No More Learning

She lived at one time or another in nearly all the countries of Europe,
and likewise in India, America, and Australia. It would be impossible
to set down here all the sensations that she achieved. Let us select the
climax of her career and show how she overturned a kingdom, passing but
lightly over her early and her later years.

She was born in Limerick in 1818, but her father's parents cast off
their son and his young wife, the Spanish dancer. They went to India,
and in 1825 the father died, leaving his young widow without a
rupee; but she was quickly married again, this time to an officer of
importance.

The former danseuse became a very conventional person, a fit match for
her highly conventional husband; but the small daughter did not take
kindly to the proprieties of life. The Hindu servants taught her more
things than she should have known; and at one time her stepfather found
her performing the danse du ventre. It was the Moorish strain inherited
from her mother.

She was sent back to Europe, however, and had a sort of education in
Scotland and England, and finally in Paris, where she was detected in
an incipient flirtation with her music-master. There were other persons
hanging about her from her fifteenth year, at which time her
stepfather, in India, had arranged a marriage between her and a rich but
uninteresting old judge. One of her numerous admirers told her this.

"What on earth am I to do? " asked little Lola, most naively.

"Why, marry me," said the artful adviser, who was Captain Thomas James;
and so the very next day they fled to Dublin and were speedily married
at Meath.

Lola's husband was violently in love with her, but, unfortunately,
others were no less susceptible to her charms. She was presented at
the vice-regal court, and everybody there became her victim. Even the
viceroy, Lord Normanby, was greatly taken with her. This nobleman's
position was such that Captain James could not object to his attentions,
though they made the husband angry to a degree. The viceroy would draw
her into alcoves and engage her in flattering conversation, while poor
James could only gnaw his nails and let green-eyed jealousy prey upon
his heart. His only recourse was to take her into the country, where she
speedily became bored; and boredom is the death of love.

Later she went with Captain James to India. She endured a campaign in
Afghanistan, in which she thoroughly enjoyed herself because of the
attentions of the officers. On her return to London in 1842, one Captain
Lennox was a fellow passenger; and their association resulted in an
action for divorce, by which she was freed from her husband, and yet by
a technicality was not able to marry Lennox, whose family in any case
would probably have prevented the wedding.

Mrs. Mayne says, in writing on this point:

Even Lola never quite succeeded in being allowed to commit bigamy
unmolested, though in later years she did commit it and took refuge in
Spain to escape punishment.

The same writer has given a vivid picture of what happened soon after
the divorce. Lola tried to forget her past and to create a new and
brighter future. Here is the narrative:

Her Majesty's Theater was crowded on the night of June 10,1843. A new
Spanish dancer was announced--"Dona Lola Montez. " It was her debut, and
Lumley, the manager, had been puffing her beforehand, as he alone knew
how. To Lord Ranelagh, the leader of the dilettante group of fashionable
young men, he had whispered, mysteriously:

"I have a surprise in store. You shall see. "

So Ranelagh and a party of his friends filled the omnibus boxes,
those tribunes at the side of the stage whence success or failure was
pronounced. Things had been done with Lumley's consummate art; the
packed house was murmurous with excitement. She was a raving beauty,
said report--and then, those intoxicating Spanish dances! Taglioni,
Cerito, Fanny Elssler, all were to be eclipsed.

Ranelagh's glasses were steadily leveled on the stage from the
moment her entrance was imminent. She came on. There was a murmur of
admiration--but Ranelagh made no sign. And then she began to dance.
A sense of disappointment, perhaps? But she was very lovely, very
graceful, "like a flower swept by the wind, she floated round the
stage"--not a dancer, but, by George, a beauty! And still Ranelagh made
no sign.

Yet, no. What low, sibilant sound is that? And then what confused, angry
words from the tribunal? He turns to his friends, his eyes ablaze with
anger, opera-glass in hand. And now again the terrible "Hiss-s-s! " taken
up by the other box, and the words repeated loudly and more angrily
even than before--the historic words which sealed Lola's doom at Her
Majesty's Theater: "WHY, IT'S BETTY JAMES! "

She was, indeed, Betty James, and London would not accept her as Lola
Montez. She left England and appeared upon the Continent as a beautiful
virago, making a sensation--as the French would say, a succes de
scandale--by boxing the ears of people who offended her, and even on one
occasion horsewhipping a policeman who was in attendance on the King of
Prussia. In Paris she tried once more to be a dancer, but Paris would
not have her. She betook herself to Dresden and Warsaw, where she
sought to attract attention by her eccentricities, making mouths at the
spectators, flinging her garters in their faces, and one time removing
her skirts and still more necessary garments, whereupon her manager
broke off his engagement with her.

An English writer who heard a great deal of her and who saw her often
about this time writes that there was nothing wonderful about her except
"her beauty and her impudence. " She had no talent nor any of the graces
which make women attractive; yet many men of talent raved about her. The
clever young journalist, Dujarrier, who assisted Emile Girardin, was her
lover in Paris. He was killed in a duel and left Lola twenty thousand
francs and some securities, so that she no longer had to sing in the
streets as she did in Warsaw.

She now betook herself to Munich, the capital of Bavaria. That country
was then governed by Ludwig I. , a king as eccentric as Lola herself. He
was a curious compound of kindliness, ideality, and peculiar ways. For
instance, he would never use a carriage even on state occasions. He
prowled around the streets, knocking off the hats of those whom he
chanced to meet. Like his unfortunate descendant, Ludwig II. , he
wrote poetry, and he had a picture-gallery devoted to portraits of the
beautiful women whom he had met.

He dressed like an English fox-hunter, with a most extraordinary hat,
and what was odd and peculiar in others pleased him because he was odd
and peculiar himself. Therefore when Lola made her first appearance at
the Court Theater he was enchanted with her. He summoned her at once to
the palace, and within five days he presented her to the court, saying
as he did so:

"Meine Herren, I present you to my best friend. "

In less than a month this curious monarch had given Lola the title of
Countess of Landsfeld. A handsome house was built for her, and a pension
of twenty thousand florins was granted her. This was in 1847. With the
people of Munich she was unpopular. They did not mind the eccentricities
of the king, since these amused them and did the country no perceptible
harm; but they were enraged by this beautiful woman, who had no softness
such as a woman ought to have. Her swearing, her readiness to box the
ears of every one whom she disliked, the huge bulldog which accompanied
her everywhere--all these things were beyond endurance.

She was discourteous to the queen, besides meddling with the politics of
the kingdom. Either of these things would have been sufficient to
make her hated. Together, they were more than the city of Munich could
endure. Finally the countess tried to establish a new corps in the
university. This was the last touch of all. A student who ventured to
wear her colors was beaten and arrested. Lola came to his aid with all
her wonted boldness; but the city was in commotion.

Daggers were drawn; Lola was hustled and insulted. The foolish king
rushed out to protect her; and on his arm she was led in safety to the
palace. As she entered the gates she turned and fired a pistol into the
mob. No one was hurt, but a great rage took possession of the people.
The king issued a decree closing the university for a year. By this
time, however, Munich was in possession of a mob, and the Bavarians
demanded that she should leave the country.

Ludwig faced the chamber of peers, where the demand of the populace was
placed before him.

"I would rather lose my crown! " he replied.

The lords of Bavaria regarded him with grim silence; and in their eyes
he read the determination of his people. On the following day a royal
decree revoked Lola's rights as a subject of Bavaria, and still another
decree ordered her to be expelled. The mob yelled with joy and burned
her house. Poor Ludwig watched the tumult by the light of the leaping
flames.

He was still in love with her and tried to keep her in the kingdom; but
the result was that Ludwig himself was forced to abdicate. He had given
his throne for the light love of this beautiful but half-crazy woman.
She would have no more to do with him; and as for him, he had to give
place to his son Maximilian. Ludwig had lost a kingdom merely because
this strange, outrageous creature had piqued him and made him think that
she was unique among women.

The rest of her career was adventurous. In England she contracted a
bigamous marriage with a youthful officer, and within two weeks they
fled to Spain for safety from the law. Her husband was drowned, and she
made still another marriage. She visited Australia, and at Melbourne she
had a fight with a strapping woman, who clawed her face until Lola
fell fainting to the ground. It is a squalid record of horse-whippings,
face-scratchings--in short, a rowdy life.

Her end was like that of Becky Sharp. In America she delivered lectures
which were written for her by a clergyman and which dealt with the art
of beauty. She had a temporary success; but soon she became quite
poor, and took to piety, professing to be a sort of piteous, penitent
Magdalen. In this role she made effective use of her beautiful dark
hair, her pallor, and her wonderful eyes. But the violence of her
disposition had wrecked her physically; and she died of paralysis in
Astoria, on Long Island, in 1861. Upon her grave in Greenwood Cemetery,
Brooklyn, there is a tablet to her memory, bearing the inscription:
"Mrs. Eliza Gilbert, born 1818, died 1861. "

What can one say of a woman such as this? She had no morals, and her
manners were outrageous. The love she felt was the love of a she-wolf.
Fourteen biographies of her have been written, besides her own
autobiography, which was called The Story of a Penitent, and which tells
less about her than any of the other books. Her beauty was undeniable.
Her courage was the blended courage of the Celt, the Spaniard, and the
Moor. Yet all that one can say of her was said by the elder Dumas when
he declared that she was born to be the evil genius of every one who
cared for her. Her greatest fame comes from the fact that in less than
three years she overturned a kingdom and lost a king his throne.





LEON GAMBETTA AND LEONIE LEON


The present French Republic has endured for over forty years. Within
that time it has produced just one man of extraordinary power and parts.
This was Leon Gambetta. Other men as remarkable as he were conspicuous
in French political life during the first few years of the republic;
but they belonged to an earlier generation, while Gambetta leaped
into prominence only when the empire fell, crashing down in ruin and
disaster.

It is still too early to form an accurate estimate of him as a
statesman. His friends praise him extravagantly. His enemies still
revile him bitterly. The period of his political career lasted for
little more than a decade, yet in that time it may be said that he
lived almost a life of fifty years. Only a short time ago did the French
government cause his body to be placed within the great Pantheon, which
contains memorials of the heroes and heroines of France. But, though
we may not fairly judge of his political motives, we can readily
reconstruct a picture of him as a man, and in doing so recall his
one romance, which many will remember after they have forgotten his
oratorical triumphs and his statecraft.

Leon Gambetta was the true type of the southern Frenchman--what his
countrymen call a meridional. The Frenchman of the south is different
from the Frenchman of the north, for the latter has in his veins a
touch of the viking blood, so that he is very apt to be fair-haired and
blue-eyed, temperate in speech, and self-controlled. He is different,
again, from the Frenchman of central France, who is almost purely
Celtic. The meridional has a marked vein of the Italian in him, derived
from the conquerors of ancient Gaul. He is impulsive, ardent, fiery in
speech, hot-tempered, and vivacious to an extraordinary degree.

Gambetta, who was born at Cahors, was French only on his mother's side,
since his father was of Italian birth. It is said also that somewhere in
his ancestry there was a touch of the Oriental. At any rate, he was one
of the most southern of the sons of southern France, and he showed
the precocious maturity which belongs to a certain type of Italian.
At twenty-one he had already been admitted to the French bar, and
had drifted to Paris, where his audacity, his pushing nature, and his
red-hot un-restraint of speech gave him a certain notoriety from the
very first.

It was toward the end of the reign of Napoleon III. that Gambetta saw
his opportunity. The emperor, weakened by disease and yielding to a sort
of feeble idealism, gave to France a greater freedom of speech than it
had enjoyed while he was more virile. This relaxation of control
merely gave to his opponents more courage to attack him and his empire.
Demagogues harangued the crowds in words which would once have led to
their imprisonment. In the National Assembly the opposition did all
within its power to hamper and defeat the policy of the government.

In short, republicanism began to rise in an ominous and threatening way;
and at the head of republicanism in Paris stood forth Gambetta, with his
impassioned eloquence, his stinging phrases, and his youthful boldness.
He became the idol of that part of Paris known as Belleville, where
artisans and laborers united with the rabble of the streets in hating
the empire and in crying out for a republic.

Gambetta was precisely the man to voice the feelings of these people.
Whatever polish he acquired in after years was then quite lacking; and
the crudity of his manners actually helped him with the men whom he
harangued. A recent book by M. Francis Laur, an ardent admirer of
Gambetta, gives a picture of the man which may be nearly true of him in
his later life, but which is certainly too flattering when applied to
Gambetta in 1868, at the age of thirty.

How do we see Gambetta as he was at thirty? A man of powerful frame and
of intense vitality, with thick, clustering hair, which he shook as
a lion shakes its mane; olive-skinned, with eyes that darted fire, a
resonant, sonorous voice, and a personal magnetism which was instantly
felt by all who met him or who heard him speak. His manners were not
refined. He was fond of oil and garlic. His gestures were often more
frantic than impressive, so that his enemies called him "the furious
fool. " He had a trick of spitting while he spoke. He was by no means
the sort of man whose habits had been formed in drawing-rooms or among
people of good breeding. Yet his oratory was, of its kind, superb.

In 1869 Gambetta was elected by the Red Republicans to the Corps
Legislatif. From the very first his vehemence and fire gained him a
ready hearing. The chamber itself was arranged like a great theater, the
members occupying the floor and the public the galleries. Each orator
in addressing the house mounted a sort of rostrum and from it faced the
whole assemblage, not noticing, as with us, the presiding officer
at all. The very nature of this arrangement stimulated parliamentary
speaking into eloquence and flamboyant oratory.

After Gambetta had spoken a few times he noticed in the gallery a tall,
graceful woman, dressed in some neutral color and wearing long black
gloves, which accentuated the beauty of her hands and arms. No one in
the whole assembly paid such close attention to the orator as did this
woman, whom he had never seen before and who appeared to be entirely
alone.

When it came to him to speak on another day he saw sitting in the
same place the same stately and yet lithe and sinuous figure. This was
repeated again and again, until at last whenever he came to a peculiarly
fervid burst of oratory he turned to this woman's face and saw it
lighted up by the same enthusiasm which was stirring him.

Finally, in the early part of 1870, there came a day when Gambetta
surpassed himself in eloquence. His theme was the grandeur of republican
government. Never in his life had he spoken so boldly as then, or with
such fervor. The ministers of the emperor shrank back in dismay as this
big-voiced, strong-limbed man hurled forth sentence after sentence like
successive peals of irresistible artillery.

As Gambetta rolled forth his sentences, superb in their rhetoric and all
ablaze with that sort of intense feeling which masters an orator in the
moment of his triumph, the face of the lady in the gallery responded to
him with wonderful appreciation. She was no longer calm, unmoved, and
almost severe. She flushed, and her eyes as they met his seemed to
sparkle with living fire. When he finished and descended from the
rostrum he looked at her, and their eyes cried out as significantly as
if the two had spoken to each other.

Then Gambetta did what a person of finer breeding would not have done.
He hastily scribbled a note, sealed it, and called to his side one of
the official pages. In the presence of the great assemblage, where he
was for the moment the center of attention, he pointed to the lady in
the gallery and ordered the page to take the note to her.

One may excuse this only on the ground that he was completely carried
away by his emotion, so that to him there was no one present save this
enigmatically fascinating woman and himself. But the lady on her side
was wiser; or perhaps a slight delay gave her time to recover her
discretion. When Gambetta's note was brought to her she took it quietly
and tore it into little pieces without reading it; and then, rising, she
glided through the crowd and disappeared.

Gambetta in his excitement had acted as if she were a mere adventuress.
With perfect dignity she had shown him that she was a woman who retained
her self-respect.

Immediately upon the heels of this curious incident came the outbreak of
the war with Germany. In the war the empire was shattered at Sedan. The
republic was proclaimed in Paris. The French capital was besieged by
a vast German army. Gambetta was made minister of the interior, and
remained for a while in Paris even after it had been blockaded. But his
fiery spirit chafed under such conditions. He longed to go forth into
the south of France and arouse his countrymen with a cry to arms against
the invaders.

Escaping in a balloon, he safely reached the city of Tours; and there he
established what was practically a dictatorship. He flung himself with
tremendous energy into the task of organizing armies, of equipping them,
and of directing their movements for the relief of Paris. He did, in
fact, accomplish wonders. He kept the spirit of the nation still
alive. Three new armies were launched against the Germans. Gambetta was
everywhere and took part in everything that was done. His inexperience
in military affairs, coupled with his impatience of advice, led him
to make serious mistakes. Nevertheless, one of his armies practically
defeated the Germans at Orleans; and could he have had his own way, even
the fall of Paris would not have ended the war.

"Never," said Gambetta, "shall I consent to peace so long as France
still has two hundred thousand men under arms and more than a thousand
cannon to direct against the enemy! "

But he was overruled by other and less fiery statesmen. Peace was made,
and Gambetta retired for a moment into private life.
If he had not
succeeded in expelling the German hosts he had, at any rate, made
Bismarck hate him, and he had saved the honor of France.

It was while the National Assembly at Versailles was debating the terms
of peace with Germany that Gambetta once more delivered a noble and
patriotic speech. As he concluded he felt a strange magnetic attraction;
and, sweeping the audience with a glance, he saw before him, not very
far away, the same woman with the long black gloves, having about
her still an air of mystery, but again meeting his eyes with her own,
suffused with feeling.

Gambetta hurried to an anteroom and hastily scribbled the following
note:

At last I see you once more. Is it really you?

The scrawl was taken to her by a discreet official, and this time she
received the letter, pressed it to her heart, and then slipped it into
the bodice of her gown. But this time, as before, she left without
making a reply.

It was an encouragement, yet it gave no opening to Gambetta--for she
returned to the National Assembly no more. But now his heart was full of
hope, for he was convinced with a very deep conviction that somewhere,
soon, and in some way he would meet this woman, who had become to him
one of the intense realities of his life. He did not know her name. They
had never exchanged a word. Yet he was sure that time would bring them
close together.

His intuition was unerring. What we call chance often seems to know
what it is doing. Within a year after the occurrence that has just been
narrated an old friend of Gambetta's met with an accident which confined
him to his house. The statesman strolled to his friend's residence. The
accident was a trifling one, and the mistress of the house was holding
a sort of informal reception, answering questions that were asked her by
the numerous acquaintances who called.

As Gambetta was speaking, of a sudden he saw before him, at the
extremity of the room, the lady of his dreams, the sphinx of his waking
hours, the woman who four years earlier had torn up the note which he
addressed to her, but who more recently had kept his written words. Both
of them were deeply agitated, yet both of them carried off the situation
without betraying themselves to others, Gambetta approached, and they
exchanged a few casual commonplaces. But now, close together, eye and
voice spoke of what was in their hearts.

Presently the lady took her leave. Gambetta followed closely. In the
street he turned to her and said in pleading tones:

"Why did you destroy my letter? You knew I loved you, and yet all these
years you have kept away from me in silence. "

Then the girl--for she was little more than a girl--hesitated for a
moment. As he looked upon her face he saw that her eyes were full of
tears. At last she spoke with emotion:

"You cannot love me, for I am unworthy of you. Do not urge me. Do not
make promises. Let us say good-by. At least I must first tell you of my
story, for I am one of those women whom no one ever marries. "

Gambetta brushed aside her pleadings. He begged that he might see her
soon. Little by little she consented; but she would not see him at her
house. She knew that his enemies were many and that everything he did
would be used against him. In the end she agreed to meet him in the park
at Versailles, near the Petit Trianon, at eight o'clock in the morning.

When she had made this promise he left her. Already a new inspiration
had come to him, and he felt that with this woman by his side he could
accomplish anything.

At the appointed hour, in the silence of the park and amid the sunshine
of the beautiful morning, the two met once again. Gambetta seized her
hands with eagerness and cried out in an exultant tone:

"At last! At last! At last! "

But the woman's eyes were heavy with sorrow, and upon her face there was
a settled melancholy. She trembled at his touch and almost shrank from
him. Here was seen the impetuosity of the meridional. He had first
spoken to this woman only two days before. He knew nothing of her
station, of her surroundings, of her character. He did not even know her
name. Yet one thing he knew absolutely--that she was made for him and
that he must have her for his own. He spoke at once of marriage; but at
this she drew away from him still farther.

"No," she said. "I told you that you must not speak to me until you have
heard my story. "

He led her to a great stone bench near by; and, passing his arm about
her waist, he drew her head down to his shoulder as he said:

"Well, tell me. I will listen. "

Then this girl of twenty-four, with perfect frankness, because she was
absolutely loyal, told him why she felt that they must never see each
other any more-much less marry and be happy. She was the daughter of a
colonel in the French army. The sudden death of her father had left her
penniless and alone. Coming to Paris at the age of eighteen, she had
given lessons in the household of a high officer of the empire. This man
had been attracted by her beauty, and had seduced her.

Later she had secured the means of living modestly, realizing more
deeply each month how dreadful had been her fate and how she had been
cut off from the lot of other girls. She felt that her life must be a
perpetual penance for what had befallen her through her ignorance and
inexperience. She told Gambetta that her name was Leonie Leon. As is the
custom of Frenchwomen who live alone, she styled herself madame. It is
doubtful whether the name by which she passed was that which had been
given to her at baptism; but, if so, her true name has never been
disclosed.

When she had told the whole of her sad story to Gambetta he made nothing
of it. She said to him again:

"You cannot love me. I should only dim your fame. You can have nothing
in common with a dishonored, ruined girl. That is what I came here to
explain to you. Let us part, and let us for all time forget each other. "

But Gambetta took no heed of what she said. Now that he had found
her, he would not consent to lose her. He seized her slender hands and
covered them with kisses. Again he urged that she should marry him.

Her answer was a curious one. She was a devoted Catholic and would not
regard any marriage as valid save a religious marriage. On the other
hand, Gambetta, though not absolutely irreligious, was leading the
opposition to the Catholic party in France. The Church to him was not so
much a religious body as a political one, and to it he was unalterably
opposed. Personally, he would have no objections to being married by a
priest; but as a leader of the anti-clerical party he felt that he must
not recognize the Church's claim in any way. A religious marriage would
destroy his influence with his followers and might even imperil the
future of the republic.

They pleaded long and earnestly both then and afterward. He urged a
civil marriage, but she declared that only a marriage according to the
rites of the Church could ever purify her past and give her back her
self-respect. In this she was absolutely stubborn, yet she did not urge
upon Gambetta that he should destroy his influence by marrying her in
church.

Through all this interplay of argument and pleading and emotion the
two grew every moment more hopelessly in love. Then the woman, with a
woman's curious subtlety and indirectness, reached a somewhat singular
conclusion. She would hear nothing of a civil marriage, because a civil
marriage was no marriage in the eyes of Pope and prelate. On the other
hand, she did not wish Gambetta to mar his political career by going
through a religious ceremony. She had heard from a priest that the
Church recognized two forms of betrothal. The usual one looked to a
marriage in the future and gave no marriage privileges until after the
formal ceremony. But there was another kind of betrothal known to the
theologians as sponsalia de praesente. According to this, if there were
an actual betrothal, the pair might have the privileges and rights of
marriage immediately, if only they sincerely meant to be married in the
future.

The eager mind of Leonie Leon caught at this bit of ecclesiastical law
and used it with great ingenuity.

"Let us," she said, "be formally betrothed by the interchange of a
ring, and let us promise each other to marry in the future. After such
a betrothal as this we shall be the same as married; for we shall be
acting according to the laws of the Church. "

Gambetta gladly gave his promise. A betrothal ring was purchased; and
then, her conscience being appeased, she gave herself completely to her
lover. Gambetta was sincere. He said to her:

"If the time should ever come when I shall lose my political station,
when I am beaten in the struggle, when I am deserted and alone, will you
not then marry me when I ask you? "

And Leonie, with her arms about his neck, promised that she would. Yet
neither of them specified what sort of marriage this should be, nor did
it seem at the moment as if the question could arise.

For Gambetta was very powerful. He led his party to success in the
election of 1877. Again and again his triumphant oratory mastered the
National Assembly of France. In 1879 he was chosen to be president
of the Chamber of Deputies. He towered far above the president of the
republic--Jules Grevy, that hard-headed, close-fisted old peasant--and
his star had reached its zenith.

All this time he and Leonie Leon maintained their intimacy, though it
was carefully concealed save from a very few. She lived in a plain but
pretty house on the Avenue Perrichont in the quiet quarter of Auteuil;
but Gambetta never came there. Where and when they met was a secret
guarded very carefully by the few who were his close associates. But
meet they did continually, and their affection grew stronger every year.
Leonie thrilled at the victories of the man she loved; and he found joy
in the hours that he spent with her.

Gambetta's need of rest was very great, for he worked at the highest
tension, like an engine which is using every pound of steam. Bismarck,
whose spies kept him well informed of everything that was happening in
Paris, and who had no liking for Gambetta, since the latter always spoke
of him as "the Ogre," once said to a Frenchman named Cheberry:

"He is the only one among you who thinks of revenge, and who is any sort
of a menace to Germany. But, fortunately, he won't last much longer. I
am not speaking thoughtlessly. I know from secret reports what sort of
a life your great man leads, and I know his habits. Why, his life is
a life of continual overwork. He rests neither night nor day. All
politicians who have led the same life have died young. To be able
to serve one's country for a long time a statesman must marry an ugly
woman, have children like the rest of the world, and a country place
or a house to one's self like any common peasant, where he can go and
rest. "

The Iron Chancellor chuckled as he said this, and he was right. And yet
Gambetta's end came not so much through overwork as by an accident.

It may be that the ambition of Mme. Leon stimulated him beyond his
powers. However this may be, early in 1882, when he was defeated in
Parliament on a question which he considered vital, he immediately
resigned and turned his back on public life. His fickle friends soon
deserted him. His enemies jeered and hooted the mention of his name.

He had reached the time which with a sort of prophetic instinct he had
foreseen nearly ten years before. So he turned to the woman who had
been faithful and loving to him; and he turned to her with a feeling of
infinite peace.

"You promised me," he said, "that if ever I was defeated and alone you
would marry me. The time is now. "

Then this man, who had exercised the powers of a dictator, who had
levied armies and shaken governments, and through whose hands there had
passed thousands of millions of francs, sought for a country home. He
found for sale a small estate which had once belonged to Balzac, and
which is known as Les Jardies. It was in wretched repair; yet the small
sum which it cost Gambetta--twelve thousand francs--was practically all
that he possessed. Worn and weary as he was, it seemed to him a haven of
delightful peace; for here he might live in the quiet country with the
still beautiful woman who was soon to become his wife.

It is not known what form of marriage they at last agreed upon. She may
have consented to a civil ceremony; or he, being now out of public life,
may have felt that he could be married by the Church. The day for their
wedding had been set, and Gambetta was already at Les Jardies. But there
came a rumor that he had been shot. Still further tidings bore the news
that he was dying. Paris, fond as it was of scandals, immediately spread
the tale that he had been shot by a jealous woman.

The truth is quite the contrary. Gambetta, in arranging his effects in
his new home, took it upon himself to clean a pair of dueling-pistols;
for every French politician of importance must fight duels, and Gambetta
had already done so. Unfortunately, one cartridge remained unnoticed in
the pistol which Gambetta cleaned. As he held the pistol-barrel against
the soft part of his hand the cartridge exploded, and the ball passed
through the base of the thumb with a rending, spluttering noise.

The wound was not in itself serious, but now the prophecy of Bismarck
was fulfilled. Gambetta had exhausted his vitality; a fever set in, and
before long he died of internal ulceration.

This was the end of a great career and of a great romance of love.
Leonie Leon was half distraught at the death of the lover who was so
soon to be her husband. She wandered for hours in the forest until she
reached a convent, where she was received. Afterward she came to Paris
and hid herself away in a garret of the slums. All the light of her life
had gone out. She wished that she had died with him whose glory had been
her life. Friends of Gambetta, however, discovered her and cared for her
until her death, long afterward, in 1906.

She lived upon the memories of the past, of the swift love that had come
at first sight, but which had lasted unbrokenly; which had given her the
pride of conquest, and which had brought her lover both happiness and
inspiration and a refining touch which had smoothed away his roughness
and made him fit to stand in palaces with dignity and distinction.

As for him, he left a few lines which have been carefully preserved, and
which sum up his thought of her. They read:

To the light of my soul; to the star, of my life--Leonie Leon. For ever!
For ever!





LADY BLESSINGTON AND COUNT D'ORSAY


Often there has arisen some man who, either by his natural gifts or
by his impudence or by the combination of both, has made himself a
recognized leader in the English fashionable world. One of the first of
these men was Richard Nash, usually known as "Beau Nash," who flourished
in the eighteenth century. Nash was a man of doubtful origin; nor was
he attractive in his looks, for he was a huge, clumsy creature with
features that were both irregular and harsh. Nevertheless, for nearly
fifty years Beau Nash was an arbiter of fashion. Goldsmith, who wrote
his life, declared that his supremacy was due to his pleasing manners,
"his assiduity, flattery, fine clothes, and as much wit as the ladies
had whom he addressed. " He converted the town of Bath from a rude little
hamlet into an English Newport, of which he was the social autocrat. He
actually drew up a set of written rules which some of the best-born and
best-bred people follow slavishly.

Even better known to us is George Bryan Brummel, commonly called "Beau
Brummel," who by his friendship with George IV. --then Prince Regent--was
an oracle at court on everything that related to dress and etiquette and
the proper mode of living. His memory has been kept alive most of all by
Richard Mansfield's famous impersonation of him. The play is based upon
the actual facts; for after Brummel had lost the royal favor he died an
insane pauper in the French town of Caen. He, too, had a distinguished
biographer, since Bulwer-Lytton's novel Pelham is really the narrative
of Brummel's curious career.

Long after Brummel, Lord Banelagh led the gilded youth of London, and
it was at this time that the notorious Lola Montez made her first
appearance in the British capital.

These three men--Nash, Brummel, and Ranelagh--had the advantage of
being Englishmen, and, therefore, of not incurring the old-time English
suspicion of foreigners. A much higher type of social arbiter was a
Frenchman who for twenty years during the early part of Queen Victoria's
reign gave law to the great world of fashion, besides exercising a
definite influence upon English art and literature.

This was Count Albert Guillaume d'Orsay, the son of one of Napoleon's
generals, and descended by a morganatic marriage from the King of
Wurttemburg. The old general, his father, was a man of high courage,
impressive appearance, and keen intellect, all of which qualities he
transmitted to his son. The young Count d'Orsay, when he came of age,
found the Napoleonic era ended and France governed by Louis XVIII. The
king gave Count d'Orsay a commission in the army in a regiment stationed
at Valence in the southeastern part of France. He had already visited
England and learned the English language, and he had made some
distinguished friends there, among whom were Lord Byron and Thomas
Moore.

On his return to France he began his garrison life at Valence, where he
showed some of the finer qualities of his character. It is not merely
that he was handsome and accomplished and that he had the gift of
winning the affections of those about him. Unlike Nash and Brummel,
he was a gentleman in every sense, and his courtesy was of the highest
kind. At the balls given by his regiment, although he was more courted
than any other officer, he always sought out the plainest girls and
showed them the most flattering attentions. No "wallflowers" were left
neglected when D'Orsay was present.

It is strange how completely human beings are in the hands of fate. Here
was a young French officer quartered in a provincial town in the valley
of the Rhone. Who would have supposed that he was destined to become
not only a Londoner, but a favorite at the British court, a model of
fashion, a dictator of etiquette, widely known for his accomplishments,
the patron of literary men and of distinguished artists? But all these
things were to come to pass by a mere accident of fortune.

During his firsts visit to London, which has already been mentioned,
Count d'Orsay was invited once or twice to receptions given by the Earl
and Countess of Blessington, where he was well received, though this was
only an incident of his English sojourn. Before the story proceeds
any further it is necessary to give an account of the Earl and of Lady
Blessington, since both of their careers had been, to say the least,
unusual.

Lord Blessington was an Irish peer for whom an ancient title had been
revived. He was remotely descended from the Stuarts of Scotland, and
therefore had royal blood to boast of. He had been well educated, and in
many ways was a man of pleasing manner. On the other hand, he had early
inherited a very large property which yielded him an income of about
thirty thousand pounds a year. He had estates in Ireland, and he owned
nearly the whole of a fashionable street in London, with the buildings
erected on it.

This fortune and the absence of any one who could control him had made
him wilful and extravagant and had wrought in him a curious love of
personal display. Even as a child he would clamor to be dressed in the
most gorgeous uniforms; and when he got possession of his property his
love of display became almost a monomania. He built a theater as an
adjunct to his country house in Ireland and imported players from London
and elsewhere to act in it. He loved to mingle with the mummers, to try
on their various costumes, and to parade up and down, now as an oriental
prince and now as a Roman emperor.

In London he hung about the green-rooms, and was a well-known figure
wherever actors or actresses were collected. Such was his love of the
stage that he sought to marry into the profession and set his heart on a
girl named Mary Campbell Browne, who was very beautiful to look at, but
who was not conspicuous either for her mind or for her morals. When Lord
Blessington proposed marriage to her she was obliged to tell him that
she already had one husband still alive, but she was perfectly willing
to live with him and dispense with the marriage ceremony.