No More Learning

The following digressive paradigm is perhaps the most enigmatic of them all, for apart from "the name of a famous bear" one could not squeeze very much meaning of it at all. . . Or can one?
? ? ? ? ? ? ? ? ? ? conquists of word's law,
? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? 530. 22:1
? ? ? Sackerson
? ? ? Quotation:
SLENDE: You are afraid if you see the bear loose, are you not? [. . . ] I have seen Sackerson loose twenty times.
( N. B. There is a major paradigm here:
? ? ? ? ? The Merry Wives of Windsor
1. 1. 263-66
(V. J. CHENG 1984 : 198ff)
+Sandulescu
? ? ? Shakespeare
The Merry Wives of Windsor
? ? ? . 20:4 Seckesign
? ? ? ? ? Bucures? ti 2012
? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? C. George Sandulescu, Editor.
Literary Allusions in Finnegans Wake 17
? ? ? ? ? ? ? ? ? . 21:3 Sickerson, . 21:6 Sekersen . 22:1 Sackerson
? ? ? ? ? ? ? ? ? ? The semantic climax lies in the last item of the four! )
? ? ? ? We should have quite a lot of colloquial Italian under the belt in order to understand all the semantic implications of the following paradigm (a lot more than York Tindall implies):
? ? ? ? 281. 18:4
? ? ? ? ? ? (il folsoletto nel falzoletto col fazolotto dal fuzzolezzo),
? ? Name of Person: Desdemona
N. B. (fazzoletto Italian: handkerchief) N. B. ( This is a typical Joyce letter-paradigm:
? ? ? ? ? ? ? ? Othello
(V. J. CHENG 1984 : 198ff)
+Sandulescu
? ? ? ? Shakespeare
Othello
? ? ? ? . 18:5 folsoletto . 19:1 falzoletto . 19:3 fazolotto . 19:5 fuzzolezzo
? ?
None of the four items does give the correct Italian spelling ! )
? ? ? ? ? ? ? ? ?
? ? Bucures? ti 2012
C. George Sandulescu, Editor.
Literary Allusions in Finnegans Wake 18
Paradigmatic Reading is my fundamental request in this volume. Read the Shakespeare plays and the Dante Cantos, and all the rest of the data in their natural sequence! As they emerge in the texture of FW:
It really pays to look at the play Richard the Third, and the emphasis Joyce places on the quotation about swapping a kingdom for a horse--so reminiscent of Mihai Eminescu's "un regat pentr'o t? igar? ? " 'a kingdom for a cigarette! '--a quote which is taken up at least six times throughout FW:
? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? ? 104. 11:6
? , Buy Birthplate for a Bite,
? ? ? ? Quotation:
RICHARD: A horse! a horse! my kingdom for a horse!
? ? Richard the Third
5. 5. 7 + 13
(V. J. CHENG 1984: 198ff)
? ? Shakespeare
Richard the Third
? Bucures? ti 2012
C. George Sandulescu, Editor.
Literary Allusions in Finnegans Wake 19
? ? ? ? 134. 08:5
? , twiniceynurseys fore a drum
? ? Quotation:
RICHARD: A horse! a horse! my kingdom for a horse!
? ? Richard the Third
5. 5. 7 + 13
(V. J. CHENG 1984: 198ff)
? ? ? Shakespeare
Richard the Third
? ? ? ? 152. 22:11
? (My hood! cries Antony Romeo),
? ? Quotation:
RICHARD: A horse! a horse! my kingdom for a horse!
? ? Richard the Third
5. 5. 7 + 13
(V. J. CHENG 1984: 198ff)
? ? ? Shakespeare
Richard the Third
? ? ? ? 193. 31:6
? ? ? ! My fault, his fault, a Kingship through a fault!
? ? ? Quotation:
RICHARD: A horse! a horse! my kingdom for a horse!
? ? ? Richard the Third
5. 5. 7 + 13
(V. J. CHENG 1984: 198ff)
? ? ? ? Shakespeare
Richard the Third
? ? ? 352. 09:2
, my oreland for a rolvever,
? Quotation:
RICHARD: A horse! a horse! my kingdom for a horse!
? ? Richard the Third
5. 5. 7 + 13
(V. J. CHENG 1984: 198ff)
? ? Shakespeare
Richard the Third
? ? ? ? 373. 15:5
? ? ? ? . Heigh hohse, heigh hohse, our kingdom from an orse!
? ? ? Quotation:
RICHARD: A horse! a horse! my kingdom for a horse!
? ? ? ? Richard the Third
5. 5. 7 + 13
(V. J. CHENG 1984: 198ff)
? ? ? ? Shakespeare
Richard the Third
? ? ? ? ? Hamlet, with monologue and many other major scenes, has of course pride of place. The record of frequency of occurrence of an item from Hamlet--46 times-- is being held by the following:
?