let us, though late, at last, my Silvia, wed,
And loving lie in one devoted bed.
Thy watch may stand, my minutes fly post-haste;
No sound calls back the year that once is past.
Then, sweetest Silvia, let's no longer stay;
_True love, we know, precipitates delay. _
Away with doubts, all scruples hence remove;
_No man at one time can be wise and love. _


11. THE PARLIAMENT OF ROSES TO JULIA.

I dreamt the roses one time went
To meet and sit in parliament;
The place for these, and for the rest
Of flowers, was thy spotless breast,
Over the which a state was drawn
Of tiffanie or cobweb lawn.
Then in that parly all those powers
Voted the rose the queen of flowers;
But so as that herself should be
The maid of honour unto thee.

_State_, a canopy.
_Tiffanie_, gauze.
_Parly_, a parliament.


12. NO BASHFULNESS IN BEGGING.

To get thine ends, lay bashfulness aside;
_Who fears to ask doth teach to be deny'd. _


13. THE FROZEN HEART.

I freeze, I freeze, and nothing dwells
In me but snow and icicles.
For pity's sake, give your advice,
To melt this snow and thaw this ice.
I'll drink down flames; but if so be
Nothing but love can supple me,
I'll rather keep this frost and snow
Than to be thaw'd or heated so.


14. TO PERILLA.

Ah, my Perilla! dost thou grieve to see
Me, day by day, to steal away from thee?
Age calls me hence, and my grey hairs bid come,
And haste away to mine eternal home;
'Twill not be long, Perilla, after this,
That I must give thee the supremest kiss.
Dead when I am, first cast in salt, and bring
Part of the cream from that religious spring;
With which, Perilla, wash my hands and feet;
That done, then wind me in that very sheet
Which wrapt thy smooth limbs when thou didst implore
The gods' protection but the night before.
Follow me weeping to my turf, and there
Let fall a primrose, and with it a tear:
Then, lastly, let some weekly-strewings be
Devoted to the memory of me:
Then shall my ghost not walk about, but keep
Still in the cool and silent shades of sleep.

_Weekly strewings_, _i. e. _, of flowers on his grave.
_First cast in salt_, cp. 769.


15. A SONG TO THE MASKERS.

Come down and dance ye in the toil
Of pleasures to a heat;
But if to moisture, let the oil
Of roses be your sweat.

Not only to yourselves assume
These sweets, but let them fly
From this to that, and so perfume
E'en all the standers by;

As goddess Isis, when she went
Or glided through the street,
Made all that touched her, with her scent,
And whom she touched, turn sweet.


16. TO PERENNA.

When I thy parts run o'er, I can't espy
In any one the least indecency;
But every line and limb diffused thence
A fair and unfamiliar excellence:
So that the more I look the more I prove
There's still more cause why I the more should love.

_Indecency_, uncomeliness.


17. TREASON.

The seeds of treason choke up as they spring:
_He acts the crime that gives it cherishing_.


18. TWO THINGS ODIOUS.

Two of a thousand things are disallow'd:
A lying rich man, and a poor man proud.


19. TO HIS MISTRESSES.

Help me! help me! now I call
To my pretty witchcrafts all;
Old I am, and cannot do
That I was accustomed to.
Bring your magics, spells, and charms,
To enflesh my thighs and arms.
Is there no way to beget
In my limbs their former heat?
Æson had, as poets feign,
Baths that made him young again:
Find that medicine, if you can,
For your dry decrepit man
Who would fain his strength renew,
Were it but to pleasure you.

_Æson_, rejuvenated by Medea; see Ovid, Met. vii.


20. THE WOUNDED HEART.

Come bring your sampler, and with art
Draw in't a wounded heart
And dropping here and there:
Not that I think that any dart
Can make yours bleed a tear,
Or pierce it anywhere;
Yet do it to this end: that I
May by
This secret see,
Though you can make
That heart to bleed, yours ne'er will ache
For me.


21. NO LOATHSOMENESS IN LOVE.

What I fancy I approve,
_No dislike there is in love_.
Be my mistress short or tall,
And distorted therewithal:
Be she likewise one of those
That an acre hath of nose:
Be her forehead and her eyes
Full of incongruities:
Be her cheeks so shallow too
As to show her tongue wag through;
Be her lips ill hung or set,
And her grinders black as jet:
Has she thin hair, hath she none,
She's to me a paragon.


22. TO ANTHEA.

If, dear Anthea, my hard fate it be
To live some few sad hours after thee,
Thy sacred corse with odours I will burn,
And with my laurel crown thy golden urn.
Then holding up there such religious things
As were, time past, thy holy filletings,
Near to thy reverend pitcher I will fall
Down dead for grief, and end my woes withal:
So three in one small plat of ground shall lie--
Anthea, Herrick, and his poetry.


23. THE WEEPING CHERRY.

I saw a cherry weep, and why?
Why wept it? but for shame
Because my Julia's lip was by,
And did out-red the same.
But, pretty fondling, let not fall
A tear at all for that:
Which rubies, corals, scarlets, all
For tincture wonder at.


24. SOFT MUSIC.

The mellow touch of music most doth wound
The soul when it doth rather sigh than sound.


25. THE DIFFERENCE BETWIXT KINGS AND SUBJECTS.

'Twixt kings and subjects there's this mighty odds:
Subjects are taught by men; kings by the gods.


26. HIS ANSWER TO A QUESTION.

Some would know
Why I so
Long still do tarry,
And ask why
Here that I
Live and not marry.
Thus I those
Do oppose:
What man would be here
Slave to thrall,
If at all
He could live free here?


27. UPON JULIA'S FALL.

Julia was careless, and withal
She rather took than got a fall,
The wanton ambler chanc'd to see
Part of her legs' sincerity:
And ravish'd thus, it came to pass,
The nag (like to the prophet's ass)
Began to speak, and would have been
A-telling what rare sights he'd seen:
And had told all; but did refrain
Because his tongue was tied again.


28. EXPENSES EXHAUST.

Live with a thrifty, not a needy fate;
_Small shots paid often waste a vast estate_.

_Shots_, debts.


29. LOVE, WHAT IT IS.

Love is a circle that doth restless move
In the same sweet eternity of love.


30. PRESENCE AND ABSENCE.

When what is lov'd is present, love doth spring;
But being absent, love lies languishing.


31. NO SPOUSE BUT A SISTER.

A bachelor I will
Live as I have liv'd still,
And never take a wife
To crucify my life;
But this I'll tell ye too,
What now I mean to do:
A sister (in the stead
Of wife) about I'll lead;
Which I will keep embrac'd,
And kiss, but yet be chaste.


32. THE POMANDER BRACELET.

To me my Julia lately sent
A bracelet richly redolent:
The beads I kissed, but most lov'd her
That did perfume the pomander.

_Pomander_, a ball of scent.


33. THE SHOE-TYING.

Anthea bade me tie her shoe;
I did; and kissed the instep too:
And would have kissed unto her knee,
Had not her blush rebuked me.


34. THE CARCANET.

Instead of orient pearls of jet
I sent my love a carcanet;
About her spotless neck she knit
The lace, to honour me or it:
Then think how rapt was I to see
My jet t'enthral such ivory.

_Carcanet_, necklace.
_Lace_, any kind of girdle; used here for the necklace.


35. HIS SAILING FROM JULIA.

When that day comes, whose evening says I'm gone
Unto that watery desolation,
Devoutly to thy closet-gods then pray
That my wing'd ship may meet no remora.
Those deities which circum-walk the seas,
And look upon our dreadful passages,
Will from all dangers re-deliver me
For one drink-offering poured out by thee.
Mercy and truth live with thee! and forbear
(In my short absence) to unsluice a tear;
But yet for love's sake let thy lips do this,
Give my dead picture one engendering kiss:
Work that to life, and let me ever dwell
In thy remembrance, Julia. So farewell.

_Closet-gods_, the Roman Lares.
_Remora_, the sea Lamprey or suckstone, believed to check the course of
ships by clinging to their keels.


36. HOW THE WALL-FLOWER CAME FIRST, AND WHY SO CALLED.

Why this flower is now call'd so,
List, sweet maids, and you shall know.
Understand, this firstling was
Once a brisk and bonnie lass,
Kept as close as Danaë was:
Who a sprightly springall lov'd,
And to have it fully prov'd,
Up she got upon a wall,
Tempting down to slide withal:
But the silken twist untied,
So she fell, and, bruis'd, she died.
Love, in pity of the deed,
And her loving-luckless speed,
Turn'd her to this plant we call
Now _the flower of the wall_.

_Tempting_, trying.


37. WHY FLOWERS CHANGE COLOUR.

These fresh beauties (we can prove)
Once were virgins sick of love.
Turn'd to flowers,--still in some
Colours go and colours come.


38. TO HIS MISTRESS OBJECTING TO HIM NEITHER TOYING OR TALKING.

You say I love not, 'cause I do not play
Still with your curls, and kiss the time away.
You blame me too, because I can't devise
Some sport to please those babies in your eyes:
By love's religion, I must here confess it,
The most I love when I the least express it.
_Small griefs find tongues_: full casks are ever found
To give (if any, yet) but little sound.
_Deep waters noiseless are_; and this we know,
_That chiding streams betray small depth below_.
So, when love speechless is, she doth express
A depth in love and that depth bottomless.
Now, since my love is tongueless, know me such
Who speak but little 'cause I love so much.

_Babies in your eyes_, see Note.


39. UPON THE LOSS OF HIS MISTRESSES.

I have lost, and lately, these
Many dainty mistresses:
Stately Julia, prime of all:
Sappho next, a principal:
Smooth Anthea for a skin
White, and heaven-like crystalline:
Sweet Electra, and the choice
Myrrha for the lute and voice:
Next Corinna, for her wit,
And the graceful use of it:
With Perilla: all are gone;
Only Herrick's left alone
For to number sorrow by
Their departures hence, and die.


40. THE DREAM.

Methought last night Love in an anger came
And brought a rod, so whipt me with the same;
Myrtle the twigs were, merely to imply
Love strikes, but 'tis with gentle cruelty.
Patient I was: Love pitiful grew then
And strok'd the stripes, and I was whole again.
Thus, like a bee, Love gentle still doth bring
Honey to salve where he before did sting.


42. TO LOVE.

I'm free from thee; and thou no more shalt hear
My puling pipe to beat against thine ear.
Farewell my shackles, though of pearl they be;
Such precious thraldom ne'er shall fetter me.
He loves his bonds who, when the first are broke,
Submits his neck unto a second yoke.


43. ON HIMSELF.

Young I was, but now am old,
But I am not yet grown cold;
I can play, and I can twine
'Bout a virgin like a vine:
In her lap too I can lie
Melting, and in fancy die;
And return to life if she
Claps my cheek, or kisseth me:
Thus, and thus it now appears
That our love outlasts our years.


44. LOVE'S PLAY AT PUSH-PIN.

Love and myself, believe me, on a day
At childish push-pin, for our sport, did play;
I put, he pushed, and, heedless of my skin,
Love pricked my finger with a golden pin;
Since which it festers so that I can prove
'Twas but a trick to poison me with love:
Little the wound was, greater was the smart,
The finger bled, but burnt was all my heart.

_Push-pin_, a game in which pins are pushed with an endeavor to cross
them.


45. THE ROSARY.

One ask'd me where the roses grew:
I bade him not go seek,
But forthwith bade my Julia show
A bud in either cheek.


46. UPON CUPID.

Old wives have often told how they
Saw Cupid bitten by a flea;
And thereupon, in tears half drown'd,
He cried aloud: Help, help the wound!
He wept, he sobb'd, he call'd to some
To bring him lint and balsamum,
To make a tent, and put it in
Where the stiletto pierced the skin;
Which, being done, the fretful pain
Assuaged, and he was well again.

_Tent_, a roll of lint for probing wounds.


47. THE PARCÆ; OR, THREE DAINTY DESTINIES: THE ARMILLET.

Three lovely sisters working were,
As they were closely set,
Of soft and dainty maidenhair
A curious armillet.
I, smiling, asked them what they did,
Fair Destinies all three,
Who told me they had drawn a thread
Of life, and 'twas for me.
They show'd me then how fine 'twas spun,
And I reply'd thereto,--
"I care not now how soon 'tis done,
Or cut, if cut by you".


48. SORROWS SUCCEED.

When one is past, another care we have:
_Thus woe succeeds a woe, as wave a wave_.


49. CHERRY-PIT.

Julia and I did lately sit
Playing for sport at cherry-pit:
She threw; I cast; and, having thrown,
I got the pit, and she the stone.

_Cherry-pit_, a game in which cherry-stones were pitched into a small
hole.


50. TO ROBIN REDBREAST.
Laid out for dead, let thy last kindness be
With leaves and moss-work for to cover me:
And while the wood-nymphs my cold corpse inter,
Sing thou my dirge, sweet-warbling chorister!
For epitaph, in foliage, next write this:
_Here, here the tomb of Robin Herrick is_.


51. DISCONTENTS IN DEVON.

More discontents I never had
Since I was born than here,
Where I have been, and still am sad,
In this dull Devonshire;
Yet, justly too, I must confess
I ne'er invented such
Ennobled numbers for the press,
Than where I loathed so much.


52. TO HIS PATERNAL COUNTRY.

O earth! earth! earth! hear thou my voice, and be
Loving and gentle for to cover me:
Banish'd from thee I live, ne'er to return,
Unless thou giv'st my small remains an urn.


53. CHERRY-RIPE.

Cherry-ripe, ripe, ripe, I cry,
Full and fair ones; come and buy.
If so be you ask me where
They do grow, I answer: There,
Where my Julia's lips do smile;
There's the land, or cherry-isle,
Whose plantations fully show
All the year where cherries grow.


54. TO HIS MISTRESSES.

Put on your silks, and piece by piece
Give them the scent of ambergris;
And for your breaths, too, let them smell
Ambrosia-like, or nectarel;
While other gums their sweets perspire,
By your own jewels set on fire.


55. TO ANTHEA.

Now is the time, when all the lights wax dim;
And thou, Anthea, must withdraw from him
Who was thy servant. Dearest, bury me
Under that Holy-oak or Gospel-tree,
Where, though thou see'st not, thou may'st think upon
Me, when thou yearly go'st procession;
Or, for mine honour, lay me in that tomb
In which thy sacred relics shall have room.
For my embalming, sweetest, there will be
No spices wanting when I'm laid by thee.

_Holy oak_, the oak under which the minister read the Gospel in the
procession round the parish bounds in Rogation week.


56. THE VISION TO ELECTRA.

I dreamed we both were in a bed
Of roses, almost smothered:
The warmth and sweetness had me there
Made lovingly familiar,
But that I heard thy sweet breath say,
Faults done by night will blush by day.
I kissed thee, panting, and, I call
Night to the record! that was all.
But, ah! if empty dreams so please,
Love give me more such nights as these.


57. DREAMS.

Here we are all by day; by night we're hurl'd
By dreams, each one into a sev'ral world.


58. AMBITION.

In man ambition is the common'st thing;
Each one by nature loves to be a king.


59. HIS REQUEST TO JULIA.

Julia, if I chance to die
Ere I print my poetry,
I most humbly thee desire
To commit it to the fire:
Better 'twere my book were dead
Than to live not perfected.


60. MONEY GETS THE MASTERY.

Fight thou with shafts of silver and o'ercome,
When no force else can get the masterdom.


61. THE SCARE-FIRE.

Water, water I desire,
Here's a house of flesh on fire;
Ope the fountains and the springs,
And come all to bucketings:
What ye cannot quench pull down;
Spoil a house to save a town:
Better 'tis that one should fall,
Than by one to hazard all.

_Scare-fire_, fire-alarm.


62. UPON SILVIA, A MISTRESS.

When some shall say, Fair once my Silvia was,
Thou wilt complain, False now's thy looking-glass,
Which renders that quite tarnished which was green,
And priceless now what peerless once had been.
Upon thy form more wrinkles yet will fall,
And, coming down, shall make no noise at all.

_Priceless_, valueless.


63. CHEERFULNESS IN CHARITY; OR, THE SWEET SACRIFICE.

'Tis not a thousand bullocks' thighs
Can please those heav'nly deities,
If the vower don't express
In his offering cheerfulness.


65. SWEETNESS IN SACRIFICE.

'Tis not greatness they require
To be offer'd up by fire;
But 'tis sweetness that doth please
Those _Eternal Essences_.


66. STEAM IN SACRIFICE.

If meat the gods give, I the steam
High-towering will devote to them,
Whose easy natures like it well,
If we the roast have, they the smell.


67. UPON JULIA'S VOICE.

So smooth, so sweet, so silv'ry is thy voice,
As, could they hear, the damn'd would make no noise,
But listen to thee, walking in thy chamber,
Melting melodious words to lutes of amber.

_Amber_, used here merely for any rich material: cp. "Treading on amber
with their silver feet".


68. AGAIN.

When I thy singing next shall hear,
I'll wish I might turn all to ear
To drink in notes and numbers such
As blessed souls can't hear too much;
Then melted down, there let me lie
Entranc'd and lost confusedly,
And, by thy music stricken mute,
Die and be turn'd into a lute.


69. ALL THINGS DECAY AND DIE.

_All things decay with time_: the forest sees
The growth and downfall of her aged trees;
That timber tall, which threescore lusters stood
The proud dictator of the state-like wood,--
I mean (the sovereign of all plants) the oak--
Droops, dies, and falls without the cleaver's stroke.

_Lusters_, the Roman reckoning of five years.


70. THE SUCCESSION OF THE FOUR SWEET MONTHS.

First, April, she with mellow showers
Opens the way for early flowers;
Then after her comes smiling May,
In a more rich and sweet array;
Next enters June, and brings us more
Gems than those two that went before:
Then (lastly) July comes, and she
More wealth brings in than all those three.


71. NO SHIPWRECK OF VIRTUE. TO A FRIEND.

Thou sail'st with others in this Argus here;
Nor wreck or bulging thou hast cause to fear;
But trust to this, my noble passenger;
Who swims with virtue, he shall still be sure
(Ulysses-like) all tempests to endure,
And 'midst a thousand gulfs to be secure.

_Bulging_, leaking.


72. UPON HIS SISTER-IN-LAW, MISTRESS ELIZABETH HERRICK.

First, for effusions due unto the dead,
My solemn vows have here accomplished:
Next, how I love thee, that my grief must tell,
Wherein thou liv'st for ever. Dear, farewell.

_Effusions_, drink-offerings.


73. OF LOVE. A SONNET.

How love came in I do not know,
Whether by the eye, or ear, or no;
Or whether with the soul it came
(At first) infused with the same;
Whether in part 'tis here or there,
Or, like the soul, whole everywhere,
This troubles me: but I as well
As any other this can tell:
That when from hence she does depart
The outlet then is from the heart.


74. TO ANTHEA.

Ah, my Anthea! Must my heart still break?
(_Love makes me write, what shame forbids to speak_. )
Give me a kiss, and to that kiss a score;
Then to that twenty add a hundred more:
A thousand to that hundred: so kiss on,
To make that thousand up a million.
Treble that million, and when that is done
Let's kiss afresh, as when we first begun.
But yet, though love likes well such scenes as these,
There is an act that will more fully please:
Kissing and glancing, soothing, all make way
But to the acting of this private play:
Name it I would; but, being blushing red,
The rest I'll speak when we meet both in bed.


75. THE ROCK OF RUBIES, AND THE QUARRY OF PEARLS.

Some ask'd me where the rubies grew,
And nothing I did say:
But with my finger pointed to
The lips of Julia.
Some ask'd how pearls did grow, and where;
Then spoke I to my girl,
To part her lips, and show'd them there
The quarrelets of Pearl.

_Quarrelets_, little squares.


76. CONFORMITY.

Conformity was ever known
A foe to dissolution:
Nor can we that a ruin call,
Whose crack gives crushing unto all.


77. TO THE KING, UPON HIS COMING WITH HIS ARMY INTO THE WEST.

Welcome, most welcome to our vows and us,
Most great and universal genius!
The drooping West, which hitherto has stood
As one in long-lamented widowhood,
Looks like a bride now, or a bed of flowers
Newly refresh'd both by the sun and showers.
War, which before was horrid, now appears
Lovely in you, brave prince of cavaliers!
A deal of courage in each bosom springs
By your access, O you the best of kings!
Ride on with all white omens; so that where
Your standard's up, we fix a conquest there.


78. UPON ROSES.

Under a lawn, than skies more clear,
Some ruffled roses nestling were:
And, snugging there, they seem'd to lie
As in a flowery nunnery:
They blush'd, and look'd more fresh than flowers
Quicken'd of late by pearly showers,
And all because they were possess'd
But of the heat of Julia's breast:
Which, as a warm and moisten'd spring,
Gave them their ever-flourishing.


79. TO THE KING AND QUEEN UPON THEIR UNHAPPY DISTANCES.

Woe, woe to them, who, by a ball of strife,
Do, and have parted here a man and wife:
CHARLES the best husband, while MARIA strives
To be, and is, the very best of wives,
Like streams, you are divorc'd; but 'twill come when
These eyes of mine shall see you mix again.
Thus speaks the oak here; C. and M. shall meet,
Treading on amber, with their silver-feet,
Nor will't be long ere this accomplish'd be:
The words found true, C. M. , remember me.

_Oak_, the prophetic tree.


80. DANGERS WAIT ON KINGS.

As oft as night is banish'd by the morn,
So oft we'll think we see a king new born.


81. THE CHEAT OF CUPID; OR, THE UNGENTLE GUEST.

One silent night of late,
When every creature rested,
Came one unto my gate
And, knocking, me molested.

Who's that, said I, beats there,
And troubles thus the sleepy?
Cast off, said he, all fear,
And let not locks thus keep ye.

For I a boy am, who
By moonless nights have swerved;
And all with show'rs wet through,
And e'en with cold half starved.

I pitiful arose,
And soon a taper lighted;
And did myself disclose
Unto the lad benighted.

I saw he had a bow
And wings, too, which did shiver;
And, looking down below,
I spied he had a quiver.

I to my chimney's shine
Brought him, as Love professes,
And chafed his hands with mine,
And dried his drooping tresses.

But when he felt him warm'd:
Let's try this bow of ours,
And string, if they be harm'd,
Said he, with these late showers.

Forthwith his bow he bent,
And wedded string and arrow,
And struck me, that it went
Quite through my heart and marrow.

Then, laughing loud, he flew
Away, and thus said, flying:
Adieu, mine host, adieu,
I'll leave thy heart a-dying.


82. TO THE REVEREND SHADE OF HIS RELIGIOUS FATHER.

That for seven lusters I did never come
To do the rites to thy religious tomb;
That neither hair was cut, or true tears shed
By me, o'er thee, as justments to the dead,
Forgive, forgive me; since I did not know
Whether thy bones had here their rest or no,
But now 'tis known, behold! behold, I bring
Unto thy ghost th' effused offering:
And look what smallage, night-shade, cypress, yew,
Unto the shades have been, or now are due,
Here I devote; and something more than so;
I come to pay a debt of birth I owe.
Thou gav'st me life, but mortal; for that one
Favour I'll make full satisfaction;
For my life mortal rise from out thy hearse.
And take a life immortal from my verse.

_Seven lusters_, five and thirty years.
_Hair was cut_, according to the Greek custom.
_Justments_, dues.
_Smallage_, water parsley.


83. DELIGHT IN DISORDER.

A sweet disorder in the dress
Kindles in clothes a wantonness:
A lawn about the shoulders thrown
Into a fine distraction:
An erring lace which here and there
Enthralls the crimson stomacher:
A cuff neglectful, and thereby
Ribbons to flow confusedly:
A winning wave, deserving note,
In the tempestuous petticoat:
A careless shoe-string, in whose tie
I see a wild civility:
Do more bewitch me than when art
Is too precise in every part.


84. TO HIS MUSE.

Were I to give thee baptism, I would choose
To christen thee, the bride, the bashful Muse,
Or Muse of roses: since that name does fit
Best with those virgin-verses thou hast writ:
Which are so clean, so chaste, as none may fear
Cato the censor, should he scan each here.


85. UPON LOVE.

Love scorch'd my finger, but did spare
The burning of my heart;
To signify in love my share
Should be a little part.

Little I love; but if that he
Would but that heat recall;
That joint to ashes burnt should be,[E]
Ere I would love at all.

[E] Orig. ed. , _should be burnt_.


86. TO DEAN BOURN, A RUDE RIVER IN DEVON, BY WHICH SOMETIMES HE LIVED.

Dean Bourn, farewell; I never look to see
Dean, or thy watery[F] incivility.
Thy rocky bottom, that doth tear thy streams
And makes them frantic even to all extremes,
To my content I never should behold,
Were thy streams silver, or thy rocks all gold.
Rocky thou art, and rocky we discover
Thy men, and rocky are thy ways all over.
O men, O manners, now and ever known
To be a rocky generation!
A people currish, churlish as the seas,
And rude almost as rudest savages,
With whom I did, and may re-sojourn when
Rocks turn to rivers, rivers turn to men.

[F] Orig. ed. , _warty_.


87. KISSING USURY.

Bianca, let
Me pay the debt
I owe thee for a kiss
Thou lend'st to me,
And I to thee
Will render ten for this.

If thou wilt say
Ten will not pay
For that so rich a one;
I'll clear the sum,
If it will come
Unto a million.

By this, I guess,
Of happiness
Who has a little measure,
He must of right
To th' utmost mite
Make payment for his pleasure.


88. TO JULIA.

How rich and pleasing thou, my Julia, art
In each thy dainty and peculiar part!
First, for thy queenship, on thy head is set
Of flowers a sweet commingled coronet:
About thy neck a carcanet is bound,
Made of the ruby, pearl and diamond:
A golden ring that shines upon thy thumb:
About thy wrist, the rich dardanium. [G]
Between thy breasts (than down of swans more white)
There plays the sapphire with the chrysolite.
No part besides must of thyself be known,
But by the topaz, opal, chalcedon.

_Carcanet_, necklace.

[G] _Dardanium_, a bracelet, from Dardanus so called. (Note in the
original edition. )


89. TO LAURELS.

A funeral stone
Or verse I covet none,
But only crave
Of you that I may have
A sacred laurel springing from my grave:
Which being seen,
Blest with perpetual green,
May grow to be
Not so much call'd a tree
As the eternal monument of me.


90. HIS CAVALIER.

Give me that man that dares bestride
The active sea-horse, and with pride
Through that huge field of waters ride.

Who with his looks, too, can appease
The ruffling winds and raging seas,
In midst of all their outrages.

This, this a virtuous man can do,
Sail against rocks, and split them too;
Ay, and a world of pikes pass through.


91. ZEAL REQUIRED IN LOVE.

I'll do my best to win whene'er I woo:
_That man loves not who is not zealous too_.


92. THE BAG OF THE BEE.

About the sweet bag of a bee
Two cupids fell at odds,
And whose the pretty prize should be
They vow'd to ask the gods.