No More Learning

" I do not wonder that the African pitied him. Darwin
the naturalist says, "A white man bathing by the side of a Tahitian
was like a plant bleached by the gardener's art, compared with a fine,
dark green one, growing vigorously in the open fields. "

Ben Jonson exclaims,--

"How near to good is what is fair! "

So I would say,--

How near to good is what is _wild_!

Life consists with wildness. The most alive is the wildest. Not yet
subdued to man, its presence refreshes him. One who pressed forward
incessantly and never rested from his labors, who grew fast and made
infinite demands on life, would always find himself in a new country
or wilderness, and surrounded by the raw material of life. He would be
climbing over the prostrate stems of primitive forest-trees.

Hope and the future for me are not in lawns and cultivated fields, not
in towns and cities, but in the impervious and quaking swamps. When,
formerly, I have analyzed my partiality for some farm which I had
contemplated purchasing, I have frequently found that I was attracted
solely by a few square rods of impermeable and unfathomable bog,--a
natural sink in one corner of it. That was the jewel which dazzled me.
I derive more of my subsistence from the swamps which surround my
native town than from the cultivated gardens in the village. There are
no richer parterres to my eyes than the dense beds of dwarf andromeda
(_Cassandra calyculata_) which cover these tender places on the
earth's surface. Botany cannot go farther than tell me the names of
the shrubs which grow there,--the high blueberry, panicled andromeda,
lambkill, azalea, and rhodora,--all standing in the quaking sphagnum.
I often think that I should like to have my house front on this mass
of dull red bushes, omitting other flower plots and borders,
transplanted spruce and trim box, even graveled walks,--to have this
fertile spot under my windows, not a few imported barrowfuls of soil
only to cover the sand which was thrown out in digging the cellar. Why
not put my house, my parlor, behind this plot, instead of behind that
meagre assemblage of curiosities, that poor apology for a Nature and
Art, which I call my front yard? It is an effort to clear up and make
a decent appearance when the carpenter and mason have departed, though
done as much for the passer-by as the dweller within. The most
tasteful front-yard fence was never an agreeable object of study to
me; the most elaborate ornaments, acorn tops, or what not, soon
wearied and disgusted me. Bring your sills up to the very edge of the
swamp, then (though it may not be the best place for a dry cellar), so
that there be no access on that side to citizens. Front yards are not
made to walk in, but, at most, through, and you could go in the back
way.

Yes, though you may think me perverse, if it were proposed to me to
dwell in the neighborhood of the most beautiful garden that ever human
art contrived, or else of a Dismal Swamp, I should certainly decide
for the swamp. How vain, then, have been all your labors, citizens,
for me!

My spirits infallibly rise in proportion to the outward dreariness.
Give me the ocean, the desert, or the wilderness! In the desert, pure
air and solitude compensate for want of moisture and fertility. The
traveler Burton says of it: "Your _morale_ improves; you become frank
and cordial, hospitable and single-minded. . . . In the desert,
spirituous liquors excite only disgust. There is a keen enjoyment in a
mere animal existence. " They who have been traveling long on the
steppes of Tartary say, "On reentering cultivated lands, the
agitation, perplexity, and turmoil of civilization oppressed and
suffocated us; the air seemed to fail us, and we felt every moment as
if about to die of asphyxia. " When I would recreate myself, I seek the
darkest wood, the thickest and most interminable and, to the citizen,
most dismal, swamp. I enter a swamp as a sacred place, a _sanctum
sanctorum_. There is the strength, the marrow, of Nature. The wildwood
covers the virgin mould, and the same soil is good for men and for
trees. A man's health requires as many acres of meadow to his prospect
as his farm does loads of muck. There are the strong meats on which
he feeds. A town is saved, not more by the righteous men in it than by
the woods and swamps that surround it. A township where one primitive
forest waves above while another primitive forest rots below,--such a
town is fitted to raise not only corn and potatoes, but poets and
philosophers for the coming ages. In such a soil grew Homer and
Confucius and the rest, and out of such a wilderness comes the
Reformer eating locusts and wild honey.

To preserve wild animals implies generally the creation of a forest
for them to dwell in or resort to. So it is with man. A hundred years
ago they sold bark in our streets peeled from our own woods. In the
very aspect of those primitive and rugged trees there was, methinks, a
tanning principle which hardened and consolidated the fibres of men's
thoughts. Ah! already I shudder for these comparatively degenerate
days of my native village, when you cannot collect a load of bark of
good thickness, and we no longer produce tar and turpentine.

The civilized nations--Greece, Rome, England--have been sustained by
the primitive forests which anciently rotted where they stand. They
survive as long as the soil is not exhausted. Alas for human culture!
little is to be expected of a nation, when the vegetable mould is
exhausted, and it is compelled to make manure of the bones of its
fathers. There the poet sustains himself merely by his own superfluous
fat, and the philosopher comes down on his marrow-bones.

It is said to be the task of the American "to work the virgin soil,"
and that "agriculture here already assumes proportions unknown
everywhere else. " I think that the farmer displaces the Indian even
because he redeems the meadow, and so makes himself stronger and in
some respects more natural. I was surveying for a man the other day a
single straight line one hundred and thirty-two rods long, through a
swamp at whose entrance might have been written the words which Dante
read over the entrance to the infernal regions, "Leave all hope, ye
that enter,"--that is, of ever getting out again; where at one time I
saw my employer actually up to his neck and swimming for his life in
his property, though it was still winter. He had another similar swamp
which I could not survey at all, because it was completely under
water, and nevertheless, with regard to a third swamp, which I did
_survey_ from a distance, he remarked to me, true to his instincts,
that he would not part with it for any consideration, on account of
the mud which it contained. And that man intends to put a girdling
ditch round the whole in the course of forty months, and so redeem it
by the magic of his spade. I refer to him only as the type of a class.

The weapons with which we have gained our most important victories,
which should be handed down as heirlooms from father to son, are not
the sword and the lance, but the bushwhack, the turf-cutter, the
spade, and the bog hoe, rusted with the blood of many a meadow, and
begrimed with the dust of many a hard-fought field. The very winds
blew the Indian's corn-field into the meadow, and pointed out the way
which he had not the skill to follow. He had no better implement with
which to intrench himself in the land than a clamshell. But the farmer
is armed with plow and spade.

In literature it is only the wild that attracts us. Dullness is but
another name for tameness. It is the uncivilized free and wild
thinking in Hamlet and the Iliad, in all the scriptures and
mythologies, not learned in the schools, that delights us. As the wild
duck is more swift and beautiful than the tame, so is the wild--the
mallard--thought, which 'mid falling dews wings its way above the
fens. A truly good book is something as natural, and as unexpectedly
and unaccountably fair and perfect, as a wild-flower discovered on the
prairies of the West or in the jungles of the East. Genius is a light
which makes the darkness visible, like the lightning's flash, which
perchance shatters the temple of knowledge itself,--and not a taper
lighted at the hearth-stone of the race, which pales before the light
of common day.

English literature, from the days of the minstrels to the Lake
Poets,--Chaucer and Spenser and Milton, and even Shakespeare,
included,--breathes no quite fresh and, in this sense, wild strain. It
is an essentially tame and civilized literature, reflecting Greece and
Rome. Her wilderness is a greenwood, her wild man a Robin Hood. There
is plenty of genial love of Nature, but not so much of Nature herself.
Her chronicles inform us when her wild animals, but not when the wild
man in her, became extinct.

The science of Humboldt is one thing, poetry is another thing. The
poet to-day, notwithstanding all the discoveries of science, and the
accumulated learning of mankind, enjoys no advantage over Homer.

Where is the literature which gives expression to Nature? He would be
a poet who could impress the winds and streams into his service, to
speak for him; who nailed words to their primitive senses, as farmers
drive down stakes in the spring, which the frost has heaved; who
derived his words as often as he used them,--transplanted them to his
page with earth adhering to their roots; whose words were so true and
fresh and natural that they would appear to expand like the buds at
the approach of spring, though they lay half smothered between two
musty leaves in a library,--aye, to bloom and bear fruit there, after
their kind, annually, for the faithful reader, in sympathy with
surrounding Nature.

I do not know of any poetry to quote which adequately expresses this
yearning for the Wild. Approached from this side, the best poetry is
tame. I do not know where to find in any literature, ancient or
modern, any account which contents me of that Nature with which even I
am acquainted. You will perceive that I demand something which no
Augustan nor Elizabethan age, which no _culture_, in short, can give.
Mythology comes nearer to it than anything. How much more fertile a
Nature, at least, has Grecian mythology its root in than English
literature! Mythology is the crop which the Old World bore before its
soil was exhausted, before the fancy and imagination were affected
with blight; and which it still bears, wherever its pristine vigor is
unabated. All other literatures endure only as the elms which
overshadow our houses; but this is like the great dragon-tree of the
Western Isles, as old as mankind, and, whether that does or not, will
endure as long; for the decay of other literatures makes the soil in
which it thrives.

The West is preparing to add its fables to those of the East. The
valleys of the Ganges, the Nile, and the Rhine having yielded their
crop, it remains to be seen what the valleys of the Amazon, the Plate,
the Orinoco, the St. Lawrence, and the Mississippi will produce.
Perchance, when, in the course of ages, American liberty has become a
fiction of the past,--as it is to some extent a fiction of the
present,--the poets of the world will be inspired by American
mythology.

The wildest dreams of wild men, even, are not the less true, though
they may not recommend themselves to the sense which is most common
among Englishmen and Americans to-day. It is not every truth that
recommends itself to the common sense. Nature has a place for the wild
clematis as well as for the cabbage. Some expressions of truth are
reminiscent,--others merely _sensible_, as the phrase is,--others
prophetic. Some forms of disease, even, may prophesy forms of health.
The geologist has discovered that the figures of serpents, griffins,
flying dragons, and other fanciful embellishments of heraldry, have
their prototypes in the forms of fossil species which were extinct
before man was created, and hence "indicate a faint and shadowy
knowledge of a previous state of organic existence. " The Hindoos
dreamed that the earth rested on an elephant, and the elephant on a
tortoise, and the tortoise on a serpent; and though it may be an
unimportant coincidence, it will not be out of place here to state,
that a fossil tortoise has lately been discovered in Asia large enough
to support an elephant. I confess that I am partial to these wild
fancies, which transcend the order of time and development. They are
the sublimest recreation of the intellect. The partridge loves peas,
but not those that go with her into the pot.

In short, all good things are wild and free. There is something in a
strain of music, whether produced by an instrument or by the human
voice,--take the sound of a bugle in a summer night, for
instance,--which by its wildness, to speak without satire, reminds me
of the cries emitted by wild beasts in their native forests. It is so
much of their wildness as I can understand. Give me for my friends and
neighbors wild men, not tame ones. The wildness of the savage is but a
faint symbol of the awful ferity with which good men and lovers meet.

I love even to see the domestic animals reassert their native
rights,--any evidence that they have not wholly lost their original
wild habits and vigor; as when my neighbor's cow breaks out of her
pasture early in the spring and boldly swims the river, a cold, gray
tide, twenty-five or thirty rods wide, swollen by the melted snow. It
is the buffalo crossing the Mississippi. This exploit confers some
dignity on the herd in my eyes,--already dignified. The seeds of
instinct are preserved under the thick hides of cattle and horses,
like seeds in the bowels of the earth, an indefinite period.

Any sportiveness in cattle is unexpected. I saw one day a herd of a
dozen bullocks and cows running about and frisking in unwieldy sport,
like huge rats, even like kittens. They shook their heads, raised
their tails, and rushed up and down a hill, and I perceived by their
horns, as well as by their activity, their relation to the deer tribe.
But, alas! a sudden loud _Whoa! _ would have damped their ardor at
once, reduced them from venison to beef, and stiffened their sides and
sinews like the locomotive. Who but the Evil One has cried "Whoa! " to
mankind? Indeed, the life of cattle, like that of many men, is but a
sort of locomotiveness; they move a side at a time, and man, by his
machinery, is meeting the horse and the ox half-way. Whatever part the
whip has touched is thenceforth palsied. Who would ever think of a
_side_ of any of the supple cat tribe, as we speak of a _side_ of
beef?

I rejoice that horses and steers have to be broken before they can be
made the slaves of men, and that men themselves have some wild oats
still left to sow before they become submissive members of society.
Undoubtedly, all men are not equally fit subjects for civilization;
and because the majority, like dogs and sheep, are tame by inherited
disposition, this is no reason why the others should have their
natures broken that they may be reduced to the same level. Men are in
the main alike, but they were made several in order that they might be
various. If a low use is to be served, one man will do nearly or quite
as well as another; if a high one, individual excellence is to be
regarded. Any man can stop a hole to keep the wind away, but no other
man could serve so rare a use as the author of this illustration did.
Confucius says, "The skins of the tiger and the leopard, when they are
tanned, are as the skins of the dog and the sheep tanned. " But it is
not the part of a true culture to tame tigers, any more than it is to
make sheep ferocious; and tanning their skins for shoes is not the
best use to which they can be put.

* * * * *

When looking over a list of men's names in a foreign language, as of
military officers, or of authors who have written on a particular
subject, I am reminded once more that there is nothing in a name. The
name Menschikoff, for instance, has nothing in it to my ears more
human than a whisker, and it may belong to a rat. As the names of the
Poles and Russians are to us, so are ours to them. It is as if they
had been named by the child's rigmarole, _Iery wiery ichery van,
tittle-tol-tan_. I see in my mind a herd of wild creatures swarming
over the earth, and to each the herdsman has affixed some barbarous
sound in his own dialect. The names of men are, of course, as cheap
and meaningless as _Bose_ and _Tray_, the names of dogs.

Methinks it would be some advantage to philosophy if men were named
merely in the gross, as they are known. It would be necessary only to
know the genus and perhaps the race or variety, to know the
individual. We are not prepared to believe that every private soldier
in a Roman army had a name of his own,--because we have not supposed
that he had a character of his own.

At present our only true names are nicknames. I knew a boy who, from
his peculiar energy, was called "Buster" by his playmates, and this
rightly supplanted his Christian name. Some travelers tell us that an
Indian had no name given him at first, but earned it, and his name was
his fame; and among some tribes he acquired a new name with every new
exploit. It is pitiful when a man bears a name for convenience merely,
who has earned neither name nor fame.

I will not allow mere names to make distinctions for me, but still see
men in herds for all them. A familiar name cannot make a man less
strange to me. It may be given to a savage who retains in secret his
own wild title earned in the woods. We have a wild savage in us, and a
savage name is perchance somewhere recorded as ours. I see that my
neighbor, who bears the familiar epithet William or Edwin, takes it
off with his jacket. It does not adhere to him when asleep or in
anger, or aroused by any passion or inspiration. I seem to hear
pronounced by some of his kin at such a time his original wild name in
some jaw-breaking or else melodious tongue.

* * * * *

Here is this vast, savage, howling mother of ours, Nature, lying all
around, with such beauty, and such affection for her children, as the
leopard; and yet we are so early weaned from her breast to society, to
that culture which is exclusively an interaction of man on man,--a
sort of breeding in and in, which produces at most a merely English
nobility, a civilization destined to have a speedy limit.

In society, in the best institutions of men, it is easy to detect a
certain precocity. When we should still be growing children, we are
already little men. Give me a culture which imports much muck from
the meadows, and deepens the soil,--not that which trusts to heating
manures, and improved implements and modes of culture only!

Many a poor sore-eyed student that I have heard of would grow faster,
both intellectually and physically, if, instead of sitting up so very
late, he honestly slumbered a fool's allowance.

There may be an excess even of informing light. Niepce, a Frenchman,
discovered "actinism," that power in the sun's rays which produces a
chemical effect; that granite rocks, and stone structures, and statues
of metal "are all alike destructively acted upon during the hours of
sunshine, and, but for provisions of Nature no less wonderful, would
soon perish under the delicate touch of the most subtile of the
agencies of the universe. " But he observed that "those bodies which
underwent this change during the daylight possessed the power of
restoring themselves to their original conditions during the hours of
night, when this excitement was no longer influencing them. " Hence it
has been inferred that "the hours of darkness are as necessary to the
inorganic creation as we know night and sleep are to the organic
kingdom. " Not even does the moon shine every night, but gives place to
darkness.

I would not have every man nor every part of a man cultivated, any
more than I would have every acre of earth cultivated: part will be
tillage, but the greater part will be meadow and forest, not only
serving an immediate use, but preparing a mould against a distant
future, by the annual decay of the vegetation which it supports.

There are other letters for the child to learn than those which Cadmus
invented. The Spaniards have a good term to express this wild and
dusky knowledge, _Gramatica parda_, tawny grammar, a kind of
mother-wit derived from that same leopard to which I have referred.

We have heard of a Society for the Diffusion of Useful Knowledge. It
is said that knowledge is power, and the like. Methinks there is equal
need of a Society for the Diffusion of Useful Ignorance, what we will
call Beautiful Knowledge, a knowledge useful in a higher sense: for
what is most of our boasted so-called knowledge but a conceit that we
know something, which robs us of the advantage of our actual
ignorance? What we call knowledge is often our positive ignorance;
ignorance our negative knowledge. By long years of patient industry
and reading of the newspapers,--for what are the libraries of science
but files of newspapers? --a man accumulates a myriad facts, lays them
up in his memory, and then when in some spring of his life he saunters
abroad into the Great Fields of thought, he, as it were, goes to grass
like a horse and leaves all his harness behind in the stable. I would
say to the Society for the Diffusion of Useful Knowledge,
sometimes,--Go to grass. You have eaten hay long enough. The spring
has come with its green crop. The very cows are driven to their
country pastures before the end of May; though I have heard of one
unnatural farmer who kept his cow in the barn and fed her on hay all
the year round. So, frequently, the Society for the Diffusion of
Useful Knowledge treats its cattle.

A man's ignorance sometimes is not only useful, but beautiful,--while
his knowledge, so called, is oftentimes worse than useless, besides
being ugly. Which is the best man to deal with,--he who knows nothing
about a subject, and, what is extremely rare, knows that he knows
nothing, or he who really knows something about it, but thinks that he
knows all?

My desire for knowledge is intermittent, but my desire to bathe my head
in atmospheres unknown to my feet is perennial and constant. The highest
that we can attain to is not Knowledge, but Sympathy with Intelligence.
I do not know that this higher knowledge amounts to anything more
definite than a novel and grand surprise on a sudden revelation of the
insufficiency of all that we called Knowledge before,--a discovery that
there are more things in heaven and earth than are dreamed of in our
philosophy. It is the lighting up of the mist by the sun. Man cannot
_know_ in any higher sense than this, any more than he can look serenely
and with impunity in the face of the sun: ? ? ? ? ? ? ? ? , ? ? ? ? ? ? ? ? ? ? ? ? ? ? ?
,
"You will not perceive that, as perceiving a particular thing," say the
Chaldean Oracles.

There is something servile in the habit of seeking after a law which
we may obey. We may study the laws of matter at and for our
convenience, but a successful life knows no law. It is an unfortunate
discovery certainly, that of a law which binds us where we did not
know before that we were bound. Live free, child of the mist,--and
with respect to knowledge we are all children of the mist. The man who
takes the liberty to live is superior to all the laws, by virtue of
his relation to the lawmaker. "That is active duty," says the Vishnu
Purana, "which is not for our bondage; that is knowledge which is for
our liberation: all other duty is good only unto weariness; all other
knowledge is only the cleverness of an artist. "

* * * * *

It is remarkable how few events or crises there are in our histories,
how little exercised we have been in our minds, how few experiences we
have had. I would fain be assured that I am growing apace and rankly,
though my very growth disturb this dull equanimity,--though it be with
struggle through long, dark, muggy nights or seasons of gloom. It
would be well if all our lives were a divine tragedy even, instead of
this trivial comedy or farce. Dante, Bunyan, and others appear to have
been exercised in their minds more than we: they were subjected to a
kind of culture such as our district schools and colleges do not
contemplate. Even Mahomet, though many may scream at his name, had a
good deal more to live for, aye, and to die for, than they have
commonly.

When, at rare intervals, some thought visits one, as perchance he is
walking on a railroad, then, indeed, the cars go by without his
hearing them. But soon, by some inexorable law, our life goes by and
the cars return.

"Gentle breeze, that wanderest unseen,
And bendest the thistles round Loira of storms,
Traveler of the windy glens,
Why hast thou left my ear so soon? "

While almost all men feel an attraction drawing them to society, few
are attracted strongly to Nature. In their reaction to Nature men
appear to me for the most part, notwithstanding their arts, lower than
the animals. It is not often a beautiful relation, as in the case of
the animals. How little appreciation of the beauty of the landscape
there is among us! We have to be told that the Greeks called the world
? ? ? ? ? ? , Beauty, or Order, but we do not see clearly why they did so, and
we esteem it at best only a curious philological fact.

For my part, I feel that with regard to Nature I live a sort of border
life, on the confines of a world into which I make occasional and
transient forays only, and my patriotism and allegiance to the state
into whose territories I seem to retreat are those of a moss-trooper.
Unto a life which I call natural I would gladly follow even a
will-o'-the-wisp through bogs and sloughs unimaginable, but no moon
nor firefly has shown me the causeway to it. Nature is a personality
so vast and universal that we have never seen one of her features. The
walker in the familiar fields which stretch around my native town
sometimes finds himself in another land than is described in their
owners' deeds, as it were in some faraway field on the confines of the
actual Concord, where her jurisdiction ceases, and the idea which the
word Concord suggests ceases to be suggested. These farms which I have
myself surveyed, these bounds which I have set up, appear dimly still
as through a mist; but they have no chemistry to fix them; they fade
from the surface of the glass, and the picture which the painter
painted stands out dimly from beneath. The world with which we are
commonly acquainted leaves no trace, and it will have no anniversary.

* * * * *

I took a walk on Spaulding's Farm the other afternoon. I saw the
setting sun lighting up the opposite side of a stately pine wood. Its
golden rays straggled into the aisles of the wood as into some noble
hall. I was impressed as if some ancient and altogether admirable and
shining family had settled there in that part of the land called
Concord, unknown to me,--to whom the sun was servant,--who had not
gone into society in the village,--who had not been called on. I saw
their park, their pleasure-ground, beyond through the wood, in
Spaulding's cranberry-meadow. The pines furnished them with gables as
they grew. Their house was not obvious to vision; the trees grew
through it. I do not know whether I heard the sounds of a suppressed
hilarity or not. They seemed to recline on the sunbeams. They have
sons and daughters. They are quite well. The farmer's cart-path, which
leads directly through their hall, does not in the least put them out,
as the muddy bottom of a pool is sometimes seen through the reflected
skies. They never heard of Spaulding, and do not know that he is their
neighbor,--notwithstanding I heard him whistle as he drove his team
through the house. Nothing can equal the serenity of their lives.
Their coat-of-arms is simply a lichen. I saw it painted on the pines
and oaks. Their attics were in the tops of the trees. They are of no
politics. There was no noise of labor. I did not perceive that they
were weaving or spinning. Yet I did detect, when the wind lulled and
hearing was done away, the finest imaginable sweet musical hum,--as of
a distant hive in May,--which perchance was the sound of their
thinking. They had no idle thoughts, and no one without could see
their work, for their industry was not as in knots and excrescences
embayed.

But I find it difficult to remember them. They fade irrevocably out of
my mind even now while I speak, and endeavor to recall them and
recollect myself. It is only after a long and serious effort to
recollect my best thoughts that I become again aware of their
cohabitancy. If it were not for such families as this, I think I
should move out of Concord.

* * * * *

We are accustomed to say in New England that few and fewer pigeons
visit us every year. Our forests furnish no mast for them. So, it
would seem, few and fewer thoughts visit each growing man from year to
year, for the grove in our minds is laid waste,--sold to feed
unnecessary fires of ambition, or sent to mill,--and there is scarcely
a twig left for them to perch on. They no longer build nor breed with
us. In some more genial season, perchance, a faint shadow flits across
the landscape of the mind, cast by the _wings_ of some thought in its
vernal or autumnal migration, but, looking up, we are unable to detect
the substance of the thought itself. Our winged thoughts are turned to
poultry. They no longer soar, and they attain only to a Shanghai and
Cochin-China grandeur. Those _gra-a-ate thoughts_, those _gra-a-ate
men_ you hear of!

* * * * *

We hug the earth,--how rarely we mount! Methinks we might elevate
ourselves a little more. We might climb a tree, at least. I found my
account in climbing a tree once. It was a tall white pine, on the top
of a hill; and though I got well pitched, I was well paid for it, for
I discovered new mountains in the horizon which I had never seen
before,--so much more of the earth and the heavens. I might have
walked about the foot of the tree for threescore years and ten, and
yet I certainly should never have seen them. But, above all, I
discovered around me,--it was near the end of June,--on the ends of
the topmost branches only, a few minute and delicate red cone-like
blossoms, the fertile flower of the white pine looking heavenward. I
carried straightway to the village the topmost spire, and showed it to
stranger jurymen who walked the streets,--for it was court week,--and
to farmers and lumber-dealers and woodchoppers and hunters, and not
one had ever seen the like before, but they wondered as at a star
dropped down. Tell of ancient architects finishing their works on the
tops of columns as perfectly as on the lower and more visible parts!
Nature has from the first expanded the minute blossoms of the forest
only toward the heavens, above men's heads and unobserved by them. We
see only the flowers that are under our feet in the meadows. The pines
have developed their delicate blossoms on the highest twigs of the
wood every summer for ages, as well over the heads of Nature's red
children as of her white ones; yet scarcely a farmer or hunter in the
land has ever seen them.

* * * * *

Above all, we cannot afford not to live in the present. He is blessed
over all mortals who loses no moment of the passing life in
remembering the past. Unless our philosophy hears the cock crow in
every barn-yard within our horizon, it is belated. That sound commonly
reminds us that we are growing rusty and antique in our employments
and habits of thought. His philosophy comes down to a more recent time
than ours. There is something suggested by it that is a newer
testament,--the gospel according to this moment. He has not fallen
astern; he has got up early and kept up early, and to be where he is
is to be in season, in the foremost rank of time. It is an expression
of the health and soundness of Nature, a brag for all the
world,--healthiness as of a spring burst forth, a new fountain of the
Muses, to celebrate this last instant of time. Where he lives no
fugitive slave laws are passed. Who has not betrayed his master many
times since last he heard that note?

The merit of this bird's strain is in its freedom from all
plaintiveness. The singer can easily move us to tears or to laughter,
but where is he who can excite in us a pure morning joy? When, in
doleful dumps, breaking the awful stillness of our wooden sidewalk on
a Sunday, or, perchance, a watcher in the house of mourning, I hear a
cockerel crow far or near, I think to myself, "There is one of us
well, at any rate,"--and with a sudden gush return to my senses.

* * * * *

We had a remarkable sunset one day last November. I was walking in a
meadow, the source of a small brook, when the sun at last, just before
setting, after a cold, gray day, reached a clear stratum in the
horizon, and the softest, brightest morning sunlight fell on the dry
grass and on the stems of the trees in the opposite horizon and on the
leaves of the shrub oaks on the hillside, while our shadows stretched
long over the meadow eastward, as if we were the only motes in its
beams. It was such a light as we could not have imagined a moment
before, and the air also was so warm and serene that nothing was
wanting to make a paradise of that meadow. When we reflected that this
was not a solitary phenomenon, never to happen again, but that it
would happen forever and ever, an infinite number of evenings, and
cheer and reassure the latest child that walked there, it was more
glorious still.

The sun sets on some retired meadow, where no house is visible, with
all the glory and splendor that it lavishes on cities, and perchance
as it has never set before,--where there is but a solitary marsh hawk
to have his wings gilded by it, or only a musquash looks out from his
cabin, and there is some little black-veined brook in the midst of the
marsh, just beginning to meander, winding slowly round a decaying
stump. We walked in so pure and bright a light, gilding the withered
grass and leaves, so softly and serenely bright, I thought I had never
bathed in such a golden flood, without a ripple or a murmur to it. The
west side of every wood and rising ground gleamed like the boundary of
Elysium, and the sun on our backs seemed like a gentle herdsman
driving us home at evening.

So we saunter toward the Holy Land, till one day the sun shall shine
more brightly than ever he has done, shall perchance shine into our
minds and hearts, and light up our whole lives with a great awakening
light, as warm and serene and golden as on a bankside in autumn.




AUTUMNAL TINTS


Europeans coming to America are surprised by the brilliancy of our
autumnal foliage. There is no account of such a phenomenon in English
poetry, because the trees acquire but few bright colors there. The
most that Thomson says on this subject in his "Autumn" is contained in
the lines,--

"But see the fading many-colored woods
Shade deepening over shade, the country round
Imbrown; a crowded umbrage, dusk and dun,
Of every hue, from wan declining green
To sooty dark;"

and in the line in which he speaks of

"Autumn beaming o'er the yellow woods. "

The autumnal change of our woods has not made a deep impression on our
own literature yet. October has hardly tinged our poetry.

A great many, who have spent their lives in cities, and have never
chanced to come into the country at this season, have never seen this,
the flower, or rather the ripe fruit, of the year. I remember riding
with one such citizen, who, though a fortnight too late for the most
brilliant tints, was taken by surprise, and would not believe that
there had been any brighter. He had never heard of this phenomenon
before. Not only many in our towns have never witnessed it, but it is
scarcely remembered by the majority from year to year.

Most appear to confound changed leaves with withered ones, as if they
were to confound ripe apples with rotten ones. I think that the change
to some higher color in a leaf is an evidence that it has arrived at a
late and perfect maturity, answering to the maturity of fruits. It is
generally the lowest and oldest leaves which change first. But as the
perfect-winged and usually bright-colored insect is short-lived, so
the leaves ripen but to fall.

Generally, every fruit, on ripening, and just before it falls, when it
commences a more independent and individual existence, requiring less
nourishment from any source, and that not so much from the earth
through its stem as from the sun and air, acquires a bright tint. So
do leaves. The physiologist says it is "due to an increased absorption
of oxygen. " That is the scientific account of the matter,--only a
reassertion of the fact. But I am more interested in the rosy cheek
than I am to know what particular diet the maiden fed on. The very
forest and herbage, the pellicle of the earth, must acquire a bright
color, an evidence of its ripeness,--as if the globe itself were a
fruit on its stem, with ever a cheek toward the sun.

Flowers are but colored leaves, fruits but ripe ones. The edible part
of most fruits is, as the physiologist says, "the parenchyma or fleshy
tissue of the leaf," of which they are formed.

Our appetites have commonly confined our views of ripeness and its
phenomena, color, mellowness, and perfectness, to the fruits which we
eat, and we are wont to forget that an immense harvest which we do not
eat, hardly use at all, is annually ripened by Nature. At our annual
cattle-shows and horticultural exhibitions, we make, as we think, a
great show of fair fruits, destined, however, to a rather ignoble end,
fruits not valued for their beauty chiefly. But round about and within
our towns there is annually another show of fruits, on an infinitely
grander scale, fruits which address our taste for beauty alone.

October is the month for painted leaves. Their rich glow now flashes
round the world. As fruits and leaves and the day itself acquire a
bright tint just before they fall, so the year near its setting.
October is its sunset sky; November the later twilight.

I formerly thought that it would be worth the while to get a specimen
leaf from each changing tree, shrub, and herbaceous plant, when it had
acquired its brightest characteristic color, in its transition from
the green to the brown state, outline it, and copy its color exactly,
with paint, in a book, which should be entitled "October, or Autumnal
Tints,"--beginning with the earliest reddening woodbine and the lake
of radical leaves, and coming down through the maples, hickories, and
sumachs, and many beautifully freckled leaves less generally known, to
the latest oaks and aspens. What a memento such a book would be! You
would need only to turn over its leaves to take a ramble through the
autumn woods whenever you pleased. Or if I could preserve the leaves
themselves, unfaded, it would be better still. I have made but little
progress toward such a book, but I have endeavored, instead, to
describe all these bright tints in the order in which they present
themselves. The following are some extracts from my notes.


THE PURPLE GRASSES

By the twentieth of August, everywhere in woods and swamps we are
reminded of the fall, both by the richly spotted sarsaparilla leaves
and brakes, and the withering and blackened skunk-cabbage and
hellebore, and, by the riverside, the already blackening pontederia.

The purple grass (_Eragrostis pectinacea_) is now in the height of its
beauty. I remember still when I first noticed this grass particularly.
Standing on a hillside near our river, I saw, thirty or forty rods
off, a stripe of purple half a dozen rods long, under the edge of a
wood, where the ground sloped toward a meadow. It was as high-colored
and interesting, though not quite so bright, as the patches of rhexia,
being a darker purple, like a berry's stain laid on close and thick.
On going to and examining it, I found it to be a kind of grass in
bloom, hardly a foot high, with but few green blades, and a fine
spreading panicle of purple flowers, a shallow, purplish mist
trembling around me. Close at hand it appeared but a dull purple, and
made little impression on the eye; it was even difficult to detect;
and if you plucked a single plant, you were surprised to find how thin
it was, and how little color it had. But viewed at a distance in a
favorable light, it was of a fine lively purple, flower-like,
enriching the earth. Such puny causes combine to produce these decided
effects. I was the more surprised and charmed because grass is
commonly of a sober and humble color.

With its beautiful purple blush it reminds me, and supplies the
place, of the rhexia, which is now leaving off, and it is one of the
most interesting phenomena of August. The finest patches of it grow on
waste strips or selvages of land at the base of dry hills, just above
the edge of the meadows, where the greedy mower does not deign to
swing his scythe; for this is a thin and poor grass, beneath his
notice. Or, it may be, because it is so beautiful he does not know
that it exists; for the same eye does not see this and timothy. He
carefully gets the meadow-hay and the more nutritious grasses which
grow next to that, but he leaves this fine purple mist for the
walker's harvest,--fodder for his fancy stock. Higher up the hill,
perchance, grow also blackberries, John's-wort, and neglected,
withered, and wiry June-grass. How fortunate that it grows in such
places, and not in the midst of the rank grasses which are annually
cut! Nature thus keeps use and beauty distinct. I know many such
localities, where it does not fail to present itself annually, and
paint the earth with its blush. It grows on the gentle slopes, either
in a continuous patch or in scattered and rounded tufts a foot in
diameter, and it lasts till it is killed by the first smart frosts.

In most plants the corolla or calyx is the part which attains the
highest color, and is the most attractive; in many it is the
seed-vessel or fruit; in others, as the red maple, the leaves; and in
others still it is the very culm itself which is the principal flower
or blooming part.

The last is especially the case with the poke or garget (_Phytolacca
decandra_). Some which stand under our cliffs quite dazzle me with
their purple stems now and early in September. They are as interesting
to me as most flowers, and one of the most important fruits of our
autumn. Every part is flower (or fruit), such is its superfluity of
color,--stem, branch, peduncle, pedicel, petiole, and even the at
length yellowish, purple-veined leaves. Its cylindrical racemes of
berries of various hues, from green to dark purple, six or seven
inches long, are gracefully drooping on all sides, offering repasts to
the birds; and even the sepals from which the birds have picked the
berries are a brilliant lake red, with crimson flame-like reflections,
equal to anything of the kind,--all on fire with ripeness. Hence the
_lacca_, from _lac_, lake. There are at the same time flower-buds,
flowers, green berries, dark-purple or ripe ones, and these
flower-like sepals, all on the same plant.

We love to see any redness in the vegetation of the temperate zone. It
is the color of colors. This plant speaks to our blood. It asks a
bright sun on it to make it show to best advantage, and it must be
seen at this season of the year. On warm hillsides its stems are ripe
by the twenty-third of August. At that date I walked through a
beautiful grove of them, six or seven feet high, on the side of one of
our cliffs, where they ripen early. Quite to the ground they were a
deep, brilliant purple, with a bloom contrasting with the still clear
green leaves. It appears a rare triumph of Nature to have produced and
perfected such a plant, as if this were enough for a summer. What a
perfect maturity it arrives at! It is the emblem of a successful life
concluded by a death not premature, which is an ornament to Nature.
What if we were to mature as perfectly, root and branch, glowing in
the midst of our decay, like the poke! I confess that it excites me to
behold them. I cut one for a cane, for I would fain handle and lean on
it. I love to press the berries between my fingers, and see their
juice staining my hand. To walk amid these upright, branching casks of
purple wine, which retain and diffuse a sunset glow, tasting each one
with your eye, instead of counting the pipes on a London dock, what a
privilege! For Nature's vintage is not confined to the vine. Our poets
have sung of wine, the product of a foreign plant which commonly they
never saw, as if our own plants had no juice in them more than the
singers. Indeed, this has been called by some the American grape, and,
though a native of America, its juices are used in some foreign
countries to improve the color of the wine; so that the poetaster may
be celebrating the virtues of the poke without knowing it. Here are
berries enough to paint afresh the western sky, and play the bacchanal
with, if you will. And what flutes its ensanguined stems would make,
to be used in such a dance! It is truly a royal plant. I could spend
the evening of the year musing amid the poke stems. And perchance amid
these groves might arise at last a new school of philosophy or poetry.
It lasts all through September.

At the same time with this, or near the end of August, a to me very
interesting genus of grasses, andropogons, or beard-grasses, is in its
prime: _Andropogon furcatus_, forked beard-grass, or call it
purple-fingered grass; _Andropogon scoparius_, purple wood-grass; and
_Andropogon_ (now called _Sorghum_) _nutans_, Indian-grass. The first
is a very tall and slender-culmed grass, three to seven feet high,
with four or five purple finger-like spikes raying upward from the
top. The second is also quite slender, growing in tufts two feet high
by one wide, with culms often somewhat curving, which, as the spikes
go out of bloom, have a whitish, fuzzy look. These two are prevailing
grasses at this season on dry and sandy fields and hillsides. The
culms of both, not to mention their pretty flowers, reflect a purple
tinge, and help to declare the ripeness of the year. Perhaps I have
the more sympathy with them because they are despised by the farmer,
and occupy sterile and neglected soil. They are high-colored, like
ripe grapes, and express a maturity which the spring did not suggest.
Only the August sun could have thus burnished these culms and leaves.
The farmer has long since done his upland haying, and he will not
condescend to bring his scythe to where these slender wild grasses
have at length flowered thinly; you often see spaces of bare sand amid
them. But I walk encouraged between the tufts of purple wood-grass
over the sandy fields, and along the edge of the shrub oaks, glad to
recognize these simple contemporaries. With thoughts cutting a broad
swathe I "get" them, with horse-raking thoughts I gather them into
windrows. The fine-eared poet may hear the whetting of my scythe.
These two were almost the first grasses that I learned to distinguish,
for I had not known by how many friends I was surrounded; I had seen
them simply as grasses standing. The purple of their culms also
excites me like that of the poke-weed stems.

Think what refuge there is for one, before August is over, from
college commencements and society that isolates! I can skulk amid the
tufts of purple wood-grass on the borders of the "Great Fields. "
Wherever I walk these afternoons, the purple-fingered grass also
stands like a guide-board, and points my thoughts to more poetic paths
than they have lately traveled.