No More Learning

You see how cream but naked is
Nor dances in the eye
Without a strawberry,
Or some fine tincture like to this,
Which draws the sight thereto
More by that wantoning with it
Than when the paler hue
No mixture did admit.

You see how amber through the streams
More gently strokes the sight
With some conceal'd delight
Than when he darts his radiant beams
Into the boundless air;
Where either too much light his worth
Doth all at once impair,
Or set it little forth.

Put purple grapes or cherries in-
To glass, and they will send
More beauty to commend
Them from that clean and subtle skin
Than if they naked stood,
And had no other pride at all
But their own flesh and blood
And tinctures natural.

Thus lily, rose, grape, cherry, cream,
And strawberry do stir
More love when they transfer
A weak, a soft, a broken beam,
Than if they should discover
At full their proper excellence;
Without some scene cast over
To juggle with the sense.

Thus let this crystal'd lily be
A rule how far to teach
Your nakedness must reach;
And that no further than we see
Those glaring colours laid
By art's wise hand, but to this end
They should obey a shade,
Lest they too far extend.

So though you're white as swan or snow,
And have the power to move
A world of men to love,
Yet when your lawns and silks shall flow,
And that white cloud divide
Into a doubtful twilight, then,
Then will your hidden pride
Raise greater fires in men.

_Tincture_, colour, dye.
_Scene_, a covering.


194. TO HIS BOOK.

Like to a bride, come forth, my book, at last,
With all thy richest jewels overcast;
Say, if there be, 'mongst many gems here, one
Deserveless of the name of paragon;
Blush not at all for that, since we have set
Some pearls on queens that have been counterfeit.


195. UPON SOME WOMEN.

Thou who wilt not love, do this,
Learn of me what woman is.
Something made of thread and thrum.
A mere botch of all and some.
Pieces, patches, ropes of hair;
Inlaid garbage everywhere.
Outside silk and outside lawn;
Scenes to cheat us neatly drawn.
False in legs, and false in thighs;
False in breast, teeth, hair, and eyes;
False in head, and false enough;
Only true in shreds and stuff.

_Thrum_, a small thread.
_All and some_, anything and everything.


196. SUPREME FORTUNE FALLS SOONEST.

While leanest beasts in pastures feed,
_The fattest ox the first must bleed_.


197. THE WELCOME TO SACK.

So soft streams meet, so springs with gladder smiles
Meet after long divorcement by the isles;
When love, the child of likeness, urgeth on
Their crystal natures to a union:
So meet stolen kisses, when the moony nights
Call forth fierce lovers to their wish'd delights;
So kings and queens meet, when desire convinces
All thoughts but such as aim at getting princes,
As I meet thee. Soul of my life and fame!
Eternal lamp of love! whose radiant flame
Out-glares the heaven's Osiris,[H] and thy gleams
Out-shine the splendour of his mid-day beams.
Welcome, O welcome, my illustrious spouse;
Welcome as are the ends unto my vows;
Aye! far more welcome than the happy soil
The sea-scourged merchant, after all his toil,
Salutes with tears of joy, when fires betray
The smoky chimneys of his Ithaca.
Where hast thou been so long from my embraces,
Poor pitied exile? Tell me, did thy graces
Fly discontented hence, and for a time
Did rather choose to bless another clime?
Or went'st thou to this end, the more to move me,
By thy short absence, to desire and love thee?
Why frowns my sweet? Why won't my saint confer
Favours on me, her fierce idolater?
Why are those looks, those looks the which have been
Time-past so fragrant, sickly now drawn in
Like a dull twilight? Tell me, and the fault
I'll expiate with sulphur, hair and salt;
And, with the crystal humour of the spring,
Purge hence the guilt and kill this quarrelling.
Wo't thou not smile or tell me what's amiss?
Have I been cold to hug thee, too remiss,
Too temp'rate in embracing? Tell me, has desire
To thee-ward died i' th' embers, and no fire
Left in this rak'd-up ash-heap as a mark
To testify the glowing of a spark?
Have I divorc'd thee only to combine
In hot adult'ry with another wine?
True, I confess I left thee, and appeal
'Twas done by me more to confirm my zeal
And double my affection on thee, as do those
Whose love grows more inflam'd by being foes.
But to forsake thee ever, could there be
A thought of such-like possibility?
When thou thyself dar'st say thy isles shall lack
Grapes before Herrick leaves canary sack.
Thou mak'st me airy, active to be borne,
Like Iphiclus, upon the tops of corn.
Thou mak'st me nimble, as the winged hours,
To dance and caper on the heads of flowers,
And ride the sunbeams. Can there be a thing
Under the heavenly Isis[I] that can bring
More love unto my life, or can present
My genius with a fuller blandishment?
Illustrious idol! could th' Egyptians seek
Help from the garlic, onion and the leek
And pay no vows to thee, who wast their best
God, and far more transcendent than the rest?
Had Cassius, that weak water-drinker, known
Thee in thy vine, or had but tasted one
Small chalice of thy frantic liquor, he,
As the wise Cato, had approv'd of thee.
Had not Jove's son,[J] that brave Tirynthian swain,
Invited to the Thesbian banquet, ta'en
Full goblets of thy gen'rous blood, his sprite
Ne'er had kept heat for fifty maids that night.
Come, come and kiss me; love and lust commends
Thee and thy beauties; kiss, we will be friends
Too strong for fate to break us. Look upon
Me with that full pride of complexion
As queens meet queens, or come thou unto me
As Cleopatra came to Anthony,
When her high carriage did at once present
To the triumvir love and wonderment.
Swell up my nerves with spirit; let my blood
Run through my veins like to a hasty flood.
Fill each part full of fire, active to do
What thy commanding soul shall put it to;
And till I turn apostate to thy love,
Which here I vow to serve, do not remove
Thy fires from me, but Apollo's curse
Blast these-like actions, or a thing that's worse.
When these circumstants shall but live to see
The time that I prevaricate from thee.
Call me the son of beer, and then confine
Me to the tap, the toast, the turf; let wine
Ne'er shine upon me; may my numbers all
Run to a sudden death and funeral.
And last, when thee, dear spouse, I disavow,
Ne'er may prophetic Daphne crown my brow.

_Convinces_, overcomes.
_Ithaca_, the home of the wanderer Ulysses.
_Iphiclus_ won the foot-race at the funeral games of Pelias.
_Circumstants_, surroundings.

[H] The sun. (Note in the original edition. )

[I] The moon. (Note in the original edition. )

[J] Hercules. (Note in the original edition. )


198. IMPOSSIBILITIES TO HIS FRIEND.

My faithful friend, if you can see
The fruit to grow up, or the tree;
If you can see the colour come
Into the blushing pear or plum;
If you can see the water grow
To cakes of ice or flakes of snow;
If you can see that drop of rain
Lost in the wild sea once again;
If you can see how dreams do creep
Into the brain by easy sleep:
Then there is hope that you may see
Her love me once who now hates me.


201. TO LIVE MERRILY AND TO TRUST TO GOOD VERSES.

Now is the time for mirth,
Nor cheek or tongue be dumb;
For, with the flowery earth,
The golden pomp is come.

The golden pomp is come;
For now each tree does wear.
Made of her pap and gum,
Rich beads of amber here.

Now reigns the rose, and now
Th' Arabian dew besmears
My uncontrolled brow
And my retorted hairs.

Homer, this health to thee,
In sack of such a kind
That it would make thee see
Though thou wert ne'er so blind.

Next, Virgil I'll call forth
To pledge this second health
In wine, whose each cup's worth
An Indian commonwealth.

A goblet next I'll drink
To Ovid, and suppose,
Made he the pledge, he'd think
The world had all one nose.

Then this immensive cup
Of aromatic wine,
Catullus, I quaff up
To that terse muse of thine.

Wild I am now with heat:
O Bacchus, cool thy rays!
Or, frantic, I shall eat
Thy thyrse and bite the bays.

Round, round the roof does run,
And, being ravish'd thus,
Come, I will drink a tun
To my Propertius.

Now, to Tibullus, next,
This flood I drink to thee:
But stay, I see a text
That this presents to me.

Behold, Tibullus lies
Here burnt, whose small return
Of ashes scarce suffice
To fill a little urn.

Trust to good verses then;
They only will aspire
When pyramids, as men,
Are lost i' th' funeral fire.

And when all bodies meet
In Lethe to be drown'd,
Then only numbers sweet
With endless life are crown'd.

_Retorted_, bound back, "retorto crine," _Martial_.
_Immensive_, measureless.


202. FAIR DAYS: OR, DAWNS DECEITFUL.

Fair was the dawn, and but e'en now the skies
Show'd like to cream inspir'd with strawberries,
But on a sudden all was chang'd and gone
That smil'd in that first sweet complexion.
Then thunder-claps and lightning did conspire
To tear the world, or set it all on fire.
What trust to things below, whenas we see,
As men, the heavens have their hypocrisy?


203. LIPS TONGUELESS.

For my part, I never care
For those lips that tongue-tied are:
Tell-tales I would have them be
Of my mistress and of me.
Let them prattle how that I
Sometimes freeze and sometimes fry:
Let them tell how she doth move
Fore or backward in her love:
Let them speak by gentle tones,
One and th' other's passions:
How we watch, and seldom sleep;
How by willows we do weep;
How by stealth we meet, and then
Kiss, and sigh, so part again.
This the lips we will permit
For to tell, not publish it.


204. TO THE FEVER, NOT TO TROUBLE JULIA.

Thou'st dar'd too far; but, fury, now forbear
To give the least disturbance to her hair:
But less presume to lay a plait upon
Her skin's most smooth and clear expansion.
'Tis like a lawny firmament as yet,
Quite dispossess'd of either fray or fret.
Come thou not near that film so finely spread,
Where no one piece is yet unlevelled.
This if thou dost, woe to thee, fury, woe,
I'll send such frost, such hail, such sleet, and snow,
Such flesh-quakes, palsies, and such fears as shall
Dead thee to th' most, if not destroy thee all.
And thou a thousand thousand times shalt be
More shak'd thyself than she is scorch'd by thee.


205. TO VIOLETS.

Welcome, maids-of-honour!
You do bring
In the spring,
And wait upon her.

She has virgins many,
Fresh and fair;
Yet you are
More sweet than any.

You're the maiden posies,
And so grac'd
To be plac'd
'Fore damask roses.

Yet, though thus respected,
By-and-by
Ye do lie,
Poor girls, neglected.


207. TO CARNATIONS. A SONG.

Stay while ye will, or go
And leave no scent behind ye:
Yet, trust me, I shall know
The place where I may find ye.

Within my Lucia's cheek,
Whose livery ye wear,
Play ye at hide or seek,
I'm sure to find ye there.


208. TO THE VIRGINS, TO MAKE MUCH OF TIME.

Gather ye rosebuds while ye may,
Old time is still a-flying:
And this same flower that smiles to-day
To-morrow will be dying.

The glorious lamp of heaven, the sun,
The higher he's a-getting,
The sooner will his race be run,
And nearer he's to setting.

That age is best which is the first,
When youth and blood are warmer;
But being spent, the worse, and worst
Times still succeed the former.

Then be not coy, but use your time,
And while ye may go marry:
For having lost but once your prime
You may for ever tarry.


209. SAFETY TO LOOK TO ONESELF.

For my neighbour I'll not know,
Whether high he builds or no:
Only this I'll look upon,
Firm be my foundation.
Sound or unsound, let it be!
'Tis the lot ordain'd for me.
He who to the ground does fall
_Has not whence to sink at all_.


210. TO HIS FRIEND, ON THE UNTUNABLE TIMES.

Play I could once; but, gentle friend, you see
My harp hung up here on the willow tree.
Sing I could once; and bravely, too, inspire
With luscious numbers my melodious lyre.
Draw I could once, although not stocks or stones,
Amphion-like, men made of flesh and bones,
Whither I would; but ah! I know not how,
I feel in me this transmutation now.
Grief, my dear friend, has first my harp unstrung,
Wither'd my hand, and palsy-struck my tongue.


211. HIS POETRY HIS PILLAR.

Only a little more
I have to write,
Then I'll give o'er,
And bid the world good-night.

'Tis but a flying minute
That I must stay,
Or linger in it;
And then I must away.

O time that cut'st down all
And scarce leav'st here
Memorial
Of any men that were.

How many lie forgot
In vaults beneath?
And piecemeal rot
Without a fame in death?

Behold this living stone
I rear for me,
Ne'er to be thrown
Down, envious Time, by thee.

Pillars let some set up
If so they please:
Here is my hope
And my Pyramides.


212. SAFETY ON THE SHORE.

What though the sea be calm? Trust to the shore,
Ships have been drown'd where late they danc'd before.


213. A PASTORAL UPON THE BIRTH OF PRINCE CHARLES. PRESENTED TO THE KING,
AND SET BY MR. NIC. LANIERE.

_The Speakers_, Mirtillo, Amintas _and_ Amarillis.

_Amin. _ Good-day, Mirtillo. _Mirt. _ And to you no less,
And all fair signs lead on our shepherdess.
_Amar. _ With all white luck to you. _Mirt. _ But say, what news
Stirs in our sheep-walk? _Amin. _ None, save that my ewes,
My wethers, lambs, and wanton kids are well,
Smooth, fair and fat! none better I can tell:
Or that this day Menalcas keeps a feast
For his sheep-shearers. _Mirt. _ True, these are the least;
But, dear Amintas and sweet Amarillis,
Rest but a while here, by this bank of lilies,
And lend a gentle ear to one report
The country has. _Amin. _ From whence? _Amar. _ From whence?
_Mirt. _ The Court.
Three days before the shutting in of May
(With whitest wool be ever crown'd that day! )
To all our joy a sweet-fac'd child was born,
More tender than the childhood of the morn.
_Chor. _ Pan pipe to him, and bleats of lambs and sheep
Let lullaby the pretty prince asleep!
_Mirt. _ And that his birth should be more singular
At noon of day was seen a silver star,
Bright as the wise men's torch which guided them
To God's sweet babe, when born at Bethlehem;
While golden angels (some have told to me)
Sung out his birth with heavenly minstrelsy.
_Amin. _ O rare! But is't a trespass if we three
Should wend along his babyship to see?
_Mirt. _ Not so, not so.
_Chor. _ But if it chance to prove
At most a fault, 'tis but a fault of love.
_Amar. _ But, dear Mirtillo, I have heard it told
Those learned men brought incense, myrrh and gold
From countries far, with store of spices sweet,
And laid them down for offerings at his feet.
_Mirt. _ 'Tis true, indeed; and each of us will bring
Unto our smiling and our blooming king
A neat, though not so great an offering.
_Amar. _ A garland for my gift shall be
Of flowers ne'er suck'd by th' thieving bee;
And all most sweet; yet all less sweet than he.
_Amin. _ And I will bear, along with you,
Leaves dropping down the honeyed dew,
With oaten pipes as sweet as new.
_Mirt.
_ And I a sheep-hook will bestow,
To have his little kingship know,
As he is prince, he's shepherd too.
_Chor. _ Come, let's away, and quickly let's be dress'd,
And quickly give--_the swiftest grace is best_.
And when before him we have laid our treasures,
We'll bless the babe, then back to country pleasures.

_White_, favourable.


214. TO THE LARK.

Good speed, for I this day
Betimes my matins say:
Because I do
Begin to woo,
Sweet-singing lark,
Be thou the clerk,
And know thy when
To say, Amen.
And if I prove
Bless'd in my love,
Then thou shalt be
High-priest to me,
At my return,
To incense burn;
And so to solemnise
Love's and my sacrifice.


215. THE BUBBLE. A SONG.

To my revenge and to her desperate fears
Fly, thou made bubble of my sighs and tears.
In the wild air when thou hast rolled about,
And, like a blasting planet, found her out.
Stoop, mount, pass by to take her eye, then glare
Like to a dreadful comet in the air:
Next, when thou dost perceive her fixed sight
For thy revenge to be most opposite,
Then, like a globe or ball of wild-fire, fly,
And break thyself in shivers on her eye.


216. A MEDITATION FOR HIS MISTRESS.

You are a tulip seen to-day,
But, dearest, of so short a stay
That where you grew scarce man can say.

You are a lovely July-flower,
Yet one rude wind or ruffling shower
Will force you hence, and in an hour.

You are a sparkling rose i' th' bud,
Yet lost ere that chaste flesh and blood
Can show where you or grew or stood.

You are a full-spread, fair-set vine,
And can with tendrils love entwine,
Yet dried ere you distil your wine.

You are like balm enclosed well
In amber, or some crystal shell,
Yet lost ere you transfuse your smell.

You are a dainty violet,
Yet wither'd ere you can be set
Within the virgin's coronet.

You are the queen all flowers among,
But die you must, fair maid, ere long,
As he, the maker of this song.


217. THE BLEEDING HAND; OR, THE SPRIG OF EGLANTINE GIVEN TO A MAID.

From this bleeding hand of mine
Take this sprig of eglantine,
Which, though sweet unto your smell,
Yet the fretful briar will tell,
He who plucks the sweets shall prove
Many thorns to be in love.


218. LYRIC FOR LEGACIES.

Gold I've none, for use or show,
Neither silver to bestow
At my death; but this much know;
That each lyric here shall be
Of my love a legacy,
Left to all posterity.
Gentle friends, then do but please
To accept such coins as these
As my last remembrances.


219. A DIRGE UPON THE DEATH OF THE RIGHT VALIANT LORD, BERNARD STUART.

Hence, hence, profane! soft silence let us have
While we this trental sing about thy grave.

Had wolves or tigers seen but thee,
They would have showed civility;
And, in compassion of thy years,
Washed those thy purple wounds with tears.
But since thou'rt slain, and in thy fall
The drooping kingdom suffers all;

_Chor. _ This we will do, we'll daily come
And offer tears upon thy tomb:
And if that they will not suffice,
Thou shall have souls for sacrifice.
Sleep in thy peace, while we with spice perfume thee,
And cedar wash thee, that no times consume thee.

Live, live thou dost, and shall; for why?
_Souls do not with their bodies die_:
Ignoble offsprings, they may fall
Into the flames of funeral:
Whenas the chosen seed shall spring
Fresh, and for ever flourishing.

_Chor. _ And times to come shall, weeping, read thy glory
Less in these marble stones than in thy story.

_Trental_, a dirge; but see Note.
_Cedar_, oil of cedar.


220. TO PERENNA, A MISTRESS.

Dear Perenna, prithee come
And with smallage dress my tomb:
Add a cypress sprig thereto,
With a tear, and so Adieu.

_Smallage_, water-parsley.


223. THE FAIRY TEMPLE; OR, OBERON'S CHAPEL
DEDICATED TO MR. JOHN MERRIFIELD, COUNSELLOR-AT-LAW.

Rare temples thou hast seen, I know,
And rich for in and outward show:
Survey this chapel, built alone,
Without or lime, or wood, or stone:
Then say if one thou'st seen more fine
Than this, the fairies' once, now thine.


THE TEMPLE.

A way enchased with glass and beads
There is, that to the chapel leads:
Whose structure, for his holy rest,
Is here the halcyon's curious nest:
Into the which who looks shall see
His temple of idolatry,
Where he of godheads has such store,
As Rome's pantheon had not more.
His house of Rimmon this he calls,
Girt with small bones instead of walls.
First, in a niche, more black than jet,
His idol-cricket there is set:
Then in a polished oval by
There stands his idol-beetle-fly:
Next in an arch, akin to this,
His idol-canker seated is:
Then in a round is placed by these
His golden god, Cantharides.
So that, where'er ye look, ye see,
No capital, no cornice free,
Or frieze, from this fine frippery.
Now this the fairies would have known,
Theirs is a mixed religion:
And some have heard the elves it call
Part pagan, part papistical.
If unto me all tongues were granted,
I could not speak the saints here painted.
Saint Tit, Saint Nit, Saint Is, Saint Itis,
Who 'gainst Mab's-state placed here right is;
Saint Will o' th' Wisp, of no great bigness,
But _alias_ called here _Fatuus ignis_;
Saint Frip, Saint Trip, Saint Fill, Saint Fillie
Neither those other saintships will I
Here go about for to recite
Their number, almost infinite,
Which one by one here set down are
In this most curious calendar.
First, at the entrance of the gate
A little puppet-priest doth wait,
Who squeaks to all the comers there:
"_Favour your tongues who enter here;
Pure hands bring hither without stain. _"
A second pules: "_Hence, hence, profane! _"
Hard by, i' th' shell of half a nut,
The holy-water there is put:
A little brush of squirrel's hairs
(Composed of odd, not even pairs,)
Stands in the platter, or close by,
To purge the fairy family.
Near to the altar stands the priest,
There off'ring up the Holy Grist,
Ducking in mood and perfect tense,
With (much-good-do-'t him) reverence.
The altar is not here four-square,
Nor in a form triangular,
Nor made of glass, or wood, or stone,
But of a little transverse bone;
Which boys and bruckel'd children call
(Playing for points and pins) cockal.
Whose linen drapery is a thin
Subtile and ductile codlin's skin:
Which o'er the board is smoothly spread
With little seal-work damasked.
The fringe that circumbinds it too
Is spangle-work of trembling dew,
Which, gently gleaming, makes a show
Like frost-work glitt'ring on the snow.
Upon this fetuous board doth stand
Something for show-bread, and at hand,
Just in the middle of the altar,
Upon an end, the fairy-psalter,
Grac'd with the trout-flies' curious wings,
Which serve for watchet ribbonings.
Now, we must know, the elves are led
Right by the rubric which they read.
And, if report of them be true,
They have their text for what they do;
Aye, and their book of canons too.
And, as Sir Thomas Parson tells,
They have their book of articles;
And, if that fairy-knight not lies,
They have their book of homilies;
And other scriptures that design
A short but righteous discipline.
The basin stands the board upon
To take the free oblation:
A little pin-dust, which they hold
More precious than we prize our gold
Which charity they give to many
Poor of the parish, if there's any.
Upon the ends of these neat rails,
Hatch'd with the silver-light of snails,
The elves in formal manner fix
Two pure and holy candlesticks:
In either which a small tall bent
Burns for the altar's ornament.
For sanctity they have to these
Their curious copes and surplices
Of cleanest cobweb hanging by
In their religious vestery.
They have their ash-pans and their brooms
To purge the chapel and the rooms;
Their many mumbling Mass-priests here,
And many a dapper chorister,
Their ush'ring vergers, here likewise
Their canons and their chanteries.
Of cloister-monks they have enow,
Aye, and their abbey-lubbers too;
And, if their legend do not lie,
They much affect the papacy.
And since the last is dead, there's hope
_Elf Boniface shall next be pope_.
They have their cups and chalices;
Their pardons and indulgences;
Their beads of nits, bells, books, and wax
Candles, forsooth, and other knacks;
Their holy oil, their fasting spittle;
Their sacred salt here, not a little;
Dry chips, old shoes, rags, grease and bones;
Beside their fumigations
To drive the devil from the cod-piece
Of the friar (of work an odd piece).
Many a trifle, too, and trinket,
And for what use, scarce man would think it.
Next, then, upon the chanters' side
An apple's core is hung up dri'd,
With rattling kernels, which is rung
To call to morn and even-song.
The saint to which the most he prays
And offers incense nights and days,
The lady of the lobster is,
Whose foot-pace he doth stroke and kiss;
And humbly chives of saffron brings
For his most cheerful offerings.
When, after these, h'as paid his vows
He lowly to the altar bows;
And then he dons the silk-worm's shed,
Like a Turk's turban on his head,
And reverently departeth thence,
Hid in a cloud of frankincense,
And by the glow-worm's light well guided,
Goes to the feast that's now provided.

_Halcyon_, king-fisher.
_Saint Tit_, etc. , see Note.
_Mab's-state_, Mab's chair of state.
_Bruckel'd_, begrimed.
_Cockal_, a game played with four huckle-bones.
_Codlin_, an apple.
_Fetuous_, feat, neat.
_Watchet_, pale blue.
_Hatch'd_, inlaid.
_Bent_, bent grass.
_Nits_, nuts.
_The lady of the lobster_, part of the lobster's apparatus for digestion.
_Foot-pace_, a mat.
_Chives_, shreds.


224. TO MISTRESS KATHERINE BRADSHAW, THE LOVELY, THAT CROWNED HIM WITH
LAUREL.

My muse in meads has spent her many hours,
Sitting, and sorting several sorts of flowers
To make for others garlands, and to set
On many a head here many a coronet;
But, amongst all encircled here, not one
Gave her a day of coronation,
Till you, sweet mistress, came and interwove
A laurel for her, ever young as love--
You first of all crown'd her: she must of due
Render for that a crown of life to you.


225. THE PLAUDITE, OR END OF LIFE.

If, after rude and boisterous seas,
My wearied pinnace here finds ease;
If so it be I've gained the shore
With safety of a faithful oar;
If, having run my barque on ground,
Ye see the aged vessel crown'd:
What's to be done, but on the sands
Ye dance and sing and now clap hands?
The first act's doubtful, but we say
It is the last commends the play.


226. TO THE MOST VIRTUOUS MISTRESS POT, WHO MANY TIMES ENTERTAINED HIM.

When I through all my many poems look,
And see yourself to beautify my book,
Methinks that only lustre doth appear
A light fulfilling all the region here.
Gild still with flames this firmament, and be
A lamp eternal to my poetry.
Which, if it now or shall hereafter shine,
'Twas by your splendour, lady, not by mine.
The oil was yours; and that I owe for yet:
_He pays the half who does confess the debt_.


227. TO MUSIC, TO BECALM HIS FEVER.

Charm me asleep and melt me so
With thy delicious numbers,
That, being ravished, hence I go
Away in easy slumbers.
Ease my sick head
And make my bed,
Thou power that canst sever
From me this ill;
And quickly still,
Though thou not kill,
My fever.

Thou sweetly canst convert the same
From a consuming fire
Into a gentle-licking flame,
And make it thus expire.
Then make me weep
My pains asleep;
And give me such reposes
That I, poor I,
May think thereby
I live and die
'Mongst roses.

Fall on me like a silent dew,
Or like those maiden showers
Which, by the peep of day, do strew
A baptism o'er the flowers.
Melt, melt my pains
With thy soft strains;
That, having ease me given,
With full delight
I leave this light,
And take my flight
For heaven.


228. UPON A GENTLEWOMAN WITH A SWEET VOICE.

So long you did not sing or touch your lute,
We knew 'twas flesh and blood that there sat mute.
But when your playing and your voice came in,
'Twas no more you then, but a cherubin.


229. UPON CUPID.

As lately I a garland bound,
'Mongst roses I there Cupid found;
I took him, put him in my cup,
And drunk with wine, I drank him up.
Hence then it is that my poor breast
Could never since find any rest.


230. UPON JULIA'S BREASTS.

Display thy breasts, my Julia--there let me
Behold that circummortal purity,
Between whose glories there my lips I'll lay,
Ravish'd in that fair _via lactea_.

_Circummortal_, more than mortal.


231. BEST TO BE MERRY.

Fools are they who never know
How the times away do go;
But for us, who wisely see
Where the bounds of black death be,
Let's live merrily, and thus
Gratify the Genius.


232. THE CHANGES TO CORINNA.

Be not proud, but now incline
Your soft ear to discipline.
You have changes in your life--
Sometimes peace and sometimes strife;
You have ebbs of face and flows,
As your health or comes or goes;
You have hopes, and doubts, and fears
Numberless, as are your hairs.
You have pulses that do beat
High, and passions less of heat.
You are young, but must be old,
And, to these, ye must be told
Time ere long will come and plough
Loathed furrows in your brow:
And the dimness of your eye
Will no other thing imply
But you must die
As well as I.


234. NEGLECT.

_Art quickens nature; care will make a face;
Neglected beauty perisheth apace. _


235. UPON HIMSELF.

Mop-eyed I am, as some have said,
Because I've lived so long a maid:
But grant that I should wedded be,
Should I a jot the better see?
No, I should think that marriage might,
Rather than mend, put out the light.

_Mop-eyed_, shortsighted.


236. UPON A PHYSICIAN.

Thou cam'st to cure me, doctor, of my cold,
And caught'st thyself the more by twenty fold:
Prithee go home; and for thy credit be
First cured thyself, then come and cure me.


238. TO THE ROSE. A SONG.

Go, happy rose, and interwove
With other flowers, bind my love.
Tell her, too, she must not be
Longer flowing, longer free,
That so oft has fetter'd me.

Say, if she's fretful, I have bands
Of pearl and gold to bind her hands.
Tell her, if she struggle still,
I have myrtle rods (at will)
For to tame, though not to kill.

Take thou my blessing, thus, and go
And tell her this, but do not so,
Lest a handsome anger fly,
Like a lightning, from her eye,
And burn thee up as well as I.


240. TO HIS BOOK.

Thou art a plant sprung up to wither never,
But like a laurel to grow green for ever.


241. UPON A PAINTED GENTLEWOMAN.

Men say y'are fair, and fair ye are, 'tis true;
But, hark! we praise the painter now, not you.


243. DRAW-GLOVES.

At draw-gloves we'll play,
And prithee let's lay
A wager, and let it be this:
Who first to the sum
Of twenty shall come,
Shall have for his winning a kiss.

_Draw-gloves_, a game of talking by the fingers.


244. TO MUSIC, TO BECALM A SWEET-SICK YOUTH.

Charms, that call down the moon from out her sphere,
On this sick youth work your enchantments here:
Bind up his senses with your numbers so
As to entrance his pain, or cure his woe.
Fall gently, gently, and a while him keep
Lost in the civil wilderness of sleep:
That done, then let him, dispossessed of pain,
Like to a slumb'ring bride, awake again.


245. TO THE HIGH AND NOBLE PRINCE GEORGE, DUKE, MARQUIS, AND EARL OF
BUCKINGHAM.

Never my book's perfection did appear
Till I had got the name of Villars here:
Now 'tis so full that when therein I look
I see a cloud of glory fills my book.
Here stand it still to dignify our Muse,
Your sober handmaid, who doth wisely choose
Your name to be a laureate wreath to her
Who doth both love and fear you, honoured sir.


246. HIS RECANTATION.

Love, I recant,
And pardon crave
That lately I offended;
But 'twas,
Alas!
To make a brave,
But no disdain intended.

No more I'll vaunt,
For now I see
Thou only hast the power
To find
And bind
A heart that's free,
And slave it in an hour.


247. THE COMING OF GOOD LUCK.

So good luck came, and on my roof did light,
Like noiseless snow, or as the dew of night:
Not all at once, but gently, as the trees
Are by the sunbeams tickled by degrees.


248. THE PRESENT; OR, THE BAG OF THE BEE.

Fly to my mistress, pretty pilfering bee,
And say thou bring'st this honey bag from me:
When on her lip thou hast thy sweet dew placed,
Mark if her tongue but slyly steal a taste.
If so, we live; if not, with mournful hum
Toll forth my death; next, to my burial come.


249. ON LOVE.

Love bade me ask a gift,
And I no more did move
But this, that I might shift
Still with my clothes my love:
That favour granted was;
Since which, though I love many,
Yet so it comes to pass
That long I love not any.


250. THE HOCK-CART OR HARVEST HOME. TO THE RIGHT HONOURABLE MILDMAY,
EARL OF WESTMORELAND.

Come, sons of summer, by whose toil
We are the lords of wine and oil:
By whose tough labours and rough hands
We rip up first, then reap our lands.
Crowned with the ears of corn, now come,
And to the pipe sing harvest home.
Come forth, my lord, and see the cart
Dressed up with all the country art:
See here a maukin, there a sheet,
As spotless pure as it is sweet:
The horses, mares, and frisking fillies,
Clad all in linen white as lilies.
The harvest swains and wenches bound
For joy, to see the hock-cart crowned.
About the cart, hear how the rout
Of rural younglings raise the shout;
Pressing before, some coming after,
Those with a shout, and these with laughter.