But
penitent
in calm, thou givest a balm,
To many a man who's felt thy rage,
And many a sea-bird--thanks be heard!
To many a man who's felt thy rage,
And many a sea-bird--thanks be heard!
Hugo - Poems
--"Where is she, wolf-cub?
" he said
Still gruffly. "There, d'ye see? not far from here. "
"Haste! make it hers! then back to swell _their_ bier. "
He sprang aloof as springald from detested school,
Or ocean-rover from protected port.
"The little rascal has the laugh on us! no fool
To breast our bullets! "--but the scoff was short,
For soon! the rogue is racing from his court;
And with still fearless front he faces them and calls:
"READY! but level low--_she's_ kissed these eyes! "
From cooling hands of _men_ each rifle falls,
And their gray officer, in grave surprise,
Life grants the lad whilst his last comrade dies.
Brave youth! I know not well what urged thy act,
Whether thou'lt pass in palace, or die rackt;
But _then_, shone on the guns, a sublime soul. --
A Bayard-boy's, bound by his pure parole!
Honor redeemed though paid by parlous price,
Though lost be sunlit sports, wild boyhood's spice,
The Gates, the cheers of mates for bright device!
Greeks would, whilom, have choicely clasped and circled thee,
Set thee the first to shield some new Thermopylae;
Thy deed had touched and tuned their true Tyrtaeus tongue,
And staged by Aeschylus, grouped thee grand gods among.
And thy lost name (now known no more) been gilt and graved
On cloud-kissed column, by the sweet south ocean laved.
From us no crown! no honors from the civic sheaf--
Purely this poet's tear-bejewelled, aye-green leaf!
H. L. W.
TO HIS ORPHAN GRANDCHILDREN.
_("O Charles, je te sens pres de moi. ")_
[July, 1871. ]
I feel thy presence, Charles. Sweet martyr! down
In earth, where men decay,
I search, and see from cracks which rend thy tomb,
Burst out pale morning's ray.
Close linked are bier and cradle: here the dead,
To charm us, live again:
Kneeling, I mourn, when on my threshold sounds
Two little children's strain.
George, Jeanne, sing on! George, Jeanne, unconscious play!
Your father's form recall,
Now darkened by his sombre shade, now gilt
By beams that wandering fall.
Oh, knowledge! what thy use? did we not know
Death holds no more the dead;
But Heaven, where, hand in hand, angel and star
Smile at the grave we dread?
A Heaven, which childhood represents on earth.
Orphans, may God be nigh!
That God, who can your bright steps turn aside
From darkness, where I sigh.
All joy be yours, though sorrow bows me down!
To each his fitting wage:
Children, I've passed life's span, and men are plagued
By shadows at that stage.
Hath any done--nay, only half performed--
The good he might for others?
Hath any conquered hatred, or had strength
To treat his foes like brothers?
E'en he, who's tried his best, hath evil wrought:
Pain springs from happiness:
My heart has triumphed in defeat, my pulse
Ne'er quickened at success.
I seemed the greater when I felt the blow:
The prick gives sense of gain;
Since to make others bleed my courage fails,
I'd rather bear the pain.
To grow is sad, since evils grow no less;
Great height is mark for all:
The more I have of branches, more of clustering boughs,
The ghastlier shadows fall.
Thence comes my sadness, though I grant your charms:
Ye are the outbursting
Of the soul in bloom, steeped in the draughts
Of nature's boundless spring.
George is the sapling, set in mournful soil;
Jeanne's folding petals shroud
A mind which trembles at our uproar, yet
Half longs to speak aloud.
Give, then, my children--lowly, blushing plants,
Whom sorrow waits to seize--
Free course to instincts, whispering 'mid the flowers,
Like hum of murmuring bees.
Some day you'll find that chaos comes, alas!
That angry lightning's hurled,
When any cheer the People, Atlas huge,
Grim bearer of the world!
You'll see that, since our fate is ruled by chance,
Each man, unknowing, great,
Should frame life so, that at some future hour
Fact and his dreamings meet.
I, too, when death is past, one day shall grasp
That end I know not now;
And over you will bend me down, all filled
With dawn's mysterious glow.
I'll learn what means this exile, what this shroud
Enveloping your prime;
And why the truth and sweetness of one man
Seem to all others crime.
I'll hear--though midst these dismal boughs you sang--
How came it, that for me,
Who every pity feel for every woe,
So vast a gloom could be.
I'll know why night relentless holds me, why
So great a pile of doom:
Why endless frost enfolds me, and methinks
My nightly bed's a tomb:
Why all these battles, all these tears, regrets,
And sorrows were my share;
And why God's will of me a cypress made,
When roses bright ye were.
MARWOOD TUCKER.
TO THE CANNON "VICTOR HUGO. "
[Bought with the proceeds of Readings of "Les Chatiments" during
the Siege of Paris. ]
[1872. ]
Thou deadly crater, moulded by my muse,
Cast thou thy bronze into my bowed and wounded heart,
And let my soul its vengeance to thy bronze impart!
L'ART D'ETRE GRANDPERE.
THE CHILDREN OF THE POOR.
_("Prenez garde a ce petit etre. ")_
[LAUS PUER: POEM V. ]
Take heed of this small child of earth;
He is great: in him is God most high.
Children before their fleshly birth
Are lights in the blue sky.
In our brief bitter world of wrong
They come; God gives us them awhile.
His speech is in their stammering tongue,
And His forgiveness in their smile.
Their sweet light rests upon our eyes:
Alas! their right to joy is plain.
If they are hungry, Paradise
Weeps, and if cold, Heaven thrills with pain.
The want that saps their sinless flower
Speaks judgment on Sin's ministers.
Man holds an angel in his power.
Ah! deep in Heaven what thunder stirs.
When God seeks out these tender things,
Whom in the shadow where we keep,
He sends them clothed about with wings,
And finds them ragged babes that weep!
_Dublin University Magazine. _
THE EPIC OF THE LION.
_("Un lion avait pris un enfant. ")_
[XIII. ]
A Lion in his jaws caught up a child--
Not harming it--and to the woodland, wild
With secret streams and lairs, bore off his prey--
The beast, as one might cull a bud in May.
It was a rosy boy, a king's own pride,
A ten-year lad, with bright eyes shining wide,
And save this son his majesty beside
Had but one girl, two years of age, and so
The monarch suffered, being old, much woe;
His heir the monster's prey, while the whole land
In dread both of the beast and king did stand;
Sore terrified were all.
By came a knight
That road, who halted, asking, "What's the fright? "
They told him, and he spurred straight for the site!
The beast was seen to smile ere joined they fight,
The man and monster, in most desperate duel,
Like warring giants, angry, huge, and cruel.
Stout though the knight, the lion stronger was,
And tore that brave breast under its cuirass,
Scrunching that hero, till he sprawled, alas!
Beneath his shield, all blood and mud and mess:
Whereat the lion feasted: then it went
Back to its rocky couch and slept content.
Sudden, loud cries and clamors! striking out
Qualm to the heart of the quiet, horn and shout
Causing the solemn wood to reel with rout.
Terrific was this noise that rolled before;
It seemed a squadron; nay, 'twas something more--
A whole battalion, sent by that sad king
With force of arms his little prince to bring,
Together with the lion's bleeding hide.
Which here was right or wrong? Who can decide?
Have beasts or men most claim to live? God wots!
He is the unit, we the cipher-dots.
Ranged in the order a great hunt should have,
They soon between the trunks espy the cave.
"Yes, that is it! the very mouth of the den! "
The trees all round it muttered, warning men;
Still they kept step and neared it. Look you now,
Company's pleasant, and there were a thou--
Good Lord! all in a moment, there's its face!
Frightful! they saw the lion! Not one pace
Further stirred any man; but bolt and dart
Made target of the beast. He, on his part,
As calm as Pelion in the rain or hail,
Bristled majestic from the teeth to tail,
And shook full fifty missiles from his hide,
But no heed took he; steadfastly he eyed,
And roared a roar, hoarse, vibrant, vengeful, dread,
A rolling, raging peal of wrath, which spread,
Making the half-awakened thunder cry,
"Who thunders there? " from its black bed of sky.
This ended all! Sheer horror cleared the coast;
As fogs are driven by the wind, that valorous host
Melted, dispersed to all the quarters four,
Clean panic-stricken by that monstrous roar.
Then quoth the lion, "Woods and mountains, see,
A thousand men, enslaved, fear one beast free! "
He followed towards the hill, climbed high above,
Lifted his voice, and, as the sowers sow
The seed down wind, thus did that lion throw
His message far enough the town to reach:
"King! your behavior really passes speech!
Thus far no harm I've wrought to him your son;
But now I give you notice--when night's done,
I will make entry at your city-gate,
Bringing the prince alive; and those who wait
To see him in my jaws--your lackey-crew--
Shall see me eat him in your palace, too! "
Next morning, this is what was viewed in town:
Dawn coming--people going--some adown
Praying, some crying; pallid cheeks, swift feet,
And a huge lion stalking through the street.
It seemed scarce short of rash impiety
To cross its path as the fierce beast went by.
So to the palace and its gilded dome
With stately steps unchallenged did he roam;
He enters it--within those walls he leapt!
No man!
For certes, though he raged and wept,
His majesty, like all, close shelter kept,
Solicitous to live, holding his breath
Specially precious to the realm. Now death
Is not thus viewed by honest beasts of prey;
And when the lion found _him_ fled away,
Ashamed to be so grand, man being so base,
He muttered to himself, "A wretched king!
'Tis well; I'll eat his boy! " Then, wandering,
Lordly he traversed courts and corridors,
Paced beneath vaults of gold on shining floors,
Glanced at the throne deserted, stalked from hall
To hall--green, yellow, crimson--empty all!
Rich couches void, soft seats unoccupied!
And as he walked he looked from side to side
To find some pleasant nook for his repast,
Since appetite was come to munch at last
The princely morsel! --Ah! what sight astounds
That grisly lounger?
In the palace grounds
An alcove on a garden gives, and there
A tiny thing--forgot in the general fear,
Lulled in the flower-sweet dreams of infancy,
Bathed with soft sunlight falling brokenly
Through leaf and lattice--was at that moment waking;
A little lovely maid, most dear and taking,
The prince's sister--all alone, undressed--
She sat up singing: children sing so best.
Charming this beauteous baby-maid; and so
The beast caught sight of her and stopped--
And then
Entered--the floor creaked as he stalked straight in.
Above the playthings by the little bed
The lion put his shaggy, massive head,
Dreadful with savage might and lordly scorn,
More dreadful with that princely prey so borne;
Which she, quick spying, "Brother, brother! " cried,
"Oh, my own brother! " and, unterrified,
She gazed upon that monster of the wood,
Whose yellow balls not Typhon had withstood,
And--well! who knows what thoughts these small heads hold?
She rose up in her cot--full height, and bold,
And shook her pink fist angrily at him.
Whereon--close to the little bed's white rim,
All dainty silk and laces--this huge brute
Set down her brother gently at her foot,
Just as a mother might, and said to her,
"Don't be put out, now! There he is, dear, there! "
EDWIN ARNOLD, C. S. I.
LES QUATRE VENTS DE L'ESPRIT.
ON HEARING THE PRINCESS ROYAL[1] SING.
_("Dans ta haute demeure. ")_
[Bk. III. ix. , 1881. ]
In thine abode so high
Where yet one scarce can breathe,
Dear child, most tenderly
A soft song thou dost wreathe.
Thou singest, little girl--
Thy sire, the King is he:
Around thee glories whirl,
But all things sigh in thee.
Thy thought may seek not wings
Of speech; dear love's forbidden;
Thy smiles, those heavenly things,
Being faintly born, are chidden.
Thou feel'st, poor little Bride,
A hand unknown and chill
Clasp thine from out the wide
Deep shade so deathly still.
Thy sad heart, wingless, weak,
Is sunk in this black shade
So deep, thy small hands seek,
Vainly, the pulse God made.
Thou art yet but highness, thou
That shaft be majesty:
Though still on thy fair brow
Some faint dawn-flush may be,
Child, unto armies dear,
Even now we mark heaven's light
Dimmed with the fume and fear
And glory of battle-might.
Thy godfather is he,
Earth's Pope,--he hails thee, child!
Passing, armed men you see
Like unarmed women, mild.
As saint all worship thee;
Thyself even hast the strong
Thrill of divinity
Mingled with thy small song.
Each grand old warrior
Guards thee, submissive, proud;
Mute thunders at thy door
Sleep, that shall wake most loud.
Around thee foams the wild
Bright sea, the lot of kings.
Happier wert thou, my child,
I' the woods a bird that sings!
NELSON R. TYERMAN.
[Footnote 1: Marie, daughter of King Louis Philippe, afterwards Princess
of Wurtemburg. ]
MY HAPPIEST DREAM.
_("J'aime a me figure. ")_
[Bk. III. vii. and viii. ]
I love to look, as evening fails,
On vestals streaming in their veils,
Within the fane past altar rails,
Green palms in hand.
My darkest moods will always clear
When I can fancy children near,
With rosy lips a-laughing--dear,
Light-dancing band!
Enchanting vision, too, displayed,
That of a sweet and radiant maid,
Who knows not why she is afraid,--
Love's yet unseen!
Another--rarest 'mong the rare--
To see the gaze of chosen fair
Return prolonged and wistful stare
Of eager een.
But--dream o'er all to stir my soul,
And shine the brightest on the roll,
Is when a land of tyrant's toll
By sword is rid.
I say not dagger--with the sword
When Right enchampions the horde,
All in broad day--so that the bard
May sing the victor with the starred
Bayard and Cid!
AN OLD-TIME LAY.
_("Jamais elle ne raille. ")_
[Bk. III. xiii. ]
Where your brood seven lie,
Float in calm heavenly,
Life passing evenly,
Waterfowl, waterfowl! often I dream
For a rest
Like your nest,
Skirting the stream.
Shine the sun tearfully
Ere the clouds clear fully,
Still you skim cheerfully,
Swallow, oh! swallow swift! often I sigh
For a home
Where you roam
Nearing the sky!
Guileless of pondering;
Swallow-eyes wandering;
Seeking no fonder ring
Than the rose-garland Love gives thee apart!
Grant me soon--
Blessed boon!
Home in thy heart!
JERSEY.
_("Jersey dort dans les flots. ")_
[Bk. III. xiv. , Oct. 8, 1854. ]
Dear Jersey! jewel jubilant and green,
'Midst surge that splits steel ships, but sings to thee!
Thou fav'rest Frenchmen, though from England seen,
Oft tearful to that mistress "North Countree";
Returned the third time safely here to be,
I bless my bold Gibraltar of the Free.
Yon lighthouse stands forth like a fervent friend,
One who our tempest buffets back with zest,
And with twin-steeple, eke our helmsman's end,
Forms arms that beckon us upon thy breast;
Rose-posied pillow, crystallized with spray,
Where pools pellucid mirror sunny ray.
A frigate fretting yonder smoothest sky,
Like pauseless petrel poising o'er a wreck,
Strikes bright athwart the dearly dazzled eye,
Until it lessens to scarce certain speck,
'Neath Venus, sparkling on the agate-sprinkled beach,
For fisher's sailing-signal, just and true,
Until Aurora frights her from the view.
In summer, steamer-smoke spreads as thy veil,
And mists in winter sudden screen thy sight,
When at thy feet the galley-breakers wail
And toss their tops high o'er the lofty flight
Of horrid storm-worn steps with shark-like bite,
That only ope to swallow up in spite.
L'ENVOY.
But penitent in calm, thou givest a balm,
To many a man who's felt thy rage,
And many a sea-bird--thanks be heard! --
Thou shieldest--sea-bird--exiled bard and sage.
THEN, MOST, I SMILE.
_("Il est un peu tard. ")_
[Bk. III. xxx. , Oct. 30, 1854. ]
Late it is to look so proud,
Daisy queen! come is the gloom
Of the winter-burdened cloud! --
"But, in winter, most I bloom! "
Star of even! sunk the sun!
Lost for e'er the ruddy line;
And the earth is veiled in dun,--
"Nay, in darkness, best I shine! "
O, my soul! art 'bove alarm,
Quaffing thus the cup of gall--
Canst thou face the grave with calm? --
"Yes, the Christians smile at all. "
THE EXILE'S DESIRE.
_("Si je pouvais voir, O patrie! ")_
[Bk. III. xxxvii. ]
Would I could see you, native land,
Where lilacs and the almond stand
Behind fields flowering to the strand--
But no!
Can I--oh, father, mother, crave
Another final blessing save
To rest my head upon your grave? --
But no!
In the one pit where ye repose,
Would I could tell of France's woes,
My brethren, who fell facing foes--
But no!
Would I had--oh, my dove of light,
After whose flight came ceaseless night,
One plume to clasp so purely white. --
But no!
Far from ye all--oh, dead, bewailed!
The fog-bell deafens me empaled
Upon this rock--I feel enjailed--
Though free.
Like one who watches at the gate
Lest some shall 'scape the doomed strait.
I watch! the tyrant, howe'er late,
Must fall!
THE REFUGEE'S HAVEN.
_("Vous voila dans la froide Angleterre. ")_
[Bk. III. xlvii. , Jersey, Sept. 19, 1854. ]
You may doubt I find comfort in England
But, there, 'tis a refuge from dangers!
Where a Cromwell dictated to Milton,
Republicans ne'er can be strangers!
VARIOUS PIECES.
TO THE NAPOLEON COLUMN.
[Oct. 9, 1830. ]
When with gigantic hand he placed,
For throne, on vassal Europe based,
That column's lofty height--
Pillar, in whose dread majesty,
In double immortality,
Glory and bronze unite!
Aye, when he built it that, some day,
Discord or war their course might stay,
Or here might break their car;
And in our streets to put to shame
Pigmies that bear the hero's name
Of Greek and Roman war.
It was a glorious sight; the world
His hosts had trod, with flags unfurled,
In veteran array;
Kings fled before him, forced to yield,
He, conqueror on each battlefield,
Their cannon bore away.
Then, with his victors back he came;
All France with booty teemed, her name
Was writ on sculptured stone;
And Paris cried with joy, as when
The parent bird comes home again
To th' eaglets left alone.
Into the furnace flame, so fast,
Were heaps of war-won metal cast,
The future monument!
His thought had formed the giant mould,
And piles of brass in the fire he rolled,
From hostile cannon rent.
When to the battlefield he came,
He grasped the guns spite tongues of flame,
And bore the spoil away.
This bronze to France's Rome he brought,
And to the founder said, "Is aught
Wanting for our array? "
And when, beneath a radiant sun,
That man, his noble purpose done,
With calm and tranquil mien,
Disclosed to view this glorious fane,
And did with peaceful hand contain
The warlike eagle's sheen.
Round _thee_, when hundred thousands placed,
As some great Roman's triumph graced,
The little Romans all;
We boys hung on the procession's flanks,
Seeking some father in thy ranks,
And loud thy praise did call.
Who that surveyed thee, when that day
Thou deemed that future glory ray
Would here be ever bright;
Feared that, ere long, all France thy grave
From pettifoggers vain would crave
Beneath that column's height?
_Author of "Critical Essays. "_
CHARITY.
_("Je suis la Charite. ")_
[February, 1837. ]
"Lo! I am Charity," she cries,
"Who waketh up before the day;
While yet asleep all nature lies,
God bids me rise and go my way. "
How fair her glorious features shine,
Whereon the hand of God hath set
An angel's attributes divine,
With all a woman's sweetness met.
Above the old man's couch of woe
She bows her forehead, pure and even.
There's nothing fairer here below,
There's nothing grander up in heaven,
Than when caressingly she stands
(The cold hearts wakening 'gain their beat),
And holds within her holy hands
The little children's naked feet.
To every den of want and toil
She goes, and leaves the poorest fed;
Leaves wine and bread, and genial oil,
And hopes that blossom in her tread,
And fire, too, beautiful bright fire,
That mocks the glowing dawn begun,
Where, having set the blind old sire,
He dreams he's sitting in the sun.
Then, over all the earth she runs,
And seeks, in the cold mists of life,
Those poor forsaken little ones
Who droop and weary in the strife.
Ah, most her heart is stirred for them,
Whose foreheads, wrapped in mists obscure,
Still wear a triple diadem--
The young, the innocent, the poor.
And they are better far than we,
And she bestows a worthier meed;
For, with the loaf of charity,
She gives the kiss that children need.
She gives, and while they wondering eat
The tear-steeped bread by love supplied,
She stretches round them in the street
Her arm that passers push aside.
If, with raised head and step alert,
She sees the rich man stalking by,
She touches his embroidered skirt,
And gently shows them where they lie.
She begs for them of careless crowd,
Of earnest brows and narrow hearts,
That when it hears her cry aloud,
Turns like the ebb-tide and departs.
O miserable he who sings
Some strain impure, whose numbers fall
Along the cruel wind that brings
Death to some child beneath his wall.
O strange and sad and fatal thing,
When, in the rich man's gorgeous hall,
The huge fire on the hearth doth fling
A light on some great festival,
To see the drunkard smile in state,
In purple wrapt, with myrtle crowned,
While Jesus lieth at the gate
With only rags to wrap him round.
_Dublin University Magazine_
SWEET SISTER.
_("Vous qui ne savez pas combien l'enfance est belle. ")_
Sweet sister, if you knew, like me,
The charms of guileless infancy,
No more you'd envy riper years,
Or smiles, more bitter than your tears.
But childhood passes in an hour,
As perfume from a faded flower;
The joyous voice of early glee
Flies, like the Halcyon, o'er the sea.
Enjoy your morn of early Spring;
Soon time maturer thoughts must bring;
Those hours, like flowers that interclimb,
Should not be withered ere their time.
Too soon you'll weep, as we do now,
O'er faithless friend, or broken vow,
And hopeless sorrows, which our pride
In pleasure's whirl would vainly hide.
Laugh on! unconscious of thy doom,
All innocence and opening bloom;
Laugh on! while yet thine azure eye
Mirrors the peace that reigns on high.
MRS. B. SOMERS.
THE PITY OF THE ANGELS.
_("Un Ange vit un jour. ")_
[LA PITIE SUPREME VIII. , 1881. ]
When an angel of kindness
Saw, doomed to the dark,
Men framed in his likeness,
He sought for a spark--
Stray gem of God's glory
That shines so serene--
And, falling like lark,
To brighten our story,
Pure Pity was seen.
THE SOWER.
Sitting in a porchway cool,
Fades the ruddy sunlight fast,
Twilight hastens on to rule--
Working hours are wellnigh past
Shadows shoot across the lands;
But one sower lingers still,
Old, in rags, he patient stands,--
Looking on, I feel a thrill.
Black and high his silhouette
Dominates the furrows deep!
Now to sow the task is set,
Soon shall come a time to reap.
Marches he along the plain,
To and fro, and scatters wide
From his hands the precious grain;
Moody, I, to see him stride.
Darkness deepens. Gone the light.
Now his gestures to mine eyes
Are august; and strange--his height
Seems to touch the starry skies.
TORU DUTT.
OH, WHY NOT BE HAPPY? [1]
_("A quoi bon entendre les oiseaux? ")_
[RUY BLAS, Act II. ]
Oh, why not be happy this bright summer day,
'Mid perfume of roses and newly-mown hay?
Great Nature is smiling--the birds in the air
Sing love-lays together, and all is most fair.
Then why not be happy
This bright summer day,
'Mid perfume of roses
And newly-mown hay?
The streamlets they wander through meadows so fleet,
Their music enticing fond lovers to meet;
The violets are blooming and nestling their heads
In richest profusion on moss-coated beds.
Then why not be happy
This bright summer day,
When Nature is fairest
And all is so gay?
LEOPOLD WRAY.
[Footnote 1: Music composed by Elizabeth Philip. ]
FREEDOM AND THE WORLD.
[Inscription under a Statue of the Virgin and Child, at Guernsey. --The
poet sees in the emblem a modern Atlas, i. e. , Freedom supporting the
World. ]
_("Le peuple est petit. ")_
Weak is the People--but will grow beyond all other--
Within thy holy arms, thou fruitful victor-mother!
O Liberty, whose conquering flag is never furled--
Thou bearest Him in whom is centred all the World.
SERENADE.
_("Quand tu chantes. ")_
When the voice of thy lute at the eve
Charmeth the ear,
In the hour of enchantment believe
What I murmur near.
That the tune can the Age of Gold
With its magic restore.
Play on, play on, my fair one,
Play on for evermore.
When thy laugh like the song of the dawn
Riseth so gay
That the shadows of Night are withdrawn
And melt away,
I remember my years of care
And misgiving no more.
Laugh on, laugh on, my fair one,
Laugh on for evermore.
When thy sleep like the moonlight above
Lulling the sea,
Doth enwind thee in visions of love,
Perchance, of me!
I can watch so in dream that enthralled me,
Never before!
Sleep on, sleep on, my fair one!
Sleep on for evermore.
HENRY F. CHORLEY.
AN AUTUMNAL SIMILE.
_("Les feuilles qui gisaient. ")_
The leaves that in the lonely walks were spread,
Starting from off the ground beneath the tread,
Coursed o'er the garden-plain;
Thus, sometimes, 'mid the soul's deep sorrowings,
Our soul a moment mounts on wounded wings,
Then, swiftly, falls again.
TO CRUEL OCEAN.
Where are the hapless shipmen? --disappeared,
Gone down, where witness none, save Night, hath been,
Ye deep, deep waves, of kneeling mothers feared,
What dismal tales know ye of things unseen?
Tales that ye tell your whispering selves between
The while in clouds to the flood-tide ye pour;
And this it is that gives you, as I ween,
Those mournful voices, mournful evermore,
When ye come in at eve to us who dwell on shore.
ESMERALDA IN PRISON.
_("Phoebus, n'est-il sur la terre? ")_
[OPERA OF "ESMERALDA," ACT IV. , 1836. ]
Phoebus, is there not this side the grave,
Power to save
Those who're loving? Magic balm
That will restore to me my former calm?
Is there nothing tearful eye
Can e'er dry, or hush the sigh?
I pray Heaven day and night,
As I lay me down in fright,
To retake my life, or give
All again for which I'd live!
Phoebus, hasten from the shining sphere
To me here!
Hither hasten, bring me Death; then Love
May let our spirits rise, ever-linked, above!
LOVER'S SONG.
_("Mon ame a ton coeur s'est donnee. ")_
[ANGELO, Act II. , May, 1835. ]
My soul unto thy heart is given,
In mystic fold do they entwine,
So bound in one that, were they riven,
Apart my soul would life resign.
Thou art my song and I the lyre;
Thou art the breeze and I the brier;
The altar I, and thou the fire;
Mine the deep love, the beauty thine!
As fleets away the rapid hour
While weeping--may
My sorrowing lay
Touch thee, sweet flower.
ERNEST OSWALD COE.
A FLEETING GLIMPSE OF A VILLAGE.
_("Tout vit! et se pose avec grace. ")_
How graceful the picture! the life, the repose!
The sunbeam that plays on the porchstone wide;
And the shadow that fleets o'er the stream that flows,
And the soft blue sky with the hill's green side.
_Fraser's Magazine_.
LORD ROCHESTER'S SONG.
_("Un soldat au dur visage. ")_
[CROMWELL, ACT I. ]
"Hold, little blue-eyed page! "
So cried the watchers surly,
Stern to his pretty rage
And golden hair so curly--
"Methinks your satin cloak
Masks something bulky under;
I take this as no joke--
Oh, thief with stolen plunder! "
"I am of high repute,
And famed among the truthful:
This silver-handled lute
Is meet for one still youthful
Who goes to keep a tryst
With her who is his dearest.
I charge you to desist;
My cause is of the clearest. "
But guardsmen are so sharp,
Their eyes are as the lynx's:
"That's neither lute nor harp--
Your mark is not the minxes.
Your loving we dispute--
That string of steel so cruel
For music does not suit--
You go to fight a duel! "
THE BEGGAR'S QUATRAIN.
_("Aveugle comme Homere. ")_
[Improvised at the Cafe de Paris. ]
Blind, as was Homer; as Belisarius, blind,
But one weak child to guide his vision dim.
The hand which dealt him bread, in pity kind--
He'll never see; God sees it, though, for him.
H. L. C. , "_London Society. _"
THE QUIET RURAL CHURCH.
It was a humble church, with arches low,
The church we entered there,
Where many a weary soul since long ago
Had past with plaint or prayer.
Mournful and still it was at day's decline,
The day we entered there;
As in a loveless heart, at the lone shrine,
The fires extinguished were.
Scarcely was heard to float some gentlest sound,
Scarcely some low breathed word,
As in a forest fallen asleep, is found
Just one belated bird.
A STORM SIMILE.
_("Oh, regardez le ciel! ")_
[June, 1828. ]
See, where on high the moving masses, piled
By the wind, break in groups grotesque and wild,
Present strange shapes to view;
Oft flares a pallid flash from out their shrouds,
As though some air-born giant 'mid the clouds
Sudden his falchion drew.
DRAMATIC PIECES.
THE FATHER'S CURSE.
_("Vous, sire, ecoutez-moi. ")_
[LE ROI S'AMUSE, Act I. ]
M. ST. VALLIER (_an aged nobleman, from whom King Francis I.
decoyed his daughter, the famous beauty, Diana of
Poitiers_).
A king should listen when his subjects speak:
'Tis true your mandate led me to the block,
Where pardon came upon me, like a dream;
I blessed you then, unconscious as I was
That a king's mercy, sharper far than death,
To save a father doomed his child to shame;
Yes, without pity for the noble race
Of Poitiers, spotless for a thousand years,
You, Francis of Valois, without one spark
Of love or pity, honor or remorse,
Did on that night (thy couch her virtue's tomb),
With cold embraces, foully bring to scorn
My helpless daughter, Dian of Poitiers.
To save her father's life a knight she sought,
Like Bayard, fearless and without reproach.
Still gruffly. "There, d'ye see? not far from here. "
"Haste! make it hers! then back to swell _their_ bier. "
He sprang aloof as springald from detested school,
Or ocean-rover from protected port.
"The little rascal has the laugh on us! no fool
To breast our bullets! "--but the scoff was short,
For soon! the rogue is racing from his court;
And with still fearless front he faces them and calls:
"READY! but level low--_she's_ kissed these eyes! "
From cooling hands of _men_ each rifle falls,
And their gray officer, in grave surprise,
Life grants the lad whilst his last comrade dies.
Brave youth! I know not well what urged thy act,
Whether thou'lt pass in palace, or die rackt;
But _then_, shone on the guns, a sublime soul. --
A Bayard-boy's, bound by his pure parole!
Honor redeemed though paid by parlous price,
Though lost be sunlit sports, wild boyhood's spice,
The Gates, the cheers of mates for bright device!
Greeks would, whilom, have choicely clasped and circled thee,
Set thee the first to shield some new Thermopylae;
Thy deed had touched and tuned their true Tyrtaeus tongue,
And staged by Aeschylus, grouped thee grand gods among.
And thy lost name (now known no more) been gilt and graved
On cloud-kissed column, by the sweet south ocean laved.
From us no crown! no honors from the civic sheaf--
Purely this poet's tear-bejewelled, aye-green leaf!
H. L. W.
TO HIS ORPHAN GRANDCHILDREN.
_("O Charles, je te sens pres de moi. ")_
[July, 1871. ]
I feel thy presence, Charles. Sweet martyr! down
In earth, where men decay,
I search, and see from cracks which rend thy tomb,
Burst out pale morning's ray.
Close linked are bier and cradle: here the dead,
To charm us, live again:
Kneeling, I mourn, when on my threshold sounds
Two little children's strain.
George, Jeanne, sing on! George, Jeanne, unconscious play!
Your father's form recall,
Now darkened by his sombre shade, now gilt
By beams that wandering fall.
Oh, knowledge! what thy use? did we not know
Death holds no more the dead;
But Heaven, where, hand in hand, angel and star
Smile at the grave we dread?
A Heaven, which childhood represents on earth.
Orphans, may God be nigh!
That God, who can your bright steps turn aside
From darkness, where I sigh.
All joy be yours, though sorrow bows me down!
To each his fitting wage:
Children, I've passed life's span, and men are plagued
By shadows at that stage.
Hath any done--nay, only half performed--
The good he might for others?
Hath any conquered hatred, or had strength
To treat his foes like brothers?
E'en he, who's tried his best, hath evil wrought:
Pain springs from happiness:
My heart has triumphed in defeat, my pulse
Ne'er quickened at success.
I seemed the greater when I felt the blow:
The prick gives sense of gain;
Since to make others bleed my courage fails,
I'd rather bear the pain.
To grow is sad, since evils grow no less;
Great height is mark for all:
The more I have of branches, more of clustering boughs,
The ghastlier shadows fall.
Thence comes my sadness, though I grant your charms:
Ye are the outbursting
Of the soul in bloom, steeped in the draughts
Of nature's boundless spring.
George is the sapling, set in mournful soil;
Jeanne's folding petals shroud
A mind which trembles at our uproar, yet
Half longs to speak aloud.
Give, then, my children--lowly, blushing plants,
Whom sorrow waits to seize--
Free course to instincts, whispering 'mid the flowers,
Like hum of murmuring bees.
Some day you'll find that chaos comes, alas!
That angry lightning's hurled,
When any cheer the People, Atlas huge,
Grim bearer of the world!
You'll see that, since our fate is ruled by chance,
Each man, unknowing, great,
Should frame life so, that at some future hour
Fact and his dreamings meet.
I, too, when death is past, one day shall grasp
That end I know not now;
And over you will bend me down, all filled
With dawn's mysterious glow.
I'll learn what means this exile, what this shroud
Enveloping your prime;
And why the truth and sweetness of one man
Seem to all others crime.
I'll hear--though midst these dismal boughs you sang--
How came it, that for me,
Who every pity feel for every woe,
So vast a gloom could be.
I'll know why night relentless holds me, why
So great a pile of doom:
Why endless frost enfolds me, and methinks
My nightly bed's a tomb:
Why all these battles, all these tears, regrets,
And sorrows were my share;
And why God's will of me a cypress made,
When roses bright ye were.
MARWOOD TUCKER.
TO THE CANNON "VICTOR HUGO. "
[Bought with the proceeds of Readings of "Les Chatiments" during
the Siege of Paris. ]
[1872. ]
Thou deadly crater, moulded by my muse,
Cast thou thy bronze into my bowed and wounded heart,
And let my soul its vengeance to thy bronze impart!
L'ART D'ETRE GRANDPERE.
THE CHILDREN OF THE POOR.
_("Prenez garde a ce petit etre. ")_
[LAUS PUER: POEM V. ]
Take heed of this small child of earth;
He is great: in him is God most high.
Children before their fleshly birth
Are lights in the blue sky.
In our brief bitter world of wrong
They come; God gives us them awhile.
His speech is in their stammering tongue,
And His forgiveness in their smile.
Their sweet light rests upon our eyes:
Alas! their right to joy is plain.
If they are hungry, Paradise
Weeps, and if cold, Heaven thrills with pain.
The want that saps their sinless flower
Speaks judgment on Sin's ministers.
Man holds an angel in his power.
Ah! deep in Heaven what thunder stirs.
When God seeks out these tender things,
Whom in the shadow where we keep,
He sends them clothed about with wings,
And finds them ragged babes that weep!
_Dublin University Magazine. _
THE EPIC OF THE LION.
_("Un lion avait pris un enfant. ")_
[XIII. ]
A Lion in his jaws caught up a child--
Not harming it--and to the woodland, wild
With secret streams and lairs, bore off his prey--
The beast, as one might cull a bud in May.
It was a rosy boy, a king's own pride,
A ten-year lad, with bright eyes shining wide,
And save this son his majesty beside
Had but one girl, two years of age, and so
The monarch suffered, being old, much woe;
His heir the monster's prey, while the whole land
In dread both of the beast and king did stand;
Sore terrified were all.
By came a knight
That road, who halted, asking, "What's the fright? "
They told him, and he spurred straight for the site!
The beast was seen to smile ere joined they fight,
The man and monster, in most desperate duel,
Like warring giants, angry, huge, and cruel.
Stout though the knight, the lion stronger was,
And tore that brave breast under its cuirass,
Scrunching that hero, till he sprawled, alas!
Beneath his shield, all blood and mud and mess:
Whereat the lion feasted: then it went
Back to its rocky couch and slept content.
Sudden, loud cries and clamors! striking out
Qualm to the heart of the quiet, horn and shout
Causing the solemn wood to reel with rout.
Terrific was this noise that rolled before;
It seemed a squadron; nay, 'twas something more--
A whole battalion, sent by that sad king
With force of arms his little prince to bring,
Together with the lion's bleeding hide.
Which here was right or wrong? Who can decide?
Have beasts or men most claim to live? God wots!
He is the unit, we the cipher-dots.
Ranged in the order a great hunt should have,
They soon between the trunks espy the cave.
"Yes, that is it! the very mouth of the den! "
The trees all round it muttered, warning men;
Still they kept step and neared it. Look you now,
Company's pleasant, and there were a thou--
Good Lord! all in a moment, there's its face!
Frightful! they saw the lion! Not one pace
Further stirred any man; but bolt and dart
Made target of the beast. He, on his part,
As calm as Pelion in the rain or hail,
Bristled majestic from the teeth to tail,
And shook full fifty missiles from his hide,
But no heed took he; steadfastly he eyed,
And roared a roar, hoarse, vibrant, vengeful, dread,
A rolling, raging peal of wrath, which spread,
Making the half-awakened thunder cry,
"Who thunders there? " from its black bed of sky.
This ended all! Sheer horror cleared the coast;
As fogs are driven by the wind, that valorous host
Melted, dispersed to all the quarters four,
Clean panic-stricken by that monstrous roar.
Then quoth the lion, "Woods and mountains, see,
A thousand men, enslaved, fear one beast free! "
He followed towards the hill, climbed high above,
Lifted his voice, and, as the sowers sow
The seed down wind, thus did that lion throw
His message far enough the town to reach:
"King! your behavior really passes speech!
Thus far no harm I've wrought to him your son;
But now I give you notice--when night's done,
I will make entry at your city-gate,
Bringing the prince alive; and those who wait
To see him in my jaws--your lackey-crew--
Shall see me eat him in your palace, too! "
Next morning, this is what was viewed in town:
Dawn coming--people going--some adown
Praying, some crying; pallid cheeks, swift feet,
And a huge lion stalking through the street.
It seemed scarce short of rash impiety
To cross its path as the fierce beast went by.
So to the palace and its gilded dome
With stately steps unchallenged did he roam;
He enters it--within those walls he leapt!
No man!
For certes, though he raged and wept,
His majesty, like all, close shelter kept,
Solicitous to live, holding his breath
Specially precious to the realm. Now death
Is not thus viewed by honest beasts of prey;
And when the lion found _him_ fled away,
Ashamed to be so grand, man being so base,
He muttered to himself, "A wretched king!
'Tis well; I'll eat his boy! " Then, wandering,
Lordly he traversed courts and corridors,
Paced beneath vaults of gold on shining floors,
Glanced at the throne deserted, stalked from hall
To hall--green, yellow, crimson--empty all!
Rich couches void, soft seats unoccupied!
And as he walked he looked from side to side
To find some pleasant nook for his repast,
Since appetite was come to munch at last
The princely morsel! --Ah! what sight astounds
That grisly lounger?
In the palace grounds
An alcove on a garden gives, and there
A tiny thing--forgot in the general fear,
Lulled in the flower-sweet dreams of infancy,
Bathed with soft sunlight falling brokenly
Through leaf and lattice--was at that moment waking;
A little lovely maid, most dear and taking,
The prince's sister--all alone, undressed--
She sat up singing: children sing so best.
Charming this beauteous baby-maid; and so
The beast caught sight of her and stopped--
And then
Entered--the floor creaked as he stalked straight in.
Above the playthings by the little bed
The lion put his shaggy, massive head,
Dreadful with savage might and lordly scorn,
More dreadful with that princely prey so borne;
Which she, quick spying, "Brother, brother! " cried,
"Oh, my own brother! " and, unterrified,
She gazed upon that monster of the wood,
Whose yellow balls not Typhon had withstood,
And--well! who knows what thoughts these small heads hold?
She rose up in her cot--full height, and bold,
And shook her pink fist angrily at him.
Whereon--close to the little bed's white rim,
All dainty silk and laces--this huge brute
Set down her brother gently at her foot,
Just as a mother might, and said to her,
"Don't be put out, now! There he is, dear, there! "
EDWIN ARNOLD, C. S. I.
LES QUATRE VENTS DE L'ESPRIT.
ON HEARING THE PRINCESS ROYAL[1] SING.
_("Dans ta haute demeure. ")_
[Bk. III. ix. , 1881. ]
In thine abode so high
Where yet one scarce can breathe,
Dear child, most tenderly
A soft song thou dost wreathe.
Thou singest, little girl--
Thy sire, the King is he:
Around thee glories whirl,
But all things sigh in thee.
Thy thought may seek not wings
Of speech; dear love's forbidden;
Thy smiles, those heavenly things,
Being faintly born, are chidden.
Thou feel'st, poor little Bride,
A hand unknown and chill
Clasp thine from out the wide
Deep shade so deathly still.
Thy sad heart, wingless, weak,
Is sunk in this black shade
So deep, thy small hands seek,
Vainly, the pulse God made.
Thou art yet but highness, thou
That shaft be majesty:
Though still on thy fair brow
Some faint dawn-flush may be,
Child, unto armies dear,
Even now we mark heaven's light
Dimmed with the fume and fear
And glory of battle-might.
Thy godfather is he,
Earth's Pope,--he hails thee, child!
Passing, armed men you see
Like unarmed women, mild.
As saint all worship thee;
Thyself even hast the strong
Thrill of divinity
Mingled with thy small song.
Each grand old warrior
Guards thee, submissive, proud;
Mute thunders at thy door
Sleep, that shall wake most loud.
Around thee foams the wild
Bright sea, the lot of kings.
Happier wert thou, my child,
I' the woods a bird that sings!
NELSON R. TYERMAN.
[Footnote 1: Marie, daughter of King Louis Philippe, afterwards Princess
of Wurtemburg. ]
MY HAPPIEST DREAM.
_("J'aime a me figure. ")_
[Bk. III. vii. and viii. ]
I love to look, as evening fails,
On vestals streaming in their veils,
Within the fane past altar rails,
Green palms in hand.
My darkest moods will always clear
When I can fancy children near,
With rosy lips a-laughing--dear,
Light-dancing band!
Enchanting vision, too, displayed,
That of a sweet and radiant maid,
Who knows not why she is afraid,--
Love's yet unseen!
Another--rarest 'mong the rare--
To see the gaze of chosen fair
Return prolonged and wistful stare
Of eager een.
But--dream o'er all to stir my soul,
And shine the brightest on the roll,
Is when a land of tyrant's toll
By sword is rid.
I say not dagger--with the sword
When Right enchampions the horde,
All in broad day--so that the bard
May sing the victor with the starred
Bayard and Cid!
AN OLD-TIME LAY.
_("Jamais elle ne raille. ")_
[Bk. III. xiii. ]
Where your brood seven lie,
Float in calm heavenly,
Life passing evenly,
Waterfowl, waterfowl! often I dream
For a rest
Like your nest,
Skirting the stream.
Shine the sun tearfully
Ere the clouds clear fully,
Still you skim cheerfully,
Swallow, oh! swallow swift! often I sigh
For a home
Where you roam
Nearing the sky!
Guileless of pondering;
Swallow-eyes wandering;
Seeking no fonder ring
Than the rose-garland Love gives thee apart!
Grant me soon--
Blessed boon!
Home in thy heart!
JERSEY.
_("Jersey dort dans les flots. ")_
[Bk. III. xiv. , Oct. 8, 1854. ]
Dear Jersey! jewel jubilant and green,
'Midst surge that splits steel ships, but sings to thee!
Thou fav'rest Frenchmen, though from England seen,
Oft tearful to that mistress "North Countree";
Returned the third time safely here to be,
I bless my bold Gibraltar of the Free.
Yon lighthouse stands forth like a fervent friend,
One who our tempest buffets back with zest,
And with twin-steeple, eke our helmsman's end,
Forms arms that beckon us upon thy breast;
Rose-posied pillow, crystallized with spray,
Where pools pellucid mirror sunny ray.
A frigate fretting yonder smoothest sky,
Like pauseless petrel poising o'er a wreck,
Strikes bright athwart the dearly dazzled eye,
Until it lessens to scarce certain speck,
'Neath Venus, sparkling on the agate-sprinkled beach,
For fisher's sailing-signal, just and true,
Until Aurora frights her from the view.
In summer, steamer-smoke spreads as thy veil,
And mists in winter sudden screen thy sight,
When at thy feet the galley-breakers wail
And toss their tops high o'er the lofty flight
Of horrid storm-worn steps with shark-like bite,
That only ope to swallow up in spite.
L'ENVOY.
But penitent in calm, thou givest a balm,
To many a man who's felt thy rage,
And many a sea-bird--thanks be heard! --
Thou shieldest--sea-bird--exiled bard and sage.
THEN, MOST, I SMILE.
_("Il est un peu tard. ")_
[Bk. III. xxx. , Oct. 30, 1854. ]
Late it is to look so proud,
Daisy queen! come is the gloom
Of the winter-burdened cloud! --
"But, in winter, most I bloom! "
Star of even! sunk the sun!
Lost for e'er the ruddy line;
And the earth is veiled in dun,--
"Nay, in darkness, best I shine! "
O, my soul! art 'bove alarm,
Quaffing thus the cup of gall--
Canst thou face the grave with calm? --
"Yes, the Christians smile at all. "
THE EXILE'S DESIRE.
_("Si je pouvais voir, O patrie! ")_
[Bk. III. xxxvii. ]
Would I could see you, native land,
Where lilacs and the almond stand
Behind fields flowering to the strand--
But no!
Can I--oh, father, mother, crave
Another final blessing save
To rest my head upon your grave? --
But no!
In the one pit where ye repose,
Would I could tell of France's woes,
My brethren, who fell facing foes--
But no!
Would I had--oh, my dove of light,
After whose flight came ceaseless night,
One plume to clasp so purely white. --
But no!
Far from ye all--oh, dead, bewailed!
The fog-bell deafens me empaled
Upon this rock--I feel enjailed--
Though free.
Like one who watches at the gate
Lest some shall 'scape the doomed strait.
I watch! the tyrant, howe'er late,
Must fall!
THE REFUGEE'S HAVEN.
_("Vous voila dans la froide Angleterre. ")_
[Bk. III. xlvii. , Jersey, Sept. 19, 1854. ]
You may doubt I find comfort in England
But, there, 'tis a refuge from dangers!
Where a Cromwell dictated to Milton,
Republicans ne'er can be strangers!
VARIOUS PIECES.
TO THE NAPOLEON COLUMN.
[Oct. 9, 1830. ]
When with gigantic hand he placed,
For throne, on vassal Europe based,
That column's lofty height--
Pillar, in whose dread majesty,
In double immortality,
Glory and bronze unite!
Aye, when he built it that, some day,
Discord or war their course might stay,
Or here might break their car;
And in our streets to put to shame
Pigmies that bear the hero's name
Of Greek and Roman war.
It was a glorious sight; the world
His hosts had trod, with flags unfurled,
In veteran array;
Kings fled before him, forced to yield,
He, conqueror on each battlefield,
Their cannon bore away.
Then, with his victors back he came;
All France with booty teemed, her name
Was writ on sculptured stone;
And Paris cried with joy, as when
The parent bird comes home again
To th' eaglets left alone.
Into the furnace flame, so fast,
Were heaps of war-won metal cast,
The future monument!
His thought had formed the giant mould,
And piles of brass in the fire he rolled,
From hostile cannon rent.
When to the battlefield he came,
He grasped the guns spite tongues of flame,
And bore the spoil away.
This bronze to France's Rome he brought,
And to the founder said, "Is aught
Wanting for our array? "
And when, beneath a radiant sun,
That man, his noble purpose done,
With calm and tranquil mien,
Disclosed to view this glorious fane,
And did with peaceful hand contain
The warlike eagle's sheen.
Round _thee_, when hundred thousands placed,
As some great Roman's triumph graced,
The little Romans all;
We boys hung on the procession's flanks,
Seeking some father in thy ranks,
And loud thy praise did call.
Who that surveyed thee, when that day
Thou deemed that future glory ray
Would here be ever bright;
Feared that, ere long, all France thy grave
From pettifoggers vain would crave
Beneath that column's height?
_Author of "Critical Essays. "_
CHARITY.
_("Je suis la Charite. ")_
[February, 1837. ]
"Lo! I am Charity," she cries,
"Who waketh up before the day;
While yet asleep all nature lies,
God bids me rise and go my way. "
How fair her glorious features shine,
Whereon the hand of God hath set
An angel's attributes divine,
With all a woman's sweetness met.
Above the old man's couch of woe
She bows her forehead, pure and even.
There's nothing fairer here below,
There's nothing grander up in heaven,
Than when caressingly she stands
(The cold hearts wakening 'gain their beat),
And holds within her holy hands
The little children's naked feet.
To every den of want and toil
She goes, and leaves the poorest fed;
Leaves wine and bread, and genial oil,
And hopes that blossom in her tread,
And fire, too, beautiful bright fire,
That mocks the glowing dawn begun,
Where, having set the blind old sire,
He dreams he's sitting in the sun.
Then, over all the earth she runs,
And seeks, in the cold mists of life,
Those poor forsaken little ones
Who droop and weary in the strife.
Ah, most her heart is stirred for them,
Whose foreheads, wrapped in mists obscure,
Still wear a triple diadem--
The young, the innocent, the poor.
And they are better far than we,
And she bestows a worthier meed;
For, with the loaf of charity,
She gives the kiss that children need.
She gives, and while they wondering eat
The tear-steeped bread by love supplied,
She stretches round them in the street
Her arm that passers push aside.
If, with raised head and step alert,
She sees the rich man stalking by,
She touches his embroidered skirt,
And gently shows them where they lie.
She begs for them of careless crowd,
Of earnest brows and narrow hearts,
That when it hears her cry aloud,
Turns like the ebb-tide and departs.
O miserable he who sings
Some strain impure, whose numbers fall
Along the cruel wind that brings
Death to some child beneath his wall.
O strange and sad and fatal thing,
When, in the rich man's gorgeous hall,
The huge fire on the hearth doth fling
A light on some great festival,
To see the drunkard smile in state,
In purple wrapt, with myrtle crowned,
While Jesus lieth at the gate
With only rags to wrap him round.
_Dublin University Magazine_
SWEET SISTER.
_("Vous qui ne savez pas combien l'enfance est belle. ")_
Sweet sister, if you knew, like me,
The charms of guileless infancy,
No more you'd envy riper years,
Or smiles, more bitter than your tears.
But childhood passes in an hour,
As perfume from a faded flower;
The joyous voice of early glee
Flies, like the Halcyon, o'er the sea.
Enjoy your morn of early Spring;
Soon time maturer thoughts must bring;
Those hours, like flowers that interclimb,
Should not be withered ere their time.
Too soon you'll weep, as we do now,
O'er faithless friend, or broken vow,
And hopeless sorrows, which our pride
In pleasure's whirl would vainly hide.
Laugh on! unconscious of thy doom,
All innocence and opening bloom;
Laugh on! while yet thine azure eye
Mirrors the peace that reigns on high.
MRS. B. SOMERS.
THE PITY OF THE ANGELS.
_("Un Ange vit un jour. ")_
[LA PITIE SUPREME VIII. , 1881. ]
When an angel of kindness
Saw, doomed to the dark,
Men framed in his likeness,
He sought for a spark--
Stray gem of God's glory
That shines so serene--
And, falling like lark,
To brighten our story,
Pure Pity was seen.
THE SOWER.
Sitting in a porchway cool,
Fades the ruddy sunlight fast,
Twilight hastens on to rule--
Working hours are wellnigh past
Shadows shoot across the lands;
But one sower lingers still,
Old, in rags, he patient stands,--
Looking on, I feel a thrill.
Black and high his silhouette
Dominates the furrows deep!
Now to sow the task is set,
Soon shall come a time to reap.
Marches he along the plain,
To and fro, and scatters wide
From his hands the precious grain;
Moody, I, to see him stride.
Darkness deepens. Gone the light.
Now his gestures to mine eyes
Are august; and strange--his height
Seems to touch the starry skies.
TORU DUTT.
OH, WHY NOT BE HAPPY? [1]
_("A quoi bon entendre les oiseaux? ")_
[RUY BLAS, Act II. ]
Oh, why not be happy this bright summer day,
'Mid perfume of roses and newly-mown hay?
Great Nature is smiling--the birds in the air
Sing love-lays together, and all is most fair.
Then why not be happy
This bright summer day,
'Mid perfume of roses
And newly-mown hay?
The streamlets they wander through meadows so fleet,
Their music enticing fond lovers to meet;
The violets are blooming and nestling their heads
In richest profusion on moss-coated beds.
Then why not be happy
This bright summer day,
When Nature is fairest
And all is so gay?
LEOPOLD WRAY.
[Footnote 1: Music composed by Elizabeth Philip. ]
FREEDOM AND THE WORLD.
[Inscription under a Statue of the Virgin and Child, at Guernsey. --The
poet sees in the emblem a modern Atlas, i. e. , Freedom supporting the
World. ]
_("Le peuple est petit. ")_
Weak is the People--but will grow beyond all other--
Within thy holy arms, thou fruitful victor-mother!
O Liberty, whose conquering flag is never furled--
Thou bearest Him in whom is centred all the World.
SERENADE.
_("Quand tu chantes. ")_
When the voice of thy lute at the eve
Charmeth the ear,
In the hour of enchantment believe
What I murmur near.
That the tune can the Age of Gold
With its magic restore.
Play on, play on, my fair one,
Play on for evermore.
When thy laugh like the song of the dawn
Riseth so gay
That the shadows of Night are withdrawn
And melt away,
I remember my years of care
And misgiving no more.
Laugh on, laugh on, my fair one,
Laugh on for evermore.
When thy sleep like the moonlight above
Lulling the sea,
Doth enwind thee in visions of love,
Perchance, of me!
I can watch so in dream that enthralled me,
Never before!
Sleep on, sleep on, my fair one!
Sleep on for evermore.
HENRY F. CHORLEY.
AN AUTUMNAL SIMILE.
_("Les feuilles qui gisaient. ")_
The leaves that in the lonely walks were spread,
Starting from off the ground beneath the tread,
Coursed o'er the garden-plain;
Thus, sometimes, 'mid the soul's deep sorrowings,
Our soul a moment mounts on wounded wings,
Then, swiftly, falls again.
TO CRUEL OCEAN.
Where are the hapless shipmen? --disappeared,
Gone down, where witness none, save Night, hath been,
Ye deep, deep waves, of kneeling mothers feared,
What dismal tales know ye of things unseen?
Tales that ye tell your whispering selves between
The while in clouds to the flood-tide ye pour;
And this it is that gives you, as I ween,
Those mournful voices, mournful evermore,
When ye come in at eve to us who dwell on shore.
ESMERALDA IN PRISON.
_("Phoebus, n'est-il sur la terre? ")_
[OPERA OF "ESMERALDA," ACT IV. , 1836. ]
Phoebus, is there not this side the grave,
Power to save
Those who're loving? Magic balm
That will restore to me my former calm?
Is there nothing tearful eye
Can e'er dry, or hush the sigh?
I pray Heaven day and night,
As I lay me down in fright,
To retake my life, or give
All again for which I'd live!
Phoebus, hasten from the shining sphere
To me here!
Hither hasten, bring me Death; then Love
May let our spirits rise, ever-linked, above!
LOVER'S SONG.
_("Mon ame a ton coeur s'est donnee. ")_
[ANGELO, Act II. , May, 1835. ]
My soul unto thy heart is given,
In mystic fold do they entwine,
So bound in one that, were they riven,
Apart my soul would life resign.
Thou art my song and I the lyre;
Thou art the breeze and I the brier;
The altar I, and thou the fire;
Mine the deep love, the beauty thine!
As fleets away the rapid hour
While weeping--may
My sorrowing lay
Touch thee, sweet flower.
ERNEST OSWALD COE.
A FLEETING GLIMPSE OF A VILLAGE.
_("Tout vit! et se pose avec grace. ")_
How graceful the picture! the life, the repose!
The sunbeam that plays on the porchstone wide;
And the shadow that fleets o'er the stream that flows,
And the soft blue sky with the hill's green side.
_Fraser's Magazine_.
LORD ROCHESTER'S SONG.
_("Un soldat au dur visage. ")_
[CROMWELL, ACT I. ]
"Hold, little blue-eyed page! "
So cried the watchers surly,
Stern to his pretty rage
And golden hair so curly--
"Methinks your satin cloak
Masks something bulky under;
I take this as no joke--
Oh, thief with stolen plunder! "
"I am of high repute,
And famed among the truthful:
This silver-handled lute
Is meet for one still youthful
Who goes to keep a tryst
With her who is his dearest.
I charge you to desist;
My cause is of the clearest. "
But guardsmen are so sharp,
Their eyes are as the lynx's:
"That's neither lute nor harp--
Your mark is not the minxes.
Your loving we dispute--
That string of steel so cruel
For music does not suit--
You go to fight a duel! "
THE BEGGAR'S QUATRAIN.
_("Aveugle comme Homere. ")_
[Improvised at the Cafe de Paris. ]
Blind, as was Homer; as Belisarius, blind,
But one weak child to guide his vision dim.
The hand which dealt him bread, in pity kind--
He'll never see; God sees it, though, for him.
H. L. C. , "_London Society. _"
THE QUIET RURAL CHURCH.
It was a humble church, with arches low,
The church we entered there,
Where many a weary soul since long ago
Had past with plaint or prayer.
Mournful and still it was at day's decline,
The day we entered there;
As in a loveless heart, at the lone shrine,
The fires extinguished were.
Scarcely was heard to float some gentlest sound,
Scarcely some low breathed word,
As in a forest fallen asleep, is found
Just one belated bird.
A STORM SIMILE.
_("Oh, regardez le ciel! ")_
[June, 1828. ]
See, where on high the moving masses, piled
By the wind, break in groups grotesque and wild,
Present strange shapes to view;
Oft flares a pallid flash from out their shrouds,
As though some air-born giant 'mid the clouds
Sudden his falchion drew.
DRAMATIC PIECES.
THE FATHER'S CURSE.
_("Vous, sire, ecoutez-moi. ")_
[LE ROI S'AMUSE, Act I. ]
M. ST. VALLIER (_an aged nobleman, from whom King Francis I.
decoyed his daughter, the famous beauty, Diana of
Poitiers_).
A king should listen when his subjects speak:
'Tis true your mandate led me to the block,
Where pardon came upon me, like a dream;
I blessed you then, unconscious as I was
That a king's mercy, sharper far than death,
To save a father doomed his child to shame;
Yes, without pity for the noble race
Of Poitiers, spotless for a thousand years,
You, Francis of Valois, without one spark
Of love or pity, honor or remorse,
Did on that night (thy couch her virtue's tomb),
With cold embraces, foully bring to scorn
My helpless daughter, Dian of Poitiers.
To save her father's life a knight she sought,
Like Bayard, fearless and without reproach.
